D-Rp C 100

Bischöfliche Zentralbibliothek, Regensburg, Germany

manuscript of polyphony: 1560

Archive	Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark	C 100
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	533 x 395 mm
Other Identifiers	CCM: RegB C100 olim (Former shelfmark): A. R. 773
Notations	black void mensural
Copyists	Buechmaier, Johann Music
Relationships	Town Council, Regensburg (dedicatee) Buechmaier, Johann (dedicator)
External Links	CMME online edition images
External Authorities	RISM Online (sources/1001177710)
Provenance	Regensburg, Bavaria, Germany
Contents	20 pieces from 6 composers

General Description

Copied by Johann Buechmaier, cantor of Gymnasium Poeticum in Regensburg. Copied in Regensburg.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

1560 (dated preface).

DIAMM, 2017

Dedication

Dedicatory preface from Buechmaier to Regensburg town council on second flyleaf.

DIAMM, 2017

Foliation

Other numberings: Original index, numbering pieces 1-20; the first five pieces are also numbered I-V over music, remaining pieces unnumbered

DIAMM, 2017

Foliation

Original ink foliation, 1-329

DIAMM, 2017

Decoration

Inked initials, some in calligraphic style, most in plain block style.

DIAMM, 2017

Index

Original index on f. [iii'] lists all pieces in order of appearance, with attributions.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

12 Masses, 8 Mass Proper sections = 20

Buechmaier-10, Clemens non Papa-1, Isaac-4, Josquin-3, Moulu-1, Vogelhuber-1

iii + 329 paper folios, 533 x 395. Original ink foliation, 1-329. Original numbering of pieces, 1-20, in original index; first five pieces also numbered I-V over music, remaining pieces unnumbered. Ff. [i-i'], [iii], 1, 20'-21, 62'-63, 140'-147, 167'-173, 201'-203, 223'-228, 269'-270, 276'-279, 283'-284, 30T-303, and 32T-329' are blank, or have blank staves only. Original covers of tooled leather over boards, with clasps. Original index on f. [iii'] lists all pieces in order of appearance, with attributions. Copied by Johann Buechmaier, cantor of Gymnasium Poeticum in Regensburg. Inked initials, some in calligraphic style, most in plain block style. Dedicatory preface from Buechmaier to Regensburg town council on second flyleaf.

