I-Fc MS Basevi 2441

Conservatorio di Musica Luigi Cherubini, Firenze (Florence), Italy

manuscript of polyphony: 16th century

Archive Conservatorio di Musica Luigi Cherubini, Firenze (Florence), Italy (I-Fc)
Shelfmark MS Basevi 2441
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 143 x 210 mm
Other Identifiers
  • RISM: I-Fc 2441 (Basevi 2441)
  • CCM: FlorC 2441
Copyists
External Links
Provenance
  • Milano (Milan), Italy
Contents 68 pieces from 11 composers
General Description

Copied by a single scribe, who also appears in MilD 2267 (RifSC). Copied in Milan (RifSC).

DIAMM, 2017
Binding

Modem covers

DIAMM, 2017
Liminary Note

Inscription at beginning, in 19th-century hand: 'Musica antica a 4 parti Cantanti con le parole dell secolo circa il 1460.'

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

Early 16th century (JepFR).

DIAMM, 2017
Ruling

5 staves per page

DIAMM, 2017
Foliation

72 ff

DIAMM, 2017
Foliation

Modern pencil foliation, 1-72.

DIAMM, 2017
Decoration

Decorated initials and voice designations

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM B/IV 5: XVIe s. 72 ff. Papier, 143 x 210 mm. Foliotation moderne au bas des ff. Notation mesurée blanche. 5 portées par p. Initiales ornées en noir et jaune. Reliure cuir moderne. «Opera dannegiata dall' alluvione di Firenze 4 nov. 1966.»

Entré comme les précédents en 1885 à la Bibl. del Conservatorio avec le don Basevi, ce ms. a été copié par un seul scribe dont l'écriture rappelle celle du copiste de certains ff. du Ms. 2267 de Milan, l'un des quatre libroni constitués pour la cathédrale de Milan sous la direction de Franchino Gaffurio, ca. 1500. Fc 2441 ne serait donc pas d'origine florentine, comme on le pense quelquefois (StaehelinEF, 75), mais aurait été compilé à Milan et représenterait ainsi la seule source de musique profane milanaise qui nous soit parvenue (Rifkin). En tout cas, le répertoire ne présente aucun rapport avec la culture florentine et la presque totalité des concordances s'établissent avec des éditions de Petrucci de la première décennie du siècle.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

68 Italian secular pieces

(Cara)-9, (Compère [L.C.])-1, (Diomedes of Venice)-1, (G. Fogliano)-1, (Josquin [Josquin Dascanio])-1, (Lurano)-4, (Pesenti [Micha])-1, (Tromboncino)-12, anon-38

i + 72 + i paper folios, 143 x 210. Modern pencil foliation, 1-72. Modem covers. No index. Copied by a single scribe, who also appears in MilD 2267 (RifSC). Decorated initials and voice designations. Inscription at beginning, in 19th-century hand: "Musica antica a 4 parti Cantanti con le parole dell secolo circa il 1460."

Early 16th century (JepFR). Copied in Milan (RifSC).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–3 Qual el cor che non piangesse - Anonymous
Appears on: 1v–3
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Qual el cor che non piangesse …

Voice: [no designation]
Languages: Italian
Voice Text: Qual el cor che non piangesse …

Voice: [no designation]
Languages: Italian
Voice Text: Qual el cor che non piangesse …

Voice: [no designation]
Languages: Italian
Voice Text: Qual el cor che non piangesse …
3v–4 Scopre lingua el mio martire - Anonymous
Appears on: 3v–4
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Scopre lingua el mio martire …

Voice: [no designation]
Languages: Italian
Voice Text: Scopre lingua el mio martire …

Voice: [no designation]
Languages: Italian
Voice Text: Scopre lingua el mio martire …

Voice: [no designation]
Languages: Italian
Voice Text: Scopre lingua el mio martire …
4v–5 In un tempo in un momento - Anonymous
Appears on: 4v–5
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: in un tempo in un momento …

Voice: [no designation]
Languages: Italian
Voice Text: in un tempo in un momento …

Voice: [no designation]
Languages: Italian
Voice Text: in un tempo in un momento …

Voice: [no designation]
Languages: Italian
Voice Text: in un tempo in un momento …

Item Bibliography

Gallico, Claudio. 1961. Un libro di poesie per musica dell'epoca di Isabella d'Esté. Bollettino storico mantovano.  Mantova.

5v–6 Poi eh'amor con dritta fé - Anonymous
Appears on: 5v–6
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Poi eh'amor con dritta fé …

Voice: [no designation]
Languages: Italian
Voice Text: Poi eh'amor con dritta fé …

Voice: [no designation]
Languages: Italian
Voice Text: Poi eh'amor con dritta fé …

Voice: [no designation]
Languages: Italian
Voice Text: Poi eh'amor con dritta fé …

Item Bibliography

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II Facs.

