D-Mbs Clm. 5023

Bayerische Staatsbibliothek, Munich, Germany

manuscript of polyphony: 1495

Archive	Bayerische Staatsbibliothek, Munich, Germany (D-Mbs)
Shelfmark	Clm. 5023
Image Availability	The images on this record are linked using IIIF.
Surface	Paper
Numbering System	Foliation
Measurements	150 x 105 mm
Other Identifiers	RISM: d-mbs5023 RISM: Mü U CCM: MunBS Lat. 5023
Notations	black void mensural
Copyists	Greis, Johannes Text and Music
Relationships	Benediktbeuern Monastery (copied at)
External Links	images IIIF Manifest
External Authorities	RISM Online (sources/456052872)
Provenance	Benedictine Monastery , Benediktbeuern, Bavaria, Germany
Contents	Contains 65 compositions, 9 from 6 composers, 56 are anonymous.

General Description

The main scribe was Johannes Greis, identified on f. 366' as 'rector scholarium' at Benedictine monastery at Benediktbeuern; piece on f. 313' is a later addition by a different scribe. Copied at the former Benedictine monastery in benedik (southern Bavaria). Transferred to Bayerische Staatsbibliothek during 19th century.

DIAMM, 2017

Binding

Original covers of brown leather over boards, with restored spine.

DIAMM, 2017

Watermark

(1) crown; (2) ox head with floral cluster; (3) ox head with cross.

DIAMM, 2017

Notation

Polyphony on ff. 1-66 and ff. 310-313', copied in black void mensural notation except for several tenors in square chant notation and one piece in Gothic chant notation

DIAMM, 2017

Date

1495 (date on f. 366', often incorrectly reported as '1479').

DIAMM, 2017

Foliation

Modern foliation, 1-375 (f. 22 missing; '76' omitted).

DIAMM, 2017

Decoration

Inked Gothic initials

DIAMM, 2017

Index

No index, but tabs on edges of 19 folios mark beginning of Magnificat, Credo, and hymn sections, or sections devoted to various feasts.

DIAMM, 2017

Surface

Paper

DIAMM, 2017

RISM Description

RISM

MÜNCHEN, BAYERISCHE STAATSBIBLIOTHEK, Clm. 5023

D-Mbs5023 (Mü U)

Jh.; 375 Bll. Pap., 150 X 105mm. Mod. Fol. von f. 1-375. Je Seite bis zu 6 schwarze Fünfliniensyst. mit weißer und vereinzelt schwarzer Mensuralnot, sowie gotischer Choral- u. Quadratnot. ; einst. Stücke in gotischer Choralnot. - Einband : 15. Jh., mit erneuertem Rücken; mit braunem Leder überzogene Holzdeckel.

Diese aus dem ausgehenden 15. Jh. stammende Hs. wurde von Johannes Greis, rector scholarium, in Benedictbeuern geschrieben (vgl. f. 366v: dat. 1495, nicht 1476). Sie stellt eine Art von Manual für den Kirchengesang dar. Den lateinischen sind mehrfach deutsche Texte beigegeben. Die ersten Bll. der ursprünglichen Hs. fehlen.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Gradual-Antiphonal, with polyphony:

2 Kyries, 5 Credos, 2 Sanctus, 3 Magnificats, 9 hymns, 19 motets,

11 Latin/German sacred pieces, 1 textless tenor = 52

(Barbingant)-1, (Bedingham)-2, (Dufay)-1, (Frye)-1, (Touront)-1, anon-46

373 paper folios, 150 x 105. Modern foliation, 1-375 (f. 22 missing; "76" omitted). Original covers of brown leather over boards, with restored spine. No index, but tabs on edges of 19 folios mark beginning of Magnificat, Credo, and hymn sections, or sections devoted to various feasts. Polyphony on ff. 1-66 and ff. 310-313', copied in white mensural notation except for several tenors in square chant notation and one piece in Gothic chant notation. The main scribe was Johannes Greis, identified on f. 366' as "rector scholarium" at Benedictine monastery at Benediktbeuern; piece on f. 313' is a later addition by a different scribe. Inked Gothic initials. Watermarks: (1) crown; (2) ox head with floral cluster; (3) ox head with cross.

