E-Mn Sección de Música. MS M. 2431

Biblioteca Nacional, Madrid, Spain

manuscript of polyphony: 1584

Archive	Biblioteca Nacional, Madrid, Spain (E-Mn)
Shelfmark	Sección de Música. MS M. 2431
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Format	portrait
Measurements	531 x 402 mm
Other Identifiers	CCM: MadN 2431 olim (Former shelfmark): L-2.a-27
Notations	black void mensural
Copyists	Bertout, Isaac Music
Relationships	Philip II (1527–1598) (patron)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database
Provenance	court of Philip II, King of Spain (1527-98) , Madrid, Spain
Contents	5 pieces from 2 composers

General Description

Copied by Isaac Bertout, employed by King Felipe II (cf. also E-MO: Ms. 676). Until 1602 this MS was part of the Spanish royal court’s musical collections.

Cristina Urchueguía

Binding

Original cardboard binding with brown covers.

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Notation

black void mensural

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Foliation

New pencil foliation 1-192

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Decoration

Some red initials and ornaments

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Surface

Paper

Cristina Urchueguía

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses

Clemens non Papa-3, Morales-2

192 paper folios, 531 x 402. New pencil foliation, 1-192. Original covers of brown paper over cardboard, tooled in gold with arms of King Philip II. No index. Copied by Isaac Bertout, whose activity as a scribe at the court of Philip II is documented in payment records; Bertout also copied MontsM 767 (MannsM). Black inked calligraphic initials; rubrics and some texts in red ink. No watermarks visible.

1584 (MannsM). Copied in Madrid, for use at the court of Philip II, King of Spain (1527-98). Listed as #27 in 1602 inventory of Philip's court library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–32	Missa Ecce quam bonum	Clemens non Papa [Jacob]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Missa Ecce quam bonum Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 1v–32 Genres: Mass Ordinary Source Attribution: Clemens non Papa [Jacob] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa. Ecce qua[m] bonum (KGCSA) General Note 5vv; Kyrie; Gloria: 3 partes (Domine: 3 voces); Credo: 3 partes (Et resurrexit: 3 voces); Sanctus (including Osanna; Benedictus: 3 voces); Agnus: 6 voces.
33v–69	Missa Caro mea: KGCS(A)	Clemens [non Papa, Jacob]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Missa Caro mea: KGCS(A) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 33v–69 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Clemens [non Papa, Jacob] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa. Caro mea (KGCSA) General Note 5vv; Kyrie; Gloria: 3 partes (Domine: 3 voces); Credo: 4 partes (Et resurrexit: 3 voces); Sanctus (including Osanna; Benedictus: 3 voces); Agnus: 6 voces.
70v–107	Missa Pastores quidnam vidistis: KGCSA	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Missa Pastores quidnam vidistis: KGCSA Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 70v–107 Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin, Greek Voice Text: Missa pastores, quidnam vidisti (KGCSA) General Note 5vv; Kyrie; Gloria: 3 partes (Domine: 3 voces; Qui: fragment); Credo: 4 partes (1. pars: fragment; Et resurrexit: 3 voces); Sanctus (including Osanna; Benedictus: 3 voces); Agnus: 6 voces.
108v–144	Missa L'homme armé (4vv): KGCSA	Cristoforus morales [Cristóbal de]	Morales, Cristóbal de (ca. 1500–1553)
Missa L'homme armé (4vv): KGCSA Morales, Cristóbal de (ca. 1500–1553) Appears on: 108v–144 Genres: Mass Ordinary Source Attribution: Cristoforus morales [Cristóbal de] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa. L'homme armé (KGCSA) General Note 5vv; Kyrie; Gloria: 3 partes (Domine: 3 voces); Credo: 4 partes (Et resurrexit: 4 voces); Sanctus (including Osanna; Benedictus: 3 voces); Agnus I; Agnus II: 3 voces; Agnus III: 6 voces (fragment).
145v–191	Missa Si bona suscepimus: KGCSA	Cristoforus morales	Morales, Cristóbal de (ca. 1500–1553)
Missa Si bona suscepimus: KGCSA Morales, Cristóbal de (ca. 1500–1553) Appears on: 145v–191 Genres: Mass Ordinary Source Attribution: Cristoforus morales Voice: [no designation] Languages: Latin, Greek Voice Text: Missa. Si bona suscepimus (KGCSA) General Note 6vv; Kyrie; Gloria: 2 partes; Credo: 3 partes (Crucifixus: 4 voces); Sanctus (including Pleni: 4 voces; Osanna; Benedictus: 4 voces); Agnus I; Agnus II: 3 voces; Agnus III.

Composer	Compositions
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Missa Caro mea: KGCS(A) – 33v–69 Missa Ecce quam bonum – 1v–32 Missa Pastores quidnam vidistis: KGCSA – 70v–107
Morales, Cristóbal de (ca. 1500–1553)	Missa L'homme armé (4vv): KGCSA – 108v–144 Missa Si bona suscepimus: KGCSA – 145v–191

Composition	Composers (? Uncertain)	Folios / Pages
Missa Caro mea: KGCS(A)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	33v–69
Missa Ecce quam bonum	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	1v–32
Missa L'homme armé (4vv): KGCSA	Morales, Cristóbal de (ca. 1500–1553)	108v–144
Missa Pastores quidnam vidistis: KGCSA	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	70v–107
Missa Si bona suscepimus: KGCSA	Morales, Cristóbal de (ca. 1500–1553)	145v–191

‡ denotes primary source study

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 134.

Manns, Charles Gregor. 1977. The Manuscripts Montserrat 774 and 775. University of Illinois, Unpublished Master's thesis. Pages: 45ff. Notes: contents list; discussion.

Kempers, Karel Philippus Bernet. 1964. Bibliography of the Sacred Works of Jacobus Clemens non Papa. Musica Disciplina, 85-150. Pages: 95-6. Notes: contents list (partial); concordances (partial).

Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, i, 1-42, 51-93. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Anglès, Higinio, and José Subirá. 1946. Catálogo Musical de 1a Biblioteca Nacional de Madrid. I: Manuscritos. Catálogos de 1a Música antigua conservada en Espana. Barcelona. Pages: 216, #111. Notes: physical description; contents list.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XI, 59, 69, 72. Notes: physical description; contents list (partial); concordances (partial).

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Cristina Urchueguía

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description