6v–7 Parte nostra e macinare - Anonymous
Appears on: 6v–7
Genres: Italian secular
Voice: [no designation]
Languages: Latin
Voice Text: Parte nostra e macinare …

Voice: [no designation]
Languages: Latin
Voice Text: Parte nostra e macinare …

Voice: [no designation]
Languages: Latin
Voice Text: Parte nostra e macinare …
7v–8 Oyme il cuor oyme la testa [M. CARA]*
Appears on: 7v–8
Genres: Italian secular
Source Attribution: [M. CARA]*
Voice: [no designation]
Languages: Italian
Voice Text: Oyme il cuor oyme la testa …

Voice: [no designation]
Languages: Italian
Voice Text: Oyme il cuor oyme la testa …

Voice: [no designation]
Languages: Italian
Voice Text: Oyme il cuor oyme la testa …
Concordances

*F-Pn 676

Item Bibliography

Feilerer, Karl Gustav (editor). 1962-65. Altklassische Polyphonie. Das Musikwerk. Eine Beispielsammlung zur Musikgeschichte.  Köln. Pages: 2.

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

8v–9 Non val' aqua al mio gran foco [B. TROMBONCINO]*
Appears on: 8v–9
Genres: Italian secular
Source Attribution: [B. TROMBONCINO]*
Voice: [no designation]
Languages: Italian
Voice Text: Non vai aqua al mio gran foco …

Voice: [no designation]
Languages: Italian
Voice Text: Non vai aqua al mio gran foco …

Voice: [no designation]
Languages: Italian
Voice Text: Non vai aqua al mio gran foco …
Concordances

*15044

Item Bibliography

Davison, Archibald Thompson, and Willi Apel (editors). 1966. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music.  Cambridge, Massachusetts.

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

9v–10 Arda el ciel e mundo tuto - Anonymous
Appears on: 9v–10
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Arda il ciel el mondo tuto …

Voice: [no designation]
Languages: Italian
Voice Text: Arda il ciel el mondo tuto …

Voice: [no designation]
Languages: Italian
Voice Text: Arda il ciel el mondo tuto …

Voice: [no designation]
Languages: Italian
Voice Text: Arda il ciel el mondo tuto …

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

10v–11 Ben chio serva un cor ingrato - Anonymous
Appears on: 10v–11
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Ben chio serva un cor ingrato …

Voice: [no designation]
Languages: Italian
Voice Text: Ben chio serva un cor ingrato …

Voice: [no designation]
Languages: Italian
Voice Text: Ben chio serva un cor ingrato …

Voice: [no designation]
Languages: Italian
Voice Text: Ben chio serva un cor ingrato …

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

11v–12 Tempo e hormai di ricoprare - Anonymous
Appears on: 11v–12
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Tempo hormai di ricoprare. . .

Voice: [no designation]
Languages: Italian
Voice Text: Tempo hormai di ricoprare. . .

Voice: [no designation]
Languages: Italian
Voice Text: Tempo hormai di ricoprare. . .

Voice: [no designation]
Languages: Italian
Voice Text: Tempo hormai di ricoprare. . .
12v–13 S'io dimostro in viso el fuoco - Anonymous
Appears on: 12v–13
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: S'io dimostro in viso el fuoco …

Voice: [no designation]
Languages: Italian
Voice Text: S'io dimostro in viso el fuoco …

Voice: [no designation]
Languages: Italian
Voice Text: S'io dimostro in viso el fuoco …

Voice: [no designation]
Languages: Italian
Voice Text: S'io dimostro in viso el fuoco …
13v–14 Poi che 'l ciel contrario [B. TROMBONCINO]*
Appears on: 13v–14
Genres: Italian secular
Source Attribution: [B. TROMBONCINO]*
Voice: [no designation]
Languages: Italian
Voice Text: Poi chel cielo contrario . . .

Voice: [no designation]
Languages: Italian
Voice Text: Poi chel cielo contrario . . .

Voice: [no designation]
Languages: Italian
Voice Text: Poi chel cielo contrario . . .

