US-NH Miscellaneous MS 170, Filmer 1/a

Yale University, School of Music Library, New Haven, United States

partbook: c. 1588-1603

Archive	Yale University, School of Music Library, New Haven, United States (US-NH)
Shelfmark	Miscellaneous MS 170, Filmer 1/a
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	168 x 215 mm
Other Identifiers	CCM: NHavY 170/1 olim (Former shelfmark): Beinecke Library for Rare Books and Manuscripts, Ma21/F48/A11 "Filmer Partbooks"
Relationships	Filmer family, East Sutton Place (owner)
Provenance	England
Contents	Contains 160 compositions, 147 from 27 composers, 13 are anonymous.

General Description

A Discantus partbook from a set of five volumes. Compositions grouped in several sections by voice number: I (32 pieces a2 (A-Q books) & a3 (C-T-B books), with 3 pieces a5); II (28 pieces a4); III (36 pieces a5); IV (46 pieces a5); V (17 pieces mostly a6); VI (21 pieces a6).

Copied by one main scribe, with additions by several later hands. Copied in England. Owned by Filmer family, of Kent; purchased by Yale University in 1945.

DIAMM, 2017

Binding

Original covers of dark brown leather over boards, tooled in gold with voice designations and ornamental oval-shaped design.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 15

DIAMM, 2017

Foliation

New pencil foliation 1-142; original ink foliation in several series, with errors and omissions

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Index

Incomplete original index on rear flyleaf of A book groups pieces by genre and number of voices (“mottet of 5 pts,” “madrigali 5 pts,” “mottet of 6 pts,” etc.), with subgrouping under each section by order of appearance (pieces listed by folio number only).

DIAMM, 2020

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Lamentations, 43 motets, 3 anthems, 61 Italian secular pieces, 5 French secular pieces, 4 English secular pieces, 1 Latin secular piece, 6 textless pieces, 14 instrumental pieces = 139 + 1 duplicate = 140

(Bianco)-2, Byrd-1, (Clemens non Papa)-1, (Daman)-3, (A. Ferrabosco I)-47, (A. Ferrabosco I/Verdelot)-1, Flecknall-1, (A. Gabrieli) -1, Hilton the Elder-1, T. Holmes-1, (Ingegneri)-1, (Lassus)-25, (Marenzio)-16, (Philippe de Monte)-2, Nau [Mr: Noe]-1, (Palestrina)-1, Portman-1, (Quintiani)-3, (G. Renaldi)-4, (Rore)-3, (Sandrin)-1, (Striggio)-1, (Wert)-1, W. White-2, J. Wilson-2, J. Wilson/(Grandi)-1, L. Woodson I-1, anon-14

5 paper partbooks (D-142 + ii folios, AT-142 + i folios each, B-143, Q-142), 168 x 215. New pencil foliation (DQ: 1-142; ATB: 1-143); original ink foliation in several series, with errors and omissions. Original covers of dark brown leather over boards, tooled in gold with voice designations and ornamental oval-shaped design. Incomplete original index on rear flyleaf of A book groups pieces by genre and number of voices ("mottet of 5 pts," "madrigali 5 pts," "mottet of 6 pts," etc.), with subgrouping under each section by order of appearance (pieces listed by folio number only). Copied by one main scribe, with additions by several later hands. Staff height 15. No initials or decoration.

Ca. 1588-1603 (ForF). Copied in England. Owned by Filmer family, of Kent; purchased by Yale University in 1945.