1495 (date on f. 366', often incorrectly reported as "1479"). Copied at the former Benedictine monastery in benedik (southern Bavaria). Transferred to Bayerische Staatsbibliothek during 19th century.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	untexted	-	-
untexted Appears on: 1 Number of voices: 1 Voice: Tenor Languages: none Clef: no clef
1v–2	O Maria virgo preclara	-	Anonymous
O Maria virgo preclara Anonymous Appears on: 1v–2 Genres: Contrafactum Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: O maria virgo preclara ... Voice: Tenor Languages: none Clef: c4
2v–3	O insignis summi regis	-	Touront, Johannes (ca. 1450–ca. 1475)
O insignis summi regis Touront, Johannes (ca. 1450–ca. 1475) Appears on: 2v–3 Genres: Contrafactum Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: O insignis summi regis ... Layout parts
3v–4r	O salutaris refectio	-	Anonymous
O salutaris refectio Anonymous Appears on: 3v–4r Genres: Contrafactum Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: o-dot Clef: c1 Voice Text: O salutaris refectio ... Voice: Tenor Languages: none Mensuration: o-dot Clef: c3 Layout parts
4v–6r	O gloriosa regina mundi succurre nobis	-	Touront, Johannes (ca. 1450–ca. 1475)
O gloriosa regina mundi succurre nobis Touront, Johannes (ca. 1450–ca. 1475) Appears on: 4v–6r Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c between 4/5 Voice Text: O gloriosa regina ... Voice: Tenor Languages: none Clef: c between 4/5 Layout parts
6v–7	O rosa bella, o Deitatis cella (= O quam suavis est domina)	-	Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?)
O rosa bella, o Deitatis cella (= O quam suavis est domina) Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?) Appears on: 6v–7 Genres: Motet Number of voices: 2 Voice: Tenor Languages: Latin Clef: c1 Voice Text: O rosa bella o deitatis cella ... Voice: Tenor Languages: none Clef: c4 Layout parts
7v–8	Astripotenti laudem	-	Barbingant, Pierre (fl. c1445-60)
Astripotenti laudem Barbingant, Pierre (fl. c1445-60) Appears on: 7v–8 Genres: Contrafactum Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Astripotenti laudem ... Voice: Tenor Languages: none Clef: d between 4/5 Layout parts
8v–9v	Fortune Domine miserere	-	Frye, Walter (–ca. 1475)
Fortune Domine miserere Frye, Walter (–ca. 1475) Appears on: 8v–9v Genres: Contrafactum Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Fortune domine miserere ... Voice: Tenor Languages: none Layout parts
9v–10	Magnificat: Et exultavit spiritus meus	-	Barbingant, Pierre (fl. c1445-60)
Magnificat: Et exultavit spiritus meus Barbingant, Pierre (fl. c1445-60) Appears on: 9v–10 Genres: Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Et exultavit spiritus meus ... Voice: Tenor Languages: none Clef: c2 Layout parts
10v–11	Magnificat: Et exultavit spiritus meus	-	Frye, Walter (–ca. 1475)
Magnificat: Et exultavit spiritus meus Frye, Walter (–ca. 1475) Appears on: 10v–11 Genres: Magnificat Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Et exultavit spiritus ... Voice: Tenor Languages: none Clef: c1c3 Layout parts
11v–12	Da pacem Domine in diebus nostris	-	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 11v–12 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: o Clef: no clef Voice Text: Da pacem domine ... Voice: Tenor Languages: none Mensuration: o Clef: no clef Layout parts
12v–13	Ave regina caelorum I	-	Frye, Walter (–ca. 1475)
Ave regina caelorum I Frye, Walter (–ca. 1475) Appears on: 12v–13 Genres: BVM Number of voices: 2 Voice: [no designation] Languages: Latin Clef: no clef Voice Text: Ave regina celorum ... Voice: [no designation] Languages: none Clef: no clef Layout parts
13v–14	Ave verum gaudium forma	-	Anonymous
Ave verum gaudium forma Anonymous Appears on: 13v–14 Genres: Benedicamus Domino Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1g3d5 Voice Text: Ave verum gaudium forma ... Voice: Tenor Languages: none Clef: f2c4 Layout parts
14v–15	Ave lumen gratiae	-	Anonymous
Ave lumen gratiae Anonymous Appears on: 14v–15 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1g3d5 Voice Text: Ave lumen gracie ... Voice: Tenor Languages: none Clef: f2c4 Layout parts
15v–16	Resonet in laudibus	-	Anonymous
Resonet in laudibus Anonymous Appears on: 15v–16 Genres: Benedicamus Domino Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: o Voice Text: Resonet in laudibus ... Voice: Tenor Languages: none Mensuration: o Layout parts
16v–17	Virgo Deum genuit	-	Anonymous
Virgo Deum genuit Anonymous Appears on: 16v–17 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: no clef Voice Text: Virgo deum genuit ... Voice: Tenor Languages: Latin Clef: no clef Voice Text: Virgo deum. Layout parts
