D-Rp C 100

Bischöfliche Zentralbibliothek, Regensburg, Germany

manuscript of polyphony: 1560

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark C 100
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 533 x 395 mm
Other Identifiers
  • CCM: RegB C100
  • olim (Former shelfmark): A. R. 773
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Regensburg, Bavaria, Germany
Contents Contains 39 compositions from 6 composers.
General Description

Choirbook containing 4-5vv masses and motets. Copied by Johann Buechmaier, cantor of Gymnasium Poeticum in Regensburg. Copied in Regensburg.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1560 (dated preface).

DIAMM, 2017
Dedication

Dedicatory preface from Buechmaier to Regensburg town council on second flyleaf.

DIAMM, 2017
Foliation

Other numberings: Original index, numbering pieces 1-20; the first five pieces are also numbered I-V over music, remaining pieces unnumbered

DIAMM, 2017
Foliation

Original ink foliation, 1-329; modern pencil foliation 1-664 (includes flyleaves)

DIAMM, 2026
Decoration

Inked initials, some in calligraphic style, most in plain block style.

DIAMM, 2017
Index

Original index on f. [iii'] lists all pieces in order of appearance, with attributions.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

12 Masses, 8 Mass Proper sections = 20

Buechmaier-10, Clemens non Papa-1, Isaac-4, Josquin-3, Moulu-1, Vogelhuber-1

iii + 329 paper folios, 533 x 395. Original ink foliation, 1-329. Original numbering of pieces, 1-20, in original index; first five pieces also numbered I-V over music, remaining pieces unnumbered. Ff. [i-i'], [iii], 1, 20'-21, 62'-63, 140'-147, 167'-173, 201'-203, 223'-228, 269'-270, 276'-279, 283'-284, 30T-303, and 32T-329' are blank, or have blank staves only. Original covers of tooled leather over boards, with clasps. Original index on f. [iii'] lists all pieces in order of appearance, with attributions. Copied by Johann Buechmaier, cantor of Gymnasium Poeticum in Regensburg. Inked initials, some in calligraphic style, most in plain block style. Dedicatory preface from Buechmaier to Regensburg town council on second flyleaf.

1560 (dated preface). Copied in Regensburg.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Brusniak, Friedhelm. 1981. Der Kodex A. R. 773 (C 100) von Johann Buchmayer in der Proske-Bibliothek zu Regensburg: Ein Beitrag zur Geschichte der Vokalpolyphonie in Deutschland um 1560. GMKB,  Bayreuth. Notes: physical description; contents list (partial); transcriptions (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III.  Bern and Stuttgart. Pages: I, xxxvi, 73; III, 64. Notes: physical description; contents list (partial); concordances (partial).

Butler, Bartlett Russell. 1970. Liturgical Music in Sixteenth-Century Nürnberg. A Socio-Musical Study. University of Illinois, Unpublished Ph.D. dissertation. Pages: 559, 827ff. Notes: contents list (partial); facsimile (partial).

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I, 37; II, 21, 83. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62; II, 10, 168, 207-8. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler.  Mainz. Pages: VIII, 145, 171. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel, vol. 1.  Kassel and Basel. Pages: 113. Notes: physical description (partial); contents list.

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Benjamin Ory

Tuesday, 4 July, 2023

image link provided

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Dedication Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description