D-Mu MS 8° 324

Universitätsbibliothek, München (Munich), Germany

partbook: 1527

Archive Universitätsbibliothek, München (Munich), Germany (D-Mu)
Shelfmark MS 8° 324
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 134 x 202 mm
Other Identifiers
  • CCM: MunU 322-5
  • olim (Former shelfmark): Cim. 44a
Copyists
Relationships
External Links
Provenance
  • Basel, Switzerland
Contents 32 pieces from 10 composers
General Description

A Tenor partbook from a set of four volumes. Copied by Martin Besard, a pupil of Heinrich Glareanus (GeerV); Glareanus himself copied Preface in Tenor book, and added attributions and theoretical glosses. Most repertory copied from Petrucci prints; many concordances with SGallS 463. Copied in Basel, under direction of the humanist and theorist Heinrich Glareanus (1488-1563). Subsequent history same as for MunU 239.

DIAMM, 2017
Binding

Original covers of brown tooled leather over cardboard; remnants of clasps

DIAMM, 2017
Liminary Note

preface by Glareanus (in his hand) on f. 3 of Tenor book

DIAMM, 2023
Notation

not indicated

DIAMM, 2017
Foliation

Modern foliation 1-22

DIAMM, 2017
Decoration

Plain inked initials

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

17 motets, 2 textless pieces = 19

(Brumel)-1, (Brumel/Mouton)-1, Craen-1, Josquin-6, Josquin/(Isaac)-1, Josquin/(Pesenti)-1, Obrecht-1, Regis-1, Senfl-1, Tinctoris-1, Vaqueras-1, anon-3

4 paper partbooks (D-i + 22 + i folios, AT-i + 23 + i, B-38 + i), 134 x 202. Modern foliation-D: 1-22; A: 1-4 + 4a-22; T: 1-23; B: 2-39 (f. 1 missing). Blank folios or blank staves only-D: 1', 2', 16'-22'; A: 1', 2', 3', 15-22'; T: 1', 2', 3', 18-22', 23'; B: 3', 18-39'. Original covers of brown tooled leather over cardboard; remnants of clasps. No index. Copied by Martin Besard, a pupil of Heinrich Glareanus (GeerV); Glareanus himself copied Preface in T book, and added attributions and theoretical glosses. Plain inked initials. Most repertory copied from Petrucci prints; many concordances with SGallS 463.

1527 (date of Preface). Copied in Basel, under direction of the humanist and theorist Heinrich Glareanus (1488-1563). Subsequent history same as for MunU 239.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
4 Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena -
Appears on: 4
Genres: Ave Maria, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena
4–4v Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas -
Appears on: 4–4v
Genres: Ave Maria, Motet
4v–5 Virgo prudentissima quo progrederis 25.12 -
Appears on: 4v–5
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Virgo prudentissima
5 Victimae paschali 22.6 - 1a pars (of 2): Victimae paschali laudes immolent Christiani / D'ung aultre aimer -
Appears on: 5
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Victimae pascali laudes
General Note

(II. Dic nobis Maria)

5–5v Victimae paschali 22.6 - 2a pars (of 2): Dic nobis Maria quid vidisti / De tous biens -
Appears on: 5–5v
Genres: Motet
5v–6 Benedicta sit creatrix et gubernatrix - Anonymous
Appears on: 5v–6
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit creatrix
6–6v Ecce video caelos apertos 19.2 -
Appears on: 6–6v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce video caelos apertos
7 Virgo Dei throno digna -
Appears on: 7
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Virgo dei trono digno
7v–8 Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo -
Appears on: 7v–8
Voice: [no designation]
Languages: Latin
Voice Text: Memor esto verbi tui
General Note

(II. Portio mea domine)

8v–9 Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire -
Appears on: 8v–9
Genres: Motet
9v Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen -
Appears on: 9v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Magnus es tu domine
General Note

(II. Tu pauperum refugium)

10 Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum -
Appears on: 10
Genres: Motet
10v Tulerunt Dominum (4vv) 20.14 - 1a pars (of 3): Tulerunt Dominum meum et nescio ubi -
Appears on: 10v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum
General Note

(II. Scio enim quia redemptor) (III. Reposita est)

10v–11 Tulerunt Dominum (4vv) 20.14 - 2a pars (of 3): Scio enim quod redemptor meus vivit -
Appears on: 10v–11
Genres: Motet
11–11v Tulerunt Dominum (4vv) 20.14 - 3a pars (of 3): Reposita est haec spes mea -
Appears on: 11–11v
Genres: Motet
11v Trium (untexted) - Anonymous

Trium (untexted)

Anonymous
Appears on: 11v
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: Trium (Untexted)
12 Duum (Untexted) - Anonymous

Duum (Untexted)

Anonymous
Appears on: 12
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: Duum (Untexted)
12v Ave verum corpus 21.2 (3vv) - 1a pars (of 3): Ave verum corpus natum ex Maria - Vere passum immo -
Appears on: 12v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave verum corpus natum ex Maria 21.2 II: Cuius latus perforatum sacro fluxit III: O dulcis O pie O Iesu fili
General Note

(II. Vere passum) (III. Cuius latus) (IV. Esto nobis) (V. O dulcis)