Voice: [no designation]
Languages: Italian
Voice Text: Poi chel cielo contrario . . .
General Note

Publ. cf. Bc 18 n° 9

Concordances

*15044

14v–15 Sempre le come esser suole [M. PESENTI]*
Appears on: 14v–15
Genres: Italian secular
Source Attribution: [M. PESENTI]*
Voice: [no designation]
Languages: Italian
Voice Text: Sempre le come esser suole …

Voice: [no designation]
Languages: Italian
Voice Text: Sempre le come esser suole …

Voice: [no designation]
Languages: Italian
Voice Text: Sempre le come esser suole …
Concordances

*15044

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

15v–16 Mete già la geloxia - Anonymous
Appears on: 15v–16
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Mete già la geloxia …

Voice: [no designation]
Languages: Italian
Voice Text: Mete già la geloxia …

Voice: [no designation]
Languages: Italian
Voice Text: Mete già la geloxia …

Voice: [no designation]
Languages: Italian
Voice Text: Mete già la geloxia …
16v–17 Si como el bianco cigno [M. CARA]*
Appears on: 16v–17
Genres: Italian secular
Source Attribution: [M. CARA]*
Voice: [no designation]
Languages: Italian
Voice Text: Si conio el bianco cigno …

Voice: [no designation]
Languages: Italian
Voice Text: Si conio el bianco cigno …

Voice: [no designation]
Languages: Italian
Voice Text: Si conio el bianco cigno …

Voice: [no designation]
Languages: Italian
Voice Text: Si conio el bianco cigno …
Concordances

*15044

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

17v–19 Non pigliar tanto ardimento [B. TROMBONCINO]*
Appears on: 17v–19
Genres: Italian secular
Source Attribution: [B. TROMBONCINO]*
Voice: [no designation]
Languages: Italian
Voice Text: Non pigliar tanto ardimento …

Voice: [no designation]
Languages: Italian
Voice Text: Non pigliar tanto ardimento …

Voice: [no designation]
Languages: Italian
Voice Text: Non pigliar tanto ardimento …

Voice: [no designation]
Languages: Italian
Voice Text: Non pigliar tanto ardimento …
Concordances

*15054

19v–20 Chi se fida de fortuna [B. TROMBONCINO]*
Appears on: 19v–20
Genres: Italian secular
Source Attribution: [B. TROMBONCINO]*
Voice: [no designation]
Languages: Italian
Voice Text: Chi se fida de fortuna …

Voice: [no designation]
Languages: Italian
Voice Text: Chi se fida de fortuna …

Voice: [no designation]
Languages: Italian
Voice Text: Chi se fida de fortuna …

Voice: [no designation]
Languages: Italian
Voice Text: Chi se fida de fortuna …
Concordances

*15054

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

20v–21 Non e tempo d'aspectare M. CARA]*
Appears on: 20v–21
Genres: Italian secular
Source Attribution: M. CARA]*
Voice: [no designation]
Languages: Italian
Voice Text: Non e tempo d'aspectare …

Voice: [no designation]
Languages: Italian
Voice Text: Non e tempo d'aspectare …

Voice: [no designation]
Languages: Italian
Voice Text: Non e tempo d'aspectare …

Voice: [no designation]
Languages: Italian
Voice Text: Non e tempo d'aspectare …
Concordances

*15044

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

21v–22 Poiché l'alma per se molta [B. TROMBONCINO]*
Appears on: 21v–22
Genres: Italian secular
Source Attribution: [B. TROMBONCINO]*
Voice: [no designation]
Languages: Italian
Voice Text: Poiché l'alma per se molta …

Voice: [no designation]
Languages: Italian
Voice Text: Poiché l'alma per se molta …

Voice: [no designation]
Languages: Italian
Voice Text: Poiché l'alma per se molta …

Voice: [no designation]
Languages: Italian
Voice Text: Poiché l'alma per se molta …
General Note

Publ. cf. Bc 18 n° 16

Concordances

*15044

22v–23 Defecerunt donna hormai sicut sumus dies [M. CARA]*
Appears on: 22v–23
Genres: Motet
Source Attribution: [M. CARA]*
Voice: [no designation]
Languages: Latin
Voice Text: Defecerunt donna hormai sicut sumus dies
Concordances

*15044

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

23v–24 A la guerra B. TROMBONCINO]*
Appears on: 23v–24
Genres: Italian secular
Source Attribution: B. TROMBONCINO]*
Voice: [no designation]
Languages: Italian
Voice Text: A la guerra a la guerra …

Voice: [no designation]
Languages: Italian
Voice Text: A la guerra a la guerra …

Voice: [no designation]
Languages: Italian
Voice Text: A la guerra a la guerra …

Voice: [no designation]
Languages: Italian
Voice Text: A la guerra a la guerra …
Concordances

*15044

Item Bibliography

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

24v–25 Lassa dona i dolci sguardi - Anonymous
Appears on: 24v–25
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Lassa dona i dolci sguardi …

Voice: [no designation]
Languages: Italian
Voice Text: Lassa dona i dolci sguardi …

Voice: [no designation]
Languages: Italian
Voice Text: Lassa dona i dolci sguardi …

Voice: [no designation]
Languages: Italian
Voice Text: Lassa dona i dolci sguardi …
25v–26 Se gran festa me mostrasti [T.* = B. TROMBONCINO]
Appears on: 25v–26
Genres: Italian secular
Source Attribution: [T.* = B. TROMBONCINO]
Voice: [no designation]
Languages: Italian
Voice Text: Se gran festa me mostrati …

Voice: [no designation]
Languages: Italian
Voice Text: Se gran festa me mostrati …

Voice: [no designation]
Languages: Italian
Voice Text: Se gran festa me mostrati …

Voice: [no designation]
Languages: Italian
Voice Text: Se gran festa me mostrati …
Concordances

. + + *15056

Item Bibliography

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: IH.