17v	Grates nunc omnes	-	Anonymous
Grates nunc omnes Anonymous Appears on: 17v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Grates nunc omnes ... Voice: Tenor Languages: none Clef: c1 Layout parts
18v–19v	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 18v–19v Genres: Kyrie eleison, Mass Ordinary Number of voices: 2 Voice: [no designation] Languages: Greek Clef: c1 Voice Text: Kyrie ... Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie. General Note Kyrie pascale. Layout parts
20–21	Alle Dei filius	-	Anonymous
Alle Dei filius Anonymous Appears on: 20–21 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c between 2/3 Voice Text: Alle dei filius ... Voice: Tenor Languages: Latin Clef: c between 1/2 Voice Text: Alle dei. Layout parts
20–21	Delens eve latronem	-	Anonymous
Delens eve latronem Anonymous Appears on: 20–21 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Delens eve latronem
20–21	Quo iturus petrus	-	Anonymous
Quo iturus petrus Anonymous Appears on: 20–21 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quo iturus petrus
21v	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 21v Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c2g4 Voice Text: Patrem omnipotentem factorem ... Voice: Tenor Languages: Latin Clef: no clef Voice Text: Patrem omnipotentem...
23–24	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 23–24 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 1 Voice: Tenor Languages: Latin Clef: c3 Voice Text: [Sanctus]
24	Procedentem sponsum	-	Anonymous
Procedentem sponsum Anonymous Appears on: 24 Genres: Cantio Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Procedentem sponsum ...
24v–26	Benedictus	-	Anonymous
Benedictus Anonymous Appears on: 24v–26 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 2 Voice: [no designation] Languages: Latin Clef: no clef Voice Text: Benedictus ... Voice: Tenor Languages: Latin Clef: g4 Voice Text: Benedictus. Layout parts
26v–27	Christus surrexit / Crist ist erstanden	-	Anonymous
Christus surrexit / Crist ist erstanden Anonymous Appears on: 26v–27 Genres: Sequence Number of voices: 2 Voice: [no designation] Languages: Latin, German Clef: c1 Voice Text: Christus surrexit ... \| Crist ist erstanden ... Layout parts
27v–28	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 27v–28 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Patrem omnipotentem ... Voice: Tenor Languages: none Clef: c4 Layout parts
28v–30	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 28v–30 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: o Clef: no clef Voice Text: Patrem omnipotentem ... Voice: Tenor Languages: Latin Mensuration: o Clef: no clef Voice Text: Patrem omnipotentem. Layout parts
30v–33	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 30v–33 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c2g4 Voice Text: Patrem omnipotentem factorem ... Voice: Tenor Languages: Latin Clef: no clef Voice Text: Patrem omnipotentem ... Layout parts
34	Puer natus in Bethlehem / Ein Kind geborn / Concinnite cum jubilo / Concinnite cum jubilo	-	Anonymous
Puer natus in Bethlehem / Ein Kind geborn / Concinnite cum jubilo / Concinnite cum jubilo Anonymous Appears on: 34 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin, German Mensuration: o Clef: no clef Voice Text: Puer natus in Bethlem ... \| Ein Kind geporen ... Voice: Discantus Languages: Latin, German Clef: no clef Voice Text: Concinnite cum iubilo ... Voice: Tenor Languages: Latin, German Clef: no clef Voice Text: Concinnite cum iubilo ... Layout parts
34v–35v	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 34v–35v Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: o Clef: c2 Voice Text: Sanctus sancuts ... Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Sanctus sancuts ... Layout parts
36v	Puer natus in Bethlehem - Ein Kind geboren	-	Anonymous
Puer natus in Bethlehem - Ein Kind geboren Anonymous Appears on: 36v Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin, German Clef: no clef Voice Text: Puer natus in Bethlehem ... - Ein Kind geboren ... Voice: Tenor Languages: none Clef: no clef Layout parts Item Bibliography Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: (26), [facs.] plate 26.
37	Delens eve latronem	-	Anonymous
Delens eve latronem Anonymous Appears on: 37 Genres: Cantio Number of voices: 2 Voice: [no designation] Languages: Latin Clef: no clef Voice Text: Delens eve latronem ... Voice: Tenor Languages: Latin Clef: no clef Voice Text: Delens eve. Layout parts
37v–38	In dulci jubilo	-	Anonymous
