I-CFm Cod. LIX

Museo Archeologico Nazionale, Cividale del Friuli, Italy

manuscript of polyphony: 16th century

Archive	Museo Archeologico Nazionale, Cividale del Friuli, Italy (I-CFm)
Shelfmark	Cod. LIX
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	420 x 280 mm
Other Identifiers	RISM: I-CFm 59 CCM: CivMA 59
Notations	black void mensural
External Links	Website of host institution
Provenance	Collegiate Church & Cathedral of Santa Maria Assunta , Cividale del Friuli, Italy
Contents	52 pieces from 17 composers

General Description

Paper and watermarks are almost identical with those of a register among local cathedral documents, dated 1534-7. Additions made by a second scribe c. 1545. From the Collegiate Church of Santa Maria Assunta, in Cividale del Friuli.

DIAMM, 2017

Binding

No information

DIAMM, 2017

Watermark

watermark on flyleaf resembles Briquet #5076.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Ca. 1535-40; reassembled ca. 1545

DIAMM, 2017

Ruling

10 staves per page

DIAMM, 2017

Foliation

No foliation.

DIAMM, 2017

Foliation

1-86

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM B/IV 5: XVIe s. 86ff. Papier, 420 x 280 mm. Foliotation moderne. Les ff. 1, 19 à 20v sont blancs. Notation mesurée blanche. 10 portées par p. Reliure ancienne veau estampé.

Ce ms., qui provient comme le précédent de la Biblioteca Ex-Capitolare, a été copié pour l'usage de la cathédrale peut-être entre 1512 et 1515, car on y trouve un motet de Phil, de Lurano (no 16) qui y occupa la charge de maître de chapelle entre ces deux dates. Les nos 10 et 11 ont été copiés un peu postérieurement.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 1 Credo, 8 Magnificats, 1 hymn, 29 motets, 1 French secular piece = 43

(A. Agricola)-1, (Barra/Elimon)-1, (Brumel)-1, (Carpentras)-1, (Compère)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1, (Isaac)-1, (Jaquet of Mantua)-6, Josquin-1, (La Rue)-1, Lurano-2, (Mouton)-3, (Notens)-1, Silva [Andreas]-1, (Weerbecke)-1, anon-20

86 + i paper folios, 420x280. No foliation. No information on covers. No index. Paper and watermarks are almost identical with those of a register among local cathedral documents, dated 1534-7; watermark on flyleaf resembles Briquet #5076.