12v–13 Ave verum corpus 21.2 (3vv) - 2a pars (of 3): Cuius latus perforatum sacro fluxit - Esto nobis -
Appears on: 12v–13
Genres: Motet
13 Ave verum corpus 21.2 (3vv)- 3a pars (of 3): O dulcis O pie - O Jesu fili -
Appears on: 13
Genres: Motet
13–13v Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra -
Appears on: 13–13v
Genres: Tract
Voice: [no designation]
Languages: Latin
Voice Text: Domine non secundum
General Note

(II. Domine ne memineris)

13v Domine non secundum - 2a pars (of 3): Domine ne memineris -
Appears on: 13v
Genres: Tract
General Note

2a pars tacet. 3a pars not copied

14 Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra -
Appears on: 14
Genres: Tract
Voice: [no designation]
Languages: Latin
Voice Text: Domine non secundum
General Note

1a pars tacet

14 Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris -
Appears on: 14
Genres: Tract
14v Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis -
Appears on: 14v
Genres: Tract
14v–15 Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto -
Appears on: 14v–15
Genres: Tract
15–15v Parce Domine populo tuo quia pius es -
Appears on: 15–15v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Parce domine
15v–16 Ave ancilla trinitatis ave filia sempiterni -
Appears on: 15v–16
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave ancilla trinitatis
16v Mater patris et filia mulierum laetitia -
Appears on: 16v
Genres: Sequence
Voice: [no designation]
Languages: Latin
Voice Text: Mater patris
17 Crux fidelis - 1a pars (of 3): Crux fidelis inter omnes arbor una nobilis -
Appears on: 17
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Crux fidelis inter omnes
General Note

(II. Ecce lignum) (III. O crux ave)

17–17v Crux fidelis - 2a pars (of 3): Ecce lignum crucis in quo salus -
Appears on: 17–17v
Genres: Motet
17v Crux fidelis - 3a pars (of 3): O crux ave spes unica hoc -
Appears on: 17v
Genres: Motet
Composer Compositions
Anonymous
Brumel, Antoine (ca. 1460–ca. 1513)
Craen, Nicolaus (ca. 1440–1502)
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Senfl, Ludwig (ca. 1486–ca. 1543)
Tinctoris, Johannes (ca. 1435–1511)
Vacqueras, Bertrandus (ca. 1450–1507)
Composition Composers (? Uncertain) Folios / Pages
Ave ancilla trinitatis ave filia sempiterni 15v–16
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena 4
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas 4–4v
Ave verum corpus 21.2 (3vv)- 3a pars (of 3): O dulcis O pie - O Jesu fili 13
Ave verum corpus 21.2 (3vv) - 1a pars (of 3): Ave verum corpus natum ex Maria - Vere passum immo 12v
Ave verum corpus 21.2 (3vv) - 2a pars (of 3): Cuius latus perforatum sacro fluxit - Esto nobis 12v–13
Benedicta sit creatrix et gubernatrix Anonymous 5v–6
Crux fidelis - 1a pars (of 3): Crux fidelis inter omnes arbor una nobilis 17
Crux fidelis - 2a pars (of 3): Ecce lignum crucis in quo salus 17–17v
Crux fidelis - 3a pars (of 3): O crux ave spes unica hoc 17v
Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra 13–13v
Domine non secundum - 2a pars (of 3): Domine ne memineris 13v
Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra 14
Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris 14
Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis 14v
Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto 14v–15
Duum (Untexted) Anonymous 12
Ecce video caelos apertos 19.2 6–6v
Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen 9v
Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum 10
Mater patris et filia mulierum laetitia 16v
Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo 7v–8
Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire 8v–9
Parce Domine populo tuo quia pius es 15–15v
Trium (untexted) Anonymous 11v
Tulerunt Dominum (4vv) 20.14 - 1a pars (of 3): Tulerunt Dominum meum et nescio ubi 10v
Tulerunt Dominum (4vv) 20.14 - 2a pars (of 3): Scio enim quod redemptor meus vivit 10v–11
Tulerunt Dominum (4vv) 20.14 - 3a pars (of 3): Reposita est haec spes mea 11–11v
Victimae paschali 22.6 - 1a pars (of 2): Victimae paschali laudes immolent Christiani / D'ung aultre aimer 5
Victimae paschali 22.6 - 2a pars (of 2): Dic nobis Maria quid vidisti / De tous biens 5–5v
Virgo Dei throno digna 7
Virgo prudentissima quo progrederis 25.12 4v–5

Set: MSS 8° 322-325

Type: Partbooks

No images available

D-Mu MS 8° 322

No images available

D-Mu MS 8° 323

No images available

D-Mu MS 8° 324

No images available

D-Mu MS 8° 325

denotes primary source study

Melin, William (editor). 1976. Johannes Tinctoris: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xii-xiii. Notes: contents list (partial); concordances (partial).

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 195-6, 203. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 65, 72ff, 198, 286ff. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München.  Wiesbaden. Pages: 70-5. Notes: physical description; contents list; concordances.

Reese, Gustave. 1959. Music in the Renaissance.  New York. Pages: Plate IV. Notes: facsimile (partial).

Lindenburg, Cornells W H (editor). 1956. Johannis Regis: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, vii. Notes: contents list (partial); concordances (partial).

Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, . Pages: 36, 92. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: I, x, xiii; II, ix; III, xiv; V, ix; VI, viii-x. Notes: physical description (partial); contents list (partial); concordances (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: IV, vii, x-xi. Notes: physical description (partial); contents list (partial); concordances (partial).

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Ellen Cooper

Friday, 3 December, 2021

Description corrected: this is the Tenor partbook

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description