Vol 4

Composers: Change "Nau" to "E. Nau."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	A caso un giorno - 1a pars (of 4): A caso un giorno	-	Gabrieli, Andrea (ca. 1532–1585)
A caso un giorno - 1a pars (of 4): A caso un giorno Gabrieli, Andrea (ca. 1532–1585) Appears on: 1 Genres: Madrigal (Italian) Number of voices: 3
1v	A caso un giorno - 2a pars (of 4): Vaga d'uider	-	Gabrieli, Andrea (ca. 1532–1585)
A caso un giorno - 2a pars (of 4): Vaga d'uider Gabrieli, Andrea (ca. 1532–1585) Appears on: 1v Genres: Madrigal (Italian) Number of voices: 3
2	A caso un giorno - 3a pars (of 4): Con quel poco	-	Gabrieli, Andrea (ca. 1532–1585)
A caso un giorno - 3a pars (of 4): Con quel poco Gabrieli, Andrea (ca. 1532–1585) Appears on: 2 Genres: Madrigal (Italian) Number of voices: 3
2v–3	A caso un giorno - 4a pars (of 4): Mentre ch'ella	-	Gabrieli, Andrea (ca. 1532–1585)
A caso un giorno - 4a pars (of 4): Mentre ch'ella Gabrieli, Andrea (ca. 1532–1585) Appears on: 2v–3 Genres: Madrigal (Italian) Number of voices: 3
3v	Cantate Domino (3vv) - 1a pars (of 2): Cantate Domino canticum novum	-	Lassus, Orlande de (ca. 1532–1594)
Cantate Domino (3vv) - 1a pars (of 2): Cantate Domino canticum novum Lassus, Orlande de (ca. 1532–1594) Appears on: 3v Genres: Motet Number of voices: 3
4	Cantate Domino (3vv) - 2a pars (of 2): Cantate Domino et benedicite	-	Lassus, Orlande de (ca. 1532–1594)
Cantate Domino (3vv) - 2a pars (of 2): Cantate Domino et benedicite Lassus, Orlande de (ca. 1532–1594) Appears on: 4 Genres: Motet Number of voices: 3
4v	Christus resurgens ex mortuis jam non	-	Lassus, Orlande de (ca. 1532–1594)
Christus resurgens ex mortuis jam non Lassus, Orlande de (ca. 1532–1594) Appears on: 4v Genres: Motet Number of voices: 3
5v–6	Ave regina caelorum (3vv)	-	Lassus, Orlande de (ca. 1532–1594)
Ave regina caelorum (3vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 5v–6 Genres: Ave regina caelorum, Motet Number of voices: 3
6v	O passi	-	Anonymous
O passi Anonymous Appears on: 6v Genres: Madrigal (Italian) Number of voices: 3 General Note text incipit only
7	O bel viso	-	Anonymous
O bel viso Anonymous Appears on: 7 Genres: Madrigal (Italian) Number of voices: 3 General Note text incipit only
7v	Che dolce	-	Anonymous
Che dolce Anonymous Appears on: 7v Genres: Madrigal (Italian) Number of voices: 3 General Note text incipit only
8	[untitled]	-	Anonymous
[untitled] Anonymous Appears on: 8 Genres: Madrigal (Italian) Number of voices: 3 General Note untexted
8	[untitled]	-	Anonymous
[untitled] Anonymous Appears on: 8 Genres: Madrigal (Italian) Number of voices: 3 General Note untexted
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-] General Note blank folios 8v-9
9v	Pavan a6	Will. White	White, William
Pavan a6 White, William Appears on: 9v Genres: Dance Source Attribution: Will. White Number of voices: 6
10	Hor pien d'altro	-	Marenzio, Luca (ca. 1553–1599)
Hor pien d'altro Marenzio, Luca (ca. 1553–1599) Appears on: 10 Genres: Madrigal (Italian) Number of voices: 5
10v	Pavan a6	-	White, William
Pavan a6 White, William Appears on: 10v Genres: Dance Number of voices: 6
11	Mentre ch'altiero amore - 1a pars (of 7): Mentre ch'altiero amore	-	Renaldi, Giulio
Mentre ch'altiero amore - 1a pars (of 7): Mentre ch'altiero amore Renaldi, Giulio Appears on: 11 Genres: Madrigal (Italian) Number of voices: 4
11v	Mentre ch'altiero amore - 2a pars (of 7): E quel foco	-	Renaldi, Giulio
Mentre ch'altiero amore - 2a pars (of 7): E quel foco Renaldi, Giulio Appears on: 11v Genres: Madrigal (Italian) Number of voices: 4
12	Mentre ch'altiero amore - 3a pars (of 7): Et ei fero' e sdegno	-	Renaldi, Giulio
Mentre ch'altiero amore - 3a pars (of 7): Et ei fero' e sdegno Renaldi, Giulio Appears on: 12 Genres: Madrigal (Italian) Number of voices: 4
12v	Mentre ch'altiero amore - 4a pars (of 7): Perche come	-	Renaldi, Giulio
Mentre ch'altiero amore - 4a pars (of 7): Perche come Renaldi, Giulio Appears on: 12v Genres: Madrigal (Italian) Number of voices: 4
13	Mentre ch'altiero amore - 5a pars (of 7): E fattasi reina	-	Renaldi, Giulio
Mentre ch'altiero amore - 5a pars (of 7): E fattasi reina Renaldi, Giulio Appears on: 13 Genres: Madrigal (Italian) Number of voices: 4
13v	Mentre ch'altiero amore - 6a pars (of 7): Ma se 'l caldo cor	-	Renaldi, Giulio
Mentre ch'altiero amore - 6a pars (of 7): Ma se 'l caldo cor Renaldi, Giulio Appears on: 13v Genres: Madrigal (Italian) Number of voices: 4
14	Mentre ch'altiero amore - 7a pars (of 7): Vanne a madonna	-	Renaldi, Giulio
Mentre ch'altiero amore - 7a pars (of 7): Vanne a madonna Renaldi, Giulio Appears on: 14 Genres: Madrigal (Italian) Number of voices: 4
14v	Vaghi leggiadre - 1a pars (of 2): Vaghi leggiadre lumi	-	Renaldi, Giulio
Vaghi leggiadre - 1a pars (of 2): Vaghi leggiadre lumi Renaldi, Giulio Appears on: 14v Genres: Madrigal (Italian) Number of voices: 4
15	Vaghi leggiadre - 2a pars (of 2): Che fia che dal mio cor	-	Renaldi, Giulio
Vaghi leggiadre - 2a pars (of 2): Che fia che dal mio cor Renaldi, Giulio Appears on: 15 Genres: Madrigal (Italian) Number of voices: 4
15v	Amor io sento un respirar	-	Renaldi, Giulio
Amor io sento un respirar Renaldi, Giulio Appears on: 15v Genres: Madrigal (Italian) Number of voices: 4
16	Poscia che troppo - 1a pars (of 2): Poscia che troppo	-	Ingegneri, Marc'Antonio
Poscia che troppo - 1a pars (of 2): Poscia che troppo Ingegneri, Marc'Antonio Appears on: 16 Genres: Madrigal (Italian) Number of voices: 4
16v	Poscia che troppo - 2a pars (of 2): Santa madre del ciel	-	Ingegneri, Marc'Antonio
Poscia che troppo - 2a pars (of 2): Santa madre del ciel Ingegneri, Marc'Antonio Appears on: 16v Genres: Madrigal (Italian) Number of voices: 4
17	Come avra vita - 1a pars (of 2): Come havra vita amor	-	Bianci, Pier' Antonio
Come avra vita - 1a pars (of 2): Come havra vita amor Bianci, Pier' Antonio Appears on: 17 Genres: Madrigal (Italian) Number of voices: 4
17	Come avra vita - 2a pars (of 2): Come havre fin	-	Bianci, Pier' Antonio
Come avra vita - 2a pars (of 2): Come havre fin Bianci, Pier' Antonio Appears on: 17 Genres: Madrigal (Italian) Number of voices: 4
17v	Deh Flori se pieta - 1a pars (of 2): Deh Flori se pieta	-	Monte, Philippe de
Deh Flori se pieta - 1a pars (of 2): Deh Flori se pieta Monte, Philippe de Appears on: 17v Genres: Madrigal (Italian) Number of voices: 4
17v	Deh Flori se pieta - 2a pars (of 2): Sola te cerco ogn' hor	-	Monte, Philippe de
Deh Flori se pieta - 2a pars (of 2): Sola te cerco ogn' hor Monte, Philippe de Appears on: 17v Genres: Madrigal (Italian) General Note (It is not clear from Ham1989 whether this 2a pars is copied or omitted from the ms.)
18	Sola te cerco ogn' hor'	-	Monte, Philippe de
Sola te cerco ogn' hor' Monte, Philippe de Appears on: 18 Genres: Madrigal (Italian) Number of voices: 4
18v	O fastiditi - 1a pars (of 2): O fastiditi gia del pianger	-	Monte, Philippe de
O fastiditi - 1a pars (of 2): O fastiditi gia del pianger Monte, Philippe de Appears on: 18v Genres: Madrigal (Italian) Number of voices: 4
19	O fastiditi - 2a pars (of 2): Tempo sarebbe	-	Monte, Philippe de
O fastiditi - 2a pars (of 2): Tempo sarebbe Monte, Philippe de Appears on: 19 Genres: Madrigal (Italian) Number of voices: 4
19v–20	Vezzosi augelli in fra le verdi fronde	-	Marenzio, Luca (ca. 1553–1599)
Vezzosi augelli in fra le verdi fronde Marenzio, Luca (ca. 1553–1599) Appears on: 19v–20 Genres: Madrigal (Italian) Number of voices: 4
20v	Ahi dispietata morte ahi crudel vita	-	Marenzio, Luca (ca. 1553–1599)
Ahi dispietata morte ahi crudel vita Marenzio, Luca (ca. 1553–1599) Appears on: 20v Genres: Italian secular Number of voices: 4
21	Lavinia se non siete	-	Bianci, Pier' Antonio
Lavinia se non siete Bianci, Pier' Antonio Appears on: 21 Genres: Madrigal (Italian) Number of voices: 4
21v–22v	Dolci son le quadrella - 1a pars (of 2): Dolci son le quadrella ond'amor punge	-	Marenzio, Luca (ca. 1553–1599)
Dolci son le quadrella - 1a pars (of 2): Dolci son le quadrella ond'amor punge Marenzio, Luca (ca. 1553–1599) Appears on: 21v–22v Genres: Madrigal (Italian) Number of voices: 4
22v–23	Dolci son le quadrella - 2a pars (of 2): Come doglia fin qui fu meco	-	Marenzio, Luca (ca. 1553–1599)
Dolci son le quadrella - 2a pars (of 2): Come doglia fin qui fu meco Marenzio, Luca (ca. 1553–1599) Appears on: 22v–23 Genres: Madrigal (Italian) Number of voices: 4
23v–24	L'empio tuo stral amore	-	Renaldi, Giulio
L'empio tuo stral amore Renaldi, Giulio Appears on: 23v–24 Genres: Madrigal (Italian) Number of voices: 4
24v–25	Fuerunt mihi lachrimae (C36)	-	Ferrabosco, Alfonso (the younger) (ca. 1575–1628) (?) Ferrabosco, Alfonso (the elder) (1543–1588) (?)
Fuerunt mihi lachrimae (C36) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) (?) Ferrabosco, Alfonso (the elder) (1543–1588) (?) Appears on: 24v–25 Genres: Motet Number of voices: 4
