D-Mbs Mus. MS 25

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: c. 1520-4

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Mus. MS 25
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 560 x 400 mm
Other Identifiers
  • CCM: MunBS 25
  • olim (Former shelfmark): H.C. 51; MaiM 69
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 55 pieces from 4 composers
General Description

Composite of several originally separate fascicles brought together c. 1531. The main scribe was probably Lucas Wagenrieder; ff. 23'-48 probably copied by Ludwig Senfl (BenteNW). Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550); origin in Augsburg also possible for ff. 23-48 (BenteNW). Kept in Munich Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017
Binding

Original covers of white leather over boards, stamped with ornamental designs

DIAMM, 2017
Watermark

Main watermark resembles Briquet #761; watermark on ff. 23-48 resembles Briquet #490

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1520-4 (BenteNW).

DIAMM, 2017
Foliation

Modern pencil foliation, 1-191, by J. J. Maier (many folios lack numbers, but all included in enumeration except one folio following f. 49)

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, 2-17 (first piece not numbered, but included in enumeration; Introit, Alleluia, and Communion for each feast grouped together; two 'Asperges' settings grouped under single number). Modern pencil numbering of pieces, 6-42 (first five pieces not numbered, but included in enumeration)

DIAMM, 2017
Decoration

Inked calligraphic initials (some coloured) on ff. l'-2 and ff. 23'-24; no other decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

36 Mass Proper sections (arranged in 12 cycles), 6 motets = 42 + 1 fragment = 43

(Lebrun)-1, Senfl-39 + 1?, Sermisy [Claudin]-1, anon-1

192 paper folios, 560 x 400. Composite of several originally separate fascicles brought together ca. 1531. Modern pencil foliation, 1-191, by J. J. Maier (many folios lack numbers, but all included in enumeration except one folio following f. 49). Original numbering of pieces, 2-17 (first piece not numbered, but included in enumeration; Introit, Alleluia, and Communion for each feast grouped together; two "Asperges" settings grouped under single number). Modern pencil numbering of pieces, 6-42 (first five pieces not numbered, but included in enumeration). Ff. 1, 22'-23, 35'-36, 48'-49', 58'-59, 67'-68, 78'-79, 91'-92, 102'-103, 136'-137,160'-161, 180'-181, and 191' blank except for titles and later inscriptions. Original covers of white leather over boards, stamped with ornamental designs. No index.

The main scribe was probably Lucas Wagenrieder; ff. 23'-48 probably copied by Ludwig Senfl (BenteNW; see general index for other manuscripts copied by the same scribes). Inked calligraphic initials (some colored) on ff. l'-2 and ff. 23'-24; no other decoration. Main watermark resembles Briquet #761; watermark on ff. 23-48 resembles Briquet #490.

Ca. 1520-4 (BenteNW). Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550); origin in Augsburg also possible for ff. 23-48 (BenteNW). Kept in Munich Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–22 Inclina Domine aurem -
Appears on: 1v–22
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Inclina domine aurem
General Note

RISM 1553, 7; Sermisy GAII (CMM 52/II), p. 39

23–35 Sancta Maria virgo intercede pro toto mundo (8vv, M102) -
Appears on: 23–35
Genres: BVM, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo intercede
36v–48 Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate -
Appears on: 36v–48
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite
General Note

Senfl GA III, p. 65

36v–48 Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 36v–48
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit deus in iubilo
General Note

Senfl GA III, p. 65

49a ... vivit in arce patris fragment - Anonymous
Appears on: 49a
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: (...) vivit in arce patris [fragment]
49av–58 Recumbentibus - 1a pars (of 3): Recumbentibus undecim discipulis apparuit -
Appears on: 49av–58
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Recumbentibus undecim discipulis/ Illic autem profecti
General Note

RISM 1519, 2

49av–58 Recumbentibus - 2a pars (of 3): In nomine meo daemonia -
Appears on: 49av–58
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In nomine meo/ Illic autem profecti
General Note