1560 (dated preface). Copied in Regensburg.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–20	Missa Alma Redemptoris mater = Missa Duarum facierum	Petrus de Molu	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Alma Redemptoris mater = Missa Duarum facierum Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 1v–20 Genres: Alma redemptoris mater, BVM, Mass Ordinary Source Attribution: Petrus de Molu Voice: [no designation] Languages: Latin Voice Text: Missa Duarum facierum [= Missa Alma redemptoris mater]
21v–35	Missa Sancti spiritus	Vogelhueberus	Vogelhuber, Georg
Missa Sancti spiritus Vogelhuber, Georg Appears on: 21v–35 Genres: Mass Ordinary Source Attribution: Vogelhueberus Voice: [no designation] Languages: Latin Voice Text: Missa Sancti spiritus
35v–38	Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate]	H. Isaac	Isaac, Heinrich (ca. 1450–1517)
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] Isaac, Heinrich (ca. 1450–1517) Appears on: 35v–38 Genres: Introit Source Attribution: H. Isaac Voice: [no designation] Languages: Latin Voice Text: (Benedicta) Sit sancta trinitas atque Vs: (Benedicamus patrem) Laudemus atque
38v–40	Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini]	Isaac	Isaac, Heinrich (ca. 1450–1517)
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 38v–40 Genres: Introit Source Attribution: Isaac Voice: [no designation] Languages: Latin Voice Text: (Viri Gallilei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Jubilate deo
40v–62	Missa Bewahr mich Herr	Johann: Buechmayr	Buchmaier, Johann
Missa Bewahr mich Herr Buchmaier, Johann Appears on: 40v–62 Genres: Mass Ordinary Source Attribution: Johann: Buechmayr Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Bewar mich Herr
63v–95	Missa Caro mea: KGCS(A)	Clementis non Papae	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Missa Caro mea: KGCS(A) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 63v–95 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Clementis non Papae Voice: [no designation] Languages: Latin Voice Text: Missa Caro mea [vere]
95v–118	Missa La sol fa re mi 11.2	Josquini	Despres, Josquin (ca. 1450–1521)
Missa La sol fa re mi 11.2 Despres, Josquin (ca. 1450–1521) Appears on: 95v–118 Genres: Mass Ordinary Source Attribution: Josquini Voice: [no designation] Languages: Latin Voice Text: Missa La. sol. fa. re. mi. 11.2
118v–140	Missa O praeclara = Missa La mi la sol (Credo = La mi la sol)	Isaac	Isaac, Heinrich (ca. 1450–1517)
Missa O praeclara = Missa La mi la sol (Credo = La mi la sol) Isaac, Heinrich (ca. 1450–1517) Appears on: 118v–140 Genres: Mass Ordinary Source Attribution: Isaac Voice: [no designation] Languages: Latin Voice Text: Missa O praeclara [= Missa La mi la sol]
147v–167	Missa Pange lingua = Missa Venerabile sacramento 4.3	Josquini	Despres, Josquin (ca. 1450–1521)
Missa Pange lingua = Missa Venerabile sacramento 4.3 Despres, Josquin (ca. 1450–1521) Appears on: 147v–167 Genres: Mass Ordinary Source Attribution: Josquini Voice: [no designation] Languages: Latin Voice Text: Missa Pange lingua 4.3
173v–201	Missa L'homme armé super voces musicales 6.3	Josquini	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé super voces musicales 6.3 Despres, Josquin (ca. 1450–1521) Appears on: 173v–201 Genres: Mass Ordinary Source Attribution: Josquini Voice: [no designation] Languages: Latin Voice Text: Missa Lome arme [super voces musicales] 6.3
203v–223	Missa Dum transisset sabbatum	Joannis Buechmayri	Buchmaier, Johann
Missa Dum transisset sabbatum Buchmaier, Johann Appears on: 203v–223 Genres: Mass Ordinary Source Attribution: Joannis Buechmayri Voice: [no designation] Languages: Latin Voice Text: Missa Dum transisset sabbatum
228v–263	Missa Maria Magdalena	Joannis Buechmeyeri	Buchmaier, Johann
Missa Maria Magdalena Buchmaier, Johann Appears on: 228v–263 Genres: Mass Ordinary Source Attribution: Joannis Buechmeyeri Voice: [no designation] Languages: Latin Voice Text: Missa Maria Magda[lena]
263v–266	Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo	Johannis Bue.	Buchmaier, Johann
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Buchmaier, Johann Appears on: 263v–266 Genres: Motet Source Attribution: Johannis Bue. Voice: [no designation] Languages: Latin Voice Text: (Viri Galilei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Jubilate deo
266v–269	Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit	Joannis Buechmayeri	Buchmaier, Johann
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit Buchmaier, Johann Appears on: 266v–269 Genres: Motet Source Attribution: Joannis Buechmayeri Voice: [no designation] Languages: Latin Voice Text: (Puer natus est nobis) Et filius datus est Vs: (Cantate domino) Quia mirabilia fecit
270v–273	Benedicta Sit sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu	Joannis Buechmayeri	Buchmaier, Johann
Benedicta Sit sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu Buchmaier, Johann Appears on: 270v–273 Genres: Motet Source Attribution: Joannis Buechmayeri Voice: [no designation] Languages: Latin Voice Text: (Benedicta) Sit sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
273v–276	Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti	Johannis Buechmayri	Buchmaier, Johann
Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti Buchmaier, Johann Appears on: 273v–276 Genres: Motet Source Attribution: Johannis Buechmayri Voice: [no designation] Languages: Latin Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: (Domine probasti me) Tu cognovisti
279v–281	Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate]	Isaac	Isaac, Heinrich (ca. 1450–1517)
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] Isaac, Heinrich (ca. 1450–1517) Appears on: 279v–281 Genres: Introit Source Attribution: Isaac Voice: [no designation] Languages: Latin Voice Text: (Benedicta) Sit sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
281v–283	Puer natus est nobis et filius datus est	Joannis Buechmayeri	Buchmaier, Johann
Puer natus est nobis et filius datus est Buchmaier, Johann Appears on: 281v–283 Genres: Motet Source Attribution: Joannis Buechmayeri Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis et filius datus est
284v–301	Missa Virtute magna reddebant	Joannis Buechmeyeri	Buchmaier, Johann
Missa Virtute magna reddebant Buchmaier, Johann Appears on: 284v–301 Genres: Mass Ordinary Source Attribution: Joannis Buechmeyeri Voice: [no designation] Languages: Latin Voice Text: Missa Virtute magna [reddebant]
303v–321	Missa Angelus Domini	Joannis Buechmeyeri	Buchmaier, Johann
Missa Angelus Domini Buchmaier, Johann Appears on: 303v–321 Genres: Mass Ordinary Source Attribution: Joannis Buechmeyeri Voice: [no designation] Languages: Latin Voice Text: Missa Angelus domini

