E-MO MS 767

Monasterio de S Maria, Montserrat, Spain

manuscript of polyphony: 1586

Archive Monasterio de S Maria, Montserrat, Spain (E-MO)
Shelfmark MS 767
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 525 x 410 mm
Other Identifiers
  • CCM: MontsM 767
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 15 pieces from 4 composers
General Description

Copied by Isaac Bertout, whose activity as a scribe at the court of King Philip II is documented in payment records; Bertout also copied MadN 2431 (MannsM). Ff. 26'-27, 67'-68, 112-113, 158'-159, and 191 blank except for later scribblings. Copied in Madrid, for use at the court of Philip II, King of Spain (1527-98). Listed as #26 in 1602 inventory of Philip's court library. Inscriptions indicate ownership in early 18th century by Real Convento de las Senoras de 1a Encarnaçion in Madrid. Acquired from the Encarnaçion by Benedictine mona-stery at Montserrat, probably during 1920's.

Cristina Urchueguía
Physical Description

Only fragments of the last 7 folios remain (they were destroyed by rats)

Cristina Urchueguía
Binding

Original covers of brown leather over cardboard, with worn ornamental shield

Cristina Urchueguía
Watermark

No watermarks visible.

Cristina Urchueguía
Notation

black void mensrual

Cristina Urchueguía
Ruling

Staff height 24

Cristina Urchueguía
Foliation

Original ink foliation, 6-12; 14-217 (ff. 1-5 and f. 13 now missing; ff. [218-224] are stubs only; '181' applied to two consecutive folios).

Cristina Urchueguía
Decoration

Black inked calligraphic initials; rubrics and some text in red ink.

Cristina Urchueguía
Surface

paper

Cristina Urchueguía
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses (2 incomplete)

(Clemens non Papa)-1, Guerrero-1, Morales-3, Palestrina-1

219 paper folios of an original 225, 525 x 410. Last seven folios now only stubs, due to gnawing by rats, but fragments of music still visible; portions of other folios torn away. Original ink foliation, 6-12; 14-217 (ff. 1-5 and f. 13 now missing; ff. [218-224] are stubs only; "181" applied to two consecutive folios). Ff. 26'-27, 67'-68, 112-113, 158'-159, and 191 blank except for later scribblings; blank staves only on f. 190'. Original covers of brown leather over cardboard, with worn ornamental shield. No index. Copied by Isaac Bertout, whose activity as a scribe at the court of King Philip II is documented in payment records; Bertout also copied MadN 2431 (MannsM). Staff height 24 Black inked calligraphic initials; rubrics and some text in red ink. No watermarks visible.

1586 (MannsM). Copied in Madrid, for use at the court of Philip II, King of Spain (1527-98). Listed as #26 in 1602 inventory of Philip's court library. Inscriptions indicate ownership in early 18th century by Real Convento de las Senoras de 1a Encarnaçion in Madrid. Acquired from the Encarnaçion by Benedictine mona-stery at Montserrat, probably during 1920's.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
6–27 Missa [unspecified] -
Appears on: 6–27
Genres: Mass Ordinary
General Note

incomplete: missing first 5 folios, commences at "tibi propter magnam gloriam tuam" in the Gloria

27v–68 Missa [unspecified] Iohannes Palestrina
Appears on: 27v–68
Genres: Mass Ordinary
Source Attribution: Iohannes Palestrina
68v–113 Missa Mille regrets Christoforus Morales
Appears on: 68v–113
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Christoforus Morales
113v–159 Missa Quem dicunt homines: Kyrie. Christophorus Morales
Appears on: 113v–159
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Christophorus Morales
113v–159 Missa Quem dicunt homines: Gloria: 2 partes. -
Appears on: 113v–159
Genres: Gloria (et in terra pax), Mass Ordinary
113v–159 Missa Quem dicunt homines: Credo: 4 partes Et resurrexit: 4 voces. -
Appears on: 113v–159
Genres: Credo (patrem omnipotentem), Mass Ordinary
113v–159 Missa Quem dicunt homines: Sanctus with: Osanna,Benedictus: 4 voces. -
Appears on: 113v–159
Genres: Mass Ordinary, Sanctus [& Benedictus]
113v–159 Missa Quem dicunt homines: Agnus I. Agnus II: 6 voces. -
Appears on: 113v–159
Genres: Agnus Dei, Mass Ordinary
159v–191 Missa Benedicta es caelorum regina: Kyrie Christophorus Morales
Appears on: 159v–191
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Christophorus Morales
159v–191 Missa Benedicta es caelorum regina: Gloria -
Appears on: 159v–191
Genres: Gloria (et in terra pax), Mass Ordinary
159v–191 Missa Benedicta es caelorum regina: Credo -
Appears on: 159v–191
Genres: Credo (patrem omnipotentem), Mass Ordinary
159v–191 Missa Benedicta es caelorum regina: Sanctus -
Appears on: 159v–191
Genres: Mass Ordinary, Sanctus [& Benedictus]
159v–191 Missa Benedicta es caelorum regina: Agnus -
Appears on: 159v–191
Genres: Agnus Dei, Mass Ordinary
191v–223 Missa Sancta et immaculata Franciscus Guerrero
Appears on: 191v–223
Genres: Mass Ordinary
Source Attribution: Franciscus Guerrero
General Note

incomplete - final folios largely eaten away (by mice)

123v–125 [Sancta et immaculata?] F Guerrero
Appears on: 123v–125
Genres: Motet
Source Attribution: F Guerrero
General Note

fragmentary: folios largely eaten away, leaving only a few scraps of music & the words "[imma]culata" and (224v) "Sancta"

denotes primary source study

Codina, Daniel. 2016. L'Arxiu musical del Monestir de l'Encarnación de Madrid a Montserrat. Anuario Musical, 45-56.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 178.

Manns, Charles Gregor. 1977. The Manuscripts Montserrat 774 and 775. University of Illinois, Unpublished Master's thesis. Pages: 2, 12, 26, 45ff. Notes: physical description (partial); contents list; discussion.

Olivar, Alexandre. 1977. Catàleg dels Manuscrits de la Biblioteca del Monestir de Montserrat.  Montserrat. Pages: 174-5. Notes: physical description; contents list.

Vander Straeten, Edmond. 1969. La Musique aux Pays-Bas Avant le XIX' Siècle.  Brussels, 1867-88. Reprinted New York. Pages: VIII, 366. Notes: mention of MS.

Pujol O.S.B., David. 1950, 1952. Maniscritos de Mùsica Neerlandesa conservados en la Biblioteca del Monasterio de Montserrat. Atti del Congresso Internazionale di Musica Sacra ... (Roma, 25-30 Maggio 1950), 319-22. Tournai.

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Thomas Neal

Saturday, 2 May, 2020

added to bibliography: Codina, Daniel. 'L'Arxiu musical del Monestir de l'Encarnación de Madrid a Montserrat,' Anuario Musical, 71 (2016), pp.45-56.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description