In dulci jubilo Anonymous Appears on: 37v–38 Genres: Chorale, Sacred Song Voice: [no designation] Languages: Latin, German Voice Text: In dulci iubilo
38v–39	Collaudemus omnes pariter	-	Anonymous
Collaudemus omnes pariter Anonymous Appears on: 38v–39 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Collaudemus omnes pariter ... Voice: Tenor Languages: none Clef: c3 Layout parts
39v–40	Conscendit jubilans	-	Anonymous
Conscendit jubilans Anonymous Appears on: 39v–40 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Conscendit iubilans ... Voice: Tenor Languages: none Clef: c4 General Note Ymnus Festum nunc celebre. Layout parts
40v–41	Qui paraclytus diceris	-	Anonymous
Qui paraclytus diceris Anonymous Appears on: 40v–41 Genres: Hymn Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: o Clef: c1 Voice Text: Qui pasaclytus diceris ... Voice: Tenor Languages: none Clef: c4 General Note Ymnus Veni creator spiritus. Layout parts
41v–42	Tantum ergo sacramentum / nobis natus nobis datus	-	Anonymous
Tantum ergo sacramentum / nobis natus nobis datus Anonymous Appears on: 41v–42 Genres: Hymn Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: o-dot Clef: c1 Voice Text: Tantum ergo sacramentum ... - nobis natus nobis datus ... Voice: [no designation] Languages: none Mensuration: o-dot Clef: c4 General Note Ymnus Pange lingua gloriosi. Layout parts
42v–43	[Quem terra pontus] Cui luna sol et omnia	-	Anonymous
[Quem terra pontus] Cui luna sol et omnia Anonymous Appears on: 42v–43 Genres: Hymn Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Cui luna sol et omnia ... Voice: Tenor Languages: none Clef: c4 General Note Ymnus Quem terra. Layout parts
43v–44	Cuius magnifica haec generatio	-	Anonymous
Cuius magnifica haec generatio Anonymous Appears on: 43v–44 Genres: Hymn Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut o-dot Clef: c1 Voice Text: Cuius magnifica hec generacio ... Voice: Tenor Languages: none Mensuration: cut o-dot Clef: c4 General Note Ymnus Gaude visceribus. Layout parts
44v–46	Das teuch salve Regina	-	Anonymous
Das teuch salve Regina Anonymous Appears on: 44v–46 Genres: Motet, Salve Regina Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Das teuch salve Regina
48	Frau von Herzen wir dich grüssen	-	Anonymous
Frau von Herzen wir dich grüssen Anonymous Appears on: 48 Genres: Song Voice: [no designation] Languages: German Voice Text: Frau von hertzen wir dich grüssen
48v–49	Spiritus sancti gratia	-	Anonymous
Spiritus sancti gratia Anonymous Appears on: 48v–49 Genres: Motet Number of voices: 3 Voice: Discantus Languages: Latin Clef: c2 Voice Text: Spiritus sancti gracia ... Voice: Tenor Languages: none Clef: c3 Layout parts
49v–50	Lumen ad revelationem	-	Anonymous
Lumen ad revelationem Anonymous Appears on: 49v–50 Genres: Motet Number of voices: 3 Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Lumen ad revelationem ... Voice: Tenor Languages: none Mensuration: cut-c Clef: c4 Voice: Bassus Languages: none Mensuration: cut-c Clef: f4 Layout parts
50v–51	Dies est laetitiae in ortu regali	-	Anonymous
Dies est laetitiae in ortu regali Anonymous Appears on: 50v–51 Genres: Motet Number of voices: 3 Voice: Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Dies est leticie in ortu ... Voice: Tenor Languages: none Clef: c2 Voice: Bassus Languages: none Clef: no clef Layout parts
51v–52	Ibant magi quam viderant	-	Anonymous
Ibant magi quam viderant Anonymous Appears on: 51v–52 Genres: Motet Number of voices: 2 Voice: Discantus Languages: Latin Mensuration: c Clef: no clef Voice Text: Ibant magi quam viderant ... General Note Ymnus hostis Herodes. Layout parts
52v–53	Beatus auctor saeculi	-	Anonymous
Beatus auctor saeculi Anonymous Appears on: 52v–53 Genres: Cantio Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Beatus auctor seculi ... Voice: Tenor Languages: none Clef: c4 General Note A solis ortus cardine. Layout parts
53v–54v	Victimae paschali laudes	-	Anonymous
Victimae paschali laudes Anonymous Appears on: 53v–54v Genres: Motet Number of voices: 2 Voice: Discantus Languages: Latin Mensuration: o Clef: no clef Voice Text: Victime pascali laudes ... Voice: Tenor Languages: Latin Clef: no clef Voice Text: Victime pascali laudes ... Layout parts
54v–55v	O preciosum convivium / Huius O preciosum.	-	Anonymous
O preciosum convivium / Huius O preciosum. Anonymous Appears on: 54v–55v Genres: Motet Number of voices: 2 Voice: [Discantus] Languages: Latin Clef: c1 Voice Text: O preciosum convivium ... Voice: Tenor Languages: Latin Clef: c4 Voice Text: (Tenor huius O preciosum.) General Note Discantus de sacramento. Layout parts
