D-Mbs Mus. MS 10

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: 1525-30

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Mus. MS 10
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 510 x 370 mm
Other Identifiers
  • CCM: MunBS 10
  • olim (Former shelfmark): H.C. 33; MaiM 89
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 39 pieces from 2 composers
General Description

Probably copied by Lucas Wagenrieder (BenteNW). Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017
Binding

Original covers of white leather over boards, stamped with ornamental designs.

DIAMM, 2017
Watermark

No watermark.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1525-30 (BenteNW).

DIAMM, 2017
Foliation

Modern pencil foliation, 1-216, by J. J. Maier (f. 79 and f. 80 both numbered '79,' but f. 80 correctly counted in enumeration; '190' applied to two consecutive folios; '197' omitted)

DIAMM, 2017
Foliation

Other numberings: Modern pencil numbering of pieces, 6-18 (first five pieces not numbered, but included in enumeration).

DIAMM, 2017
Decoration

Inked calligraphic initials

DIAMM, 2017
Index

Original index on f. 215 lists all pieces except Senfl's 'Virgo prudentissima' (omission corrected by modern hand)

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

18 motets

Josquin-4, Senfl-13, Senfl/(Josquin)-l

216 paper folios, 510 x 370. Modern pencil foliation, 1-216, by J. J. Maier (f. 79 and f. 80 both numbered "79," but f. 80 correctly counted in enumeration; "190" applied to two consecutive folios; "197" omitted). Original numbering of pieces, 1-10 (several pieces not included; others included under one number). Modern pencil numbering of pieces, 6-18 (first five pieces not numbered, but included in enumeration). Ff. 18'-21, 42'-43, 63'-67, 80', 98'-101, l08'-l09, 126'-127, 157'-158, 180'-182, 195'-196, 214', and 215'-216' blank except for piece numbers. Original covers of white leather over boards, stamped with ornamental designs. Original index on f. 215 lists all pieces except Senfl's "Virgo prudentissima" (omission corrected by modern hand). Probably copied by Lucas Wagenrieder (BenteNW); see general index for other manuscripts copied by the same scribe. Inked calligraphic initials. No watermark.

1525-30 (BenteNW). Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–4 Ave Domine Jesu Christe - 1a pars (of 5): Ave Domine Jesu Christe rex benedicte verbum patris Ludovico Sennphilo [= Senfl]
Appears on: 1v–4
Genres: Motet
Source Attribution: Ludovico Sennphilo [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ave domine Hiesu Christe rex benedicte verbum patris II: Ave domine Hiesu Christe rex benedicte laus angelorum III: Ave domine Hiesu Christe rex benedicte lumen caeli IV: Ave domine Hiesu Christe rex benedictesplendor patris V: Ave domine Hiesu Christe rex benedicte vita dulcis
General Note

Senfl GA XI, p. 87

4v–7 Ave Domine Jesu Christe - 2a pars (of 5): Ave Domine Jesu Christe rex benedicte laus angelorum -
Appears on: 4v–7
Genres: Motet
7v–10 Ave Domine Jesu Christe - 3a pars (of 5): Ave Domine Jesu Christe rex benedicte lumen caeli -
Appears on: 7v–10
Genres: Motet
10v–13 Ave Domine Jesu Christe - 4a pars (of 5): Ave Domine Jesu Christe rex benedicte splendor patris -
Appears on: 10v–13
Genres: Motet
13v–18 Ave Domine Jesu Christe - 5a pars (of 5): Ave Domine Jesu Christe rex benedicte vita dulcis -
Appears on: 13v–18
Genres: Motet
21v–28 Miserere mei Deus - 1a pars (of 3): Miserere mei Deus secundum magnam Ludovicus Sennfl
Appears on: 21v–28
Genres: Miserere mei Deus, Motet
Source Attribution: Ludovicus Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei deus secundum magnam II: Asperges me domine ysopo et mundabor III: Domine labia mea aperies et os meum
General Note

Senfl GA III, p. 53

28v–36 Miserere mei Deus - 2a pars (of 3): Asperges me Domine isopo et mundabor -
Appears on: 28v–36
Genres: Asperges me, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Asperges me domine ysopo et mundabor
General Note

Senfl GA III, p. 53

36v–42 Miserere mei Deus - 3a pars (of 3): Domine labia mea aperies et os meum -
Appears on: 36v–42
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domine labia mea aperies et os meum
General Note

Senfl GA III, p. 53

43v–48 Virga Jesse floruit - 1a pars (of 2): Virga Jesse floruit in qua flos apparuit Ludovicus Sennfl
Appears on: 43v–48
Genres: Motet
Source Attribution: Ludovicus Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Virga Jesse floruit flos apparuit II: Jam patet in virgine sine viri
General Note