RISM 1519, 2

49av–58 Recumbentibus - 3a pars (of 3): Illic autem profecti -
Appears on: 49av–58
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Illic autem profecti
General Note

RISM 1519, 2

59–62 Asperges me Domine (P2) - 1a pars (of 3): Asperges me Domine -
Appears on: 59–62
Genres: Asperges me, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Asperges me domine
General Note

DTB III/2, p. 95

59–62 Asperges me Domine (P2) - 2a pars (of 3): Lavabis me et super -
Appears on: 59–62
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Lavabis me et super
General Note

DTB III/2, p. 95

59–62 Asperges me Domine (P2) - 3a pars (of 3): Miserere mei Deus secundum -
Appears on: 59–62
Genres: Miserere mei Deus, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei deus secundum
General Note

DTB III/2, p. 95

62v–67 Asperges me Domine (P3) -
Appears on: 62v–67
Genres: Asperges me, Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Ab Adventu Usque AD pasca: Asperges me Domine
General Note

DTB III/2, p. 97

68v–72 Domine in tua misericordia speravi exultavit Vs: Usquequo domine oblivisceris me -
Appears on: 68v–72
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Dominica Prima: post octavas Corporis Christi Introitus/ Domine in tua misericordia
General Note

Senfl GA IX, p. 62

72v–76 Alleluia. Domine Deus meus in te speravi salvum -
Appears on: 72v–76
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Domine deus meus in te speravi salvum
General Note

Senfl GA IX, p. 64

76v–78 Communio: Narrabo omnia mirabilia -
Appears on: 76v–78
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Communio: Narrabo omnia mirabilia
General Note

Senfl GA IX, p. 66

79v–84 Factus est Dominus protector meus et eduxit Vs: Diligam te domine virtus mea Dominus -
Appears on: 79v–84
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Dominica Secunda post octavas corporis Christi Introitus: Factus est dominus protector
General Note

Senfl GA IX, p. 68

84v–88 Alleluia. Deus judex justus fortis -
Appears on: 84v–88
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Deus iudex iustus fortus et patiens
General Note

Senfl GA IX, p. 70

88v–91 Communio: Cantabo Domino qui bona -
Appears on: 88v–91
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Communio: Cantabo domino qui bona
General Note

Senfl GA IX, p. 72

92v–97 Respice in me et miserere mei domine Vs: Ad te domine levavi animam meam -
Appears on: 92v–97
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Dominica Tertia post octavas corporis Christi. Introitus: Respice in me
General Note

Senfl GA IX, p. 74

97v–100 Alleluia. Diligam te Domine virtus mea -
Appears on: 97v–100
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Diligam te domine
General Note

Senfl GA IX, p. 77

100v–102 Communio: Ego clamavi quoniam -
Appears on: 100v–102
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Communio: Ego clamavi quoniam
General Note

Senfl GA IX, p. 78

103v–108 Dominus illuminatio mea et salus mea Vs: Si consistant adversum me castra -
Appears on: 103v–108
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Dominica Quarta post octavas corporis Christi. Introitus: Dominus illumination mea
General Note

Senfl GA IX, p. 80

108v–112 Alleluia. Dominus in virtute tua laetabitur -
Appears on: 108v–112
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Domine in virtute
General Note

Senfl GA IX, p. 83

112v–114 Dominus firmamentum meum et refugium meum -
Appears on: 112v–114
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dominus firmamentum meum
General Note

Senfl GA IX, p. 85

114v–118 Exaudi domine vocem meam qua clamavi ad te Vs: Dominus illuminatio mea et salus mea -
Appears on: 114v–118
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Dominca Quinta post octavas corporis Christi: Introitus: Exaudi domine vocem
General Note

Senfl GA IX, p. 87

118v–123 Alleluia. In te, Domine, speravi -
Appears on: 118v–123
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. In the domine
General Note

Senfl GA IX, p. 89

123v–126 Communio: Unam pecii a Domino -
Appears on: 123v–126
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Communio: Unam pecii a domino
General Note