25v–26	Inclina Domine - 3a pars (of 6): Quoniam tu, Domine	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Inclina Domine - 3a pars (of 6): Quoniam tu, Domine Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 25v–26 Genres: Motet Number of voices: 4
26v	Dulcis memoria et suavis recordatio (= Doulce memoire)	-	Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)
Dulcis memoria et suavis recordatio (= Doulce memoire) Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Appears on: 26v Genres: Motet Number of voices: 4 General Note Latin text "Dolce memori"
27	Miserere mihi Domine	-	Anonymous
Miserere mihi Domine Anonymous Appears on: 27 Genres: Psalm Number of voices: 4
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-] General Note blank pages ff. 27v-28
28v–29	Da pacem Domine (I) (C27)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Da pacem Domine (I) (C27) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 28v–29 Genres: Motet Number of voices: 5 Concordances also copied in GB-Ob MS Mus. Sch. c. 45-50, GB-Och MS Mus. 78-82 & 463-467
29v–30	Ingemuit Susanna (C43)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Ingemuit Susanna (C43) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 29v–30 Number of voices: 5
30v–31	Mirabile mysterium (C47)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Mirabile mysterium (C47) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 30v–31 Genres: Motet Number of voices: 5
31v–32	Laboravi in gemitu meo	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Laboravi in gemitu meo Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 31v–32 Genres: Motet Number of voices: 5
32v–33	Ad Dominum cum tribularer (C1)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Ad Dominum cum tribularer (C1) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 32v–33 Genres: Motet Number of voices: 5
33v–34	Sana me Domine (C56) - 1a pars (of 2): Sana me Domine	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Sana me Domine (C56) - 1a pars (of 2): Sana me Domine Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 33v–34 Genres: Motet Number of voices: 5
34v–35	Sana me Domine (C56) - 2a pars (of 2): Ne derelinquas me, Domine	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Sana me Domine (C56) - 2a pars (of 2): Ne derelinquas me, Domine Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 34v–35 Genres: Motet Number of voices: 5
35v–36	Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 35v–36 Genres: Motet Number of voices: 5
36v–37	Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 36v–37 Genres: Motet Number of voices: 5
37v–38	Peccantem me quotidie	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Peccantem me quotidie Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 37v–38 Number of voices: 5
38v–39	Musica laeta suum gaudet (C79)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Musica laeta suum gaudet (C79) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 38v–39 Genres: Motet Number of voices: 5
39v–40	Qui consolabatur me recessit a me	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Qui consolabatur me recessit a me Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 39v–40 Genres: Motet Number of voices: 5
40v–41	Heu mihi Domine (I) (C37)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Heu mihi Domine (I) (C37) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 40v–41 Genres: Motet Number of voices: 5
41v–43	Lamentations [...] Aleph (5vv - C65)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Lamentations [...] Aleph (5vv - C65) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 41v–43 Number of voices: 5
43v–44	Benedic anima mea - 11a pars (of 11): Cantabo Domino (C18)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedic anima mea - 11a pars (of 11): Cantabo Domino (C18) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 43v–44 Genres: Psalm Number of voices: 5
44v–45	Judica me - 1a pars (of 2): Judica me Domine (C44)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Judica me - 1a pars (of 2): Judica me Domine (C44) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 44v–45 Genres: Motet Number of voices: 5
45v–46	Peccata mea Domine (C53)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Peccata mea Domine (C53) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 45v–46 Genres: Motet Number of voices: 5
46v–47	Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 46v–47 Genres: Motet Number of voices: 5
47v–48	Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 47v–48 Genres: Motet Number of voices: 5
48v–49	Benedic anima mea - 7a pars (of 11): Posuisti tenebras (C14)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedic anima mea - 7a pars (of 11): Posuisti tenebras (C14) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 48v–49 Genres: Psalm Number of voices: 5
49v–50	In nomine (F84) - Exaudi vocem	-	Ferrabosco, Alfonso (the elder) (1543–1588)
In nomine (F84) - Exaudi vocem Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 49v–50 Genres: In nomine Number of voices: 5
50v–51	In nomine (F85)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
In nomine (F85) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 50v–51 Genres: In nomine Number of voices: 5
51v–52	In nomine (F86, C222)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
In nomine (F86, C222) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 51v–52 Genres: In nomine Number of voices: 5
52v–53	Tribulationem et dolorem inveni (C63)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Tribulationem et dolorem inveni (C63) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 52v–53 Genres: Motet Number of voices: 5
53v–54	Judica me - 2a pars (of 2): Vide humilitatem meam (C45)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Judica me - 2a pars (of 2): Vide humilitatem meam (C45) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 53v–54 Genres: Motet Number of voices: 5
54v–55	O heavenly God, O Father dear	-	Daman, William
O heavenly God, O Father dear Daman, William Appears on: 54v–55 Genres: Anthem Number of voices: 5
55v–56	O mighty God preserve	-	Daman, William
O mighty God preserve Daman, William Appears on: 55v–56 Genres: Anthem Number of voices: 5
56v–57	Miserere nostri Domine	-	Daman, William
Miserere nostri Domine Daman, William Appears on: 56v–57 Genres: Motet Number of voices: 5
57v–59	De Lamentatione Jeremiae (C64)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
De Lamentatione Jeremiae (C64) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 57v–59 Genres: Lamentations, Motet Number of voices: 5
59v	In resurrectione tua	W. Bird	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 59v Genres: Motet Source Attribution: W. Bird Number of voices: 5
60	In nomine a5	Mr. Woodsone	Woodson, Leonard (ca. 1565–ca. 1641)
In nomine a5 Woodson, Leonard (ca. 1565–ca. 1641) Appears on: 60 Genres: English Consort music Source Attribution: Mr. Woodsone Number of voices: 5
60v	Se voi sete cor mio quanto ben	-	Marenzio, Luca (ca. 1553–1599)
Se voi sete cor mio quanto ben Marenzio, Luca (ca. 1553–1599) Appears on: 60v Genres: Madrigal (Italian) Number of voices: 5 General Note text incipit only
61	Hai tu crudel	-	Anonymous
Hai tu crudel Anonymous Appears on: 61 Genres: Madrigal (Italian) Number of voices: 5 General Note untexted; text incipit only
61v	'Mouta'	-	Anonymous
'Mouta' Anonymous Appears on: 61v Genres: Madrigal (Italian) Number of voices: 5 General Note untexted
62	[untitled]	-	Anonymous
[untitled] Anonymous Appears on: 62 Genres: Madrigal (Italian) Number of voices: 5 General Note untexted
62v–63	'Amor'	-	Anonymous
'Amor' Anonymous Appears on: 62v–63 Genres: Madrigal (Italian) Number of voices: 5 General Note untexted
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-] General Note ff. 63v-68 blank
68v	'Donna'	-	Anonymous
'Donna' Anonymous Appears on: 68v Genres: Madrigal (Italian) Number of voices: 5 General Note untexted
69	Quella donna real	-	Wert, Giaches [Jaches] de (1535–1596)
Quella donna real Wert, Giaches [Jaches] de (1535–1596) Appears on: 69 Genres: Madrigal (Italian) Number of voices: 5
69v	Guidomi in parte - 1a pars (of 2): Guidome in part' il ciel	-	Roussel (Rosselli), François (ca. 1510–ca. 1577)
Guidomi in parte - 1a pars (of 2): Guidome in part' il ciel Roussel (Rosselli), François (ca. 1510–ca. 1577) Appears on: 69v Genres: Madrigal (Italian) Number of voices: 5
70	Guidomi in parte - 2a pars (of 2): Da Indi in qua sol	-	Roussel (Rosselli), François (ca. 1510–ca. 1577)
Guidomi in parte - 2a pars (of 2): Da Indi in qua sol Roussel (Rosselli), François (ca. 1510–ca. 1577) Appears on: 70 Genres: Madrigal (Italian) Number of voices: 5
