PL-WRu MS I.F.428 (Viadrina Codex; Gruner Codex)

Biblioteka Uniwersytecka, Wroclaw (Breslau), Poland

manuscript of polyphony: c. 1510-30

Archive	Biblioteka Uniwersytecka, Wroclaw (Breslau), Poland (PL-WRu)
Shelfmark	MS I.F.428 (Viadrina Codex; Gruner Codex)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	400 x 280 mm
Other Identifiers	CCM: WrocU 428
Notations	black void mensural
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Relationships	"Viadrina" library at University of Frankfurt an der Oder (owner)
External Links	images
Provenance	Frankfurt an der Oder? Bavaria, Germany
Contents	65 pieces from 8 composers

General Description

Copied by two main scribes and two additional scribes. Once owned by 'Viadrina' library at University of Frankfurt an der Oder (inscription 'Liber Biblioth. Academ. Francof.' at beginning); subsequently passed to Breslau Staats- und Universitätsbibliothek, which later became present Biblioteka Uniwersytecka.

DIAMM, 2017

Binding

Green covers.

DIAMM, 2017

Watermark

Main watermark resembles Briquet #2116; second watermark (found only at beginning and end) resembles Briquet #4929 (StaeV).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Ca. 1510-30, perhaps ca. 1516 (StaeV)

DIAMM, 2017

Foliation

Original ink foliation, 1-251 (last folio not numbered; '69,' '105,' '151,' '221' omitted; '164' applied to two consecutive folios).

DIAMM, 2017

Decoration

Inked calligraphic initials.

DIAMM, 2017

Index

Original index on ff. 251'-[252] lists pieces in order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

13 Masses (10 plenary), 1 Kyrie, 1 Credo, 5 Mass Proper sections, 6 Magnificats (1 fragmentary), 13 hymns (1 without text), 20 motets, 2 sets of responses, 3 German sacred pieces, 1 German secular piece, 7 text less pieces = 72

(Adam von Fulda)-1, (A. Agricola/Brumel/Josquin/La Rye)-1, (Brumel/Venalt)-1, (Compere)-3, (Isaac)-2, (Isaac/La Rue)-1, (Isaac-anon)-1, (Josquin)-1, (Obrecht)-1 + 1?, (Senfl)-1, (Wal-ter?)-1, anon-57

249 paper folios, 400 x 280. Original ink foliation, 1-251 (last folio not numbered; "69," "105," "151," "221" omitted; "164" applied to two consecutive folios). Green covers. Original index on ff. 251'-[252] lists pieces in order of appearance. Copied by two main scribes and two additional scribes. Inked calligraphic initials. Main watermark resembles Briquet #2116; second watermark (found only at beginning and end) resembles Briquet #4929 (StaeV).