Senfl GA IX, p. 92

126v–131 Dominus fortitudo - 1a pars (of 2): Dominus fortitudo plebis (Domenica Sexta post octavas coroporis Christi: Introitus) -
Appears on: 126v–131
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domenica Sexta post octavas coroporis Christi: Intoitus: Dominus fortitudo plebis
General Note

Senfl GA IX, p. 94

126v–131 Dominus fortitudo - 2a pars (of 2): Ad te Domine clamabo -
Appears on: 126v–131
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ad te domine clamabo
General Note

Senfl GA IX, p. 94

131v–134 Alleluia. Omnes gentes plaudite -
Appears on: 131v–134
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Omnes gentes plaudite
General Note

Senfl GA IX, p. 97

134v–136 Communio: Circuibo et immolabo -
Appears on: 134v–136
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Communio: Circuibo et immolabo
General Note

Senfl GA IX, p. 98

137v–140 Omnes gentes plaudite (P29) - 1a pars (of 2): Omnes gentes plaudite (Dominica Septima post octavas corporis Christi Introitus) -
Appears on: 137v–140
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dominica Septima post octavas corporis Christi: Intoitus: Omnes gentes plaudite
General Note

Senfl GA IX, p. 100

137v–140 Omnes gentes plaudite (P29) - 2a pars (of 2): Subiecit populos nobis -
Appears on: 137v–140
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Subiecit populos nobis
General Note

Senfl GA IX, p. 100

140v–143 Alleluia. Eripe me de inimicis -
Appears on: 140v–143
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Eripe me de inimicis
General Note

Senfl GA IX, p. 102

142v–144 Inclina aurem tuam -
Appears on: 142v–144
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Inclina aurem tuam
General Note

Senfl GA IX, p. 103

144v–148 Suscepimus Deus (P30) - 1a pars (of 2): Suscepimus Deus misericordiam -
Appears on: 144v–148
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domenica Octava post octavas corporis Christi: Suscepimus deus misericordiam
General Note

Senfl GA IX, p. 104

144v–148 Suscepimus Deus (P30) - 2a pars (of 2): Magnus Dominus et laudabilis nimis -
Appears on: 144v–148
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Magnus dominus et laudabilis nimis
General Note

Senfl GA IX, p. 104

148v–151 Alleluia. Te decet hymnus -
Appears on: 148v–151
Genres: Alleluia, Motet, Requiem
Voice: [no designation]
Languages: Latin
Voice Text: Alluluia. Te decet hymnus
General Note

Senfl GA IX, p. 107

151v–153 Gustate et videte -
Appears on: 151v–153
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gustate et videte
General Note

Senfl GA IX, p. 109

153v–157 Ecce Deus adjuvat - 1a pars (of 2): Ecce Deus adjuvat (Dominica Nona post octavas corporis Christi) -
Appears on: 153v–157
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dominica Nona post octavas corporis Christi: Ecce deus adiuvat
General Note

Senfl GA IX, p. 110

153v–157 Ecce Deus adjuvat - 2a pars (of 2): Deus in nomine -
Appears on: 153v–157
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deus in nomine
General Note

Senfl GA IX, p. 110

157v–159 Alleluia. Attendite popule meus -
Appears on: 157v–159
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Attendite popule meus
General Note

Senfl GA IX, p. 112

159v–160 Primum quaerite regnum -
Appears on: 159v–160
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Primum querite regnum
General Note

Senfl GA IX, p. 114

161v–165 Dum clamarem ad Dominum - 1a pars (of 2): Dum clamarem ad Dominum (Dominica Decima post octavas corporis Christi) -
Appears on: 161v–165
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dominica Decima post octavas corporis Christi: Dum clamarem ad dominum
General Note

Senfl GA IX, p. 115

161v–165 Dum clamarem ad Dominum - 2a pars (of 2): Exaudi Deus orationem -
Appears on: 161v–165
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Exaudi deus orationem
General Note

