D-Rp C 100

Bischöfliche Zentralbibliothek, Regensburg, Germany

manuscript of polyphony: 1560

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark C 100
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 533 x 395 mm
Other Identifiers
  • CCM: RegB C100
  • olim (Former shelfmark): A. R. 773
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Regensburg, Bavaria, Germany
Contents 20 pieces from 6 composers
General Description

Copied by Johann Buechmaier, cantor of Gymnasium Poeticum in Regensburg. Copied in Regensburg.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1560 (dated preface).

DIAMM, 2017
Dedication

Dedicatory preface from Buechmaier to Regensburg town council on second flyleaf.

DIAMM, 2017
Foliation

Other numberings: Original index, numbering pieces 1-20; the first five pieces are also numbered I-V over music, remaining pieces unnumbered

DIAMM, 2017
Foliation

Original ink foliation, 1-329

DIAMM, 2017
Decoration

Inked initials, some in calligraphic style, most in plain block style.

DIAMM, 2017
Index

Original index on f. [iii'] lists all pieces in order of appearance, with attributions.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

12 Masses, 8 Mass Proper sections = 20

Buechmaier-10, Clemens non Papa-1, Isaac-4, Josquin-3, Moulu-1, Vogelhuber-1

iii + 329 paper folios, 533 x 395. Original ink foliation, 1-329. Original numbering of pieces, 1-20, in original index; first five pieces also numbered I-V over music, remaining pieces unnumbered. Ff. [i-i'], [iii], 1, 20'-21, 62'-63, 140'-147, 167'-173, 201'-203, 223'-228, 269'-270, 276'-279, 283'-284, 30T-303, and 32T-329' are blank, or have blank staves only. Original covers of tooled leather over boards, with clasps. Original index on f. [iii'] lists all pieces in order of appearance, with attributions. Copied by Johann Buechmaier, cantor of Gymnasium Poeticum in Regensburg. Inked initials, some in calligraphic style, most in plain block style. Dedicatory preface from Buechmaier to Regensburg town council on second flyleaf.