Giazotto, Remo. 1959. Onde musicali nella corrente poetica di Serafino dall'Aquila in Musurgia nova. 3ff. Milano.

Rubsamen, Walter H. 1943. Literary Sources of Secular Music in Italy (ca. 1500). University of California Publications in Music.  Berkeley and Los Angeles.

26v–27 De per dio non mi far torto [B. TROMBONCINO]*
Appears on: 26v–27
Genres: Motet
Source Attribution: [B. TROMBONCINO]*
Voice: [no designation]
Languages: Italian
Voice Text: De per dio non mi far torto …

Voice: [no designation]
Languages: Italian
Voice Text: De per dio non mi far torto …

Voice: [no designation]
Languages: Italian
Voice Text: De per dio non mi far torto …

Voice: [no designation]
Languages: Italian
Voice Text: De per dio non mi far torto …
General Note

Publ. cf. Bc 18 n° 2

Concordances

*15044

27v–28 Nunquam fu pena magiore [B. TROMBONCINO* ou C. FESTA**]
Appears on: 27v–28
Genres: Italian secular
Source Attribution: [B. TROMBONCINO* ou C. FESTA**]
Voice: [no designation]
Languages: Latin
Voice Text: Nunquam fu pena magiore …

Voice: [no designation]
Languages: Latin
Voice Text: Nunquam fu pena magiore …

Voice: [no designation]
Languages: Latin
Voice Text: Nunquam fu pena magiore …

Voice: [no designation]
Languages: Latin
Voice Text: Nunquam fu pena magiore …
Concordances

*15054 **155626

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 25, VII.

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

28v–29 Se cangiato m'hai la fede - Anonymous
Appears on: 28v–29
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Se cangiato m'hai la fede …

Voice: [no designation]
Languages: Italian
Voice Text: Se cangiato m'hai la fede …

Voice: [no designation]
Languages: Italian
Voice Text: Se cangiato m'hai la fede …

Voice: [no designation]
Languages: Italian
Voice Text: Se cangiato m'hai la fede …
29v–30 El converrà chio mora [B. TROMBONCINO]*
Appears on: 29v–30
Genres: Italian secular
Source Attribution: [B. TROMBONCINO]*
Voice: [no designation]
Languages: Italian
Voice Text: El converrà chio mora …

Voice: [no designation]
Languages: Italian
Voice Text: El converrà chio mora …

Voice: [no designation]
Languages: Italian
Voice Text: El converrà chio mora …

Voice: [no designation]
Languages: Italian
Voice Text: El converrà chio mora …
Concordances

*15044

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

30v–31 De dolce diva mia - Anonymous

De dolce diva mia

Anonymous
Appears on: 30v–31
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: De dolce diva mia …

Voice: [no designation]
Languages: Italian
Voice Text: De dolce diva mia …

Voice: [no designation]
Languages: Italian
Voice Text: De dolce diva mia …

Voice: [no designation]
Languages: Italian
Voice Text: De dolce diva mia …

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

31v–32 Pietà cara signora [M. CARA]*
Appears on: 31v–32
Genres: Italian secular
Source Attribution: [M. CARA]*
Voice: [no designation]
Languages: Italian
Voice Text: Pietà cara signora …

Voice: [no designation]
Languages: Italian
Voice Text: Pietà cara signora …

Voice: [no designation]
Languages: Italian
Voice Text: Pietà cara signora …

Voice: [no designation]
Languages: Italian
Voice Text: Pietà cara signora …
Concordances

*15044

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

32v–33 El dolor chi me destruge - Anonymous
Appears on: 32v–33
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: El dolor chi me destruge …

Voice: [no designation]
Languages: Italian
Voice Text: El dolor chi me destruge …

Voice: [no designation]
Languages: Italian
Voice Text: El dolor chi me destruge …

Voice: [no designation]
Languages: Italian
Voice Text: El dolor chi me destruge …

Item Bibliography

Gallico, Claudio. 1961. Un libro di poesie per musica dell'epoca di Isabella d'Esté. Bollettino storico mantovano.  Mantova.