70v–71	Giunto a la tomba - 1a pars (of 4): Giunto a la tomba	-	Marenzio, Luca (ca. 1553–1599)
Giunto a la tomba - 1a pars (of 4): Giunto a la tomba Marenzio, Luca (ca. 1553–1599) Appears on: 70v–71 Genres: Madrigal (Italian) Number of voices: 5
71v	Giunto a la tomba - 2a pars (of 4): Non di morte sei tu	-	Marenzio, Luca (ca. 1553–1599)
Giunto a la tomba - 2a pars (of 4): Non di morte sei tu Marenzio, Luca (ca. 1553–1599) Appears on: 71v Genres: Madrigal (Italian) Number of voices: 5
72	Giunto a la tomba - 3a pars (of 4): Da gli lor tu	-	Marenzio, Luca (ca. 1553–1599)
Giunto a la tomba - 3a pars (of 4): Da gli lor tu Marenzio, Luca (ca. 1553–1599) Appears on: 72 Genres: Madrigal (Italian) Number of voices: 5
72v	Giunto a la tomba - 4a pars (of 4): Et amando morro	-	Marenzio, Luca (ca. 1553–1599)
Giunto a la tomba - 4a pars (of 4): Et amando morro Marenzio, Luca (ca. 1553–1599) Appears on: 72v Genres: Madrigal (Italian) Number of voices: 5
73	Dolorosi martir', fieri tormenti	-	Marenzio, Luca (ca. 1553–1599)
Dolorosi martir', fieri tormenti Marenzio, Luca (ca. 1553–1599) Appears on: 73 Genres: Madrigal (Italian) Number of voices: 5
73v–74	Dolce mentre il ciel	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Dolce mentre il ciel Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 73v–74 Genres: Madrigal (Italian) Number of voices: 5
74v–75	Felice ohime	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Felice ohime Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 74v–75 Genres: Madrigal (Italian) Number of voices: 5
75v	Miserere nostri Domine (C3)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Miserere nostri Domine (C3) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 75v Genres: Motet Number of voices: 5
75v–76	Las, voulez vous qu'une	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Las, voulez vous qu'une Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 75v–76 Genres: Chanson Number of voices: 5
76v–77	Aupres de vous	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Aupres de vous Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 76v–77 Genres: Chanson Number of voices: 5
77v–78	Tu dolc' anima mea	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Tu dolc' anima mea Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 77v–78 Genres: Madrigal (Italian) Number of voices: 5
78v–79	Chi per voi non sospirar	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Chi per voi non sospirar Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 78v–79 Genres: Madrigal (Italian) Number of voices: 5
79v–80	Non ardo - 1a pars (of 2): Non ardo e son nel foco	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Non ardo - 1a pars (of 2): Non ardo e son nel foco Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 79v–80 Genres: Madrigal (Italian) Number of voices: 5
80v–81	Non ardo - 2a pars (of 2): Foco e 'l mio core	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Non ardo - 2a pars (of 2): Foco e 'l mio core Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 80v–81 Genres: Madrigal (Italian) Number of voices: 5
81v–82	Dolce ire - 1a pars (of 2): Dolce ire, dolci sdegne	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Dolce ire - 1a pars (of 2): Dolce ire, dolci sdegne Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 81v–82 Genres: Madrigal (Italian) Number of voices: 5
82v–83	Dolce ire - 2a pars (of 2): Forse ancor sia	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Dolce ire - 2a pars (of 2): Forse ancor sia Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 82v–83 Genres: Madrigal (Italian) Number of voices: 5
83v–84	Non ha tante quanto	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Non ha tante quanto Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 83v–84 Genres: Madrigal (Italian) Number of voices: 5
84v–85	Standomi un giorno - 1a pars (of 6): Standomi un giorno	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Standomi un giorno - 1a pars (of 6): Standomi un giorno Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 84v–85 Genres: Madrigal (Italian) Number of voices: 5
85v–86	Standomi un giorno - 2a pars (of 6): Indi per alto	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Standomi un giorno - 2a pars (of 6): Indi per alto Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 85v–86 Genres: Madrigal (Italian) Number of voices: 5
86v–87	Standomi un giorno - 3a pars (of 6): In un boschetto	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Standomi un giorno - 3a pars (of 6): In un boschetto Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 86v–87 Genres: Madrigal (Italian) Number of voices: 5
87v–88	Standomi un giorno - 4a pars (of 6): Chiara fontana in quel	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Standomi un giorno - 4a pars (of 6): Chiara fontana in quel Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 87v–88 Genres: Madrigal (Italian) Number of voices: 5
88v	Standomi un giorno - 5a pars (of 6): Una strania Phenice	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Standomi un giorno - 5a pars (of 6): Una strania Phenice Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 88v Genres: Madrigal (Italian) Number of voices: 5
89–90	Standomi un giorno - 6a pars (of 6): Al fin vid' io	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Standomi un giorno - 6a pars (of 6): Al fin vid' io Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 89–90 Genres: Madrigal (Italian) Number of voices: 5
90v–91	Ancor ch'io possa dire che d'haver (5vv)	-	Striggio, Alessandro (ca. 1536–1592)
Ancor ch'io possa dire che d'haver (5vv) Striggio, Alessandro (ca. 1536–1592) Appears on: 90v–91 Genres: Madrigal (Italian) Number of voices: 5 General Note Striggio's setting is for 6vv. Unclear whether this is a 5vv version, or a different setting entirely?
91v–92	Gia torna a rallegrar l'aria	-	Marenzio, Luca (ca. 1553–1599)
Gia torna a rallegrar l'aria Marenzio, Luca (ca. 1553–1599) Appears on: 91v–92 Genres: Madrigal (Italian) Number of voices: 5
92v–93	O foible esprit - 1a pars (of 2): O foible esprit	-	Lassus, Orlande de (ca. 1532–1594)
O foible esprit - 1a pars (of 2): O foible esprit Lassus, Orlande de (ca. 1532–1594) Appears on: 92v–93 Genres: Chanson Number of voices: 5
93v–94	O foible esprit - 2a pars (of 2): O jeune archer	-	Lassus, Orlande de (ca. 1532–1594)
O foible esprit - 2a pars (of 2): O jeune archer Lassus, Orlande de (ca. 1532–1594) Appears on: 93v–94 Genres: Chanson Number of voices: 5
94v	Se ben il duol - 1a pars (of 2): Se ben il duol che per voi donna sento	-	Rore, Cipriano de (ca. 1515–1565)
Se ben il duol - 1a pars (of 2): Se ben il duol che per voi donna sento Rore, Cipriano de (ca. 1515–1565) Appears on: 94v Genres: Madrigal (Italian) Number of voices: 5
95	Se ben il duol - 2a pars (of 2): Ben voi a piu di mill'e mille segni	-	Rore, Cipriano de (ca. 1515–1565)
Se ben il duol - 2a pars (of 2): Ben voi a piu di mill'e mille segni Rore, Cipriano de (ca. 1515–1565) Appears on: 95 Genres: Madrigal (Italian) Number of voices: 5
95v–96	Alma Susana ben felice el core ch'arde	-	Rore, Cipriano de (ca. 1515–1565)
Alma Susana ben felice el core ch'arde Rore, Cipriano de (ca. 1515–1565) Appears on: 95v–96 Genres: Motet Number of voices: 5
96v–97	Cantai mentre ch'i arsi del mio foco	-	Rore, Cipriano de (ca. 1515–1565)
Cantai mentre ch'i arsi del mio foco Rore, Cipriano de (ca. 1515–1565) Appears on: 96v–97 Genres: Madrigal (Italian) Number of voices: 5
97v	Io son ferito ahi lasso e chi mi diede	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Io son ferito ahi lasso e chi mi diede Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 97v Genres: Madrigal (Italian) Number of voices: 5
98v–99	O voi che sospirati	-	Marenzio, Luca (ca. 1553–1599)
O voi che sospirati Marenzio, Luca (ca. 1553–1599) Appears on: 98v–99 Number of voices: 5
99v	Creschin a gara sin al ciel	-	Quintiani, Lucrezio
Creschin a gara sin al ciel Quintiani, Lucrezio Appears on: 99v Genres: Madrigal (Italian) Number of voices: 5
100v–101	Non puo tanto l'amore	-	Quintiani, Lucrezio
Non puo tanto l'amore Quintiani, Lucrezio Appears on: 100v–101 Genres: Madrigal (Italian) Number of voices: 5
101v–102	Dolce esca del mio core	-	Quintiani, Lucrezio
Dolce esca del mio core Quintiani, Lucrezio Appears on: 101v–102 Genres: Madrigal (Italian) Number of voices: 5
102v–103	Deh non ponete fini	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Deh non ponete fini Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 102v–103 Genres: Madrigal (Italian) Number of voices: 5
103v–104	Vidi pianger madonna - 1a pars (of 2): Vidi pianger madonna	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Vidi pianger madonna - 1a pars (of 2): Vidi pianger madonna Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 103v–104 Genres: Madrigal (Italian) Number of voices: 5
