A Tenor partbook from a set of four volumes. Copied by Martin Besard, a pupil of Heinrich Glareanus (GeerV); Glareanus himself copied Preface in Tenor book, and added attributions and theoretical glosses. Most repertory copied from Petrucci prints; many concordances with SGallS 463. Copied in Basel, under direction of the humanist and theorist Heinrich Glareanus (1488-1563). Subsequent history same as for MunU 239.
| Archive | Universitätsbibliothek, Munich, Germany (D-Mu) |
|---|---|
| Shelfmark | MS 8° 324 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 134 x 202 mm |
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| Contents | Contains 32 compositions, 29 from 9 composers, 3 are anonymous. |
General Description
Binding
Original covers of brown tooled leather over cardboard; remnants of clasps
Liminary Note
preface by Glareanus (in his hand) on f. 3 of Tenor book
Notation
not indicated
Foliation
Modern foliation 1-22
Decoration
Plain inked initials
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
17 motets, 2 textless pieces = 19
(Brumel)-1, (Brumel/Mouton)-1, Craen-1, Josquin-6, Josquin/(Isaac)-1, Josquin/(Pesenti)-1, Obrecht-1, Regis-1, Senfl-1, Tinctoris-1, Vaqueras-1, anon-3
4 paper partbooks (D-i + 22 + i folios, AT-i + 23 + i, B-38 + i), 134 x 202. Modern foliation-D: 1-22; A: 1-4 + 4a-22; T: 1-23; B: 2-39 (f. 1 missing). Blank folios or blank staves only-D: 1', 2', 16'-22'; A: 1', 2', 3', 15-22'; T: 1', 2', 3', 18-22', 23'; B: 3', 18-39'. Original covers of brown tooled leather over cardboard; remnants of clasps. No index. Copied by Martin Besard, a pupil of Heinrich Glareanus (GeerV); Glareanus himself copied Preface in T book, and added attributions and theoretical glosses. Plain inked initials. Most repertory copied from Petrucci prints; many concordances with SGallS 463.
1527 (date of Preface). Copied in Basel, under direction of the humanist and theorist Heinrich Glareanus (1488-1563). Subsequent history same as for MunU 239.
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Sets
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MSS 8° 322-325
Partbooks · 4 sources
‡ denotes primary source study
Melin, William (editor). 1976. Johannes Tinctoris: Collected Works. Corpus mensurabilis musicae, vol. 18. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xii-xiii. Notes: contents list (partial); concordances (partial).
Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 195-6, 203. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 65, 72ff, 198, 286ff. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.
Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München, vol. 2. Wiesbaden. Pages: 70-5. Notes: physical description; contents list; concordances.
Reese, Gustave. 1959. Music in the Renaissance. New York. Pages: Plate IV. Notes: facsimile (partial).
Lindenburg, Cornells W H (editor). 1956. Johannis Regis: Opera Omnia. Corpus mensurabilis musicae, vol. 9. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, vii. Notes: contents list (partial); concordances (partial).
Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, 6: . Pages: 36, 92. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: I, x, xiii; II, ix; III, xiv; V, ix; VI, viii-x. Notes: physical description (partial); contents list (partial); concordances (partial).
Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: IV, vii, x-xi. Notes: physical description (partial); contents list (partial); concordances (partial).
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Ellen Cooper
Friday, 3 December, 2021
Description corrected: this is the Tenor partbook
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description