55v–56v	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 55v–56v Genres: Kyrie eleison, Mass Ordinary Number of voices: 2 Voice: Discantus Languages: Greek Mensuration: cut-c Clef: no clef Voice Text: Kyrie ... Voice: Tenor Languages: Greek Clef: c4 Voice Text: Kyrie ... General Note Angelicum kyrie. Layout parts
56v–57	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 56v–57 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Patrem omnipotentem factorem ... Voice: Tenor Languages: Latin Clef: no clef Voice Text: Patrem omnipotentem factorem ... Layout parts
58v–59	Que est ista	-	Anonymous
Que est ista Anonymous Appears on: 58v–59 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Que est ista
59v–60v	Ista est speciosa	-	Anonymous
Ista est speciosa Anonymous Appears on: 59v–60v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ista est speciosa
60v–61	Magnificat: Et exultavit spiritus meus	-	Anonymous
Magnificat: Et exultavit spiritus meus Anonymous Appears on: 60v–61 Genres: Magnificat Number of voices: 2 Voice: Discantus Languages: Latin Clef: c2 Voice Text: Et exultavit ... Voice: Tenor Languages: none Clef: c4 Layout parts
61v	[Omnes superni ordines] Primum virtutes ignee, 2 Tu pater assis	-	Senfl, Ludwig (ca. 1486–ca. 1543)
[Omnes superni ordines] Primum virtutes ignee, 2 Tu pater assis Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 61v Genres: Hymn Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Primum virtutes ignee ... Voice: Tenor Languages: none Clef: c4 General Note Ymnus Omnes superni. Layout parts
62v–63	Exultet caelum laudibus	-	Anonymous
Exultet caelum laudibus Anonymous Appears on: 62v–63 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Exultet celum laudibus ... Voice: Tenor Languages: none Clef: no clef Voice: Contratenor Languages: none Clef: c4 General Note Ymnus de Apostolis. Layout parts
63v–64	Christus surrexit mala - Crist ist ertanden	-	Anonymous
Christus surrexit mala - Crist ist ertanden Anonymous Appears on: 63v–64 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Clef: no clef Voice Text: Cristus surrexit mala ... - Crist ist ertanden ... Voice: Tenor Languages: none Clef: no clef Voice: Contratenor Languages: none Clef: no clef Layout parts
63v–64	Christ ist erstanden von der Marter alle	-	Anonymous
Christ ist erstanden von der Marter alle Anonymous Appears on: 63v–64 Genres: Hymn, Motet, Sacred Song Voice: [no designation] Languages: German Voice Text: Crist ist ertanden ..
64v–66	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 64v–66 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: Patrem omnipotentem factorem ... Voice: Tenor Languages: none Mensuration: cut-c Clef: c3 Layout parts
310	Puer natus in Bethlehem	-	Anonymous
Puer natus in Bethlehem Anonymous Appears on: 310 Genres: Motet Number of voices: 2 Voice: Discantus Languages: Latin Clef: f1c3 Voice Text: Puer natus in Bethlehem ... Voice: Tenor Languages: Latin Clef: f2c4 Voice Text: Puer natus in Bethlehem ... Layout parts
310v	Puer natus in Bethlehem	-	Anonymous
Puer natus in Bethlehem Anonymous Appears on: 310v Genres: Motet Number of voices: 2 Voice: Discantus Languages: Latin Clef: f1c3 Voice Text: Puer natus in Bethlehem ... Voice: Tenor Languages: none Clef: f2c4 Layout parts
310v–311	Puer natus est in Bethlehem in Bethlehem	-	Anonymous
Puer natus est in Bethlehem in Bethlehem Anonymous Appears on: 310v–311 Genres: Motet Number of voices: 2 Voice: Discantus Languages: Latin Clef: c4 Voice Text: Puer natus est in Bethlehem in Bethlehem Voice: Tenor Languages: none Clef: c4 Layout parts
311v	Puer natus in Bethlehem	-	Anonymous
Puer natus in Bethlehem Anonymous Appears on: 311v Genres: Motet Number of voices: 2 Voice: Discantus Languages: Latin Clef: c4 Voice Text: Puer natus in Bethlehem … Voice: Tenor Languages: none Clef: c4
311v–312	Puer nobis nascitur…	-	Anonymous
Puer nobis nascitur… Anonymous Appears on: 311v–312 Genres: Motet Number of voices: 1 Voice: [no designation] Languages: Latin Voice Text: Puer nobis nascitur… Layout parts
312v–313	Noctis umbra depellitur Christus / huius cantionis	-	Anonymous
Noctis umbra depellitur Christus / huius cantionis Anonymous Appears on: 312v–313 Genres: Motet Number of voices: 2 Voice: Discantus Languages: Latin Clef: c5 Voice Text: Noctis umbra depellitur cristus ... Voice: Tenor Languages: Latin Clef: c6 Voice Text: huius cantionis. Layout parts
313v	Grates nunc omnes	-	Anonymous
Grates nunc omnes Anonymous Appears on: 313v Genres: Motet Number of voices: 1 Voice: [no designation] Languages: Latin Voice Text: Grates nunc omnes Layout parts