Composer	Compositions
Buchmaier, Johann	Benedicta Sit sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu – 270v–273 Missa Angelus Domini – 303v–321 Missa Bewahr mich Herr – 40v–62 Missa Dum transisset sabbatum – 203v–223 Missa Maria Magdalena – 228v–263 Missa Virtute magna reddebant – 284v–301 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit – 266v–269 Puer natus est nobis et filius datus est – 281v–283 Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti – 273v–276 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo – 263v–266
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Missa Caro mea: KGCS(A) – 63v–95
Despres, Josquin (ca. 1450–1521)	Missa L'homme armé super voces musicales 6.3 – 173v–201 Missa La sol fa re mi 11.2 – 95v–118 Missa Pange lingua = Missa Venerabile sacramento 4.3 – 147v–167
Isaac, Heinrich (ca. 1450–1517)	Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] – 279v–281 Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] – 35v–38 Missa O praeclara = Missa La mi la sol (Credo = La mi la sol) – 118v–140 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] – 38v–40
Moulu, Pierre (ca. 1484–ca. 1550)	Missa Alma Redemptoris mater = Missa Duarum facierum – 1v–20
Vogelhuber, Georg	Missa Sancti spiritus – 21v–35

Composition	Composers (? Uncertain)	Folios / Pages
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate]	Isaac, Heinrich (ca. 1450–1517)	35v–38
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate]	Isaac, Heinrich (ca. 1450–1517)	279v–281
Benedicta Sit sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu	Buchmaier, Johann	270v–273
Missa Alma Redemptoris mater = Missa Duarum facierum	Moulu, Pierre (ca. 1484–ca. 1550)	1v–20
Missa Angelus Domini	Buchmaier, Johann	303v–321
Missa Bewahr mich Herr	Buchmaier, Johann	40v–62
Missa Caro mea: KGCS(A)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	63v–95
Missa Dum transisset sabbatum	Buchmaier, Johann	203v–223
Missa L'homme armé super voces musicales 6.3	Despres, Josquin (ca. 1450–1521)	173v–201
Missa La sol fa re mi 11.2	Despres, Josquin (ca. 1450–1521)	95v–118
Missa Maria Magdalena	Buchmaier, Johann	228v–263
Missa O praeclara = Missa La mi la sol (Credo = La mi la sol)	Isaac, Heinrich (ca. 1450–1517)	118v–140
Missa Pange lingua = Missa Venerabile sacramento 4.3	Despres, Josquin (ca. 1450–1521)	147v–167
Missa Sancti spiritus	Vogelhuber, Georg	21v–35
Missa Virtute magna reddebant	Buchmaier, Johann	284v–301
Puer natus est nobis et filius datus est	Buchmaier, Johann	281v–283
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit	Buchmaier, Johann	266v–269
Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti	Buchmaier, Johann	273v–276
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo	Buchmaier, Johann	263v–266
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini]	Isaac, Heinrich (ca. 1450–1517)	38v–40

‡ denotes primary source study

Brusniak, Friedhelm. 1981. Der Kodex A. R. 773 (C 100) von Johann Buchmayer in der Proske-Bibliothek zu Regensburg: Ein Beitrag zur Geschichte der Vokalpolyphonie in Deutschland um 1560. GMKB, Bayreuth. Notes: physical description; contents list (partial); transcriptions (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xxxvi, 73; III, 64. Notes: physical description; contents list (partial); concordances (partial).

Butler, Bartlett Russell. 1970. Liturgical Music in Sixteenth-Century Nürnberg. A Socio-Musical Study. University of Illinois, Unpublished Ph.D. dissertation. Pages: 559, 827ff. Notes: contents list (partial); facsimile (partial).

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I, 37; II, 21, 83. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62; II, 10, 168, 207-8. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VIII, 145, 171. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel. Kassel and Basel. Pages: 113. Notes: physical description (partial); contents list.

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Benjamin Ory

Tuesday, 4 July, 2023

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Dedication Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description