104v–105	Vidi pianger madonna - 2a pars (of 2): Come dal ciel seren	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Vidi pianger madonna - 2a pars (of 2): Come dal ciel seren Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 104v–105 Genres: Madrigal (Italian) Number of voices: 5
105v–106	Le rossignol plaisant et gratieux	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Le rossignol plaisant et gratieux Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 105v–106 Genres: Madrigal Number of voices: 5
105v–106	Caro dolce mio ben	-	Marenzio, Luca (ca. 1553–1599)
Caro dolce mio ben Marenzio, Luca (ca. 1553–1599) Appears on: 105v–106 Genres: Madrigal (Italian) Number of voices: 5
107v–108	Mi fa lasso languire	-	Marenzio, Luca (ca. 1553–1599)
Mi fa lasso languire Marenzio, Luca (ca. 1553–1599) Appears on: 107v–108 Genres: Madrigal (Italian) Number of voices: 5
108v–109	Inclina Domine - 5a pars (of 6): Quoniam magnus es	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Inclina Domine - 5a pars (of 6): Quoniam magnus es Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 108v–109 Genres: Motet Number of voices: 5
109v	Locutus sum - 1a pars (of 2): Locutus sum in lingua mea notum fac	-	Lassus, Orlande de (ca. 1532–1594)
Locutus sum - 1a pars (of 2): Locutus sum in lingua mea notum fac Lassus, Orlande de (ca. 1532–1594) Appears on: 109v Genres: Motet Number of voices: 5
110	Locutus sum - 2a pars (of 2): Fac mecum signum in bonum	-	Lassus, Orlande de (ca. 1532–1594)
Locutus sum - 2a pars (of 2): Fac mecum signum in bonum Lassus, Orlande de (ca. 1532–1594) Appears on: 110 Genres: Motet Number of voices: 5
110v	Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me	-	Lassus, Orlande de (ca. 1532–1594)
Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me Lassus, Orlande de (ca. 1532–1594) Appears on: 110v Genres: Motet Number of voices: 5
111	Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam	-	Lassus, Orlande de (ca. 1532–1594)
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam Lassus, Orlande de (ca. 1532–1594) Appears on: 111 Genres: Motet Number of voices: 5
111v	Exaudi Domine	-	Anonymous
Exaudi Domine Anonymous Appears on: 111v Genres: Motet Number of voices: 5
112	Nel piu fiorito Aprile	-	Marenzio, Luca (ca. 1553–1599)
Nel piu fiorito Aprile Marenzio, Luca (ca. 1553–1599) Appears on: 112 Genres: Madrigal (Italian) Number of voices: 5 General Note untexted
112v–113	[untitled]	-	Anonymous
[untitled] Anonymous Appears on: 112v–113 Genres: Madrigal (Italian), textless Number of voices: 5
113v	Goe Phebus goe	Mr. Flecknall	Flecknall
Goe Phebus goe Flecknall Appears on: 113v Genres: Madrigal (English) Source Attribution: Mr. Flecknall Number of voices: 6
114	Phillis	Mr. R. Portman	Portman, Richard
Phillis Portman, Richard Appears on: 114 Genres: Madrigal (English) Source Attribution: Mr. R. Portman Number of voices: 6
114v–115	O bone Jesu	-	Grandi, Alessandro (?)
O bone Jesu Grandi, Alessandro (?) Appears on: 114v–115 Genres: Motet Number of voices: 6
115v–116	Pavan - Almand - Courant a2	Mr. Noe	Nau, Stephen
Pavan - Almand - Courant a2 Nau, Stephen Appears on: 115v–116 Genres: Dance Source Attribution: Mr. Noe Number of voices: 2 General Note the lower part incomplete in Tenor book
123v–124	Voi volete ch' io muoia	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Voi volete ch' io muoia Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 123v–124 Genres: Madrigal (Italian) Number of voices: 6 General Note ff. 116v-123 blank
124v–125	Interdette speranze e van desio	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Interdette speranze e van desio Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 124v–125 Genres: Madrigal (Italian) Number of voices: 6
124v–125	Cosi m' e l'aspettar	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Cosi m' e l'aspettar Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 124v–125 Genres: Madrigal (Italian) Number of voices: 6
126v–127	Con lagrime ch' ogn' hor' da gli occhi	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Con lagrime ch' ogn' hor' da gli occhi Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 126v–127 Genres: Madrigal (Italian) Number of voices: 6
127v–128	Dolce guerriera mia - 1a pars (of 2): Dolce guerriera mia	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Dolce guerriera mia - 1a pars (of 2): Dolce guerriera mia Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 127v–128 Genres: Madrigal (Italian) Number of voices: 6
128v–129	Dolce guerriera mia - 2a pars (of 2): Ma se con l'apre	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Dolce guerriera mia - 2a pars (of 2): Ma se con l'apre Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 128v–129 Genres: Madrigal (Italian) Number of voices: 6
129v–130	Benedetto di al giorno - 1a pars (of 2): Benedetto di al giorno	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedetto di al giorno - 1a pars (of 2): Benedetto di al giorno Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 129v–130 Genres: Madrigal (Italian) Number of voices: 6
130v–131	Benedetto di al giorno - 2a pars (of 2): Benedette le voci	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedetto di al giorno - 2a pars (of 2): Benedette le voci Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 130v–131 Genres: Madrigal (Italian) Number of voices: 6
131v–132	Mentre che il cor - 1a pars (of 2): Mentre che il cor	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Mentre che il cor - 1a pars (of 2): Mentre che il cor Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 131v–132 Genres: Madrigal (Italian) Number of voices: 6
132v–133	Mentre che il cor - 2a pars (of 2): Quel foco e morto	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Mentre che il cor - 2a pars (of 2): Quel foco e morto Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 132v–133 Genres: Madrigal (Italian) Number of voices: 6
133v–134	Lasso me - 1a pars (of 2): Lasso me ch' ad un tempo	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Lasso me - 1a pars (of 2): Lasso me ch' ad un tempo Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 133v–134 Genres: Madrigal (Italian) Number of voices: 6
134v–135	Lasso me - 2a pars (of 2): Cerco fermar il sol ardo	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Lasso me - 2a pars (of 2): Cerco fermar il sol ardo Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 134v–135 Genres: Madrigal (Italian) Number of voices: 6
135v–136	Questi ch' inditio fan del mio tormento	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Questi ch' inditio fan del mio tormento Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 135v–136 Genres: Madrigal (Italian) Number of voices: 6
136v–137	Ancor ch'io possa dire che d'haver (6vv)	-	Striggio, Alessandro (ca. 1536–1592)
Ancor ch'io possa dire che d'haver (6vv) Striggio, Alessandro (ca. 1536–1592) Appears on: 136v–137 Genres: Madrigal (Italian) Number of voices: 6
137v–138	Ultimi miei sospiri che mi lasciate	-	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Verdelot, Philippe (ca. 1480–ca. 1532)
Ultimi miei sospiri che mi lasciate Ferrabosco, Alfonso (the elder) (1543–1588) (?) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 137v–138 Genres: Madrigal (Italian) Number of voices: 6
138v	Quell' ombr' esser vorrei	-	Marenzio, Luca (ca. 1553–1599)
Quell' ombr' esser vorrei Marenzio, Luca (ca. 1553–1599) Appears on: 138v Genres: Madrigal (Italian) Number of voices: 6
139	Dono Cinthia a Damone	-	Marenzio, Luca (ca. 1553–1599)
Dono Cinthia a Damone Marenzio, Luca (ca. 1553–1599) Appears on: 139 Genres: Madrigal (Italian) Number of voices: 6
139v	Con dolci sguardi - 1a pars (of 2): Con dolci sguard' al	-	Marenzio, Luca (ca. 1553–1599)
Con dolci sguardi - 1a pars (of 2): Con dolci sguard' al Marenzio, Luca (ca. 1553–1599) Appears on: 139v Genres: Madrigal (Italian) Number of voices: 6
139v–140	Con dolci sguardi - 2a pars (of 2): Di lagrime indi sparge	-	Marenzio, Luca (ca. 1553–1599)
Con dolci sguardi - 2a pars (of 2): Di lagrime indi sparge Marenzio, Luca (ca. 1553–1599) Appears on: 139v–140 Genres: Madrigal (Italian) Number of voices: 6
140v–141	Danzava con maniere - 1a pars (of 2): Danzava con maniere	-	Marenzio, Luca (ca. 1553–1599)
Danzava con maniere - 1a pars (of 2): Danzava con maniere Marenzio, Luca (ca. 1553–1599) Appears on: 140v–141 Genres: Madrigal (Italian) Number of voices: 6 General Note untexted except in Altus & Quintus books
141v–142	Danzava con maniere - 2a pars (of 2): Son presa disse	-	Marenzio, Luca (ca. 1553–1599)
Danzava con maniere - 2a pars (of 2): Son presa disse Marenzio, Luca (ca. 1553–1599) Appears on: 141v–142 Genres: Madrigal (Italian) Number of voices: 6 General Note untexted except in Altus book

