Copied by two scribes (ff. 1'-16 and ff. 17'-20, respectively). Presumably copied in Saragossa.
E-Zvp Armario C-3, MS 17
Iglesias Metropolitana de la Virgen del Pilar, Archivo Musical, Zaragoza, Spain
manuscript of polyphony: 16th century
| Archive | Iglesias Metropolitana de la Virgen del Pilar, Archivo Musical, Zaragoza, Spain (E-Zvp) |
|---|---|
| Shelfmark | Armario C-3, MS 17 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Format | portrait |
| Measurements | 428 x 285 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 9 compositions, 2 from 1 composer, 7 are anonymous. |
General Description
Binding
Original parchment covers cut from chant manuscript, with inscription: 'Motete. Missa de requiem y Salves. / Nu°. 79'; SaraP 17 now bound loosely with three other music manuscripts not within scope of this catalogue
Watermark
grape cluster with initials "LC" (not in Briquet).
Notation
black void mensural
Ruling
Staff height 25 on ff. 1'-16; 22 on ff. 17'-20.
Foliation
Original ink foliation, 1-20
Decoration
Inked initials within rectangular borders on ff. 17'-20; no decoration on other folios.
Index
Original index on f. 1 lists pieces in order of appearance.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Requiem Mass, 1 Requiem Mass section, 6 motets, 1 textless piece = 9
Josquin-2, anon-7
20 paper folios, 428 x 285. Original ink foliation, 1-20. Original parchment covers cut from chant manuscript, with inscription: "Motete. Missa de requiem y Salves. / Nu°. 79"; SaraP 17 now bound loosely with three other music manuscripts not within scope of this catalogue. Original index on f. 1 lists pieces in order of appearance. Copied by two scribes (ff. 1'-16 and ff. 17'-20, respectively). Staff height 25 on ff. 1'-16; 22 on ff. 17'-20. Inked initials within rectangular borders on ff. 17'-20; no decoration on other folios. Watermark: grape cluster with initials "LC" (not in Briquet).
16th century. Presumably copied in Saragossa.
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‡ denotes primary source study
‡ Knighton, Tess. 2011. Music for the Dead: An Early Sixteenth-Century Anonymous Requiem Mass. Pure Gold: Golden Age Sacred Music in the Iberian World. A Homage to Bruno Turner, 262-88. Kassel: Reichenberger. Pages: 262-288.
Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 68-9. Notes: contents list (partial); concordances (partial).
Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2. American Institute of Musicology. Pages: 74. Notes: contents list (partial); concordances (partial).
Elders, Willem. 1968. Studien zur Symbolik in der Musik der alten Niederländer. Bilthoven. Pages: 127. Notes: contents list (partial); concordances (partial).
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Bernadette Nelson
Wednesday, 29 January, 2025
Added Knighton 2011 to bibliography
Cristina Urchueguía, 2010
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note; DIAMM Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description