Composer	Compositions
Anonymous	Alle Dei filius – 20–21 Ave lumen gratiae – 14v–15 Ave verum gaudium forma – 13v–14 Beatus auctor saeculi – 52v–53 Benedictus – 24v–26 Christ ist erstanden von der Marter alle – 63v–64 Christus surrexit / Crist ist erstanden – 26v–27 Christus surrexit mala - Crist ist ertanden – 63v–64 Collaudemus omnes pariter – 38v–39 Conscendit jubilans – 39v–40 Cuius magnifica haec generatio – 43v–44 Da pacem Domine in diebus nostris – 11v–12 Das teuch salve Regina – 44v–46 Delens eve latronem – 20–21 Delens eve latronem – 37 Dies est laetitiae in ortu regali – 50v–51 Exultet caelum laudibus – 62v–63 Frau von Herzen wir dich grüssen – 48 Grates nunc omnes – 17v Grates nunc omnes – 313v Ibant magi quam viderant – 51v–52 In dulci jubilo – 37v–38 Ista est speciosa – 59v–60v Kyrie eleison – 18v–19v Kyrie eleison – 55v–56v Lumen ad revelationem – 49v–50 Magnificat: Et exultavit spiritus meus – 60v–61 Noctis umbra depellitur Christus / huius cantionis – 312v–313 O Maria virgo preclara – 1v–2 O preciosum convivium / Huius O preciosum. – 54v–55v O salutaris refectio – 3v–4r Patrem omnipotentem [Credo] – 21v Patrem omnipotentem [Credo] – 27v–28 Patrem omnipotentem [Credo] – 28v–30 Patrem omnipotentem [Credo] – 30v–33 Patrem omnipotentem [Credo] – 56v–57 Patrem omnipotentem [Credo] – 64v–66 Procedentem sponsum – 24 Puer natus est in Bethlehem in Bethlehem – 310v–311 Puer natus in Bethlehem – 310 Puer natus in Bethlehem – 311v Puer natus in Bethlehem – 310v Puer natus in Bethlehem - Ein Kind geboren – 36v Puer natus in Bethlehem / Ein Kind geborn / Concinnite cum jubilo / Concinnite cum jubilo – 34 Puer nobis nascitur… – 311v–312 Que est ista – 58v–59 Qui paraclytus diceris – 40v–41 Quo iturus petrus – 20–21 Resonet in laudibus – 15v–16 Sanctus – 23–24 Sanctus – 34v–35v Spiritus sancti gratia – 48v–49 Tantum ergo sacramentum / nobis natus nobis datus – 41v–42 Victimae paschali laudes – 53v–54v Virgo Deum genuit – 16v–17 [Quem terra pontus] Cui luna sol et omnia – 42v–43 [No description] – 1
Barbingant, Pierre (c1445-60)	Astripotenti laudem – 7v–8 Magnificat: Et exultavit spiritus meus – 9v–10
Bedingham, John (-ca. 1460)	(?) O rosa bella, o Deitatis cella (= O quam suavis est domina) – 6v–7
Dunstaple, John (ca. 1390-1453)	(?) O rosa bella, o Deitatis cella (= O quam suavis est domina) – 6v–7
Frye, Walter (-ca. 1475)	Ave regina caelorum I – 12v–13 Fortune Domine miserere – 8v–9v Magnificat: Et exultavit spiritus meus – 10v–11
Senfl, Ludwig (ca. 1486-ca. 1543)	[Omnes superni ordines] Primum virtutes ignee, 2 Tu pater assis – 61v
Touront, Johannes (ca. 1450-ca. 1475)	O gloriosa regina mundi succurre nobis – 4v–6r O insignis summi regis – 2v–3