Ca. 1510-30, perhaps ca. 1516 (StaeV). Possibly copied in Frankfurt an der Oder or vicinity (StaeV). Once owned by "Viadrina" library at University of Frankfurt an der Oder (inscription "Liber Biblioth. Academ. Francof." at beginning); subsequently passed to Breslau Staats- und Universitätsbibliothek, which later became present Biblioteka Uniwersytecka.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3v–4	Salve Roche pater	-	Anonymous
Salve Roche pater Anonymous Appears on: 3v–4 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve Roche pater
4v–6	Kyrie 'De confessoribus'	-	Anonymous
Kyrie 'De confessoribus' Anonymous Appears on: 4v–6 Genres: Kyrie eleison, Mass Ordinary
6v–8	Gratias agimus tibi	-	Anonymous
Gratias agimus tibi Anonymous Appears on: 6v–8 Genres: Motet
8v–9	Alleluia. O beata Roche	-	Anonymous
Alleluia. O beata Roche Anonymous Appears on: 8v–9 Genres: Alleluia, Motet
9v–12	Rochi patris ob honorem	-	Anonymous
Rochi patris ob honorem Anonymous Appears on: 9v–12 Genres: Hymn
12v–13	[Credo] Et in unum Dominum	-	Anonymous
[Credo] Et in unum Dominum Anonymous Appears on: 12v–13 Genres: Credo (patrem omnipotentem), Mass Ordinary
13v–14	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 13v–14 Genres: Mass Ordinary, Sanctus [& Benedictus]
13v–14	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 13v–14 Genres: Agnus Dei, Mass Ordinary
14v–15	Nunc te Roche	-	Anonymous
Nunc te Roche Anonymous Appears on: 14v–15 Genres: Communion, Motet
15v–16r	Terribilis est locus iste Vs. Quam dilecta tabernacula tua	-	Anonymous
Terribilis est locus iste Vs. Quam dilecta tabernacula tua Anonymous Appears on: 15v–16r Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Terribilis est locus iste
17r–25r	Missa N'auray-je jamais: Kyrie	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Kyrie Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 17r–25r Genres: Kyrie eleison, Mass Ordinary
17r–25r	Missa N'auray-je jamais: Gloria	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Gloria Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 17r–25r Genres: Gloria (et in terra pax), Mass Ordinary
17r–25r	Missa N'auray-je jamais: Credo	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Credo Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 17r–25r Genres: Credo (patrem omnipotentem), Mass Ordinary
17r–25r	Missa N'auray-je jamais: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Sanctus Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 17r–25r Genres: Mass Ordinary, Sanctus [& Benedictus]
25v–26r	Missa N'auray-je jamais: Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Agnus Dei Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 25v–26r Genres: Agnus Dei, Mass Ordinary
43v–45	Cibavit eos ex adipe Vs. Exsultate Deo	-	Anonymous
Cibavit eos ex adipe Vs. Exsultate Deo Anonymous Appears on: 43v–45 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Cibavit eos ex adipe General Note incomplete setting: beginning only
77v–79	Sanctus	-	Isaac, Heinrich (ca. 1450–1517) (?)
Sanctus Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 77v–79 Genres: Mass Ordinary, Sanctus [& Benedictus] General Note for attribution to Isaac see StaehV pp. 31-33 Item Bibliography Staehelin, Martin. 1971. Der Grüne Codex der Viadrina: Eine wenig beachtete Quelle zur Musik des späten 15. und frühen 16. Jahrhunderts in Deutschland. Abhandlungen der Akademie der Wissenschaften und der Literatur (Geistes- und Sozialwissenschaftlichen Klasse) Jahrgang 1970. Mainz. Pages: 31-33.
79v–80	Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517) (?)
Agnus Dei Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 79v–80 Genres: Agnus Dei, Mass Ordinary General Note for attribution to Isaac see StaehV pp. 31-33 Item Bibliography Staehelin, Martin. 1971. Der Grüne Codex der Viadrina: Eine wenig beachtete Quelle zur Musik des späten 15. und frühen 16. Jahrhunderts in Deutschland. Abhandlungen der Akademie der Wissenschaften und der Literatur (Geistes- und Sozialwissenschaftlichen Klasse) Jahrgang 1970. Mainz. Pages: 31-33.
116v–118	[Victimae paschali] Agnus redemit oves	-	Anonymous
[Victimae paschali] Agnus redemit oves Anonymous Appears on: 116v–118 Genres: Hymn
126v–127	[Gaude visceribus] Cuius magnifica	-	Anonymous
[Gaude visceribus] Cuius magnifica Anonymous Appears on: 126v–127 Genres: Hymn
129v–130	Ave mirae sanctitatis [= Velut aurum]	-	Anonymous
Ave mirae sanctitatis [= Velut aurum] Anonymous Appears on: 129v–130 Genres: Hymn General Note Here texted "Velut aurum"
132v–133	Gaudeamus omnes in Domino	-	Anonymous
Gaudeamus omnes in Domino Anonymous Appears on: 132v–133 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino
133v–135	Missa: Kyrie solemne	-	Anonymous
Missa: Kyrie solemne Anonymous Appears on: 133v–135 Genres: Kyrie eleison, Mass Ordinary
135v–137	Missa: Gloria [Gratias agimus tibi]	-	Anonymous