33v–34 Dona d'altri più che mia - Anonymous
Appears on: 33v–34
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Dona d'altri più che mia …

Voice: [no designation]
Languages: Italian
Voice Text: Dona d'altri più che mia …

Voice: [no designation]
Languages: Italian
Voice Text: Dona d'altri più che mia …

Voice: [no designation]
Languages: Italian
Voice Text: Dona d'altri più che mia …
34v–35 Se non dormi dona ascolta [L.C.](L. Compère op. dub.)
Appears on: 34v–35
Genres: Frottola
Source Attribution: [L.C.](L. Compère op. dub.)
Voice: [no designation]
Languages: Italian
Voice Text: Se non dormi dona ascolta …

Voice: [no designation]
Languages: Italian
Voice Text: Se non dormi dona ascolta …

Voice: [no designation]
Languages: Italian
Voice Text: Se non dormi dona ascolta …

Voice: [no designation]
Languages: Italian
Voice Text: Se non dormi dona ascolta …
Concordances

*F-Pn 676

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V(L. Compère op. dub.).

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

35v–36 Lo dimostra el mio colore - Anonymous
Appears on: 35v–36
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Lo dimostra el mio colore …

Voice: [no designation]
Languages: Italian
Voice Text: Lo dimostra el mio colore …

Voice: [no designation]
Languages: Italian
Voice Text: Lo dimostra el mio colore …

Voice: [no designation]
Languages: Italian
Voice Text: Lo dimostra el mio colore …
30v–37 O mie ciecha et dura sorte di dolor M. CARA]*
Appears on: 30v–37
Genres: Italian secular
Source Attribution: M. CARA]*
Voice: [no designation]
Languages: Italian
Voice Text: O mia cecha e dura sorte …

Voice: [no designation]
Languages: Italian
Voice Text: O mia cecha e dura sorte …

Voice: [no designation]
Languages: Italian
Voice Text: O mia cecha e dura sorte …

Voice: [no designation]
Languages: Italian
Voice Text: O mia cecha e dura sorte …
Concordances

*15044

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

37v–38 Guarda donna el mio tormento - Anonymous
Appears on: 37v–38
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Guarda dona el mio tormento …

Voice: [no designation]
Languages: Italian
Voice Text: Guarda dona el mio tormento …

Voice: [no designation]
Languages: Italian
Voice Text: Guarda dona el mio tormento …

Voice: [no designation]
Languages: Italian
Voice Text: Guarda dona el mio tormento …

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

38v–39 L'amor dona chio ti porto [J. FOGLIANO]*
Appears on: 38v–39
Genres: Italian secular
Source Attribution: [J. FOGLIANO]*
Voice: [no designation]
Languages: Italian
Voice Text: L'amor dona chio ti porto …

Voice: [no designation]
Languages: Italian
Voice Text: L'amor dona chio ti porto …

Voice: [no designation]
Languages: Italian
Voice Text: L'amor dona chio ti porto …

Voice: [no designation]
Languages: Italian
Voice Text: L'amor dona chio ti porto …
Concordances

*F-Pn 676

Item Bibliography

Einstein, Alfred. 1949. The Italian Madrigal. 3 vols. Princeton.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: V.

39v–40 Pensieri in fuocho altieri - Anonymous
Appears on: 39v–40
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Pensieri infuocho altieri …

Voice: [no designation]
Languages: Italian
Voice Text: Pensieri infuocho altieri …

Voice: [no designation]
Languages: Italian
Voice Text: Pensieri infuocho altieri …

Voice: [no designation]
Languages: Italian
Voice Text: Pensieri infuocho altieri …
40v–41 Ognora più mia piace 4vx - Anonymous
Appears on: 40v–41
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Ognora più mia piace …

Voice: [no designation]
Languages: Italian
Voice Text: Ognora più mia piace …

Voice: [no designation]
Languages: Italian
Voice Text: Ognora più mia piace …

Voice: [no designation]
Languages: Italian
Voice Text: Ognora più mia piace …
41v–42 Tu te lamenti a torto [M. PESENTI]*
Appears on: 41v–42
Genres: Italian secular
Source Attribution: [M. PESENTI]*
Voice: [no designation]
Languages: Italian
Voice Text: Tu te lamenti a torto …

Voice: [no designation]
Languages: Italian
Voice Text: Tu te lamenti a torto …

Voice: [no designation]
Languages: Italian
Voice Text: Tu te lamenti a torto …

Voice: [no designation]
Languages: Italian
Voice Text: Tu te lamenti a torto …
Concordances

*15044

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

42v–43 A che tanto dolor tanti sospiri -
Appears on: 42v–43
Genres: Madrigal (Italian)
Voice: [no designation]
Languages: Italian
Voice Text: A che tanto tentarmi …