1560 (dated preface). Copied in Regensburg.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–20 Missa Alma Redemptoris mater = Missa Duarum facierum Petrus de Molu
Appears on: 1v–20
Genres: Alma redemptoris mater, BVM, Mass Ordinary
Source Attribution: Petrus de Molu
Voice: [no designation]
Languages: Latin
Voice Text: Missa Duarum facierum [= Missa Alma redemptoris mater]
21v–35 Missa Sancti spiritus Vogelhueberus
Appears on: 21v–35
Genres: Mass Ordinary
Source Attribution: Vogelhueberus
Voice: [no designation]
Languages: Latin
Voice Text: Missa Sancti spiritus
35v–38 Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] H. Isaac
Appears on: 35v–38
Genres: Introit
Source Attribution: H. Isaac
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta) Sit sancta trinitas atque Vs: (Benedicamus patrem) Laudemus atque
38v–40 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] Isaac
Appears on: 38v–40
Genres: Introit
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: (Viri Gallilei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Jubilate deo
40v–62 Missa Bewahr mich Herr Johann: Buechmayr
Appears on: 40v–62
Genres: Mass Ordinary
Source Attribution: Johann: Buechmayr
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Bewar mich Herr
63v–95 Missa Caro mea: KGCS(A) Clementis non Papae
Appears on: 63v–95
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Clementis non Papae
Voice: [no designation]
Languages: Latin
Voice Text: Missa Caro mea [vere]
95v–118 Missa La sol fa re mi 11.2 Josquini
Appears on: 95v–118
Genres: Mass Ordinary
Source Attribution: Josquini
Voice: [no designation]
Languages: Latin
Voice Text: Missa La. sol. fa. re. mi. 11.2
118v–140 Missa O praeclara = Missa La mi la sol (Credo = La mi la sol) Isaac
Appears on: 118v–140
Genres: Mass Ordinary
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Missa O praeclara [= Missa La mi la sol]
147v–167 Missa Pange lingua = Missa Venerabile sacramento 4.3 Josquini
Appears on: 147v–167
Genres: Mass Ordinary
Source Attribution: Josquini
Voice: [no designation]
Languages: Latin
Voice Text: Missa Pange lingua 4.3
173v–201 Missa L'homme armé super voces musicales 6.3 Josquini
Appears on: 173v–201
Genres: Mass Ordinary
Source Attribution: Josquini
Voice: [no designation]
Languages: Latin
Voice Text: Missa Lome arme [super voces musicales] 6.3
203v–223 Missa Dum transisset sabbatum Joannis Buechmayri
Appears on: 203v–223
Genres: Mass Ordinary
Source Attribution: Joannis Buechmayri
Voice: [no designation]
Languages: Latin
Voice Text: Missa Dum transisset sabbatum
228v–263 Missa Maria Magdalena Joannis Buechmeyeri
Appears on: 228v–263
Genres: Mass Ordinary
Source Attribution: Joannis Buechmeyeri
Voice: [no designation]
Languages: Latin
Voice Text: Missa Maria Magda[lena]
263v–266 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Johannis Bue.
Appears on: 263v–266
Genres: Motet
Source Attribution: Johannis Bue.
Voice: [no designation]
Languages: Latin
Voice Text: (Viri Galilei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Jubilate deo
266v–269 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit Joannis Buechmayeri
Appears on: 266v–269
Genres: Motet
Source Attribution: Joannis Buechmayeri
Voice: [no designation]
Languages: Latin
Voice Text: (Puer natus est nobis) Et filius datus est Vs: (Cantate domino) Quia mirabilia fecit
270v–273 Benedicta Sit sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu Joannis Buechmayeri
Appears on: 270v–273
Genres: Motet
Source Attribution: Joannis Buechmayeri
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta) Sit sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
273v–276 Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti Johannis Buechmayri
Appears on: 273v–276
Genres: Motet
Source Attribution: Johannis Buechmayri
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: (Domine probasti me) Tu cognovisti
279v–281 Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] Isaac
Appears on: 279v–281
Genres: Introit
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta) Sit sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
281v–283 Puer natus est nobis et filius datus est Joannis Buechmayeri
Appears on: 281v–283
Genres: Motet
Source Attribution: Joannis Buechmayeri
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis et filius datus est
284v–301 Missa Virtute magna reddebant Joannis Buechmeyeri
Appears on: 284v–301
Genres: Mass Ordinary
Source Attribution: Joannis Buechmeyeri
Voice: [no designation]
Languages: Latin
Voice Text: Missa Virtute magna [reddebant]
303v–321 Missa Angelus Domini Joannis Buechmeyeri
Appears on: 303v–321
Genres: Mass Ordinary
Source Attribution: Joannis Buechmeyeri
Voice: [no designation]
Languages: Latin
Voice Text: Missa Angelus domini
Composer Compositions
Buchmaier, Johann
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Despres, Josquin (ca. 1450–1521)
Isaac, Heinrich (ca. 1450–1517)
Moulu, Pierre (ca. 1484–ca. 1550)
Vogelhuber, Georg
Composition Composers (? Uncertain) Folios / Pages
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] 35v–38
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] 279v–281
Benedicta Sit sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu 270v–273
Missa Alma Redemptoris mater = Missa Duarum facierum 1v–20
Missa Angelus Domini 303v–321
Missa Bewahr mich Herr 40v–62
Missa Caro mea: KGCS(A) 63v–95
Missa Dum transisset sabbatum 203v–223
Missa L'homme armé super voces musicales 6.3 173v–201
Missa La sol fa re mi 11.2 95v–118
Missa Maria Magdalena 228v–263
Missa O praeclara = Missa La mi la sol (Credo = La mi la sol) 118v–140
Missa Pange lingua = Missa Venerabile sacramento 4.3 147v–167
Missa Sancti spiritus 21v–35
Missa Virtute magna reddebant 284v–301
Puer natus est nobis et filius datus est 281v–283
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit 266v–269
Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti 273v–276
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo 263v–266
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] 38v–40

denotes primary source study

Brusniak, Friedhelm. 1981. Der Kodex A. R. 773 (C 100) von Johann Buchmayer in der Proske-Bibliothek zu Regensburg: Ein Beitrag zur Geschichte der Vokalpolyphonie in Deutschland um 1560. GMKB,  Bayreuth. Notes: physical description; contents list (partial); transcriptions (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xxxvi, 73; III, 64. Notes: physical description; contents list (partial); concordances (partial).

Butler, Bartlett Russell. 1970. Liturgical Music in Sixteenth-Century Nürnberg. A Socio-Musical Study. University of Illinois, Unpublished Ph.D. dissertation. Pages: 559, 827ff. Notes: contents list (partial); facsimile (partial).

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I, 37; II, 21, 83. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62; II, 10, 168, 207-8. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler.  Mainz. Pages: VIII, 145, 171. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel.  Kassel and Basel. Pages: 113. Notes: physical description (partial); contents list.

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Tuesday, 4 July, 2023

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Dedication Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description