Composition	Composers (? Uncertain)	Folios / Pages
[Omnes superni ordines] Primum virtutes ignee, 2 Tu pater assis	Senfl, Ludwig (ca. 1486–ca. 1543)	61v
[Quem terra pontus] Cui luna sol et omnia	Anonymous	42v–43
Alle Dei filius	Anonymous	20–21
Astripotenti laudem	Barbingant, Pierre (fl. c1445-60)	7v–8
Ave lumen gratiae	Anonymous	14v–15
Ave regina caelorum I	Frye, Walter (–ca. 1475)	12v–13
Ave verum gaudium forma	Anonymous	13v–14
Beatus auctor saeculi	Anonymous	52v–53
Benedictus	Anonymous	24v–26
Christ ist erstanden von der Marter alle	Anonymous	63v–64
Christus surrexit / Crist ist erstanden	Anonymous	26v–27
Christus surrexit mala - Crist ist ertanden	Anonymous	63v–64
Collaudemus omnes pariter	Anonymous	38v–39
Conscendit jubilans	Anonymous	39v–40
Cuius magnifica haec generatio	Anonymous	43v–44
Da pacem Domine in diebus nostris	Anonymous	11v–12
Das teuch salve Regina	Anonymous	44v–46
Delens eve latronem	Anonymous	20–21
Delens eve latronem	Anonymous	37
Dies est laetitiae in ortu regali	Anonymous	50v–51
Exultet caelum laudibus	Anonymous	62v–63
Fortune Domine miserere	Frye, Walter (–ca. 1475)	8v–9v
Frau von Herzen wir dich grüssen	Anonymous	48
Grates nunc omnes	Anonymous	17v
Grates nunc omnes	Anonymous	313v
Ibant magi quam viderant	Anonymous	51v–52
In dulci jubilo	Anonymous	37v–38
Ista est speciosa	Anonymous	59v–60v
Kyrie eleison	Anonymous	18v–19v
Kyrie eleison	Anonymous	55v–56v
Lumen ad revelationem	Anonymous	49v–50
Magnificat: Et exultavit spiritus meus	Barbingant, Pierre (fl. c1445-60)	9v–10
Magnificat: Et exultavit spiritus meus	Frye, Walter (–ca. 1475)	10v–11
Magnificat: Et exultavit spiritus meus	Anonymous	60v–61
Noctis umbra depellitur Christus / huius cantionis	Anonymous	312v–313
O gloriosa regina mundi succurre nobis	Touront, Johannes (ca. 1450–ca. 1475)	4v–6r
O insignis summi regis	Touront, Johannes (ca. 1450–ca. 1475)	2v–3
O Maria virgo preclara	Anonymous	1v–2
O preciosum convivium / Huius O preciosum.	Anonymous	54v–55v
O rosa bella, o Deitatis cella (= O quam suavis est domina)	Dunstaple, John (ca. 1390–1453) (?) Bedingham, John (–ca. 1460) (?)	6v–7
O salutaris refectio	Anonymous	3v–4r
Patrem omnipotentem [Credo]	Anonymous	21v
Patrem omnipotentem [Credo]	Anonymous	27v–28
Patrem omnipotentem [Credo]	Anonymous	28v–30
Patrem omnipotentem [Credo]	Anonymous	30v–33
Patrem omnipotentem [Credo]	Anonymous	56v–57
Patrem omnipotentem [Credo]	Anonymous	64v–66
Procedentem sponsum	Anonymous	24
Puer natus est in Bethlehem in Bethlehem	Anonymous	310v–311
Puer natus in Bethlehem	Anonymous	310
Puer natus in Bethlehem	Anonymous	310v
Puer natus in Bethlehem	Anonymous	311v
Puer natus in Bethlehem - Ein Kind geboren	Anonymous	36v
Puer natus in Bethlehem / Ein Kind geborn / Concinnite cum jubilo / Concinnite cum jubilo	Anonymous	34
Puer nobis nascitur…	Anonymous	311v–312
Que est ista	Anonymous	58v–59
Qui paraclytus diceris	Anonymous	40v–41
Quo iturus petrus	Anonymous	20–21
Resonet in laudibus	Anonymous	15v–16
Sanctus	Anonymous	23–24
Sanctus	Anonymous	34v–35v
Spiritus sancti gratia	Anonymous	48v–49
Tantum ergo sacramentum / nobis natus nobis datus	Anonymous	41v–42
Victimae paschali laudes	Anonymous	53v–54v
Virgo Deum genuit	Anonymous	16v–17