RISM 1537, 1; Senfl GA XI, p. 97

48v–53 Virga Jesse floruit - 2a pars (of 2): Iam patet in virgine sine viri -
Appears on: 48v–53
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Iam patet in virgine sine viri
General Note

RISM 1537, 1; Senfl GA XI, p. 97

53v–57 Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua Lud: S.
Appears on: 53v–57
Genres: Motet
Source Attribution: Lud: S.
Voice: [no designation]
Languages: Latin
Voice Text: Qui prophetice prompsisti ero mors tua II: Qui expansis in cruce manibus III: Vita in ligno moritur infernus
General Note

RISM 1537, 1; Senfl GA XI, p. 102

57v–60 Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus -
Appears on: 57v–60
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui expansis in cruce manibus
General Note

RISM 1537, 1; Senfl GA XI, p. 102

60v–63 Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu -
Appears on: 60v–63
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vita in ligno moritur infernus
General Note

RISM 1537, 1; Senfl GA XI, p. 102

67v–75 De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine Lud: Sennfl/[Josquin]
Appears on: 67v–75
Genres: Motet
Source Attribution: Lud: Sennfl/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine 15.14 II: A custodia matutina usque ad noctem
General Note

RISM 1537, 1; Senfl GA III, p. 86

75v–[80] De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem -
Appears on: 75v–[80]
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A custodia Matutina usque ad noctem
Copying Style

(F. 79 and f. [80] both numbered "79," but enumeration continues correctly with "81" following f. [80])

General Note

RISM 1537, 1; Senfl GA III, p. 86

81v–98 Da Jesus am dem Kreutze hieng 2 Das erst wort redt Gott gar suessikleich 3 Zum andern mal gedenck seiner barmhertzigkhait 4 Das dritte wort redt Gott auss grosser 5 Das vierte wort redt Gott gar traurigkleich 6 Si merckh mensch was das funfft wort 7 Das sechste was gar ain treffigs wort 8 Das siebendt wort Vater ich empfilch 9 Und wer das Gots wort in Eeren hat Lud: Sennfl
Appears on: 81v–98
Genres: Sequence
Source Attribution: Lud: Sennfl
Voice: [no designation]
Languages: German
Voice Text: Da Hiesus am dem Creutze hieng II: Das erst wort redt Got gar suessikleich III: Zum andern mal gedenck seiner barmhertzigkhait IV: Das dritte wort redt Got auss grosser V: Das vierte wort redt Got gar traurigkleich VI: Si merckh mensch was das funfft wort VII: Das sechste was gar ain treffigs wort VIII: Das siebendt wort vatter ich empfilch IX: Und wer das Gots wort in Eeren hat
General Note

Senfl Ga II , p. 43

101v–104 Deus in adjutorium M32 - 1a pars (of 2): Deus in adjutorium meum intende Domine Lud: Sennfl
Appears on: 101v–104
Genres: Motet
Source Attribution: Lud: Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Deus in adiutorium meum intende domine II: Exultent et letentur in te omnes
General Note

RISM 1537, 1; Senfl GA III, p. 48

104v–108 Deus in adjutorium M32 - 2a pars (of 2): Exultent et laetentur in te omnes -
Appears on: 104v–108
Genres: Motet
109v–117 Ecce quam bonum - 1a pars (of 2): Ecce quam bonum et quam jocundum habitare Lud: Sennfl
Appears on: 109v–117
Genres: Motet
Source Attribution: Lud: Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Ecce quam bonum et quam iocundum habitare II: Quoniam illic mandavit dominus
General Note

RISM 1537, 1; Senfl GA III, p. 32

117v–126 Ecce quam bonum - 2a pars (of 2): Quoniam illic mandavit Dominus -
Appears on: 117v–126
Genres: Motet
127v–133 Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi Josquin de Press
Appears on: 127v–133
Genres: Motet
Source Attribution: Josquin de Press
Voice: [no designation]
Languages: Latin
Voice Text: Liber generationis Hiesu Christi filii 19.13 II: Salomon autem genuit Roboam III: Et post transmigrationem Babilonis
General Note

RISM 1504, 1; Josquin GA Motetten I, p. 69

133v–139 Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam -
Appears on: 133v–139
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Salomon autem
General Note

RISM 1504, 1; Josquin GA Motetten I, p. 69

139v–145 Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis -
Appears on: 139v–145
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et post transmigrationem
General Note

RISM 1504, 1; Josquin GA Motetten I, p. 69

145v–149 In principio erat verbum 19.7 - 1a pars (of 3): In principio erat verbum et verbum Josquin de Press
Appears on: 145v–149
Genres: Motet
Source Attribution: Josquin de Press
Voice: [no designation]
Languages: Latin
Voice Text: In principio erat verbum et verbum 19.7 II: Fuit homo missus a deo cui nomen III: Et verbum caro factum est et habitavit
General Note