Composer	Compositions
Anonymous	'Amor' – 62v–63 'Donna' – 68v 'Mouta' – 61v Che dolce – 7v Exaudi Domine – 111v Hai tu crudel – 61 Miserere mihi Domine – 27 O bel viso – 7 O passi – 6v [untitled] – 8 [untitled] – 8 [untitled] – 112v–113 [untitled] – 62 [No description] – [-] [No description] – [-] [No description] – [-]
Bianci, Pier' Antonio	Come avra vita - 1a pars (of 2): Come havra vita amor – 17 Come avra vita - 2a pars (of 2): Come havre fin – 17 Lavinia se non siete – 21
Byrd, William (ca. 1540-1623)	In resurrectione tua – 59v
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	Qui consolabatur me recessit a me – 39v–40
Daman, William	Miserere nostri Domine – 56v–57 O heavenly God, O Father dear – 54v–55 O mighty God preserve – 55v–56
Ferrabosco, Alfonso (the elder) (1543-1588)	Ad Dominum cum tribularer (C1) – 32v–33 Aupres de vous – 76v–77 Benedetto di al giorno - 1a pars (of 2): Benedetto di al giorno – 129v–130 Benedetto di al giorno - 2a pars (of 2): Benedette le voci – 130v–131 Benedic anima mea - 11a pars (of 11): Cantabo Domino (C18) – 43v–44 Benedic anima mea - 7a pars (of 11): Posuisti tenebras (C14) – 48v–49 Chi per voi non sospirar – 78v–79 Con lagrime ch' ogn' hor' da gli occhi – 126v–127 Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25) – 35v–36 Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) – 36v–37 Cosi m' e l'aspettar – 124v–125 Da pacem Domine (I) (C27) – 28v–29 De Lamentatione Jeremiae (C64) – 57v–59 Deh non ponete fini – 102v–103 Dolce guerriera mia - 1a pars (of 2): Dolce guerriera mia – 127v–128 Dolce guerriera mia - 2a pars (of 2): Ma se con l'apre – 128v–129 Dolce ire - 1a pars (of 2): Dolce ire, dolci sdegne – 81v–82 Dolce ire - 2a pars (of 2): Forse ancor sia – 82v–83 Dolce mentre il ciel – 73v–74 Felice ohime – 74v–75 (?) Fuerunt mihi lachrimae (C36) – 24v–25 Heu mihi Domine (I) (C37) – 40v–41 In nomine (F84) - Exaudi vocem – 49v–50 In nomine (F85) – 50v–51 In nomine (F86, C222) – 51v–52 Inclina Domine - 3a pars (of 6): Quoniam tu, Domine – 25v–26 Inclina Domine - 5a pars (of 6): Quoniam magnus es – 108v–109 Ingemuit Susanna (C43) – 29v–30 Interdette speranze e van desio – 124v–125 Judica me - 1a pars (of 2): Judica me Domine (C44) – 44v–45 Judica me - 2a pars (of 2): Vide humilitatem meam (C45) – 53v–54 Laboravi in gemitu meo – 31v–32 Lamentations [...] Aleph (5vv - C65) – 41v–43 Las, voulez vous qu'une – 75v–76 Lasso me - 1a pars (of 2): Lasso me ch' ad un tempo – 133v–134 Lasso me - 2a pars (of 2): Cerco fermar il sol ardo – 134v–135 Le rossignol plaisant et gratieux – 105v–106 Mentre che il cor - 1a pars (of 2): Mentre che il cor – 131v–132 Mentre che il cor - 2a pars (of 2): Quel foco e morto – 132v–133 Mirabile mysterium (C47) – 30v–31 Miserere nostri Domine (C3) – 75v Musica laeta suum gaudet (C79) – 38v–39 Non ardo - 1a pars (of 2): Non ardo e son nel foco – 79v–80 Non ardo - 2a pars (of 2): Foco e 'l mio core – 80v–81 Non ha tante quanto – 83v–84 Peccantem me quotidie – 37v–38 Peccata mea Domine (C53) – 45v–46 Questi ch' inditio fan del mio tormento – 135v–136 Sana me Domine (C56) - 1a pars (of 2): Sana me Domine – 33v–34 Sana me Domine (C56) - 2a pars (of 2): Ne derelinquas me, Domine – 34v–35 Standomi un giorno - 1a pars (of 6): Standomi un giorno – 84v–85 Standomi un giorno - 2a pars (of 6): Indi per alto – 85v–86 Standomi un giorno - 3a pars (of 6): In un boschetto – 86v–87 Standomi un giorno - 4a pars (of 6): Chiara fontana in quel – 87v–88 Standomi un giorno - 5a pars (of 6): Una strania Phenice – 88v Standomi un giorno - 6a pars (of 6): Al fin vid' io – 89–90 Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57) – 46v–47 Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58) – 47v–48 Tribulationem et dolorem inveni (C63) – 52v–53 Tu dolc' anima mea – 77v–78 (?) Ultimi miei sospiri che mi lasciate – 137v–138 Vidi pianger madonna - 1a pars (of 2): Vidi pianger madonna – 103v–104 Vidi pianger madonna - 2a pars (of 2): Come dal ciel seren – 104v–105 Voi volete ch' io muoia – 123v–124
Ferrabosco, Alfonso (the younger) (ca. 1575-1628)	(?) Fuerunt mihi lachrimae (C36) – 24v–25
Flecknall	Goe Phebus goe – 113v
Gabrieli, Andrea (ca. 1532-1585)	A caso un giorno - 1a pars (of 4): A caso un giorno – 1 A caso un giorno - 2a pars (of 4): Vaga d'uider – 1v A caso un giorno - 3a pars (of 4): Con quel poco – 2 A caso un giorno - 4a pars (of 4): Mentre ch'ella – 2v–3
Grandi, Alessandro	(?) O bone Jesu – 114v–115
Ingegneri, Marc'Antonio	Poscia che troppo - 1a pars (of 2): Poscia che troppo – 16 Poscia che troppo - 2a pars (of 2): Santa madre del ciel – 16v
Lassus, Orlande de (ca. 1532-1594)	Ave regina caelorum (3vv) – 5v–6 Cantate Domino (3vv) - 1a pars (of 2): Cantate Domino canticum novum – 3v Cantate Domino (3vv) - 2a pars (of 2): Cantate Domino et benedicite – 4 Christus resurgens ex mortuis jam non – 4v Locutus sum - 1a pars (of 2): Locutus sum in lingua mea notum fac – 109v Locutus sum - 2a pars (of 2): Fac mecum signum in bonum – 110 O foible esprit - 1a pars (of 2): O foible esprit – 92v–93 O foible esprit - 2a pars (of 2): O jeune archer – 93v–94 Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me – 110v Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam – 111
Manchicourt, Pierre de	(?) Dulcis memoria et suavis recordatio (= Doulce memoire) – 26v
Marenzio, Luca (ca. 1553-1599)	Ahi dispietata morte ahi crudel vita – 20v Caro dolce mio ben – 105v–106 Con dolci sguardi - 1a pars (of 2): Con dolci sguard' al – 139v Con dolci sguardi - 2a pars (of 2): Di lagrime indi sparge – 139v–140 Danzava con maniere - 1a pars (of 2): Danzava con maniere – 140v–141 Danzava con maniere - 2a pars (of 2): Son presa disse – 141v–142 Dolci son le quadrella - 1a pars (of 2): Dolci son le quadrella ond'amor punge – 21v–22v Dolci son le quadrella - 2a pars (of 2): Come doglia fin qui fu meco – 22v–23 Dolorosi martir', fieri tormenti – 73 Dono Cinthia a Damone – 139 Gia torna a rallegrar l'aria – 91v–92 Giunto a la tomba - 1a pars (of 4): Giunto a la tomba – 70v–71 Giunto a la tomba - 2a pars (of 4): Non di morte sei tu – 71v Giunto a la tomba - 3a pars (of 4): Da gli lor tu – 72 Giunto a la tomba - 4a pars (of 4): Et amando morro – 72v Hor pien d'altro – 10 Mi fa lasso languire – 107v–108 Nel piu fiorito Aprile – 112 O voi che sospirati – 98v–99 Quell' ombr' esser vorrei – 138v Se voi sete cor mio quanto ben – 60v Vezzosi augelli in fra le verdi fronde – 19v–20
Monte, Philippe de	Deh Flori se pieta - 1a pars (of 2): Deh Flori se pieta – 17v Deh Flori se pieta - 2a pars (of 2): Sola te cerco ogn' hor – 17v O fastiditi - 1a pars (of 2): O fastiditi gia del pianger – 18v O fastiditi - 2a pars (of 2): Tempo sarebbe – 19 Sola te cerco ogn' hor' – 18
Nau, Stephen	Pavan - Almand - Courant a2 – 115v–116
Palestrina, Giovanni Pierluigi da (1525-1594)	Io son ferito ahi lasso e chi mi diede – 97v
Portman, Richard	Phillis – 114
Quintiani, Lucrezio	Creschin a gara sin al ciel – 99v Dolce esca del mio core – 101v–102 Non puo tanto l'amore – 100v–101
Renaldi, Giulio	Amor io sento un respirar – 15v L'empio tuo stral amore – 23v–24 Mentre ch'altiero amore - 1a pars (of 7): Mentre ch'altiero amore – 11 Mentre ch'altiero amore - 2a pars (of 7): E quel foco – 11v Mentre ch'altiero amore - 3a pars (of 7): Et ei fero' e sdegno – 12 Mentre ch'altiero amore - 4a pars (of 7): Perche come – 12v Mentre ch'altiero amore - 5a pars (of 7): E fattasi reina – 13 Mentre ch'altiero amore - 6a pars (of 7): Ma se 'l caldo cor – 13v Mentre ch'altiero amore - 7a pars (of 7): Vanne a madonna – 14 Vaghi leggiadre - 1a pars (of 2): Vaghi leggiadre lumi – 14v Vaghi leggiadre - 2a pars (of 2): Che fia che dal mio cor – 15
Rore, Cipriano de (ca. 1515-1565)	Alma Susana ben felice el core ch'arde – 95v–96 Cantai mentre ch'i arsi del mio foco – 96v–97 Se ben il duol - 1a pars (of 2): Se ben il duol che per voi donna sento – 94v Se ben il duol - 2a pars (of 2): Ben voi a piu di mill'e mille segni – 95
Roussel (Rosselli), François (ca. 1510-ca. 1577)	Guidomi in parte - 1a pars (of 2): Guidome in part' il ciel – 69v Guidomi in parte - 2a pars (of 2): Da Indi in qua sol – 70
Sandrin, Pierre (ca. 1490-ca. 1560)	(?) Dulcis memoria et suavis recordatio (= Doulce memoire) – 26v
Striggio, Alessandro (ca. 1536-1592)	Ancor ch'io possa dire che d'haver (5vv) – 90v–91 Ancor ch'io possa dire che d'haver (6vv) – 136v–137
Verdelot, Philippe (ca. 1480-ca. 1532)	Ultimi miei sospiri che mi lasciate – 137v–138
Wert, Giaches [Jaches] de (1535-1596)	Quella donna real – 69
White, William	Pavan a6 – 9v Pavan a6 – 10v
Woodson, Leonard (ca. 1565-ca. 1641)	In nomine a5 – 60