Senfl GA IX, p. 115

165v–168 Alleluia. Exultate deo adjutori -
Appears on: 165v–168
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Exultate deo adiutori
General Note

Senfl GA IX, p. 118

168v–170 Acceptabis sacrificium justitiae -
Appears on: 168v–170
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Acceptabis sacrificium iustitiae
General Note

Senfl GA IX, p. 120

170v–174 Deus in loco sancto - 1a pars (of 2): Deus in loco sancto (Dominica undecima post octavas corporis Christi) -
Appears on: 170v–174
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dominica undecima post octavas corporis Christi: Deus in loco sancto
General Note

Senfl GA IX, p. 122

170v–174 Deus in loco sancto - 2a pars (of 2): Exurgat Deus et dissipentur -
Appears on: 170v–174
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Exurgat deus et dissipentur
General Note

Senfl GA IX, p. 122

174v–177 Alleluia. Domine Deus salutis meae -
Appears on: 174v–177
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Domine deus salutis
General Note

Senfl GA IX, p. 124

177v–180 Honora Dominum de tua -
Appears on: 177v–180
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Honora dominum de tua
General Note

Senfl GA IX, p. 126

181v–186 Ad te levavi animam - 1a pars (of 2): Ad te levavi animam (Dominica Prima Adventus Domini) -
Appears on: 181v–186
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dominica prima Adventus domini: Ad te levavi animam
General Note

Senfl GA VIII, p. 1

181v–186 Ad te levavi animam - 2a pars (of 2): Vias tuas Domine demonstra mihi et semitas -
Appears on: 181v–186
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vias tuas domine
General Note

Senfl GA VIII, p. 1

186v–189 Alleluia. Ostende nobis Domine misericordiam -
Appears on: 186v–189
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Ostende nobis domine
General Note

Senfl GA VIII, p. 5

189v–191 Dominus dabit benignitatem et terra -
Appears on: 189v–191
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dominus dabit benignitatem
General Note