RISM 1538, 1; Josquin GA Motetten III, p. 106

149v–155 In principio erat verbum 19.7 - 2a pars (of 3): Fuit homo missus a Deo -
Appears on: 149v–155
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Fuit homo missus à deo cui nomen
General Note

RISM 1538, 1; Josquin GA Motetten III, p. 106

155v–157 In principio erat verbum 19.7 - 3a pars (of 3): Et verbum caro factum est -
Appears on: 155v–157
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et verbum caro factum est
General Note

RISM 1538, 1; Josquin GA Motetten III, p. 106

158v–165 Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam Josquin
Appears on: 158v–165
Genres: Miserere mei Deus, Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei deus secundum magnam 18.3 II: Audi auditui meo dabis gaudium III: Domine labia mea aperies et os
General Note

RISM 1519, 2; Josquin GA Motetten II, p. 58

165v–171 Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium -
Appears on: 165v–171
Genres: Miserere mei Deus, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Audi auditui meo dabis gaudium [part 2]
General Note

RISM 1519, 2; Josquin GA Motetten II, p. 58

171v–177 Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os -
Appears on: 171v–177
Genres: Miserere mei Deus, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domine labia mea aperies et os
General Note

RISM 1519, 2; Josquin GA Motetten II, p. 58

177v–180 Virgo prudentissima (M122) Lud: Sennfl
Appears on: 177v–180
Genres: Motet
Source Attribution: Lud: Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Virgo prudentissima quo progrederis
General Note

Senfl GA XI, p. 109

182–190 Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi Josquin
Appears on: 182–190
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Qui habitat in adiutorio altissimi 18.7 II: Non accedet ad te malum
General Note

RISM 1537, 1; Josquin GA Motetten III, p.75

190v–195 Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum -
Appears on: 190v–195
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Non accedat ad te malum part 2
Copying Style

("190" applied to two consecutive folios)

General Note

RISM 1537, 1; Josquin GA Motetten III, p.75

197v–202 Haec est dies - 1a pars (of 8): Haec est dies quam fecit dominus Lud. Sennfl
Appears on: 197v–202
Genres: Motet
Source Attribution: Lud. Sennfl
Voice: [no designation]
Languages: Latin
Voice Text: Hec est dies quam fecit dominus hodie II: Hodie deus homo factus III: Id quod fuit permansit IV: Hodie deus homo factus V: Et quod non erat assumpsit VI: Hodie deus homo factus VII: Ergo exordium nostre redemptionis VIII: Gloria tibi domine
Copying Style

("197" inadvertently omitted by foliator)