Ca. 1535-40; reassembled ca. 1545, at which time two pieces were added by a second scribe. From the Collegiate Church of Santa Maria Assunta, in Cividale del Friuli.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–9	Missa Sancto Antonio	[P. DE LA RUE]*	Rue, Pierre de la (ca. 1452–1518)
Missa Sancto Antonio Rue, Pierre de la (ca. 1452–1518) Appears on: 1v–9 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [P. DE LA RUE]* Voice: [no designation] Languages: Latin, Greek Voice Text: Missa O sacer Anthoni] Kyrie General Note [ = Missa Agnosceo Vincenti] Concordances . . . B-Br 9126; A-Wn 1783
9v–15	Missa De tous biens plaine	[J. NOTENS]*	Compère, Loyset (ca. 1445–1518) (?) Notens, Johannes (?)
Missa De tous biens plaine Compère, Loyset (ca. 1445–1518) (?) Notens, Johannes (?) Appears on: 9v–15 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [J. NOTENS]* Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie Concordances Dresden 1/D/506 *A-Wn 11883 ----- Tenor in Cividale Gloria & Credo has notes of cantus firmus divided into shorter notes to carry text of mass section, thus making Tenor move at same pace as other voices. Cividale Sanctus has only 1 Osanna with 'ut supra' repeat. Other copies have 2 different Osannas. Agnus in Dresden has 3 sections: version in Cividale LIX has only 2. Agnus I is same in both, but Cividale's Agnus II is different from both Agnus II & III in Dresden.
15v–18v	Missa Ad fugam = Missa sine nomine 12.1	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Missa Ad fugam = Missa sine nomine 12.1 Despres, Josquin (ca. 1450–1521) Appears on: 15v–18v Genres: Kyrie eleison, Mass Ordinary Source Attribution: JOSQUIN Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Ad fugam Kyrie General Note mq 2vx.du Credo (Confiteor) + Sanctus et Agnusf. 21Ct et B du Verset 8 du Magnificat n° 13 Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: III [Missa Sine nomine].
21	Magnificat quart toni: Et exultavit [K.246]	-	Anonymous
Magnificat quart toni: Et exultavit [K.246] Anonymous Appears on: 21 Genres: BVM, Canticle, Magnificat General Note A&B only of verse 8 - see also f. 41v-42v
21v–24	Magnificat octavi toni: Et exultavit [K.411]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.411] Anonymous Appears on: 21v–24 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs.
24v–26	Magnificat secundi toni: Anima mea [K.200]	-	Agricola, Alexander (ca. 1445–1506)
Magnificat secundi toni: Anima mea [K.200] Agricola, Alexander (ca. 1445–1506) Appears on: 24v–26 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Secundus.[Magnificat] Anima mea General Note Versets imp.
26v–29	Magnificat primi toni: Et exultavit [K.156]	-	Anonymous
Magnificat primi toni: Et exultavit [K.156] Anonymous Appears on: 26v–29 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Primus. [Magnificat] Et exultavit General Note … Versets pairs
29v–32	Magnificat octavi toni [K.634]	[A. BRUMEL]*	Brumel, Antoine (ca. 1460–ca. 1513) (?)
Magnificat octavi toni [K.634] Brumel, Antoine (ca. 1460–ca. 1513) (?) Appears on: 29v–32 Genres: BVM, Canticle, Magnificat Source Attribution: [A. BRUMEL]* Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit. General Note ....Versets pairs Concordances . Faber (12e verset à 8vx.) Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, VI (op. dub.).
32v–35	Magnificat secundi toni: Et exultavit [K.205]	-	Anonymous
Magnificat secundi toni: Et exultavit [K.205] Anonymous Appears on: 32v–35 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Magnificat] Et exultavit General Note Versets pairs.
35v–37	Magnificat octavi toni: Et exultavit [K.839]	[JACHET]*	Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?)
