D-Mbs Mus. MS 10

Bayerische Staatsbibliothek, Munich, Germany

manuscript of polyphony: 1525-30

Archive Bayerische Staatsbibliothek, Munich, Germany (D-Mbs)
Shelfmark Mus. MS 10
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 510 x 370 mm
Other Identifiers
  • CCM: MunBS 10
  • olim (Former shelfmark): H.C. 33; MaiM 89
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents Contains 39 compositions from 2 composers.
General Description

Probably copied by Lucas Wagenrieder (BenteNW). Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017
Binding

Original covers of white leather over boards, stamped with ornamental designs.

DIAMM, 2017
Watermark

No watermark.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1525-30 (BenteNW).

DIAMM, 2017
Foliation

Modern pencil foliation, 1-216, by J. J. Maier (f. 79 and f. 80 both numbered '79,' but f. 80 correctly counted in enumeration; '190' applied to two consecutive folios; '197' omitted)

DIAMM, 2017
Foliation

Other numberings: Modern pencil numbering of pieces, 6-18 (first five pieces not numbered, but included in enumeration).

DIAMM, 2017
Decoration

Inked calligraphic initials

DIAMM, 2017
Index

Original index on f. 215 lists all pieces except Senfl's 'Virgo prudentissima' (omission corrected by modern hand)

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

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18 motets

Josquin-4, Senfl-13, Senfl/(Josquin)-l

216 paper folios, 510 x 370. Modern pencil foliation, 1-216, by J. J. Maier (f. 79 and f. 80 both numbered "79," but f. 80 correctly counted in enumeration; "190" applied to two consecutive folios; "197" omitted). Original numbering of pieces, 1-10 (several pieces not included; others included under one number). Modern pencil numbering of pieces, 6-18 (first five pieces not numbered, but included in enumeration). Ff. 18'-21, 42'-43, 63'-67, 80', 98'-101, l08'-l09, 126'-127, 157'-158, 180'-182, 195'-196, 214', and 215'-216' blank except for piece numbers. Original covers of white leather over boards, stamped with ornamental designs. Original index on f. 215 lists all pieces except Senfl's "Virgo prudentissima" (omission corrected by modern hand). Probably copied by Lucas Wagenrieder (BenteNW); see general index for other manuscripts copied by the same scribe. Inked calligraphic initials. No watermark.

1525-30 (BenteNW). Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Brown, Howard Mayer (editor). 1986. Munich, Bayerische Staatsbibliothek, Musica MS 10. Renaissance Music in Facsimile, vol. 14.  New York. Notes: physical description; contents list; facsimile; discussion.

Sadie, Stanley (editor). 1980. The New Grove Dictionary of Music and Musicians.  London. Pages: XVII, 132. Notes: facsimile (partial).

Nowacki, Edward. 1979. The Latin Psalm Motet 1500-1535. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft, vol. 11. 159-84. Tutzing. Pages: V, 103-17, 163-70. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 25ff, 33ff, 66-70, 227, passim. Notes: physical description; contents list; discussion.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V.  Chicago. Pages: III, 194-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: V, 109; VI, 94; XI, vii, 87-125. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, 43-52, 124; XIII, 32-42, 53-64, 86-90, 115, 118-20. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: III, ix, xi; VIII, xiii-xv; XIII, xxxiv-xxxv; XIV, xliii. Notes: physical description; contents list (partial); concordances (partial).

Sandberger, Adolf (editor). 1900-38. Denkmäler der Tonkunst in Bayern. [= Denkmäler Deutscher Tonkunst: Zweite Folge].  Braunschweig. Pages: V, 103-17, 163-70. Notes: contents list (partial); transcription (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen.  Munich. Pages: 59-61. Notes: physical description; contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description