Probably copied by Lucas Wagenrieder (BenteNW). Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.
| Archive | Bayerische Staatsbibliothek, Munich, Germany (D-Mbs) |
|---|---|
| Shelfmark | Mus. MS 10 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 510 x 370 mm |
| Other Identifiers |
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| Contents | Contains 39 compositions from 2 composers. |
General Description
Binding
Original covers of white leather over boards, stamped with ornamental designs.
Watermark
No watermark.
Notation
black void mensural
Date
1525-30 (BenteNW).
Foliation
Modern pencil foliation, 1-216, by J. J. Maier (f. 79 and f. 80 both numbered '79,' but f. 80 correctly counted in enumeration; '190' applied to two consecutive folios; '197' omitted)
Foliation
Other numberings: Modern pencil numbering of pieces, 6-18 (first five pieces not numbered, but included in enumeration).
Decoration
Inked calligraphic initials
Index
Original index on f. 215 lists all pieces except Senfl's 'Virgo prudentissima' (omission corrected by modern hand)
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
18 motets
Josquin-4, Senfl-13, Senfl/(Josquin)-l
216 paper folios, 510 x 370. Modern pencil foliation, 1-216, by J. J. Maier (f. 79 and f. 80 both numbered "79," but f. 80 correctly counted in enumeration; "190" applied to two consecutive folios; "197" omitted). Original numbering of pieces, 1-10 (several pieces not included; others included under one number). Modern pencil numbering of pieces, 6-18 (first five pieces not numbered, but included in enumeration). Ff. 18'-21, 42'-43, 63'-67, 80', 98'-101, l08'-l09, 126'-127, 157'-158, 180'-182, 195'-196, 214', and 215'-216' blank except for piece numbers. Original covers of white leather over boards, stamped with ornamental designs. Original index on f. 215 lists all pieces except Senfl's "Virgo prudentissima" (omission corrected by modern hand). Probably copied by Lucas Wagenrieder (BenteNW); see general index for other manuscripts copied by the same scribe. Inked calligraphic initials. No watermark.
1525-30 (BenteNW). Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.
The inventory could not be loaded.
‡ denotes primary source study
Brown, Howard Mayer (editor). 1986. Munich, Bayerische Staatsbibliothek, Musica MS 10. Renaissance Music in Facsimile, vol. 14. New York. Notes: physical description; contents list; facsimile; discussion.
Sadie, Stanley (editor). 1980. The New Grove Dictionary of Music and Musicians. London. Pages: XVII, 132. Notes: facsimile (partial).
Nowacki, Edward. 1979. The Latin Psalm Motet 1500-1535. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft, vol. 11. 159-84. Tutzing. Pages: V, 103-17, 163-70. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 25ff, 33ff, 66-70, 227, passim. Notes: physical description; contents list; discussion.
Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V. Chicago. Pages: III, 194-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 109; VI, 94; XI, vii, 87-125. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, 43-52, 124; XIII, 32-42, 53-64, 86-90, 115, 118-20. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).
Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: III, ix, xi; VIII, xiii-xv; XIII, xxxiv-xxxv; XIV, xliii. Notes: physical description; contents list (partial); concordances (partial).
Sandberger, Adolf (editor). 1900-38. Denkmäler der Tonkunst in Bayern. [= Denkmäler Deutscher Tonkunst: Zweite Folge]. Braunschweig. Pages: V, 103-17, 163-70. Notes: contents list (partial); transcription (partial).
Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 59-61. Notes: physical description; contents list; concordances (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description