Magnificat octavi toni: Et exultavit [K.839] Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?) Appears on: 35v–37 Genres: BVM, Canticle, Magnificat Source Attribution: [JACHET]* Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs. Concordances *15429; A-Wn 15500
37v–38	Supremum Pleni. Da pacem Domine	-	Anonymous
Supremum Pleni. Da pacem Domine Anonymous Appears on: 37v–38 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Supremum Pleni. Da pacem domine . . .
38v–39	Andreas pleni. For seulement l'atente la mort	-	Anonymous
Andreas pleni. For seulement l'atente la mort Anonymous Appears on: 38v–39 Genres: Motet Voice: [no designation] Languages: Latin, French Voice Text: Andreas pleni. For seulement l'atente la mort …
39v–41	Magnificat (secundo or octavi toni): Et exultavit [K.445]	-	Anonymous
Magnificat (secundo or octavi toni): Et exultavit [K.445] Anonymous Appears on: 39v–41 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs.
41v–42v	Magnificat quart toni: Et exultavit [K.246]	-	Anonymous
Magnificat quart toni: Et exultavit [K.246] Anonymous Appears on: 41v–42v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Incomplete, verses 10, 12 missing (also part of v.8 - see f.21). Concordances Even verses only; copies in 's-Hertogenbosch 73 & Capp Sist 44 have all verses set.
43	Pange lingua gloriosi corporis misterium	-	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 43 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi …
43v–46	Patrem omnipotentem [Credo]	[A. BRUMEL]*	Brumel, Antoine (ca. 1460–ca. 1513)
Patrem omnipotentem [Credo] Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 43v–46 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [A. BRUMEL]* Voice: [no designation] Languages: Latin Voice Text: Credo] Patrem Concordances D-brd-Mbs 53 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, IV.
46v–47	Anima Christi sanctifìca me	DOMINUS PHIL. DE LURANO	Lurano, Filippo de
Anima Christi sanctifìca me Lurano, Filippo de Appears on: 46v–47 Genres: Motet Source Attribution: DOMINUS PHIL. DE LURANO Voice: [no designation] Languages: Latin Voice Text: Anima Christi sanctifìca me … Item Bibliography Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: II.
47v–48	Anima Christi sanctifica me	[G. VAN WEERBECKE]*	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Anima Christi sanctifica me Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 47v–48 Genres: Motet Source Attribution: [G. VAN WEERBECKE]* Voice: [no designation] Languages: Latin Voice Text: Anima Christi sanctifica me … Concordances *1503' (Sartori n» 7)
48v–50	O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas	-	Anonymous
O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas Anonymous Appears on: 48v–50 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O trinitas et deitas … General Note Perhaps the setting by Conrad Rein?
48v–50	O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis	-	Anonymous
O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis Anonymous Appears on: 48v–50 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Miserere qui passus est nobis . . . General Note Perhaps the setting by Conrad Rein?
50v–52	Illumina óculos meos - 1a pars (of 2): Illumina óculos meos	-	Anonymous
Illumina óculos meos - 1a pars (of 2): Illumina óculos meos Anonymous Appears on: 50v–52 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Illumina óculos meos … General Note 2a p.]: Ac mecum signum in bonum . . .
50v–52	Illumina óculos meos - 2a pars (of 2): Ac mecum signum in bonum	-	Anonymous
Illumina óculos meos - 2a pars (of 2): Ac mecum signum in bonum Anonymous Appears on: 50v–52 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: 2a p.]: Ac mecum signum in bonum . . . General Note 2a p.]: Ac mecum signum in bonum . . .
