D-Mu MS 8° 325

Universitätsbibliothek, München (Munich), Germany

partbook: 1527

Archive Universitätsbibliothek, München (Munich), Germany (D-Mu)
Shelfmark MS 8° 325
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 134 x 202 mm
Other Identifiers
  • CCM: MunU 322-5
  • olim (Former shelfmark): Cim. 44a
Copyists
Relationships
External Links
Provenance
  • Basel, Switzerland
Contents 34 pieces from 11 composers
General Description

A Bassus partbook from a set of four volumes. Copied by Martin Besard, a pupil of Heinrich Glareanus (GeerV); Glareanus himself copied Preface in Tenor book, and added attributions and theoretical glosses. Most repertory copied from Petrucci prints; many concordances with SGallS 463. Copied in Basel, under direction of the humanist and theorist Heinrich Glareanus (1488-1563). Subsequent history same as for MunU 239.

DIAMM, 2017
Binding

Original covers of brown tooled leather over cardboard; remnants of clasps

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Modern foliation 1-22

DIAMM, 2017
Decoration

Plain inked initials

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

17 motets, 2 textless pieces = 19

(Brumel)-1, (Brumel/Mouton)-1, Craen-1, Josquin-6, Josquin/(Isaac)-1, Josquin/(Pesenti)-1, Obrecht-1, Regis-1, Senfl-1, Tinctoris-1, Vaqueras-1, anon-3

4 paper partbooks (D-i + 22 + i folios, AT-i + 23 + i, B-38 + i), 134 x 202. Modern foliation-D: 1-22; A: 1-4 + 4a-22; T: 1-23; B: 2-39 (f. 1 missing). Blank folios or blank staves only-D: 1', 2', 16'-22'; A: 1', 2', 3', 15-22'; T: 1', 2', 3', 18-22', 23'; B: 3', 18-39'. Original covers of brown tooled leather over cardboard; remnants of clasps. No index. Copied by Martin Besard, a pupil of Heinrich Glareanus (GeerV); Glareanus himself copied Preface in T book, and added attributions and theoretical glosses. Plain inked initials. Most repertory copied from Petrucci prints; many concordances with SGallS 463.

1527 (date of Preface). Copied in Basel, under direction of the humanist and theorist Heinrich Glareanus (1488-1563). Subsequent history same as for MunU 239.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2v Al vol al vol - Anonymous

Al vol al vol

Anonymous
Appears on: 2v
Genres: Canonic, fragment, Song
General Note

A tiny canonic piece in 3vv (only 6 breves long)

General Note

A tiny canonic piece in 3vv (only 6 breves long)

2v Gag gag anser - Anonymous

Gag gag anser

Anonymous
Appears on: 2v
Genres: Canonic, fragment, Song
General Note

A small canonic piece (16 breves long) for 4vv

4 Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena -
Appears on: 4
Genres: Ave Maria, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena
4–4v Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas -
Appears on: 4–4v
Genres: Ave Maria, Motet
4v–5 Virgo prudentissima quo progrederis 25.12 -
Appears on: 4v–5
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Virgo prudentissima
5 Victimae paschali 22.6 - 1a pars (of 2): Victimae paschali laudes immolent Christiani / D'ung aultre aimer -
Appears on: 5
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Victimae paschali laudes
General Note

(II. Dic nobis)

5–5v Victimae paschali 22.6 - 2a pars (of 2): Dic nobis Maria quid vidisti / De tous biens -
Appears on: 5–5v
Genres: Motet
5–6 Benedicta sit creatrix et gubernatrix - Anonymous
Appears on: 5–6
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit creatrix
6–6v Ecce video caelos apertos 19.2 -
Appears on: 6–6v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce video caelos apertos
6v–7 Virgo Dei throno digna -
Appears on: 6v–7
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Virgo dei trono digne
7–8 Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo -
Appears on: 7–8
Voice: [no designation]
Languages: Latin
Voice Text: Memor esto verbi tui
General Note

(II. Portio mea domine)

8–8v Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire -
Appears on: 8–8v
Genres: Motet
9 Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen -
Appears on: 9
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Magnus es tu domine
General Note

(II. Tu pauperum refugium)

9v Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum -
Appears on: 9v
Genres: Motet
10 Tulerunt Dominum (4vv) 20.14 - 1a pars (of 3): Tulerunt Dominum meum et nescio ubi -
Appears on: 10
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum
General Note

(II. Scio enim quia) (III. Reposita est haec)

10–10v Tulerunt Dominum (4vv) 20.14 - 2a pars (of 3): Scio enim quod redemptor meus vivit -
Appears on: 10–10v
Genres: Motet
10v–11 Tulerunt Dominum (4vv) 20.14 - 3a pars (of 3): Reposita est haec spes mea -
Appears on: 10v–11
Genres: Motet
11 Trium (untexted) - Anonymous

Trium (untexted)

Anonymous
Appears on: 11
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: Trium (Untexted)
11v Ave verum corpus 21.2 (3vv) - 1a pars (of 3): Ave verum corpus natum ex Maria - Vere passum immo -
Appears on: 11v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave verum corpus
General Note

II. Vere passum) (III. Cuius latus) (IV. Esto nobis) (V. O dulcis)

11v Ave verum corpus 21.2 (3vv) - 2a pars (of 3): Cuius latus perforatum sacro fluxit - Esto nobis -
Appears on: 11v
Genres: Motet
General Note

There are 2 versions of the 'Esto nobis' section, the second with a note beside it: "Ita emendavit hanc Basim D. Homerus Herpol Belga nostrae aetatis Symphoneta et Coryphicus. Nec eam Jusquini, sed alicuius alterius esse asseverat." ('The learned Homer Herpol emended this bass part, a Belgian composer and singer of our time. He stated that it [the first version] is not by Josquin but by some other composer.')

