A Discantus partbook from a set of five volumes. Possibly copied by Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's. Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.
| Archive | Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp) |
|---|---|
| Shelfmark | A. R. 891-892 (D) |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | None / Unknown |
| Measurements | 148 x 216 mm |
| Other Identifiers |
|
| Notations |
|
| Copyists |
|
| Relationships |
|
| Provenance |
|
| Contents | Contains 46 compositions, 45 from 22 composers, 1 is anonymous. |
General Description
Binding
Original covers of parchment over cardboard, with leather ties; paper slip pasted to front cover of Discantus book bears inscription: 'I. / Mutetae de S. Apostolis / II. / Quaedam etiam de devastatione Hierasolymiana, et aliae / Quinque Vocum / No. 14.'
Watermark
coat of arms of city of Regensburg (resembles Briquet #1143).
Notation
black void mensural
Ruling
Staff height 20
Foliation
Other numberings: Original ink numbering of pieces, 1-46.
Foliation
No foliation or pagination
Decoration
Painted and inked initials in red or black, most in Gothic style, a few in plain block style; headings and some corrections in red. Edges of folios decorated with blue and red
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
45 motets, 1 German sacred piece = 46
Caen/(Lupus/Richafort)-1, Clemens non Papa-5, B. Comes-1, Crecquillon-1, C. Festa-1, Hellinck [Lupus]/(Senfl/Verdelot)-1, Ivo de Vento-4, Josquin-2, Kerle-5, Lassus-8, Leo non Papa-1, (Morales)-1, Phinot-5, Prenner-1, Senfl/(Alder)-1, Senfl/(Josquin)-1, Vaet/(Maessens)-1, Verdelot-1, Verdelot/(Richafort)-1, Wert-1, Wert/(Lassus)-1, anon-2
5 paper partbooks (D-114 folios, A-126, T-119, B-103, Q-59), 148 x 216. No foliation or pagination. Original ink numbering of pieces, 1-46. Original covers of parchment over cardboard, with leather ties; paper slip pasted to front cover of D book bears inscription: "I. / Mutetae de S. Apostolis / II. / Quaedam etiam de devastatione Hierasolymiana, et aliae / Quinque Vocum / No. 14." No index.
Possibly copied by Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's; see general index for other manuscripts copied by the same scribe. Staff height 20. Painted and inked initials in red or black, most in Gothic style, a few in plain block style; headings and some corrections in red. Edges of folios decorated with blue and red. Watermark is coat of arms of city of Regensburg (resembles Briquet #1143).
Ca. 1570-80 (no dates in manuscript, but presumably collateral with other dated manuscripts copied by same scribe). Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.
Vol 4
Composers: Add "(Paminger)-1"; change "anon-2" to "anon-1."
Loading inventory…
The inventory could not be loaded.
Sets
Select a set to see its sources.
A. R. 891-892
Partbooks · 5 sources
‡ denotes primary source study
Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 176-7. Notes: mention of MS.
Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V. Chicago. Pages: III, 120, 180, 182. Notes: physical description (partial); contents list; concordances (partial).
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 296-7, 308-10, 312-6. Notes: contents list (partial); concordances (partial); incipits (partial).
Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae, vol. 25. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, xi-xiii. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel, vol. 1. Kassel and Basel. Pages: 37, 40-1, 45-6, 64. Notes: contents list (partial); concordances (partial).
Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: VI, 94, 99. Notes: physical description (partial); contents list (partial); concordances (partial).
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 116, 120. Notes: physical description (partial); contents list (partial); concordances (partial).
Sandberger, Adolf (editor). 1900-38. Denkmäler der Tonkunst in Bayern. [= Denkmäler Deutscher Tonkunst: Zweite Folge]. Braunschweig. Pages: XXXIV, lxiv. Notes: physical description (partial).
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description