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Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Ameln, Konrad. 1985. Die Cantio 'In dulci iubilo'. Jahrbuch für Liturgik und Hymnologie, 29: 23ff. Pages: 31,60,71. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Göllner, Theodor. 1981. Das Kyrie Cunctipotens zwischen Organum und Komposition. Musik in Bayern, 22: 37-57. Notes: contents list (partial); facsimile (partial); mention of MS; discussion.

Davis, Dennis Michael. 1979. The Structure and Contents of Munich, Bayerische Staatsbibliothek Codex Lat. Mon. 5023. University of Illinois, Unpublished Master's thesis. Notes: physical description; contents list; concordances; incipits; facsimile (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Atlas, Allan W. 1977. On the Neapolitan Provenance of the Manuscript Perugia, Biblioteca Comunale Augusta, 431 (G 20). Musica Disciplina, 31: 45ff. Pages: 77, 84-5. Notes: contents list (partial); concordances (partial).

Fallows, David. 1976-7. English Song Repertories of the Mid-fifteenth Century. Proceedings of the Royal Musical Association, 106: 61-79. Pages: 64-5. Notes: contents list (partial); concordances (partial).

Göthel, Folker (editor). 1972. Musik in Bayern: II. Ausstellungskatalog. Tutzing. Pages: 203, Plate 25. Notes: physical description; facsimile (partial).

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I, vol. Einzeldrucke vor 1800. Kassel. Pages: B IV/3, 360-72. Notes: physical description; contents list; concordances (partial); inventory.

Ameln, Konrad. 1970. 'Resonet in laudibus'-'Joseph, lieber Joseph mein'. Jahrbuch für Liturgik und Hymnologie, 15: 52ff. Pages: 82, 86, Taf. XXI. Notes: contents list (partial); texts (partial); facsimile (partial); mention of MS; discussion.

Muzik, Frantisek. 1970. Christ ist erstanden-Buóh vsemohúcí. Miscellanea Musicologica [Prague], 21-23: 7-45. Pages: 29. Notes: mention of MS.

Fischer, Kurt von. 1969. Neue Quellen Mehrstimmiger Musik des 15. Jahrhunderts aus Schweizerischen Klostern. Renaissance-Muziek 1400-1600: Donum Natalicium René Bernard Lenaerts, edited by Kurt von Fischer, 293-301. Leuven: Katholieke Universiteit, Seminarie voor Muziekwetenschap. Pages: 297, 300-1. Notes: mention of MS; contents list (partial).

Gottwald, Clytus. 1964. In dulci jubilo': Morphogenese eines Weihnachtsliedes. Jahrbuch für Liturgik und Hymnologie, 9: 133-43. Pages: 138-9, 142, Tafel V. Notes: physical description (partial); facsimile (partial).

Mokry, Ladislav. 1963. Zu den Anfängen der Mehrstimmigkeit bei den Westslawen. The Book of the First International Musicological Congress Devoted to the Works of Frederick Chopin: Warszawa, 16th-22nd February 1960, 567-71. Warsaw. Pages: 570. Notes: mention of MS.

Stephan, Rudolf. 1956. Die Lieder der Ebersberger Handschrift, jetzt Clm 6034. Jahrbuch für Liturgik und Hymnologie, 2: 98-104. Pages: 102. Notes: mention of MS.

Geering, Arnold. 1952. Die Organa und mehrstimmigen Conductus in den Handschriften des deutschen Sprachgebietes vom 13. bis 16. Jahrhundert. Bern. Pages: 19-20, passim. Notes: contents list (partial); mention of MS; discussion.

Riedel, Johannes. 1951. Leisen Formulae: Their Polyphonic Settings in the Renaissance and Reformation. University of Southern California, Unpublished Ph.D. dissertation. Pages: 19, 67-8, 260ff, 676, 724. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VIII, 789-90. Notes: facsimile (partial).

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: I, 407. Notes: mention of MS.

Dreves, Guido Maria. 1887), 26-36; III (1888), 29-39; IV (1889), 24-30; VI (1891. Beiträge zur Geschichte des deutschen Kirchenliedes. Kirchenmusikalisches Jahrbuch, 2: 35-40. Pages: IV, 29-30; VI, 36-40. Notes: contents list (partial); transcription (partial); facsimile (partial).

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Prof Nick Sandon

Monday, 28 July, 2025

Ave lumen gratiae not concordant with Fayrfax's setting in Eton!

DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

D-Mbs Clm. 5023

Bayerische Staatsbibliothek, Munich, Germany

manuscript of polyphony: 1495

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