Voice: [no designation]
Languages: Italian
Voice Text: A che tanto tentarmi …

Voice: [no designation]
Languages: Italian
Voice Text: A che tanto tentarmi …

Voice: [no designation]
Languages: Italian
Voice Text: A che tanto tentarmi …
43v–44 Lassa hormai sta dura impresa - Anonymous
Appears on: 43v–44
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Lassa hormai sta dura impresa …

Voice: [no designation]
Languages: Italian
Voice Text: Lassa hormai sta dura impresa …

Voice: [no designation]
Languages: Italian
Voice Text: Lassa hormai sta dura impresa …

Voice: [no designation]
Languages: Italian
Voice Text: Lassa hormai sta dura impresa …
44v–45 Io non so tenir nel cuore - Anonymous
Appears on: 44v–45
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Io non so tenir nel cuore …

Voice: [no designation]
Languages: Italian
Voice Text: Io non so tenir nel cuore …

Voice: [no designation]
Languages: Italian
Voice Text: Io non so tenir nel cuore …

Voice: [no designation]
Languages: Italian
Voice Text: Io non so tenir nel cuore …
45v–46 Chi non sa vada ad impare - Anonymous
Appears on: 45v–46
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Chi non sa vada ad impare …

Voice: [no designation]
Languages: Italian
Voice Text: Chi non sa vada ad impare …

Voice: [no designation]
Languages: Italian
Voice Text: Chi non sa vada ad impare …

Voice: [no designation]
Languages: Italian
Voice Text: Chi non sa vada ad impare …
46v–47 Ad ognor cercho colei - Anonymous
Appears on: 46v–47
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Ad ognor cercho colei …

Voice: [no designation]
Languages: Italian
Voice Text: Ad ognor cercho colei …

Voice: [no designation]
Languages: Italian
Voice Text: Ad ognor cercho colei …

Voice: [no designation]
Languages: Italian
Voice Text: Ad ognor cercho colei …
47v–48 Chi laria mai creduto [M. CARA]*
Appears on: 47v–48
Genres: Italian secular
Source Attribution: [M. CARA]*
Voice: [no designation]
Languages: Italian
Voice Text: Chi laria mai creduto …

Voice: [no designation]
Languages: Italian
Voice Text: Chi laria mai creduto …

Voice: [no designation]
Languages: Italian
Voice Text: Chi laria mai creduto …

Voice: [no designation]
Languages: Italian
Voice Text: Chi laria mai creduto …
General Note

[

Concordances

*15092

48v–49 Sempre haro quel dolce foco DIOMEDES]*
Appears on: 48v–49
Genres: Italian secular
Source Attribution: DIOMEDES]*
Voice: [no designation]
Languages: Italian
Voice Text: Sempre haro quel dolce foco …

Voice: [no designation]
Languages: Italian
Voice Text: Sempre haro quel dolce foco …

Voice: [no designation]
Languages: Italian
Voice Text: Sempre haro quel dolce foco …

Voice: [no designation]
Languages: Italian
Voice Text: Sempre haro quel dolce foco …
Concordances

*15092

49v–50 Non ce speranza più mio desio - Anonymous
Appears on: 49v–50
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Non ce speranza più mio desio …

Voice: [no designation]
Languages: Italian
Voice Text: Non ce speranza più mio desio …

Voice: [no designation]
Languages: Italian
Voice Text: Non ce speranza più mio desio …

Voice: [no designation]
Languages: Italian
Voice Text: Non ce speranza più mio desio …
50v–51 Voler voi per mia signora - Anonymous
Appears on: 50v–51
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Voler voi per mia signora …

Voice: [no designation]
Languages: Italian
Voice Text: Voler voi per mia signora …

Voice: [no designation]
Languages: Italian
Voice Text: Voler voi per mia signora …

Voice: [no designation]
Languages: Italian
Voice Text: Voler voi per mia signora …
51v–52 O partito o caxo strano - Anonymous
Appears on: 51v–52
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: O partito o caxo strano …

Voice: [no designation]
Languages: Italian
Voice Text: O partito o caxo strano …

Voice: [no designation]
Languages: Italian
Voice Text: O partito o caxo strano …

Voice: [no designation]
Languages: Italian
Voice Text: O partito o caxo strano …
52v–53 Per tuo amor in tanta sorte - Anonymous
Appears on: 52v–53
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Per tuo amor in tanta sorte …

Voice: [no designation]
Languages: Italian
Voice Text: Per tuo amor in tanta sorte …

Voice: [no designation]
Languages: Italian
Voice Text: Per tuo amor in tanta sorte …

Voice: [no designation]
Languages: Italian
Voice Text: Per tuo amor in tanta sorte …
53v–54 Fami pur una bona ciera [PH. DE LURANO]*
Appears on: 53v–54
Genres: Italian secular
Source Attribution: [PH. DE LURANO]*
Voice: [no designation]
Languages: Italian
Voice Text: Fami pur una bona ciera …