52v–54	Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos	-	Anonymous
Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos Anonymous Appears on: 52v–54 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Si deus pro nobis quis contra nos … General Note [2a p.]: [C] ertus sum enim . . .
52v–54	Si Deus pro nobis - 2a pars (of 2): Certus sum enim	-	Anonymous
Si Deus pro nobis - 2a pars (of 2): Certus sum enim Anonymous Appears on: 52v–54 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: [2a p.]: [C] ertus sum enim . . General Note [2a p.]: [C] ertus sum enim . . .
54v–56	Rogamus te piissima - 1a pars (of 2): Rogamus te piissima virgo Maria (= Rogamus te piissime Jesu Christe)	[H. ISAAC]*	Isaac, Heinrich (ca. 1450–1517)
Rogamus te piissima - 1a pars (of 2): Rogamus te piissima virgo Maria (= Rogamus te piissime Jesu Christe) Isaac, Heinrich (ca. 1450–1517) Appears on: 54v–56 Genres: Motet Source Attribution: [H. ISAAC]* Voice: [no designation] Languages: Latin Voice Text: Rogamus te piissima virgo Maria General Note [ = Lami la sol] [ = Patrem de la Missa La mi la sol/O praeclara]T: O Maria . . .[2a p.]: O Maria o regina o domina . . .[= Et unam sanctam de la Missa La mi la sol/O praeclara]Publ. cf. Bc 18 n° 26 Concordances *1539'; D-brd-Rp 773
54v–56	Rogamus te piissima - 2a pars (of 2): O Maria o regina o domina (= O domine Jesu Christe piissime)	[H. ISAAC]*	Isaac, Heinrich (ca. 1450–1517)
Rogamus te piissima - 2a pars (of 2): O Maria o regina o domina (= O domine Jesu Christe piissime) Isaac, Heinrich (ca. 1450–1517) Appears on: 54v–56 Genres: Motet Source Attribution: [H. ISAAC]* Voice: [no designation] Languages: Latin Voice Text: [2a p.]: O Maria o regina o domina . General Note [= Et unam sanctam de la Missa La mi la sol/O praeclara]Publ. cf. Bc 18 n° 26 Concordances 1539'; D-brd-Rp 773
56v–58	Nuptiae factae sunt in Chana Gallileae	[HOTTINET BARRA* ou ELIMOT]	Barra, Hotinet (fl. 1510-23) (?) Elimon (Elimot) (?)
Nuptiae factae sunt in Chana Gallileae Barra, Hotinet (fl. 1510-23) (?) Elimon (Elimot) (?) Appears on: 56v–58 Genres: Motet Source Attribution: [HOTTINET BARRA* ou ELIMOT] Voice: [no designation] Languages: Latin Voice Text: Nuptie facte sunt in Chana Galilee . . . Concordances CH-SGs 463 etc This copy a fourth lower than the concordances Item Bibliography Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music. Chicago and London.
58v–59	Conceptio tua Dei genitrix	-	Anonymous
Conceptio tua Dei genitrix Anonymous Appears on: 58v–59 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Conceptio tua dei genitrix …
59v–60	Luranus cantat Gryneus Carmina Lusit. Quis Deus hic Phoebus	-	Anonymous
Luranus cantat Gryneus Carmina Lusit. Quis Deus hic Phoebus Anonymous Appears on: 59v–60 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Luranus cantat Gryneus Carmina Lusit. Quis deus hic Phoebus … General Note T 1: Sancta Maria ora pro nobis.
60v–62	Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens Mouton, Jean (ca. 1459–1522) Appears on: 60v–62 Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: Gaude Barbara beata … General Note [2a p.]: Gaude quia meruisti … Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XXI.
60v–62	Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare Mouton, Jean (ca. 1459–1522) Appears on: 60v–62 Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: 2a p. Gaude quia meruisti... Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XXI.
62v–64	Trinitas Deitas unitas eterna - 1a pars (of 2): Trinitas Deitas unitas eterna	-	Anonymous
Trinitas Deitas unitas eterna - 1a pars (of 2): Trinitas Deitas unitas eterna Anonymous Appears on: 62v–64 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Trinitas deitas unitas eterna … General Note 2a p.]: Tu vertex et apex tu lux angelica . . .