Composition	Composers (? Uncertain)	Folios / Pages
'Amor'	Anonymous	62v–63
'Donna'	Anonymous	68v
'Mouta'	Anonymous	61v
[untitled]	Anonymous	8
[untitled]	Anonymous	8
[untitled]	Anonymous	62
[untitled]	Anonymous	112v–113
A caso un giorno - 1a pars (of 4): A caso un giorno	Gabrieli, Andrea (ca. 1532–1585)	1
A caso un giorno - 2a pars (of 4): Vaga d'uider	Gabrieli, Andrea (ca. 1532–1585)	1v
A caso un giorno - 3a pars (of 4): Con quel poco	Gabrieli, Andrea (ca. 1532–1585)	2
A caso un giorno - 4a pars (of 4): Mentre ch'ella	Gabrieli, Andrea (ca. 1532–1585)	2v–3
Ad Dominum cum tribularer (C1)	Ferrabosco, Alfonso (the elder) (1543–1588)	32v–33
Ahi dispietata morte ahi crudel vita	Marenzio, Luca (ca. 1553–1599)	20v
Alma Susana ben felice el core ch'arde	Rore, Cipriano de (ca. 1515–1565)	95v–96
Amor io sento un respirar	Renaldi, Giulio	15v
Ancor ch'io possa dire che d'haver (5vv)	Striggio, Alessandro (ca. 1536–1592)	90v–91
Ancor ch'io possa dire che d'haver (6vv)	Striggio, Alessandro (ca. 1536–1592)	136v–137
Aupres de vous	Ferrabosco, Alfonso (the elder) (1543–1588)	76v–77
Ave regina caelorum (3vv)	Lassus, Orlande de (ca. 1532–1594)	5v–6
Benedetto di al giorno - 1a pars (of 2): Benedetto di al giorno	Ferrabosco, Alfonso (the elder) (1543–1588)	129v–130
Benedetto di al giorno - 2a pars (of 2): Benedette le voci	Ferrabosco, Alfonso (the elder) (1543–1588)	130v–131
Benedic anima mea - 11a pars (of 11): Cantabo Domino (C18)	Ferrabosco, Alfonso (the elder) (1543–1588)	43v–44
Benedic anima mea - 7a pars (of 11): Posuisti tenebras (C14)	Ferrabosco, Alfonso (the elder) (1543–1588)	48v–49
Cantai mentre ch'i arsi del mio foco	Rore, Cipriano de (ca. 1515–1565)	96v–97
Cantate Domino (3vv) - 1a pars (of 2): Cantate Domino canticum novum	Lassus, Orlande de (ca. 1532–1594)	3v
Cantate Domino (3vv) - 2a pars (of 2): Cantate Domino et benedicite	Lassus, Orlande de (ca. 1532–1594)	4
Caro dolce mio ben	Marenzio, Luca (ca. 1553–1599)	105v–106
Che dolce	Anonymous	7v
Chi per voi non sospirar	Ferrabosco, Alfonso (the elder) (1543–1588)	78v–79
Christus resurgens ex mortuis jam non	Lassus, Orlande de (ca. 1532–1594)	4v
Come avra vita - 1a pars (of 2): Come havra vita amor	Bianci, Pier' Antonio	17
Come avra vita - 2a pars (of 2): Come havre fin	Bianci, Pier' Antonio	17
Con dolci sguardi - 1a pars (of 2): Con dolci sguard' al	Marenzio, Luca (ca. 1553–1599)	139v
Con dolci sguardi - 2a pars (of 2): Di lagrime indi sparge	Marenzio, Luca (ca. 1553–1599)	139v–140
Con lagrime ch' ogn' hor' da gli occhi	Ferrabosco, Alfonso (the elder) (1543–1588)	126v–127
Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25)	Ferrabosco, Alfonso (the elder) (1543–1588)	35v–36
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25)	Ferrabosco, Alfonso (the elder) (1543–1588)	36v–37
Cosi m' e l'aspettar	Ferrabosco, Alfonso (the elder) (1543–1588)	124v–125
Creschin a gara sin al ciel	Quintiani, Lucrezio	99v
Da pacem Domine (I) (C27)	Ferrabosco, Alfonso (the elder) (1543–1588)	28v–29
Danzava con maniere - 1a pars (of 2): Danzava con maniere	Marenzio, Luca (ca. 1553–1599)	140v–141
Danzava con maniere - 2a pars (of 2): Son presa disse	Marenzio, Luca (ca. 1553–1599)	141v–142
De Lamentatione Jeremiae (C64)	Ferrabosco, Alfonso (the elder) (1543–1588)	57v–59
Deh Flori se pieta - 1a pars (of 2): Deh Flori se pieta	Monte, Philippe de	17v
Deh Flori se pieta - 2a pars (of 2): Sola te cerco ogn' hor	Monte, Philippe de	17v
Deh non ponete fini	Ferrabosco, Alfonso (the elder) (1543–1588)	102v–103
Dolce esca del mio core	Quintiani, Lucrezio	101v–102
Dolce guerriera mia - 1a pars (of 2): Dolce guerriera mia	Ferrabosco, Alfonso (the elder) (1543–1588)	127v–128
Dolce guerriera mia - 2a pars (of 2): Ma se con l'apre	Ferrabosco, Alfonso (the elder) (1543–1588)	128v–129
Dolce ire - 1a pars (of 2): Dolce ire, dolci sdegne	Ferrabosco, Alfonso (the elder) (1543–1588)	81v–82
Dolce ire - 2a pars (of 2): Forse ancor sia	Ferrabosco, Alfonso (the elder) (1543–1588)	82v–83
Dolce mentre il ciel	Ferrabosco, Alfonso (the elder) (1543–1588)	73v–74
Dolci son le quadrella - 1a pars (of 2): Dolci son le quadrella ond'amor punge	Marenzio, Luca (ca. 1553–1599)	21v–22v
Dolci son le quadrella - 2a pars (of 2): Come doglia fin qui fu meco	Marenzio, Luca (ca. 1553–1599)	22v–23
Dolorosi martir', fieri tormenti	Marenzio, Luca (ca. 1553–1599)	73
Dono Cinthia a Damone	Marenzio, Luca (ca. 1553–1599)	139
Dulcis memoria et suavis recordatio (= Doulce memoire)	Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)	26v
Exaudi Domine	Anonymous	111v
Felice ohime	Ferrabosco, Alfonso (the elder) (1543–1588)	74v–75
Fuerunt mihi lachrimae (C36)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628) (?) Ferrabosco, Alfonso (the elder) (1543–1588) (?)	24v–25
Gia torna a rallegrar l'aria	Marenzio, Luca (ca. 1553–1599)	91v–92
Giunto a la tomba - 1a pars (of 4): Giunto a la tomba	Marenzio, Luca (ca. 1553–1599)	70v–71
Giunto a la tomba - 2a pars (of 4): Non di morte sei tu	Marenzio, Luca (ca. 1553–1599)	71v
Giunto a la tomba - 3a pars (of 4): Da gli lor tu	Marenzio, Luca (ca. 1553–1599)	72
Giunto a la tomba - 4a pars (of 4): Et amando morro	Marenzio, Luca (ca. 1553–1599)	72v
Goe Phebus goe	Flecknall	113v
Guidomi in parte - 1a pars (of 2): Guidome in part' il ciel	Roussel (Rosselli), François (ca. 1510–ca. 1577)	69v
Guidomi in parte - 2a pars (of 2): Da Indi in qua sol	Roussel (Rosselli), François (ca. 1510–ca. 1577)	70
Hai tu crudel	Anonymous	61
Heu mihi Domine (I) (C37)	Ferrabosco, Alfonso (the elder) (1543–1588)	40v–41
Hor pien d'altro	Marenzio, Luca (ca. 1553–1599)	10
In nomine (F84) - Exaudi vocem	Ferrabosco, Alfonso (the elder) (1543–1588)	49v–50
In nomine (F85)	Ferrabosco, Alfonso (the elder) (1543–1588)	50v–51
In nomine (F86, C222)	Ferrabosco, Alfonso (the elder) (1543–1588)	51v–52
In nomine a5	Woodson, Leonard (ca. 1565–ca. 1641)	60
In resurrectione tua	Byrd, William (ca. 1540–1623)	59v
Inclina Domine - 3a pars (of 6): Quoniam tu, Domine	Ferrabosco, Alfonso (the elder) (1543–1588)	25v–26
Inclina Domine - 5a pars (of 6): Quoniam magnus es	Ferrabosco, Alfonso (the elder) (1543–1588)	108v–109
Ingemuit Susanna (C43)	Ferrabosco, Alfonso (the elder) (1543–1588)	29v–30
Interdette speranze e van desio	Ferrabosco, Alfonso (the elder) (1543–1588)	124v–125
Io son ferito ahi lasso e chi mi diede	Palestrina, Giovanni Pierluigi da (1525–1594)	97v
Judica me - 1a pars (of 2): Judica me Domine (C44)	Ferrabosco, Alfonso (the elder) (1543–1588)	44v–45
Judica me - 2a pars (of 2): Vide humilitatem meam (C45)	Ferrabosco, Alfonso (the elder) (1543–1588)	53v–54
L'empio tuo stral amore	Renaldi, Giulio	23v–24
Laboravi in gemitu meo	Ferrabosco, Alfonso (the elder) (1543–1588)	31v–32
Lamentations [...] Aleph (5vv - C65)	Ferrabosco, Alfonso (the elder) (1543–1588)	41v–43
Las, voulez vous qu'une	Ferrabosco, Alfonso (the elder) (1543–1588)	75v–76
Lasso me - 1a pars (of 2): Lasso me ch' ad un tempo	Ferrabosco, Alfonso (the elder) (1543–1588)	133v–134
Lasso me - 2a pars (of 2): Cerco fermar il sol ardo	Ferrabosco, Alfonso (the elder) (1543–1588)	134v–135
Lavinia se non siete	Bianci, Pier' Antonio	21
Le rossignol plaisant et gratieux	Ferrabosco, Alfonso (the elder) (1543–1588)	105v–106
Locutus sum - 1a pars (of 2): Locutus sum in lingua mea notum fac	Lassus, Orlande de (ca. 1532–1594)	109v
Locutus sum - 2a pars (of 2): Fac mecum signum in bonum	Lassus, Orlande de (ca. 1532–1594)	110
Mentre ch'altiero amore - 1a pars (of 7): Mentre ch'altiero amore	Renaldi, Giulio	11
Mentre ch'altiero amore - 2a pars (of 7): E quel foco	Renaldi, Giulio	11v
Mentre ch'altiero amore - 3a pars (of 7): Et ei fero' e sdegno	Renaldi, Giulio	12
Mentre ch'altiero amore - 4a pars (of 7): Perche come	Renaldi, Giulio	12v
Mentre ch'altiero amore - 5a pars (of 7): E fattasi reina	Renaldi, Giulio	13
Mentre ch'altiero amore - 6a pars (of 7): Ma se 'l caldo cor	Renaldi, Giulio	13v
Mentre ch'altiero amore - 7a pars (of 7): Vanne a madonna	Renaldi, Giulio	14
Mentre che il cor - 1a pars (of 2): Mentre che il cor	Ferrabosco, Alfonso (the elder) (1543–1588)	131v–132
Mentre che il cor - 2a pars (of 2): Quel foco e morto	Ferrabosco, Alfonso (the elder) (1543–1588)	132v–133
Mi fa lasso languire	Marenzio, Luca (ca. 1553–1599)	107v–108
Mirabile mysterium (C47)	Ferrabosco, Alfonso (the elder) (1543–1588)	30v–31
Miserere mihi Domine	Anonymous	27
Miserere nostri Domine	Daman, William	56v–57
Miserere nostri Domine (C3)	Ferrabosco, Alfonso (the elder) (1543–1588)	75v
Musica laeta suum gaudet (C79)	Ferrabosco, Alfonso (the elder) (1543–1588)	38v–39
Nel piu fiorito Aprile	Marenzio, Luca (ca. 1553–1599)	112
Non ardo - 1a pars (of 2): Non ardo e son nel foco	Ferrabosco, Alfonso (the elder) (1543–1588)	79v–80
Non ardo - 2a pars (of 2): Foco e 'l mio core	Ferrabosco, Alfonso (the elder) (1543–1588)	80v–81
Non ha tante quanto	Ferrabosco, Alfonso (the elder) (1543–1588)	83v–84
Non puo tanto l'amore	Quintiani, Lucrezio	100v–101
O bel viso	Anonymous	7
O bone Jesu	Grandi, Alessandro (?)	114v–115
O fastiditi - 1a pars (of 2): O fastiditi gia del pianger	Monte, Philippe de	18v
O fastiditi - 2a pars (of 2): Tempo sarebbe	Monte, Philippe de	19
O foible esprit - 1a pars (of 2): O foible esprit	Lassus, Orlande de (ca. 1532–1594)	92v–93
O foible esprit - 2a pars (of 2): O jeune archer	Lassus, Orlande de (ca. 1532–1594)	93v–94
O heavenly God, O Father dear	Daman, William	54v–55
O mighty God preserve	Daman, William	55v–56
O passi	Anonymous	6v
O voi che sospirati	Marenzio, Luca (ca. 1553–1599)	98v–99
Pavan - Almand - Courant a2	Nau, Stephen	115v–116
Pavan a6	White, William	9v
Pavan a6	White, William	10v
Peccantem me quotidie	Ferrabosco, Alfonso (the elder) (1543–1588)	37v–38
Peccata mea Domine (C53)	Ferrabosco, Alfonso (the elder) (1543–1588)	45v–46
Phillis	Portman, Richard	114
Poscia che troppo - 1a pars (of 2): Poscia che troppo	Ingegneri, Marc'Antonio	16
Poscia che troppo - 2a pars (of 2): Santa madre del ciel	Ingegneri, Marc'Antonio	16v
Quell' ombr' esser vorrei	Marenzio, Luca (ca. 1553–1599)	138v
Quella donna real	Wert, Giaches [Jaches] de (1535–1596)	69
Questi ch' inditio fan del mio tormento	Ferrabosco, Alfonso (the elder) (1543–1588)	135v–136
Qui consolabatur me recessit a me	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	39v–40
Sana me Domine (C56) - 1a pars (of 2): Sana me Domine	Ferrabosco, Alfonso (the elder) (1543–1588)	33v–34
Sana me Domine (C56) - 2a pars (of 2): Ne derelinquas me, Domine	Ferrabosco, Alfonso (the elder) (1543–1588)	34v–35
Se ben il duol - 1a pars (of 2): Se ben il duol che per voi donna sento	Rore, Cipriano de (ca. 1515–1565)	94v
Se ben il duol - 2a pars (of 2): Ben voi a piu di mill'e mille segni	Rore, Cipriano de (ca. 1515–1565)	95
Se voi sete cor mio quanto ben	Marenzio, Luca (ca. 1553–1599)	60v
Sola te cerco ogn' hor'	Monte, Philippe de	18
Standomi un giorno - 1a pars (of 6): Standomi un giorno	Ferrabosco, Alfonso (the elder) (1543–1588)	84v–85
Standomi un giorno - 2a pars (of 6): Indi per alto	Ferrabosco, Alfonso (the elder) (1543–1588)	85v–86
Standomi un giorno - 3a pars (of 6): In un boschetto	Ferrabosco, Alfonso (the elder) (1543–1588)	86v–87
Standomi un giorno - 4a pars (of 6): Chiara fontana in quel	Ferrabosco, Alfonso (the elder) (1543–1588)	87v–88
Standomi un giorno - 5a pars (of 6): Una strania Phenice	Ferrabosco, Alfonso (the elder) (1543–1588)	88v
Standomi un giorno - 6a pars (of 6): Al fin vid' io	Ferrabosco, Alfonso (the elder) (1543–1588)	89–90
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57)	Ferrabosco, Alfonso (the elder) (1543–1588)	46v–47
Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58)	Ferrabosco, Alfonso (the elder) (1543–1588)	47v–48
Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me	Lassus, Orlande de (ca. 1532–1594)	110v
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam	Lassus, Orlande de (ca. 1532–1594)	111
Tribulationem et dolorem inveni (C63)	Ferrabosco, Alfonso (the elder) (1543–1588)	52v–53
Tu dolc' anima mea	Ferrabosco, Alfonso (the elder) (1543–1588)	77v–78
Ultimi miei sospiri che mi lasciate	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Verdelot, Philippe (ca. 1480–ca. 1532)	137v–138
Vaghi leggiadre - 1a pars (of 2): Vaghi leggiadre lumi	Renaldi, Giulio	14v
Vaghi leggiadre - 2a pars (of 2): Che fia che dal mio cor	Renaldi, Giulio	15
Vezzosi augelli in fra le verdi fronde	Marenzio, Luca (ca. 1553–1599)	19v–20
Vidi pianger madonna - 1a pars (of 2): Vidi pianger madonna	Ferrabosco, Alfonso (the elder) (1543–1588)	103v–104
Vidi pianger madonna - 2a pars (of 2): Come dal ciel seren	Ferrabosco, Alfonso (the elder) (1543–1588)	104v–105
Voi volete ch' io muoia	Ferrabosco, Alfonso (the elder) (1543–1588)	123v–124