Voice: [no designation]
Languages: Italian
Voice Text: Fami pur una bona ciera …

Voice: [no designation]
Languages: Italian
Voice Text: Fami pur una bona ciera …

Voice: [no designation]
Languages: Italian
Voice Text: Fami pur una bona ciera …
General Note

*[ = Fammi almen un bona cera*] [= Fammi al manco buona cera**]

Concordances

*15055 ^GB-Lbm 3051

Item Bibliography

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

54v–55 Mille volte a mio dispecto - Anonymous
Appears on: 54v–55
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Mille volte a mio dispecto …

Voice: [no designation]
Languages: Italian
Voice Text: Mille volte a mio dispecto …

Voice: [no designation]
Languages: Italian
Voice Text: Mille volte a mio dispecto …

Voice: [no designation]
Languages: Italian
Voice Text: Mille volte a mio dispecto …
55v–56 Orsù cosi va'l mondo - Anonymous
Appears on: 55v–56
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Orsù cosi va'l mondo …

Voice: [no designation]
Languages: Italian
Voice Text: Orsù cosi va'l mondo …

Voice: [no designation]
Languages: Italian
Voice Text: Orsù cosi va'l mondo …

Voice: [no designation]
Languages: Italian
Voice Text: Orsù cosi va'l mondo …
56v–57 In te, Domine, speravi per trovar pietà in eterno 28.18 [JOSQUIN DES PRÉS]
Appears on: 56v–57
Genres: Frottola
Source Attribution: [JOSQUIN DES PRÉS]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi
General Note

Publ. cf. Bc 18 n° 12

57v–58 De le done qual'è l'arte - Anonymous
Appears on: 57v–58
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: De le done qual'è l'arte …
58v–59 Vivero patiente e forte [PH. DE LURANO]*
Appears on: 58v–59
Genres: Italian secular
Source Attribution: [PH. DE LURANO]*
Voice: [no designation]
Languages: Italian
Voice Text: Vivero patiente e forte
Concordances

*15044

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

59v–60 Oymè che adesso io provo - Anonymous
Appears on: 59v–60
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Oymè che adesso io provo

Item Bibliography

Gallico, Claudio. 1961. Un libro di poesie per musica dell'epoca di Isabella d'Esté. Bollettino storico mantovano.  Mantova.

60v–61 De scoprire el mio lamento [PH. DE LURANO]
Appears on: 60v–61
Genres: Italian secular
Source Attribution: [PH. DE LURANO]
Voice: [no designation]
Languages: Italian
Voice Text: De scoprire el mio lamento …
General Note

[=Poiché giunto el tempo]

61v–62 Ay despietato tempo - Anonymous
Appears on: 61v–62
Genres: Motet
Voice: [no designation]
Languages: Italian
Voice Text: Ay despietato tempo
62v–63 Amor sforza ira straporta - Anonymous
Appears on: 62v–63
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Amor sforza ira straporta …
63v–64 Non esser dona ingrata - Anonymous
Appears on: 63v–64
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Non esser dona ingrata
64v–65 Son tornato e dio lo sa [PH. DE LURANO]*
Appears on: 64v–65
Genres: Italian secular
Source Attribution: [PH. DE LURANO]*
Voice: [no designation]
Languages: Italian
Voice Text: Son tornato e dio el sa....
Concordances

*15054

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

65v–66 Alma paté ogni tormento - Anonymous
Appears on: 65v–66
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Alma paté ogni tormento
66v–67 Se ogi è un di [B.TROMBONCINO]*
Appears on: 66v–67
Genres: Italian secular
Source Attribution: [B.TROMBONCINO]*
Voice: [no designation]
Languages: Italian
Voice Text: Se ogi è un di
Concordances

*1510

Item Bibliography

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

67v–68 Questo sol giorno soglion li Dei [B.TROMBONCINO]*
Appears on: 67v–68
Genres: Italian secular
Source Attribution: [B.TROMBONCINO]*
Voice: [no designation]
Languages: Italian
Voice Text: Questo sol giorno soglion li dei
Concordances

*15055

Item Bibliography

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

68v–69 Ch'a mi la propria vita si nogliosa - Anonymous
Appears on: 68v–69
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Ch'a mi la propria vita si nogliosa . .
General Note

. + + notation noire

69v–70 Chi me darà più pace [M. CARA]*
Appears on: 69v–70
Genres: Italian secular
Source Attribution: [M. CARA]*
Voice: [no designation]
Languages: Italian
Voice Text: Chi me darà più pace

Item Bibliography

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff.

Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik.  Leipzig.