62v–64	Trinitas Deitas unitas eterna - 2a pars (of 2): Tu vertex et apex tu lux angelica	-	Anonymous
Trinitas Deitas unitas eterna - 2a pars (of 2): Tu vertex et apex tu lux angelica Anonymous Appears on: 62v–64 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: 2a p.]: Tu vertex et apex tu lux angelica . . .
64v–65	Miserere mei Deus miserere mei quoniam in te confidit anima mea	-	Anonymous
Miserere mei Deus miserere mei quoniam in te confidit anima mea Anonymous Appears on: 64v–65 Genres: Miserere mei Deus, Motet Voice: [no designation] Languages: Latin Voice Text: Miserere mei deus miserere mei … quoniam in te confidit anima mea …
65v–67	Sancti Dei omnes 26.14 - 1a pars (of 2): Sancti Dei omnes orate pro nobis	[J. MOUTON ou JOSQUIN DES PRÉS*]	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)
Sancti Dei omnes 26.14 - 1a pars (of 2): Sancti Dei omnes orate pro nobis Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 65v–67 Genres: Motet Source Attribution: [J. MOUTON ou JOSQUIN DES PRÉS] Voice:* [no designation] Languages: Latin Voice Text: Sancii dei omnes orate pro nobis General Note [2a p.]: Christe audi nos . . •. Concordances E-Tc 13 Item Bibliography Expert, Henry. 1966-. Maîtres anciens de la musique française.* Série des compositeurs et auteurs parisiens. Paris: L'Association des Amis d'Henry Expert et de la Musique Francaise Ancienne. Pages: V. Migliavacca, Luciano, Angelo Ciceri, and Eugenio Consonni (editors). 1958-1968. Archivium musices metropolitanum mediolanense. Veneranda Fabbrica del Duomo di Milano. Pages: 9. Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 76. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: V.
65v–67	Sancti Dei omnes 26.14 - 2a pars (of 2): Christe audi nos sancta trinitas	[J. MOUTON ou JOSQUIN DES PRÉS*]	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)
Sancti Dei omnes 26.14 - 2a pars (of 2): Christe audi nos sancta trinitas Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 65v–67 Genres: Motet Source Attribution: [J. MOUTON ou JOSQUIN DES PRÉS] Voice:* [no designation] Languages: Latin Voice Text: [2a p.]: Christe audi nos . . •. Concordances *E-Tc 13
67v–69	Profitentes unitatem - 1a pars (of 2): Profitentes unitatem	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Profitentes unitatem - 1a pars (of 2): Profitentes unitatem Compère, Loyset (ca. 1445–1518) Appears on: 67v–69 Genres: Motet Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: Latin Voice Text: Profitentes unitatem . General Note [2a p.]: Digne loqui de personis . Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, IV.
67v–69	Profitentes unitatem - 2a pars (of 2): Digne loqui de personis	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Profitentes unitatem - 2a pars (of 2): Digne loqui de personis Compère, Loyset (ca. 1445–1518) Appears on: 67v–69 Genres: Motet Source Attribution: [L. COMPÈRE] Voice: [no designation] Languages: Latin Voice Text: [2a p.]: Digne loqui de personis . General Note [2a p.]: Digne loqui de personis . Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
69v–70	Ave Maria,et tu domina semper mecum	-	Anonymous
Ave Maria,et tu domina semper mecum Anonymous Appears on: 69v–70 Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria,et tu domina semper mecum
70v–71	Prínceps gloriosissime Michael archangele	-	Anonymous
Prínceps gloriosissime Michael archangele Anonymous Appears on: 70v–71 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Prínceps gloriosissime Michael archangele …
70v–71	O Jesu Christe miserere mei quia dolore	[JACHET	Mantua, Jacquet de (1483–1559)
