E-Zvp Armario C-3, MS 17

Iglesias Metropolitana de la Virgen del Pilar, Archivo Musical, Zaragoza (Saragossa), Spain

manuscript of polyphony: 16th century

Archive Iglesias Metropolitana de la Virgen del Pilar, Archivo Musical, Zaragoza (Saragossa), Spain (E-Zvp)
Shelfmark Armario C-3, MS 17
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Format portrait
Measurements 428 x 285 mm
Other Identifiers
  • CCM: SaraP 17
Notations
  • black void mensural
Relationships
External Links
Provenance
  • Zaragoza (Saragossa), Spain
Contents 9 pieces from 2 composers
General Description

Copied by two scribes (ff. 1'-16 and ff. 17'-20, respectively). Presumably copied in Saragossa.

Cristina Urchueguía, 2010
Binding

Original parchment covers cut from chant manuscript, with inscription: 'Motete. Missa de requiem y Salves. / Nu°. 79'; SaraP 17 now bound loosely with three other music manuscripts not within scope of this catalogue

Cristina Urchueguía, 2010
Watermark

grape cluster with initials "LC" (not in Briquet).

Cristina Urchueguía, 2010
Notation

black void mensural

Cristina Urchueguía, 2010
Ruling

Staff height 25 on ff. 1'-16; 22 on ff. 17'-20.

Cristina Urchueguía, 2010
Foliation

Original ink foliation, 1-20

Cristina Urchueguía, 2010
Decoration

Inked initials within rectangular borders on ff. 17'-20; no decoration on other folios.

Cristina Urchueguía, 2010
Index

Original index on f. 1 lists pieces in order of appearance.

Cristina Urchueguía, 2010
Surface

paper

Cristina Urchueguía, 2010
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Requiem Mass, 1 Requiem Mass section, 6 motets, 1 textless piece = 9

Josquin-2, anon-7

20 paper folios, 428 x 285. Original ink foliation, 1-20. Original parchment covers cut from chant manuscript, with inscription: "Motete. Missa de requiem y Salves. / Nu°. 79"; SaraP 17 now bound loosely with three other music manuscripts not within scope of this catalogue. Original index on f. 1 lists pieces in order of appearance. Copied by two scribes (ff. 1'-16 and ff. 17'-20, respectively). Staff height 25 on ff. 1'-16; 22 on ff. 17'-20. Inked initials within rectangular borders on ff. 17'-20; no decoration on other folios. Watermark: grape cluster with initials "LC" (not in Briquet).

16th century. Presumably copied in Saragossa.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–8 Requiem Mass Anon. Anonymous

Requiem Mass

Anonymous
Appears on: 1v–8
Genres: Requiem
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Requiem Mass]
8v–9 Ne recorderis dum veneris ne intres Anon. Anonymous

Ne recorderis dum veneris ne intres

Anonymous
Appears on: 8v–9
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ne recorderis dum veneris ne intres
9v–10 Absolve Domine animas omnium fidelium Anon. Anonymous

Absolve Domine animas omnium fidelium

Anonymous
Appears on: 9v–10
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Absolve domine animas omnium fidelium
10v–11 [untexted] Anon. -

[untexted]

-
Appears on: 10v–11
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
10v–11 O virgo Maria impetra nobis pacem Anon. Anonymous

O virgo Maria impetra nobis pacem

Anonymous
Appears on: 10v–11
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O virgo Maria impetra nobis pacem
11v–13 Salve regina mater misericordiae Anon. Anonymous

Salve regina mater misericordiae

Anonymous
Appears on: 11v–13
Genres: Marian antiphon, Motet, Salve Regina
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordie] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O clemens O pia O dulcis virgo Maria
13v–16 Salve regina mater misericordiae Anon. Anonymous

Salve regina mater misericordiae

Anonymous
Appears on: 13v–16
Genres: Marian antiphon, Motet, Salve Regina
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordie] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris
17v–19 Salve regina (5vv) 25.5 II: Eya ergo advocata nostra illos III: Et Jesum benedictum Jusquin de Pres
Despres, Josquin (ca. 1450–1521)

Salve regina (5vv) 25.5 II: Eya ergo advocata nostra illos III: Et Jesum benedictum

Despres, Josquin (ca. 1450–1521)
Appears on: 17v–19
Genres: Motet, Salve Regina
Source Attribution: Jusquin de Pres
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina mater misericordia vita dulcedo 25.5 II: Eya ergo advocata nostra illos
19v–20 Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Jusquin
Despres, Josquin (ca. 1450–1521)

Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum

Despres, Josquin (ca. 1450–1521)
Appears on: 19v–20
Genres: Ave Maria, Motet
Source Attribution: Jusquin
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gracia plena dominus tecum 20.9 [Pars II of Pater noster qui es in caelis]
Composer Compositions
Anonymous
Despres, Josquin (ca. 1450–1521)
Composition Composers (? Uncertain) Folios / Pages
[untexted] - 10v–11
Absolve Domine animas omnium fidelium Anonymous 9v–10
Ne recorderis dum veneris ne intres Anonymous 8v–9
O virgo Maria impetra nobis pacem Anonymous 10v–11
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum
Despres, Josquin (ca. 1450–1521)
19v–20
Requiem Mass Anonymous 1v–8
Salve regina (5vv) 25.5 II: Eya ergo advocata nostra illos III: Et Jesum benedictum
Despres, Josquin (ca. 1450–1521)
17v–19
Salve regina mater misericordiae Anonymous 11v–13
Salve regina mater misericordiae Anonymous 13v–16

‡ denotes primary source study

‡ Knighton, Tess. 2011. Music for the Dead: An Early Sixteenth-Century Anonymous Requiem Mass. Pure Gold: Golden Age Sacred Music in the Iberian World. A Homage to Bruno Turner, 262-88. Kassel: Reichenberger. Pages: 262-288.

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 68-9. Notes: contents list (partial); concordances (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS.  American Institute of Musicology. Pages: 74. Notes: contents list (partial); concordances (partial).

Elders, Willem. 1968. Studien zur Symbolik in der Musik der alten Niederländer.  Bilthoven. Pages: 127. Notes: contents list (partial); concordances (partial).

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Bernadette Nelson

Wednesday, 29 January, 2025

Added Knighton 2011 to bibliography

Cristina Urchueguía, 2010

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description