A Tenor Cantoris partbook from a set originally of eight volumes. The main scribe has been assumed to be John Barnard, a minor canon at St. Paul's Cathedral and editor of the print RISM 1641/5, though MorehS argues that the main scribe was more likely John Ward. Three other scribal hands at work may be Adrian Batten (ClarkAB), John Tomkins or William Cranford (MorehS). Copied in London. Books apparently used as printer's copy for John Barnard's The First Book of Selected Church Musick ( = RISM 1641/5); they contain instructions to printer regarding typography and layout. Later owned by William Gostling (d. 1777), a canon at Canterbury Cathedral (bookplate), and by Sacred Harmonic Society of London (1832-82). Library of latter purchased for newly founded Royal College of Music in 1883.
| Archive | Royal College of Music, London, England (GB-Lcm) |
|---|---|
| Shelfmark | MS 1050 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 285 x 189 mm |
| Other Identifiers |
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| Provenance |
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| Contents | Contains 172 compositions, 171 from 33 composers, 1 is anonymous. |
General Description
Binding
Original covers of brown leather over pasteboard, each decorated with voice designation, date 'AUGUST XXII. / M.DC.XXV,' and initials 'I.B.' [= John Barnard]
Notation
not indicated
Foliation
Several systems of original ink foliation and new pencil foliation, with many errors and inconsistencies
Decoration
No initials or decoration.
Index
Original indices (some incomplete) list pieces by genres (Full Anthems, Verse Anthems, Preces, etc.), with attributions. Indices of verse anthems at back of each book; indices of other genres at front.
Surface
paper
Inventory
inventory based on ClarkAB
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
32 Services or Service sections (including some preces, psalms, and sets of responses), 145 anthems* = 177
*14 more anthems apparently included in bassus decani book. This book missing, but its original index, now bound in with "Batten Organ Book" (Oxford, Bodleian Library, MS Tenbury 791), lists 14 anthems not identifiable with works in LonRC 1045-51.
Barnard-2, A. Batten-33, (A. Batten/Juxon)-1, Bennet-1, Bevin-2, R. Browne I-5, (R. Browne I/J. Gibbs)-1, Bull-2, Byrd-9, Byrd/N. Giles-1, Cobbold-1, Cranford-1, Cranford/(Lamb)-1, H. Davies-1, Deering/(T. Wilkinson)-1, Fido-1, Gibbons-8, Gibbons/(N. Giles)-1, N. Giles-7, Heath II-2, J. Holmes-1, Hooper-8, Hooper/(J. or W.? Mundy)-1, T. Hunt-1, M. Jeffries-1, R. Jones II? [Jones]-1, Juxon-1, J. Mace-1, G. Marson-4, G. or J.? Marson-3, Morley-6, J. Mundy-1, J. Mundy/(Byrd)-1, (J. Mundy/Edward Smith)-1, W. Mundy-3, W. Mundy/R. Parsons I/(J. Mundy)-1, W. Mundy/(Shepherd/R. White)-1, W. Mundy/(Wood)-1, Okeover-3, R. Parsons I-3, Portman-1, Pysing-1, Shepherd-1, Stonard-1, Tallis-7, Tallis/(Byrd)-1, Tallis/(Weelkes)-1, J. Tomkins-2, Tomkins-7, Tozar-1, E. Tucker-1, Tye-1, Ward-4, Weelkes-12, West-3, M. White-1, (M. White/R. White)-1, R. White-2, L. Woodson I-1, L. Woodson I/(Gibbons)-1, anon-3
7 paper partbooks of an original 8 (Medius Decani-i + 163 + i folios, Contratenor Decani-i + 174 + i, Tenor Decani-i + 162 + i, Medius Cantoris-i + 146 + i, Contratenor Cantoris-i + 170 + i, Tenor Cantoris-i + 143 + i, Bassus Cantoris-i + 179 + i), 285 x 189. Several systems of original ink foliation and new pencil foliation, with many errors and inconsistencies. Original covers of brown leather over pasteboard, each decorated with voice designation, date "AUGUST XXII. / M.DC.XXV," and initials "I.B." [= John Barnard]. Original indices (some incomplete) list pieces by genres (Full Anthems, Verse Anthems, Preces, etc.), with attributions. Indices of verse anthems at back of each book; indices of other genres at front. The main scribe has been assumed to be John Barnard, a minor canon at St. Paul's Cathedral, and editor of the print RISM 1641/5. MorehS argues that the main scribe was more likely John Ward. Three other scribal hands: one may be that of Adrian Batten (ClarkAB); another may be that of John Tomkins or William Cranford (MorehS). No initials or decoration.