O Jesu Christe miserere mei quia dolore Mantua, Jacquet de (1483–1559) Appears on: 70v–71 Genres: Motet Source Attribution: [JACHET Voice: [no designation] Languages: Latin Voice Text: O Jesu Christe miserere mei … General Note Publ. cf. Bc 19 n° 27
71v–72	Adjutrix visitatio et frequens	-	Anonymous
Adjutrix visitatio et frequens Anonymous Appears on: 71v–72 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Adiutrix visitatio et frequens …
72v–73	Jugum meum suave est	-	Anonymous
Jugum meum suave est Anonymous Appears on: 72v–73 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Jugum meum suave est …
73v–74	Simile est regnum caelorum homini	[CARPENTRAS]	Carpentras, Elzear Genet (ca. 1470–1548)
Simile est regnum caelorum homini Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 73v–74 Genres: Motet Source Attribution: [CARPENTRAS] Voice: [no designation] Languages: Latin Voice Text: Simile est regnum celorum … General Note Publ. cf. Bc 19 n° 48
74v–75	O Angele Dei qui custos es mei	[JACHET DE MANTOUE]*	Mantua, Jacquet de (1483–1559)
O Angele Dei qui custos es mei Mantua, Jacquet de (1483–1559) Appears on: 74v–75 Genres: Lauda Source Attribution: [JACHET DE MANTOUE]* Voice: [no designation] Languages: Latin Voice Text: O Angele dei qui custos es mei Concordances *RISM J 6
75v–77	Salve virgo virginum	-	Anonymous
Salve virgo virginum Anonymous Appears on: 75v–77 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve virgo virginum …
77v–79	O vos omnes qui transitis per viam	[JACHET DE MANTOUE* ou BERCHEM**]	Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?)
O vos omnes qui transitis per viam Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?) Appears on: 77v–79 Genres: Motet Source Attribution: [JACHET DE MANTOUE* ou BERCHEM] Voice: [no designation] Languages: Latin Voice Text:** O vos omnes … General Note [2a p.]: Cogitationes mee … Concordances RISM J 11 *155512
79v–80	Te Deum patrem unigenitum	-	Anonymous
Te Deum patrem unigenitum Anonymous Appears on: 79v–80 Genres: Te Deum Voice: [no designation] Languages: Latin Voice Text: Te deum patrem unigenitum
80v–81	Homo quidam fecit caenam magnam et misit	[J. MOUTON]*	Mouton, Jean (ca. 1459–1522)
Homo quidam fecit caenam magnam et misit Mouton, Jean (ca. 1459–1522) Appears on: 80v–81 Genres: Motet Source Attribution: [J. MOUTON]* Voice: [no designation] Languages: Latin Voice Text: Homo quidam fecit cenam … Concordances * GB-Lem 2037 Item Bibliography Shine, Josephine M. 1953. The Motets of Jean Mouton. New York University, Unpublished Ph.D. dissertation. [No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: I.
81v–84	In Domino confido	JACHET DE MANTOUE]*	Mantua, Jacquet de (1483–1559)
In Domino confido Mantua, Jacquet de (1483–1559) Appears on: 81v–84 Genres: Lauda Source Attribution: JACHET DE MANTOUE]* Voice: [no designation] Languages: Latin Voice Text: In domino confido … Concordances *RISM J 6, J 11
84v–85	Sancta Trinitas unus Deus miserere nobis (4vv)	[A. FÉVIN ou N. CRAEN* ou JOSQUIN**]	Fevin, Antoine de (ca. 1470–ca. 1512)
Sancta Trinitas unus Deus miserere nobis (4vv) Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 84v–85 Genres: Motet Source Attribution: [A. FÉVIN ou N. CRAEN* ou JOSQUIN] Voice: [no designation] Languages: Latin Voice Text:** Sancta trinitas unus deus … General Note Publ. cf. Bc 27 II n" 8; Motetti de la Corona, libro primo, Venezia, Ottaviano Petrucci, 1514, no 13, fol. 9 (supremus), fol. 26 (tenor), fol. 42 (altus) et fol. 57 (bassus) – [RISM 15141]; Réédition : Rome, Giovanni Giacomo Pasoti et Valerio Dorico, 1526 – [RISM 15261] Concordances *D-brd-Ga 7 "D-ddr-EIa
85v–86	Congratulamini mihi omnes qui diligitis	-	Anonymous
Congratulamini mihi omnes qui diligitis Anonymous Appears on: 85v–86 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Congratulamini mihi omnes …