Set: Filmer Partbooks

Type: Partbooks

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US-NH Miscellaneous MS 170, Filmer 1/a

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US-NH Miscellaneous MS 170, Filmer 1/b

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US-NH Miscellaneous MS 170, Filmer 1/c

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US-NH Miscellaneous MS 170, Filmer 1/d

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US-NH Miscellaneous MS 170, Filmer 1/e

‡ denotes primary source study

Hamessley, Lydia. 1989. The reception of the Italian madrigal in England: A repertorial study of manuscript anthologies, ca. 1580—1620. University of Minnesota, Ph.D. Notes: description of ms; inventory; discussion.

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 57ff,194. Notes: contents list (partial); concordances (partial).

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae, vol. 96. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xv-xviii; II.xii-xiii, 16-9; III.xiv-xv. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Ford, Robert. 1977-78. The Filmer Manuscripts: A Handlist. Notes, 34: 814-25. Notes: physical description.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music, vol. Supplementary Volume 1. London. Pages: We thank Mr. Robert Ford for his assistance in the preparation of this entry. Notes: contents list (partial); concordances (partial).

Slim, H Colin. 1972. A Gift of Madrigals and Motets. Chicago and London. Pages: I, 227. Notes: contents list (partial); concordances (partial).

Persons, Jerry C. 1969. The Sambrooke Book: Drexel 4302. Unpublished Master's thesis, Wichita State University. Pages: 121-3, 131, 135, 139, 141. Notes: contents list (partial); concordances (partial); incipits (partial).

de Ricci, Seymour, and W. J. Wilson. 1935-40. Supplement, 1962. Census of Medieval and Renaissance Manuscripts in the United States and Canada. New York. Pages: Supplement, 63. Notes: physical description.

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Francis Bevan

Tuesday, 21 February, 2023

Corrected Ferrabosco lamentations in inventory (5vv not 6vv set)

David Wyatt

Thursday, 20 July, 2017

Misattribution corrected

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description