General Note

RISM 1537, 1; Senfl GA IX, p.111

202v–203 Haec est dies - 2a pars (of 8): Hodie Deus homo factus est -
Appears on: 202v–203
Genres: Motet
203v–204 Haec est dies - 3a pars (of 8): Id quod fuit permansit -
Appears on: 203v–204
Genres: Motet
204v–206 Haec est dies - 4a pars (of 8): Hodie deus homo factus -
Appears on: 204v–206
Genres: Motet
206v–207 Haec est dies - 5a pars (of 8): Et quod non erat assumpsit -
Appears on: 206v–207
Genres: Motet
207v–210 Haec est dies - 6a pars (of 8): Hodie deus homo factus -
Appears on: 207v–210
Genres: Motet
210v–214 Haec est dies - 7a pars (of 8): Ergo exordium nostrae redemptionis -
Appears on: 210v–214
Genres: Motet
Composer Compositions
Despres, Josquin (ca. 1450–1521)
Senfl, Ludwig (ca. 1486–ca. 1543)
Composition Composers (? Uncertain) Folios / Pages
Ave Domine Jesu Christe - 1a pars (of 5): Ave Domine Jesu Christe rex benedicte verbum patris 1v–4
Ave Domine Jesu Christe - 2a pars (of 5): Ave Domine Jesu Christe rex benedicte laus angelorum 4v–7
Ave Domine Jesu Christe - 3a pars (of 5): Ave Domine Jesu Christe rex benedicte lumen caeli 7v–10
Ave Domine Jesu Christe - 4a pars (of 5): Ave Domine Jesu Christe rex benedicte splendor patris 10v–13
Ave Domine Jesu Christe - 5a pars (of 5): Ave Domine Jesu Christe rex benedicte vita dulcis 13v–18
Da Jesus am dem Kreutze hieng 2 Das erst wort redt Gott gar suessikleich 3 Zum andern mal gedenck seiner barmhertzigkhait 4 Das dritte wort redt Gott auss grosser 5 Das vierte wort redt Gott gar traurigkleich 6 Si merckh mensch was das funfft wort 7 Das sechste was gar ain treffigs wort 8 Das siebendt wort Vater ich empfilch 9 Und wer das Gots wort in Eeren hat 81v–98
De profundis clamavi 15.14 (5vv - M29) - 1a pars (of 2): De profundis clamavi ad te Domine 67v–75
De profundis clamavi 15.14 (5vv - M29) - 2a pars (of 2): A custodia Matutina usque ad noctem 75v–[80]
Deus in adjutorium M32 - 1a pars (of 2): Deus in adjutorium meum intende Domine 101v–104
Deus in adjutorium M32 - 2a pars (of 2): Exultent et laetentur in te omnes 104v–108
Ecce quam bonum - 1a pars (of 2): Ecce quam bonum et quam jocundum habitare 109v–117
Ecce quam bonum - 2a pars (of 2): Quoniam illic mandavit Dominus 117v–126
Haec est dies - 1a pars (of 8): Haec est dies quam fecit dominus 197v–202
Haec est dies - 2a pars (of 8): Hodie Deus homo factus est 202v–203
Haec est dies - 3a pars (of 8): Id quod fuit permansit 203v–204
Haec est dies - 4a pars (of 8): Hodie deus homo factus 204v–206
Haec est dies - 5a pars (of 8): Et quod non erat assumpsit 206v–207
Haec est dies - 6a pars (of 8): Hodie deus homo factus 207v–210
Haec est dies - 7a pars (of 8): Ergo exordium nostrae redemptionis 210v–214
In principio erat verbum 19.7 - 1a pars (of 3): In principio erat verbum et verbum 145v–149
In principio erat verbum 19.7 - 2a pars (of 3): Fuit homo missus a Deo 149v–155
In principio erat verbum 19.7 - 3a pars (of 3): Et verbum caro factum est 155v–157
Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi 127v–133
Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam 133v–139
Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis 139v–145
Miserere mei Deus - 1a pars (of 3): Miserere mei Deus secundum magnam 21v–28
Miserere mei Deus - 2a pars (of 3): Asperges me Domine isopo et mundabor 28v–36
Miserere mei Deus - 3a pars (of 3): Domine labia mea aperies et os meum 36v–42
Miserere mei Deus 18.3 - 1a pars (of 3): Miserere mei Deus secundum magnam 158v–165
Miserere mei Deus 18.3 - 2a pars (of 3): Auditui meo dabis gaudium 165v–171
Miserere mei Deus 18.3 - 3a pars (of 3): Domine labia mea aperies et os 171v–177
Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi 182–190
Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum 190v–195
Qui prophetice prompsisti - 1a pars (of 3): Qui prophetice prompsisti ero mors tua 53v–57
Qui prophetice prompsisti - 2a pars (of 3): Qui expansis in cruce manibus 57v–60
Qui prophetice prompsisti - 3a pars (of 3): Vita in ligno moritur infernus ex morsu 60v–63
Virga Jesse floruit - 1a pars (of 2): Virga Jesse floruit in qua flos apparuit 43v–48
Virga Jesse floruit - 2a pars (of 2): Iam patet in virgine sine viri 48v–53
Virgo prudentissima (M122) 177v–180

denotes primary source study

Brown, Howard Mayer (editor). 1986. Munich, Bayerische Staatsbibliothek, Musica MS 10. Renaissance Music in Facsimile.  New York. Notes: physical description; contents list; facsimile; discussion.

Sadie, Stanley (editor). 1980. The New Grove Dictionary of Music and Musicians.  London. Pages: XVII, 132. Notes: facsimile (partial).

Nowacki, Edward. 1979. The Latin Psalm Motet 1500-1535. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft. 159-84. Tutzing. Pages: V, 103-17, 163-70. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 25ff, 33ff, 66-70, 227, passim. Notes: physical description; contents list; discussion.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music.  Chicago. Pages: III, 194-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: V, 109; VI, 94; XI, vii, 87-125. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, 43-52, 124; XIII, 32-42, 53-64, 86-90, 115, 118-20. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: III, ix, xi; VIII, xiii-xv; XIII, xxxiv-xxxv; XIV, xliii. Notes: physical description; contents list (partial); concordances (partial).

Sandberger, Adolf (editor). 1900-38. Denkmäler der Tonkunst in Bayern. [= Denkmäler Deutscher Tonkunst: Zweite Folge].  Braunschweig. Pages: V, 103-17, 163-70. Notes: contents list (partial); transcription (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen.  Munich. Pages: 59-61. Notes: physical description; contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description