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Magnificat secundi toni: Anima mea [K.200] – 24v–26
Anonymous	Adjutrix visitatio et frequens – 71v–72 Andreas pleni. For seulement l'atente la mort – 38v–39 Ave Maria,et tu domina semper mecum – 69v–70 Conceptio tua Dei genitrix – 58v–59 Congratulamini mihi omnes qui diligitis – 85v–86 Illumina óculos meos - 1a pars (of 2): Illumina óculos meos – 50v–52 Illumina óculos meos - 2a pars (of 2): Ac mecum signum in bonum – 50v–52 Jugum meum suave est – 72v–73 Luranus cantat Gryneus Carmina Lusit. Quis Deus hic Phoebus – 59v–60 Magnificat (secundo or octavi toni): Et exultavit [K.445] – 39v–41 Magnificat octavi toni: Et exultavit [K.411] – 21v–24 Magnificat primi toni: Et exultavit [K.156] – 26v–29 Magnificat quart toni: Et exultavit [K.246] – 41v–42v Magnificat quart toni: Et exultavit [K.246] – 21 Magnificat secundi toni: Et exultavit [K.205] – 32v–35 Miserere mei Deus miserere mei quoniam in te confidit anima mea – 64v–65 O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas – 48v–50 O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis – 48v–50 Pange lingua gloriosi corporis misterium – 43 Prínceps gloriosissime Michael archangele – 70v–71 Salve virgo virginum – 75v–77 Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos – 52v–54 Si Deus pro nobis - 2a pars (of 2): Certus sum enim – 52v–54 Supremum Pleni. Da pacem Domine – 37v–38 Te Deum patrem unigenitum – 79v–80 Trinitas Deitas unitas eterna - 1a pars (of 2): Trinitas Deitas unitas eterna – 62v–64 Trinitas Deitas unitas eterna - 2a pars (of 2): Tu vertex et apex tu lux angelica – 62v–64
Barra, Hotinet (fl. 1510-23)	(?) Nuptiae factae sunt in Chana Gallileae – 56v–58
Berchem, Jacques (ca. 1505–1567)	(?) Magnificat octavi toni: Et exultavit [K.839] – 35v–37 (?) O vos omnes qui transitis per viam – 77v–79
Brumel, Antoine (ca. 1460–ca. 1513)	(?) Magnificat octavi toni [K.634] – 29v–32 Patrem omnipotentem [Credo] – 43v–46
Carpentras, Elzear Genet (ca. 1470–1548)	Simile est regnum caelorum homini – 73v–74
Compère, Loyset (ca. 1445–1518)	(?) Missa De tous biens plaine – 9v–15 Profitentes unitatem - 1a pars (of 2): Profitentes unitatem – 67v–69 Profitentes unitatem - 2a pars (of 2): Digne loqui de personis – 67v–69
Despres, Josquin (ca. 1450–1521)	Missa Ad fugam = Missa sine nomine 12.1 – 15v–18v (?) Sancti Dei omnes 26.14 - 1a pars (of 2): Sancti Dei omnes orate pro nobis – 65v–67 (?) Sancti Dei omnes 26.14 - 2a pars (of 2): Christe audi nos sancta trinitas – 65v–67
Elimon (Elimot)	(?) Nuptiae factae sunt in Chana Gallileae – 56v–58
Fevin, Antoine de (ca. 1470–ca. 1512)	Sancta Trinitas unus Deus miserere nobis (4vv) – 84v–85
Isaac, Heinrich (ca. 1450–1517)	Rogamus te piissima - 1a pars (of 2): Rogamus te piissima virgo Maria (= Rogamus te piissime Jesu Christe) – 54v–56 Rogamus te piissima - 2a pars (of 2): O Maria o regina o domina (= O domine Jesu Christe piissime) – 54v–56
Lurano, Filippo de	Anima Christi sanctifìca me – 46v–47
Mantua, Jacquet de (1483–1559)	In Domino confido – 81v–84 (?) Magnificat octavi toni: Et exultavit [K.839] – 35v–37 O Angele Dei qui custos es mei – 74v–75 O Jesu Christe miserere mei quia dolore – 70v–71 (?) O vos omnes qui transitis per viam – 77v–79
Mouton, Jean (ca. 1459–1522)	Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens – 60v–62 Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare – 60v–62 Homo quidam fecit caenam magnam et misit – 80v–81 (?) Sancti Dei omnes 26.14 - 1a pars (of 2): Sancti Dei omnes orate pro nobis – 65v–67 (?) Sancti Dei omnes 26.14 - 2a pars (of 2): Christe audi nos sancta trinitas – 65v–67
Notens, Johannes	(?) Missa De tous biens plaine – 9v–15
Rue, Pierre de la (ca. 1452–1518)	Missa Sancto Antonio – 1v–9
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Anima Christi sanctifica me – 47v–48