70v–72 Fami dona el mio dovere - Anonymous
Appears on: 70v–72
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Fami dona el mio dovere
Composer Compositions
Anonymous
Cara, Marchetto
Cato, Diomedes (ca. 1560–ca. 1618)
Compère, Loyset (ca. 1445–1518)
Despres, Josquin (ca. 1450–1521)
Festa, Costanzo (ca. 1485–1545)
Fogliano, Giacomo (1468–1548)
Lurano, Filippo de
Pesenti, Martino
Tromboncino, Bartolomeo (1470–ca. 1534)
Tudual
Composition Composers (? Uncertain) Folios / Pages
A che tanto dolor tanti sospiri 42v–43
A la guerra 23v–24
Ad ognor cercho colei Anonymous 46v–47
Alma paté ogni tormento Anonymous 65v–66
Amor sforza ira straporta Anonymous 62v–63
Arda el ciel e mundo tuto Anonymous 9v–10
Ay despietato tempo Anonymous 61v–62
Ben chio serva un cor ingrato Anonymous 10v–11
Ch'a mi la propria vita si nogliosa Anonymous 68v–69
Chi laria mai creduto 47v–48
Chi me darà più pace 69v–70
Chi non sa vada ad impare Anonymous 45v–46
Chi se fida de fortuna 19v–20
De dolce diva mia Anonymous 30v–31
De le done qual'è l'arte Anonymous 57v–58
De per dio non mi far torto 26v–27
De scoprire el mio lamento 60v–61
Defecerunt donna hormai sicut sumus dies 22v–23
Dona d'altri più che mia Anonymous 33v–34
El converrà chio mora 29v–30
El dolor chi me destruge Anonymous 32v–33
Fami dona el mio dovere Anonymous 70v–72
Fami pur una bona ciera 53v–54
Guarda donna el mio tormento Anonymous 37v–38
In te, Domine, speravi per trovar pietà in eterno 28.18 56v–57
In un tempo in un momento Anonymous 4v–5
Io non so tenir nel cuore Anonymous 44v–45
L'amor dona chio ti porto 38v–39
Lassa dona i dolci sguardi Anonymous 24v–25
Lassa hormai sta dura impresa Anonymous 43v–44
Lo dimostra el mio colore Anonymous 35v–36
Mete già la geloxia Anonymous 15v–16
Mille volte a mio dispecto Anonymous 54v–55
Non ce speranza più mio desio Anonymous 49v–50
Non e tempo d'aspectare 20v–21
Non esser dona ingrata Anonymous 63v–64
Non pigliar tanto ardimento 17v–19
Non val' aqua al mio gran foco 8v–9
Nunquam fu pena magiore 27v–28
O mie ciecha et dura sorte di dolor 30v–37
O partito o caxo strano Anonymous 51v–52
Ognora più mia piace 4vx Anonymous 40v–41
Orsù cosi va'l mondo Anonymous 55v–56
Oyme il cuor oyme la testa 7v–8
Oymè che adesso io provo Anonymous 59v–60
Parte nostra e macinare Anonymous 6v–7
Pensieri in fuocho altieri Anonymous 39v–40
Per tuo amor in tanta sorte Anonymous 52v–53
Pietà cara signora 31v–32
Poi che 'l ciel contrario 13v–14
Poi eh'amor con dritta fé Anonymous 5v–6
Poiché l'alma per se molta 21v–22
Qual el cor che non piangesse Anonymous 1v–3
Questo sol giorno soglion li Dei 67v–68
S'io dimostro in viso el fuoco Anonymous 12v–13
Scopre lingua el mio martire Anonymous 3v–4
Se cangiato m'hai la fede Anonymous 28v–29
Se gran festa me mostrasti 25v–26
Se non dormi dona ascolta 34v–35
Se ogi è un di 66v–67
Sempre haro quel dolce foco 48v–49
Sempre le come esser suole 14v–15
Si como el bianco cigno 16v–17
Son tornato e dio lo sa 64v–65
Tempo e hormai di ricoprare Anonymous 11v–12
Tu te lamenti a torto 41v–42
Vivero patiente e forte 58v–59
Voler voi per mia signora Anonymous 50v–51

denotes primary source study

Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 305-26. Pages: 306.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II,50,140-3, Facs. XXXVII.

Becherini, Bianca. 1964. I Manoscritti e le stampe rare della Biblioteca del Conservatorio 'L. Cherubini' di Firenze. La Bibliofilia, 255-99. Pages: 264-6.

Gandolfi, Riccardo. 1911. Intorno al Codice membranaceo di ballate et di canzoncine ... R. Instituto Musicale di Firenze, N. 2440. Rivista Musicale Italiana, 537-48. Pages: 248-9.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Liminary Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description