Senfl GA VIII, p. 7

Composer Compositions
Anonymous
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
... vivit in arce patris fragment Anonymous 49a
Acceptabis sacrificium justitiae 168v–170
Ad te levavi animam - 1a pars (of 2): Ad te levavi animam (Dominica Prima Adventus Domini) 181v–186
Ad te levavi animam - 2a pars (of 2): Vias tuas Domine demonstra mihi et semitas 181v–186
Alleluia. Attendite popule meus 157v–159
Alleluia. Deus judex justus fortis 84v–88
Alleluia. Diligam te Domine virtus mea 97v–100
Alleluia. Domine Deus meus in te speravi salvum 72v–76
Alleluia. Domine Deus salutis meae 174v–177
Alleluia. Dominus in virtute tua laetabitur 108v–112
Alleluia. Eripe me de inimicis 140v–143
Alleluia. Exultate deo adjutori 165v–168
Alleluia. In te, Domine, speravi 118v–123
Alleluia. Omnes gentes plaudite 131v–134
Alleluia. Ostende nobis Domine misericordiam 186v–189
Alleluia. Te decet hymnus 148v–151
Asperges me Domine (P2) - 1a pars (of 3): Asperges me Domine 59–62
Asperges me Domine (P2) - 2a pars (of 3): Lavabis me et super 59–62
Asperges me Domine (P2) - 3a pars (of 3): Miserere mei Deus secundum 59–62
Asperges me Domine (P3) 62v–67
Communio: Cantabo Domino qui bona 88v–91
Communio: Circuibo et immolabo 134v–136
Communio: Ego clamavi quoniam 100v–102
Communio: Narrabo omnia mirabilia 76v–78
Communio: Unam pecii a Domino 123v–126
Deus in loco sancto - 1a pars (of 2): Deus in loco sancto (Dominica undecima post octavas corporis Christi) 170v–174
Deus in loco sancto - 2a pars (of 2): Exurgat Deus et dissipentur 170v–174
Domine in tua misericordia speravi exultavit Vs: Usquequo domine oblivisceris me 68v–72
Dominus dabit benignitatem et terra 189v–191
Dominus firmamentum meum et refugium meum 112v–114
Dominus fortitudo - 1a pars (of 2): Dominus fortitudo plebis (Domenica Sexta post octavas coroporis Christi: Introitus) 126v–131
Dominus fortitudo - 2a pars (of 2): Ad te Domine clamabo 126v–131
Dominus illuminatio mea et salus mea Vs: Si consistant adversum me castra 103v–108
Dum clamarem ad Dominum - 1a pars (of 2): Dum clamarem ad Dominum (Dominica Decima post octavas corporis Christi) 161v–165
Dum clamarem ad Dominum - 2a pars (of 2): Exaudi Deus orationem 161v–165
Ecce Deus adjuvat - 1a pars (of 2): Ecce Deus adjuvat (Dominica Nona post octavas corporis Christi) 153v–157
Ecce Deus adjuvat - 2a pars (of 2): Deus in nomine 153v–157
Exaudi domine vocem meam qua clamavi ad te Vs: Dominus illuminatio mea et salus mea 114v–118
Factus est Dominus protector meus et eduxit Vs: Diligam te domine virtus mea Dominus 79v–84
Gustate et videte 151v–153
Honora Dominum de tua 177v–180
Inclina aurem tuam 142v–144
Inclina Domine aurem 1v–22
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 36v–48
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 36v–48
Omnes gentes plaudite (P29) - 1a pars (of 2): Omnes gentes plaudite (Dominica Septima post octavas corporis Christi Introitus) 137v–140
Omnes gentes plaudite (P29) - 2a pars (of 2): Subiecit populos nobis 137v–140
Primum quaerite regnum 159v–160
Recumbentibus - 1a pars (of 3): Recumbentibus undecim discipulis apparuit 49av–58
Recumbentibus - 2a pars (of 3): In nomine meo daemonia 49av–58
Recumbentibus - 3a pars (of 3): Illic autem profecti 49av–58
Respice in me et miserere mei domine Vs: Ad te domine levavi animam meam 92v–97
Sancta Maria virgo intercede pro toto mundo (8vv, M102) 23–35
Suscepimus Deus (P30) - 1a pars (of 2): Suscepimus Deus misericordiam 144v–148
Suscepimus Deus (P30) - 2a pars (of 2): Magnus Dominus et laudabilis nimis 144v–148

denotes primary source study

Hell, Helmut. 1983. Zwei weitere Blätter zum Fragment Mus. ms. 3224 in der Bayerischen Staatsbibliothek aus der Dufay-Zeit. Musik in Bayern, 43-9. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Nowacki, Edward. 1979. The Latin Psalm Motet 1500-1535. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft. 159-84. Tutzing. Pages: 165,175,177. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 729. Notes: contents list (partial); concordances (partial).

Allaire, Gaston Georges, and Isabelle Anne-Marie Cazeaux (editors). 1970. Claudin de Sermisy: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II,ix. Notes: contents list (partial); concordances (partial).

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 25ff, 33ff, 160-4, 227, passim. Notes: physical description; contents list; incipitsst of contents (partial); facsimile (partial); mention of MS; discussion.

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 32. Notes: contents list (partial); concordances (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I,81-2. Notes: mention of MS.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VIII,l-7,123,125; IX,vi,62-130. Notes: physical description; contents list; incipitsst of contents (partial); transcription (partial); facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII.115,119. Notes: physical description (partial); contents list (partial); concordances (partial).

Sandberger, Adolf (editor). 1900-38. Denkmäler der Tonkunst in Bayern. [= Denkmäler Deutscher Tonkunst: Zweite Folge].  Braunschweig. Pages: V,95-102. Notes: contents list (partial); transcription (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen.  Munich. Pages: 46-7. Notes: physical description; contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description