E-MA 11

Archivo Capitular de la Catedral, Málaga, Spain

manuscript of polyphony: 1600–1650

Archive Archivo Capitular de la Catedral, Málaga, Spain (E-MA)
Shelfmark 11
Image Availability DIAMM does not have images of this source.
Surface Parchment
Numbering System Foliation
Measurements 550 x 360 mm
Other Identifiers
  • CCM: MalaC 11
  • olim (Former shelfmark): MS IV in POM
Notations
  • black void mensural
Inventory This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Copyists
Relationships
External Links
Provenance
Contents 12 pieces from 4 composers
General Description

. Original index on verso of unnumbered folio at beginning. Copied by Pedro Marañón, who also wrote MálaC 8, MálaC VIII. Copied in Malaga, for use by the cathedral choir.

Cristina Urchueguía; transl. Henry Hope, 2011
Binding

Original covers of leather over wooden boards, with bronze ornaments.

Cristina Urchueguía; transl. Henry Hope, 2011
Notation

black void mensural

Cristina Urchueguía; transl. Henry Hope, 2011
Foliation

Original ink foliation, 1-61 (first folio unnumbered)

Cristina Urchueguía; transl. Henry Hope, 2011
Decoration

Inked calligraphic initials.

Cristina Urchueguía; transl. Henry Hope, 2011
Index

Original index on ff, [iv]-1r.

Cristina Urchueguía; transl. Henry Hope, 2011
Surface

Parchment

Cristina Urchueguía; transl. Henry Hope, 2011
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Requiem Masses, 9 motets = 11

Bernardino-1, Brito-8, Morales-2

62 parchment folios, 550 x 360. Original ink foliation, 1-61 (first folio unnumbered). Original covers of leather over wooden boards, with bronze ornaments. Original index on verso of unnumbered folio at beginning. Copied by Pedro Marañón, who also wrote MálaC 8, MálaC VIII, and other manuscripts not within scope of this catalogue. Inked calligraphic initials.

First half of 17th century. Copied in Malaga, for use by the cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–4 [motet 'pro 2 et 5 feria'] -
Brito, Estevao de

[motet 'pro 2 et 5 feria']

Brito, Estevao de
Appears on: 1v–4
Genres: Motet
4v–7 [motet 'pro feria 3 et 6'] -
Brito, Estevao de

[motet 'pro feria 3 et 6']

Brito, Estevao de
Appears on: 4v–7
Genres: Motet
7v–10 [motet 'pro feria 4 et Sabbato'] -
Brito, Estevao de

[motet 'pro feria 4 et Sabbato']

Brito, Estevao de
Appears on: 7v–10
Genres: Motet
10v–23 Missa Requiem (4vv): Introitus: Kyrie. Graduale. Motette. Tractus. Sicut cervus. Motette Si ambulavero. Offertorium, Sanctus with: Pleni, Benedictus. Agnus. Communio. Postcommunio. Christophor de Morales
Morales, Cristóbal de (ca. 1500–1553)

Missa Requiem (4vv): Introitus: Kyrie. Graduale. Motette. Tractus. Sicut cervus. Motette Si ambulavero. Offertorium, Sanctus with: Pleni, Benedictus. Agnus. Communio. Postcommunio.

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 10v–23
Genres: Agnus Dei, Communion, Gradual, Kyrie eleison, Offertory, Requiem, Sanctus [& Benedictus]
Source Attribution: Christophor de Morales

Item Bibliography

Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 9-49. Pages: 14-25.

23v–40 Missa pro defunctis -
Brito, Estevao de

Missa pro defunctis

Brito, Estevao de
Appears on: 23v–40
Genres: Requiem
41v–44 [motet 'pro defunctis et in dominica Septuagesima'] - Anonymous

[motet 'pro defunctis et in dominica Septuagesima']

Anonymous
Appears on: 41v–44
Genres: Motet
44v–47 [motet 'pro defunctis'] -
Brito, Estevao de

[motet 'pro defunctis']

Brito, Estevao de
Appears on: 44v–47
Genres: Motet
47v–51 [motet 'pro defunctis'] - Anonymous

[motet 'pro defunctis']

Anonymous
Appears on: 47v–51
Genres: Motet
51v–55 [motet 'pro defunctis Principe Ecclesiae vel seculari'] - Anonymous

[motet 'pro defunctis Principe Ecclesiae vel seculari']

Anonymous
Appears on: 51v–55
Genres: Motet
55v–59 [motet 'in crastino defunctorum et quando fit Officium et Lectio'] -
Brito, Estevao de

[motet 'in crastino defunctorum et quando fit Officium et Lectio']

Brito, Estevao de
Appears on: 55v–59
Genres: Motet
59v ['responsorium pro Defunctis'] Arzobispo don Bernardino
Bernardino

['responsorium pro Defunctis']

Bernardino
Appears on: 59v
Genres: Motet, Responsory
Source Attribution: Arzobispo don Bernardino
General Note

the title is "responsorium pro Defunctis del Arzobispo don Bernardino". None of the archbishops of Malaga was a Bernard(ino) - the last was Bernardo Manrique 1541-1564; perhaps this was Bernardino de Figueroa, maestro de capilla at the Royal Chapel of Granada till 1551, and from 26 November 1571 till his death in 1586 Archbishop of Brindisi? (However, none of Figueroa's compositions is otherwise known to survive.)
[-] Manus tuae Domine fecerunt me (5vv) -
Morales, Cristóbal de (ca. 1500–1553)

Manus tuae Domine fecerunt me (5vv)

Morales, Cristóbal de (ca. 1500–1553)
Appears on: [-]
Genres: Motet
Composer Compositions
Anonymous
Bernardino
Brito, Estevao de
Morales, Cristóbal de (ca. 1500–1553)
Composition Composers (? Uncertain) Folios / Pages
['responsorium pro Defunctis']
Bernardino
59v
[motet 'in crastino defunctorum et quando fit Officium et Lectio']
Brito, Estevao de
55v–59
[motet 'pro 2 et 5 feria']
Brito, Estevao de
1v–4
[motet 'pro defunctis et in dominica Septuagesima'] Anonymous 41v–44
[motet 'pro defunctis Principe Ecclesiae vel seculari'] Anonymous 51v–55
[motet 'pro defunctis']
Brito, Estevao de
44v–47
[motet 'pro defunctis'] Anonymous 47v–51
[motet 'pro feria 3 et 6']
Brito, Estevao de
4v–7
[motet 'pro feria 4 et Sabbato']
Brito, Estevao de
7v–10
Manus tuae Domine fecerunt me (5vv)
Morales, Cristóbal de (ca. 1500–1553)
[-]
Missa pro defunctis
Brito, Estevao de
23v–40
Missa Requiem (4vv): Introitus: Kyrie. Graduale. Motette. Tractus. Sicut cervus. Motette Si ambulavero. Offertorium, Sanctus with: Pleni, Benedictus. Agnus. Communio. Postcommunio.
Morales, Cristóbal de (ca. 1500–1553)
10v–23

‡ denotes primary source study

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 137; IV, 436.

Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 9-49. Pages: 15-25,29-30,43-5 [referred to as MS 4]. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kastner, Macario Santiago (editor). 1959-. Portugaliae Musica.  Lisbon. Pages: XXI, xlvi-xlviii, [lxiii], 159-94. Notes: physical description; contents list; transcription (partial); facsimile (partial); mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description