12 Ave verum corpus 21.2 (3vv)- 3a pars (of 3): O dulcis O pie - O Jesu fili -
Appears on: 12
Genres: Motet
12–12v Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra -
Appears on: 12–12v
Genres: Tract
Voice: [no designation]
Languages: Latin
Voice Text: Domine non secundum
General Note

(II. Domine ne memineris)

12v Domine non secundum - 2a pars (of 3): Domine ne memineris -
Appears on: 12v
Genres: Tract
General Note

2a pars tacet. 3a pars not copied

12v Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra -
Appears on: 12v
Genres: Tract
Voice: [no designation]
Languages: Latin
Voice Text: Domine non secundum
General Note

1a pars tacet

12v–13 Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris -
Appears on: 12v–13
Genres: Tract
General Note

Note from copyist at end that the final note is not the proper final for this mode!

13v Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis -
Appears on: 13v
Genres: Tract
13v–14 Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto -
Appears on: 13v–14
Genres: Tract
14–14v Parce Domine populo tuo quia pius es -
Appears on: 14–14v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Parce domine
14v–15 Ave Maria gratia plena Dominus tecum -
Appears on: 14v–15
Genres: Ave Maria, Motet
15–16 Ave ancilla trinitatis ave filia sempiterni -
Appears on: 15–16
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave ancilla trinitatis
16–16v Mater patris et filia mulierum laetitia -
Appears on: 16–16v
Genres: Sequence
Voice: [no designation]
Languages: Latin
Voice Text: mater patris
16v–17 Crux fidelis - 1a pars (of 3): Crux fidelis inter omnes arbor una nobilis -
Appears on: 16v–17
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Crux fidelis
General Note

(II. Ecce lignum) (III. O crux ave)

17–17v Crux fidelis - 2a pars (of 3): Ecce lignum crucis in quo salus -
Appears on: 17–17v
Genres: Motet
17v Crux fidelis - 3a pars (of 3): O crux ave spes unica hoc -
Appears on: 17v
Genres: Motet
Composer Compositions
Anonymous
Brumel, Antoine (ca. 1460–ca. 1513)
Craen, Nicolaus (ca. 1440–1502)
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Regis, Johannes (ca. 1425–ca. 1496)
Senfl, Ludwig (ca. 1486–ca. 1543)
Tinctoris, Johannes (ca. 1435–1511)
Vacqueras, Bertrandus (ca. 1450–1507)
Composition Composers (? Uncertain) Folios / Pages
Al vol al vol Anonymous 2v
Ave ancilla trinitatis ave filia sempiterni 15–16
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena 4
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas 4–4v
Ave Maria gratia plena Dominus tecum 14v–15
Ave verum corpus 21.2 (3vv)- 3a pars (of 3): O dulcis O pie - O Jesu fili 12
Ave verum corpus 21.2 (3vv) - 1a pars (of 3): Ave verum corpus natum ex Maria - Vere passum immo 11v
Ave verum corpus 21.2 (3vv) - 2a pars (of 3): Cuius latus perforatum sacro fluxit - Esto nobis 11v
Benedicta sit creatrix et gubernatrix Anonymous 5–6
Crux fidelis - 1a pars (of 3): Crux fidelis inter omnes arbor una nobilis 16v–17
Crux fidelis - 2a pars (of 3): Ecce lignum crucis in quo salus 17–17v
Crux fidelis - 3a pars (of 3): O crux ave spes unica hoc 17v
Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra 12–12v
Domine non secundum - 2a pars (of 3): Domine ne memineris 12v
Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra 12v
Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris 12v–13
Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis 13v
Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto 13v–14
Ecce video caelos apertos 19.2 6–6v
Gag gag anser Anonymous 2v
Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen 9
Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum 9v
Mater patris et filia mulierum laetitia 16–16v
Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo 7–8
Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire 8–8v
Parce Domine populo tuo quia pius es 14–14v
Trium (untexted) Anonymous 11
Tulerunt Dominum (4vv) 20.14 - 1a pars (of 3): Tulerunt Dominum meum et nescio ubi 10
Tulerunt Dominum (4vv) 20.14 - 2a pars (of 3): Scio enim quod redemptor meus vivit 10–10v
Tulerunt Dominum (4vv) 20.14 - 3a pars (of 3): Reposita est haec spes mea 10v–11
Victimae paschali 22.6 - 1a pars (of 2): Victimae paschali laudes immolent Christiani / D'ung aultre aimer 5
Victimae paschali 22.6 - 2a pars (of 2): Dic nobis Maria quid vidisti / De tous biens 5–5v
Virgo Dei throno digna 6v–7
Virgo prudentissima quo progrederis 25.12 4v–5

Set: MSS 8° 322-325

Type: Partbooks

No images available

D-Mu MS 8° 322

No images available

D-Mu MS 8° 323

No images available

D-Mu MS 8° 324

No images available

D-Mu MS 8° 325

denotes primary source study

Melin, William (editor). 1976. Johannes Tinctoris: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xii-xiii. Notes: contents list (partial); concordances (partial).

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 195-6, 203. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 65, 72ff, 198, 286ff. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München.  Wiesbaden. Pages: 70-5. Notes: physical description; contents list; concordances.

Reese, Gustave. 1959. Music in the Renaissance.  New York. Pages: Plate IV. Notes: facsimile (partial).

Lindenburg, Cornells W H (editor). 1956. Johannis Regis: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, vii. Notes: contents list (partial); concordances (partial).

Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, . Pages: 36, 92. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: I, x, xiii; II, ix; III, xiv; V, ix; VI, viii-x. Notes: physical description (partial); contents list (partial); concordances (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: IV, vii, x-xi. Notes: physical description (partial); contents list (partial); concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description