Ca. 1625-38 (MorehS). Copied in London. Books apparently used as printer's copy for John Barnard's The First Book of Selected Church Musick ( = RISM 1641/5); they contain instructions to printer regarding typography and layout. Later owned by William Gostling (d. 1777), a canon at Canterbury Cathedral (bookplate), and by Sacred Harmonic Society of London (1832-82). Library of latter purchased for newly founded Royal College of Music in 1883.
Vol 4
Contents: In footnote, change "(Oxford, Bodleian Library, MS Tenbury 791)" to "(Tenbury, St. Michael's College Library, MS 791)."
The inventory could not be loaded.
Sets
MSS 1045-1051
Partbooks · 7 sources
‡ denotes primary source study
Bamford, Daniel John. 2009. John Barnard's "First Book of Selected Church Musick": Genesis, Production and Influence. University of York, Dept. of Music, Ph.D. Pages: (includes complete index 380-418).
Morris, Christopher (compiler). 1978. The Oxford Book of Tudor Anthems. London. Pages: 14, 21, 209, 231-9. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Monson, Craig. 1977. Thomas Myriell's Manuscript Collection: One View of Musical Taste in Jacobean London. Journal of the American Musicological Society, 30: 419-65. Pages: 438. Notes: mention of MS.
Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music, vol. Supplementary Volume 1. London. Notes: contents list; concordances.
Fellowes, Edmund H. 1969. English Cathedral Music. London. Pages: 57, 107, 113. Notes: mention of MS.
Morehen, John. 1969. The Sources of English Cathedral Music, c. 1617-c. 1644. Cambridge University, Unpublished Ph.D. dissertation. Pages: 244-81, Ex. 61-5. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.
Clark, J Bunker. 1968. Adrian Batten and John Barnard: Colleagues and Collaborators. Musica Disciplina, 22: 207-29. Notes: physical description (partial); contents list; facsimile (partial); mention of MS; discussion.
Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: III, 212, 215-9; IX, 164-5, 168; XIII, 206-9; XIX, 331; XXI, 88-93, 198-9, 202; XXIII, 146, 149, 155-9. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).
Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 114-5, 165ff, 219; II, 137-73. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
King, William Joseph. 1962. The English Anthem from the Early Tudor Period through the Restoration Era. Boston University, Unpublished Ph.D. dissertation. Pages: I, 183-99, 351; II, 70-192. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Le Huray, Peter. 1960. Towards A Definitive Study of Pre-Restoration Anglican Service Music. Musica Disciplina, 14: 167-95. Pages: 171, 177-8. Notes: physical description (partial); mention of MS; discussion.
Noble, Jeremy. 1955. La Répertoire Instrumental Anglais: 1550-1585. La Musique Instrumentale de la Renaissance, 91-114. Paris. Pages: 101, 105-6. Notes: contents list (partial); concordances (partial).
Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XXIII, 126-33. Notes: contents list (partial); concordances (partial).
Fellowes, Edmund H. 1948. William Byrd. London, New York, and Toronto. Pages: l31, 142-4. Notes: contents list (partial); concordances (partial).
Squire, W Barclay. 1930c. Catalogue of the Manuscripts in the Library of the Royal College of Music. Notes: physical description.
Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xii; II, xxiv, xxxi-xxxvii; IV, xxix-xxxvi, 267-9; V, xxi, xxv, xxviii. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).
Husk, W H. 1872. Catalogue of the Library of The Sacred Harmonic Society. London. Pages: 188-90. Notes: physical description (partial); contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description