D-Sl Cod. mus. I 2° 26

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: Ca. 1538 (GottH); ca. 1540-5 (KirschQM).

Archive	Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark	Cod. mus. I 2° 26
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	520 x 390 mm
Other Identifiers	CCM: StuttL 26 olim (Former shelfmark): MS Musica folio I 26
Notations	black void mensural
Copyists	Peuschel, Nikolaus Music
Relationships	Ulrich (1487–1550) (patron)
External Links	catalogue images images
Provenance	court chapel of Ulrich, Duke of Württemberg (1487-1550 , Stuttgart, Bavaria, Germany
Contents	Contains 10 compositions from 9 composers.

General Description

Composite of two originally separate Magnificat collections: 'Primus Tomus' = ff. 1-103; 'Secundus Tomus' = ff. 104-165. 'Primus Tomus' apparently copied from the print RISM 1534/7; 'Secundus Tomus' copied from RISM 1534/8 and S2807 (GottH). Copied by Nikolaus Peuschel (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

DIAMM, 2017

Binding

Original covers of tooled leather over pasteboard, restored

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original ink foliation, 1-88 ('53' applied to two consecutive folios) + modern foliation, 89-165. 'Secundus Tomus' once had independent system of original foliation on lower right rectos, but most numbers obliterated by later trimming

DIAMM, 2017

Decoration

No initials or decoration

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 Magnificats

Cybot-1, Du Hamel-1, (A. Févin)-1, Hesdin-1, Jacotin-1, Lebrun -1, Lhéritier-1, Manchicourt-1, Senfl-2

166 paper folios, 520 x 390. Composite of two originally separate Magnificat collections: "Primus Tomus" = ff. 1-103; "Secundus Tomus" = ff. 104-165. Original ink foliation, 1-88 ("53" applied to two consecutive folios) + modern foliation, 89-165. "Secundus Tomus" once had independent system of original foliation on lower right rectos, but most numbers obliterated by later trimming. Original covers of tooled leather over pasteboard, restored. No index. Copied by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. No initials or decoration. "Primus Tomus" apparently copied from the print RISM 1534/7; "Secundus Tomus" copied from RISM 1534/8 and S2807 (GottH).

Ca. 1538 (GottH); ca. 1540-5 (KirschQM). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–19	Magnificat primi toni	-	le Brun, Jean (fl. early 16th century)
Magnificat primi toni le Brun, Jean (fl. early 16th century) Appears on: 1v–19 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat primi toni
19v–38	Magnificat primi toni	-	Cybot, Noel
Magnificat primi toni Cybot, Noel Appears on: 19v–38 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat primi Toni
38v–59	Magnificat Secundi Toni: Et exultavit spiritus meus	-	Manchicourt, Pierre de
Magnificat Secundi Toni: Et exultavit spiritus meus Manchicourt, Pierre de Appears on: 38v–59 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat Secundi Toni
59v–71	Magnificat Secundi Toni: Et exultavit [K.824]	-	Hesdin, Nicolle des Celliers de (–1538)
Magnificat Secundi Toni: Et exultavit [K.824] Hesdin, Nicolle des Celliers de (–1538) Appears on: 59v–71 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat Secundi toni
71v–85	Magnificat Tertii Toni: Et exultavit spiritus meus	-	Jacotin, Jacques (1445–1529)
Magnificat Tertii Toni: Et exultavit spiritus meus Jacotin, Jacques (1445–1529) Appears on: 71v–85 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat Tertii toni
85v–103	Magnificat tertii toni: Et exultavit [K.779]	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Magnificat tertii toni: Et exultavit [K.779] Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 85v–103 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat Tertii toni
104v–117	Magnificat quarti toni: Et exultavit spiritus meus	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat quarti toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 104v–117 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat Quarti Toni
117v–138	Magnificat quarti toni: Et exultavit [K.875]	-	Lheritier, Jean (ca. 1480–ca. 1551)
Magnificat quarti toni: Et exultavit [K.875] Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 117v–138 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat Quarti Toni
138v–148	Magnificat quinti toni: Et exultavit spiritus meus	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat quinti toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 138v–148 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat quinti toni
148v–165	Magnificat Quinti Toni: Et exultavit spiritus meus	-	Hamel, Joannes du
Magnificat Quinti Toni: Et exultavit spiritus meus Hamel, Joannes du Appears on: 148v–165 Genres: BVM, Canticle, Magnificat Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Magnificat Quinti toni

Composer	Compositions
Cybot, Noel	Magnificat primi toni – 19v–38
Fevin, Antoine de (ca. 1470-ca. 1512)	Magnificat tertii toni: Et exultavit [K.779] – 85v–103
Hamel, Joannes du	Magnificat Quinti Toni: Et exultavit spiritus meus – 148v–165
Hesdin, Nicolle des Celliers de (-1538)	Magnificat Secundi Toni: Et exultavit [K.824] – 59v–71
Jacotin, Jacques (1445-1529)	Magnificat Tertii Toni: Et exultavit spiritus meus – 71v–85
Lheritier, Jean (ca. 1480-ca. 1551)	Magnificat quarti toni: Et exultavit [K.875] – 117v–138
Manchicourt, Pierre de	Magnificat Secundi Toni: Et exultavit spiritus meus – 38v–59
Senfl, Ludwig (ca. 1486-ca. 1543)	Magnificat quarti toni: Et exultavit spiritus meus – 104v–117 Magnificat quinti toni: Et exultavit spiritus meus – 138v–148
le Brun, Jean (early 16th century)	Magnificat primi toni – 1v–19

Composition	Composers (? Uncertain)	Folios / Pages
Magnificat primi toni	le Brun, Jean (fl. early 16th century)	1v–19
Magnificat primi toni	Cybot, Noel	19v–38
Magnificat quarti toni: Et exultavit [K.875]	Lheritier, Jean (ca. 1480–ca. 1551)	117v–138
Magnificat quarti toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	104v–117
Magnificat quinti toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	138v–148
Magnificat Quinti Toni: Et exultavit spiritus meus	Hamel, Joannes du	148v–165
Magnificat Secundi Toni: Et exultavit [K.824]	Hesdin, Nicolle des Celliers de (–1538)	59v–71
Magnificat Secundi Toni: Et exultavit spiritus meus	Manchicourt, Pierre de	38v–59
Magnificat tertii toni: Et exultavit [K.779]	Fevin, Antoine de (ca. 1470–ca. 1512)	85v–103
Magnificat Tertii Toni: Et exultavit spiritus meus	Jacotin, Jacques (1445–1529)	71v–85

‡ denotes primary source study

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xliv, lii. Notes: physical description (partial); contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 164. Notes: contents list; concordances; incipits.

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 48-9. Notes: physical description; contents list; concordances (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 29, passim. Notes: physical description (partial); mention of MS; discussion.

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, 34: . Pages: 21. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description