Composition	Composers (? Uncertain)	Folios / Pages
Adjutrix visitatio et frequens	Anonymous	71v–72
Andreas pleni. For seulement l'atente la mort	Anonymous	38v–39
Anima Christi sanctifica me	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	47v–48
Anima Christi sanctifìca me	Lurano, Filippo de	46v–47
Ave Maria,et tu domina semper mecum	Anonymous	69v–70
Conceptio tua Dei genitrix	Anonymous	58v–59
Congratulamini mihi omnes qui diligitis	Anonymous	85v–86
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens	Mouton, Jean (ca. 1459–1522)	60v–62
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare	Mouton, Jean (ca. 1459–1522)	60v–62
Homo quidam fecit caenam magnam et misit	Mouton, Jean (ca. 1459–1522)	80v–81
Illumina óculos meos - 1a pars (of 2): Illumina óculos meos	Anonymous	50v–52
Illumina óculos meos - 2a pars (of 2): Ac mecum signum in bonum	Anonymous	50v–52
In Domino confido	Mantua, Jacquet de (1483–1559)	81v–84
Jugum meum suave est	Anonymous	72v–73
Luranus cantat Gryneus Carmina Lusit. Quis Deus hic Phoebus	Anonymous	59v–60
Magnificat (secundo or octavi toni): Et exultavit [K.445]	Anonymous	39v–41
Magnificat octavi toni [K.634]	Brumel, Antoine (ca. 1460–ca. 1513) (?)	29v–32
Magnificat octavi toni: Et exultavit [K.411]	Anonymous	21v–24
Magnificat octavi toni: Et exultavit [K.839]	Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?)	35v–37
Magnificat primi toni: Et exultavit [K.156]	Anonymous	26v–29
Magnificat quart toni: Et exultavit [K.246]	Anonymous	21
Magnificat quart toni: Et exultavit [K.246]	Anonymous	41v–42v
Magnificat secundi toni: Anima mea [K.200]	Agricola, Alexander (ca. 1445–1506)	24v–26
Magnificat secundi toni: Et exultavit [K.205]	Anonymous	32v–35
Miserere mei Deus miserere mei quoniam in te confidit anima mea	Anonymous	64v–65
Missa Ad fugam = Missa sine nomine 12.1	Despres, Josquin (ca. 1450–1521)	15v–18v
Missa De tous biens plaine	Compère, Loyset (ca. 1445–1518) (?) Notens, Johannes (?)	9v–15
Missa Sancto Antonio	Rue, Pierre de la (ca. 1452–1518)	1v–9
Nuptiae factae sunt in Chana Gallileae	Barra, Hotinet (fl. 1510-23) (?) Elimon (Elimot) (?)	56v–58
O Angele Dei qui custos es mei	Mantua, Jacquet de (1483–1559)	74v–75
O Jesu Christe miserere mei quia dolore	Mantua, Jacquet de (1483–1559)	70v–71
O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas	Anonymous	48v–50
O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis	Anonymous	48v–50
O vos omnes qui transitis per viam	Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?)	77v–79
Pange lingua gloriosi corporis misterium	Anonymous	43
Patrem omnipotentem [Credo]	Brumel, Antoine (ca. 1460–ca. 1513)	43v–46
Profitentes unitatem - 1a pars (of 2): Profitentes unitatem	Compère, Loyset (ca. 1445–1518)	67v–69
Profitentes unitatem - 2a pars (of 2): Digne loqui de personis	Compère, Loyset (ca. 1445–1518)	67v–69
Prínceps gloriosissime Michael archangele	Anonymous	70v–71
Rogamus te piissima - 1a pars (of 2): Rogamus te piissima virgo Maria (= Rogamus te piissime Jesu Christe)	Isaac, Heinrich (ca. 1450–1517)	54v–56
Rogamus te piissima - 2a pars (of 2): O Maria o regina o domina (= O domine Jesu Christe piissime)	Isaac, Heinrich (ca. 1450–1517)	54v–56
Salve virgo virginum	Anonymous	75v–77
Sancta Trinitas unus Deus miserere nobis (4vv)	Fevin, Antoine de (ca. 1470–ca. 1512)	84v–85
Sancti Dei omnes 26.14 - 1a pars (of 2): Sancti Dei omnes orate pro nobis	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)	65v–67
Sancti Dei omnes 26.14 - 2a pars (of 2): Christe audi nos sancta trinitas	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)	65v–67
Si Deus pro nobis - 1a pars (of 2): Si Deus pro nobis quis contra nos	Anonymous	52v–54
Si Deus pro nobis - 2a pars (of 2): Certus sum enim	Anonymous	52v–54
Simile est regnum caelorum homini	Carpentras, Elzear Genet (ca. 1470–1548)	73v–74
Supremum Pleni. Da pacem Domine	Anonymous	37v–38
Te Deum patrem unigenitum	Anonymous	79v–80
Trinitas Deitas unitas eterna - 1a pars (of 2): Trinitas Deitas unitas eterna	Anonymous	62v–64
Trinitas Deitas unitas eterna - 2a pars (of 2): Tu vertex et apex tu lux angelica	Anonymous	62v–64

‡ denotes primary source study

Lockwood, Lewis Henry, Pierluigi Petrobelli, and Nino Pirrotta. None. La storia della musica a Cividale nel tardo Medioevo e nel primo Rinascimento.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 154.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 130, 510 n. 114.

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: II, p. VI.

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 310.

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: Staehelin, VIII, 144.

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Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-CFm Cod. LIX

Museo Archeologico Nazionale, Cividale del Friuli, Italy

manuscript of polyphony: 16th century

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