A Discantus partbook from a set of six volumes. Possibly copied by Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's. Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.
| Archive | Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp) |
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| Shelfmark | A. R. 893 (D) |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | None / Unknown |
| Measurements | 149 x 214 mm |
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| Contents | Contains 43 compositions from 13 composers. |
General Description
Binding
Original covers of parchment over cardboard, with leather ties; paper slip pasted to front cover of Discantus book bears inscription: 'Mutetae varia imprimis / vero Nuptiales 6 vocum. / No. 15.'
Watermark
coat of arms of city of Regensburg (resembles Briquet #1143).
Notation
black void mensural
Ruling
Staff height 20
Foliation
No foliation or pagination
Foliation
Other numberings: Original ink numbering of pieces, 1-43.
Decoration
Red, black, or blue initials, most in Gothic style, a few in plain block or calligraphic style; text incipits, headings, and some corrections in red ink. Edges of folios decorated with red and blue.
Index
Index on recto of first folio in Bassus book lists all pieces in order of appearance.
Surface
paper
Census Catalogue of Music Description
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43 motets
Appenzeller [Benedictus]-1, (Arcadelt)-1, Clemens non Papa-8, Clemens non Papa/(Canis)-1, Clemens non Papa/(Crecquillon)-1, Crecquillon-1, Josquin-1, L'Archier-1, Lassus-10, Meiland-2, Utendal-9, Verdelot/(Josquin)-1, Willaert-6
6 paper partbooks (D-136 folios, A-146, T-143, B-120, Q-128, S-112), 149x214. No foliation or pagination. Original ink numbering of pieces, 1-43. Original covers of parchment over cardboard, with leather ties; paper slip pasted to front cover of D book bears inscription: "Mutetae varia imprimis / vero Nuptiales 6 vocum. / No. 15." Index on recto of first folio in B book lists all pieces in order of appearance.
Possibly copied by Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's; see general index for other manuscripts copied by the same scribe. Staff height 20. Red, black, or blue initials, most in Gothic style, a few in plain block or calligraphic style; text incipits, headings, and some corrections in red ink. Edges of folios decorated with red and blue. Watermark is coat of arms of city of Regensburg (resembles Briquet #1143).
Ca. 1570-80 (no dates in manuscript, but presumably collateral with other dated manuscripts copied by same scribe). Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.
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Sets
Select a set to see its sources.
A. R. 893
Partbooks · 6 sources
‡ denotes primary source study
Fox, Bertha Mary. 1977. A Liturgical-Répertoriai Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchényi Library, Budapest. University of Illinois, Unpublished Ph.D. dissertation. Pages: 167. Notes: contents list (partial); concordances (partial).
Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 193, 492-3, 549. Notes: contents list (partial); concordances (partial); incipits (partial).
Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 176-7. Notes: mention of MS.
Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 273. Notes: contents list (partial).
Thompson, Glenda Goss. 1975. Benedictus Appenzeller: Maître de la Chapelle to Mary of Hungary and Chansonnier. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 75, 509. Notes: contents list (partial); concordances (partial); incipits (partial).
Slim, H Colin. 1972. A Gift of Madrigals and Motets. Chicago and London. Pages: I, 223. Notes: contents list (partial); concordances (partial).
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 310-2. Notes: contents list (partial); concordances (partial); incipits (partial).
Bragard, Anne-Marie. 1964. Etude bio-bibliographique sur Philippe Verdelot, musicien français de la Renaissance. russels. Pages: 20, 53. Notes: contents list (partial); concordances (partial).
Kempers, Karel Philippus Bernet. 1964. Bibliography of the Sacred Works of Jacobus Clemens non Papa. Musica Disciplina, 18: 85-150. Pages: 136ff. Notes: contents list (partial); concordances (partial).
Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 331. Notes: contents list (partial); concordances (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description