GB-Och Mus. 60

Christ Church, Oxford, England

partbook: c. 1615-20

Archive Christ Church, Oxford, England (GB-Och)
Shelfmark Mus. 60
Image Availability The images on this record are linked using IIIF.
Surface Paper
Numbering System Pagination
Measurements c. 333 x 220 mm
Other Identifiers
  • CCM: OxfC 56-60
Copyists
Relationships
External Links
External Authorities
Provenance
Contents Contains 80 compositions, 78 from 35 composers, 2 are anonymous.
General Description

A Tenor partbook from a set originally of six volumes. Compiled by an undetermined number of copyists, none of whom has yet been identified. Probably copied in London or Ware Park, Hertfordshire, for use in household of Sir Henry Fanshawe or Sir Thomas Fanshawe; then owned by the heirs of Sir Henry Fanshawe; then possibly part of the Hatton collection (on the grounds of the connections that exist between Mus. 56-60 and Mus. 61-6, q.v.). Acquired by Christ Church as part of the Aldrich bequest; listed in Archives 1717, position B5, as 'A Set of Anthems', qualified in Dowding (main hand) as being 'By Bull & Hooper M.S.'. A fuller description is given by Burney (f. 8r): 'Anthems & Hymns by Hooper, Wilkinson, Amner, Tho' Mattocks, Robt. Jones, Weelkes, T. Lupo, Warde, W. Symmes, Ravenscroft, Forde, Bennet, &c, a large Collection. MS. 5 Books.' One or more partbooks from this set may formerly have been shelved at position A5, giving rise to the following entry in Dowding (main hand): 'Anthems / By Bull & Hooper M.S.' (This is the only entry in Dowding that does not match an equivalent entry in Archives 1717.)

John Milsom, 2010
Binding

Mid 17th-century binding of limp vellum, inscribed 'Tenor' on the outside upper cover.

John Milsom, 2010
Notation

not indicated

John Milsom, 2010
Foliation

Paginated in 17th-century ink to p. 53, and thereafter intermittently in modern pencil; a second sequence of 17th-century ink pagination for the six-voice pieces commences with '1' at modern p. 121, and ends as '41' at modern p. 161.

John Milsom, 2010
Decoration

No initials or decoration

John Milsom, 2010
Index

Modern index taped in at beginning of each book lists pieces in order of appearance

John Milsom, 2010
Surface

paper

John Milsom, 2010
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

58 anthems, 17 English secular pieces = 75

Amner-2, Bennet-1, Bull-2, (Byrd/Coste)-1, (Byrd/J. Mundy)-1, (Byrd/R. Parsons I/Strogers/R. White)-1, Corkine-1, Cranford-3, Daman-1, Deering-2, M. East-1, A. Ferrabosco I-1, Ford-6, Gibbons-1, Hooper-2, M. Jeffries-5, R. Jones III, T. Lupo-4, W. Mundy/(J. Mundy/Tallis)-1, Peerson-1, P. Philips-1, Ravenscroft-4, Simmes-1, Simmes/(M. East)-1, Stubbs-1, Tye-3, Ward-11, Warwick [Thomas Warrocke]-2, Weelkes-6, R. White-1, T.? Wilkinson-2, T.? Wilkinson/(T. Hunt)-1, anon-3

5 paper partbooks of an original 6 (D-iii + 114 + iii folios, A-iii + 108 + iii, T-iii + 117 + iii, Q-iii + 111 + iii, S-iii + 59 + iii), 325 x 208. Original ink pagination, in two series: 1-53 + 1-41 (omits many pages with music and all blank pages); modern pagination extends first series of original page numbers to end of each book (numbers only on recto side of each opening, but all pages included in enumeration; several errors and inconsistencies). Each book has several large sections of blank pages or pages with blank staves only. Original covers of white parchment, inscribed with voice designations. Modern index taped in at beginning of each book lists pieces in order of appearance. Copied by one main scribe (John Ward?) and one or two additional scribes. No initials or decoration.

Ca. 1615-20 (AplinHF). Probably copied in London or Ware Park, Hertfordshire, for use in household of Sir Henry Fanshawe or Sir Thomas Fanshawe. Possibly compiled by the composer John Ward, employed by Fanshawe family.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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Sets

Select a set to see its sources.

denotes primary source study

Boydell, Barra. 1999. Music at Christ Church before 1800: documents and selected anthems.  Four Courts Press.

Monson, Craig. 1982. Voices and Viols in England, 1600-1650: The Sources and the Music.  Ann Arbor. Pages: 59-69.

Morris, Christopher (compiler). 1978. The Oxford Book of Tudor Anthems.  London. Pages: 14, 72-83, 113-21, 351. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Monson, Craig. 1977. Thomas Myriell's Manuscript Collection: One View of Musical Taste in Jacobean London. Journal of the American Musicological Society, 30: 419-65. Pages: 419, 424. Notes: mention of MS.

Aplin, John. 1976. Sir Henry Fanshawe and Two Sets of Early Seventeenth-Century Part-Books at Christ Church, Oxford. Music and Letters, 57: 11ff. Notes: contents list; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music, vol. Supplementary Volume 1.  London. Notes: contents list (partial); concordances (partial).

Persons, Jerry C. 1969. The Sambrooke Book: Drexel 4302. Unpublished Master's thesis, Wichita State University. Pages: 93, 96-8. Notes: contents list (partial); concordances (partial); incipits (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: III, 211, 221; XII, 118; XIX, 324, 327, 337; XXVIII, 124,133-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Le Huray, Peter. 1960. Towards A Definitive Study of Pre-Restoration Anglican Service Music. Musica Disciplina, 14: 167-95. Pages: 193. Notes: mention of MS.

Noble, Jeremy. 1955. La Répertoire Instrumental Anglais: 1550-1585. La Musique Instrumentale de la Renaissance, 91-114. Paris. Pages: 106. Notes: contents list (partial); concordances (partial).

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: XXII, 174, 186; XXIII, 126-9. Notes: mention of MS; contents list (partial); concordances (partial).

Fellowes, Edmund H. 1948. William Byrd.  London, New York, and Toronto. Pages: 142. Notes: contents list (partial); concordances (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music.  London, Oxford et al. Pages: II, xxii, xxxvi; V, xxiii, xxviii. Notes: mention of MS; contents list (partial); concordances (partial).

Arkwright, G E P. 1915-23. Catalogue of Music in the Library of Christ Church Oxford.  Oxford University Press. Pages: I, passim; II, 23-4. Notes: contents list; concordances (partial); incipits (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description