Missa: Gloria [Gratias agimus tibi] Anonymous Appears on: 135v–137 Genres: Gloria (et in terra pax), Mass Ordinary
137v–138	Alleluia. Anna tuo celebrem	-	Anonymous
Alleluia. Anna tuo celebrem Anonymous Appears on: 137v–138 Genres: Alleluia, Motet
138v–140	Squameus herbifera	-	Anonymous
Squameus herbifera Anonymous Appears on: 138v–140 Genres: Hymn
140v–141	[Credo] Et in unum Dominum	-	Anonymous
[Credo] Et in unum Dominum Anonymous Appears on: 140v–141 Genres: Credo (patrem omnipotentem), Mass Ordinary
141v–142	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 141v–142 Genres: Sanctus [& Benedictus]
142v–143	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 142v–143 Genres: Agnus Dei, Mass Ordinary
152v–153	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 152v–153 Genres: Kyrie eleison, Mass Ordinary
198v–200	Statuit ei Dominus Vs. Misericordias Domini	-	Anonymous
Statuit ei Dominus Vs. Misericordias Domini Anonymous Appears on: 198v–200 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Statuit ei dominus
225v–228r	Patrem omnipotentem [Credo] (M12)	-	Isaac, Heinrich (ca. 1450–1517)
Patrem omnipotentem [Credo] (M12) Isaac, Heinrich (ca. 1450–1517) Appears on: 225v–228r Genres: Credo (patrem omnipotentem), Mass Ordinary
250v	Ich stund an einem morgen heimlich [S165 - 3vv]	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich stund an einem morgen heimlich [S165 - 3vv] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 250v Genres: Song General Note the 3vv song with an added 4th voice
[-]	Amen	-	Anonymous
Amen Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Hebrew Voice Text: Amen
[-]	(set of responsories) Et cum spiritu - Gloria tibi - Amen - etc	-	Anonymous
(set of responsories) Et cum spiritu - Gloria tibi - Amen - etc Anonymous Appears on: [-] Genres: Response Voice: [no designation] Languages: Latin Voice Text: Et cum spiritu
[-]	O praeclara stella mater virgo mater	-	Anonymous
O praeclara stella mater virgo mater Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O praeclara stella mater virgo mater
[-]	O caro sanctissima patris altissimi	-	Anonymous
O caro sanctissima patris altissimi Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O caro sanctissima patris altissimi
[-]	O redemptor humani generis O caeli et terre	-	Anonymous
O redemptor humani generis O caeli et terre Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O redemptor humani generis O caeli et terre
[-]	Salve sancta parens enixa puerpera [Proprium de veneratione BVM]	-	Isaac, Heinrich (ca. 1450–1517)
Salve sancta parens enixa puerpera [Proprium de veneratione BVM] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Introit Voice: [no designation] Languages: Latin Voice Text: Salve sancta parens
[-]	Gaudeamus omnes in Domino	-	Anonymous
Gaudeamus omnes in Domino Anonymous Appears on: [-] Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino
[-]	Gaudeamus omnes in Domino	-	Anonymous
Gaudeamus omnes in Domino Anonymous Appears on: [-] Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in domino
[-]	Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera	-	Anonymous
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera Anonymous Appears on: [-] Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Rorate caeli desuper
[-]	Multae tribulationes	-	Anonymous
Multae tribulationes Anonymous Appears on: [-] Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Multae tribulationes
[-]	Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera	-	Anonymous
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera Anonymous Appears on: [-] Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Rorate caeli desuper
[-]	Si dormiero (O mitis mater Christi) 14.13	-	Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?) Despres, Josquin (ca. 1450–1521) (?)
Si dormiero (O mitis mater Christi) 14.13 Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Si dormiero (O mitis mater Christi)
[-]	Resurrexi et adhuc tecum sum	-	Anonymous
Resurrexi et adhuc tecum sum Anonymous Appears on: [-] Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Resurrexi et adhuc tecum sum
[-]	Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est	-	Isaac, Heinrich (ca. 1450–1517)
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est
[-]	Propter gravamen et tormentum que torquebatur II: Et subvenii in hora ultima	-	Compère, Loyset (ca. 1445–1518)
Propter gravamen et tormentum que torquebatur II: Et subvenii in hora ultima Compère, Loyset (ca. 1445–1518) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Propter gravamen et tormentum
[-]	Statuit ei Dominus	-	Anonymous
Statuit ei Dominus Anonymous Appears on: [-] Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Statuit ei dominus
[-]	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: [-] Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina Concordances One of the 2 Salve Reginas in this ms (at ff. 236v-239r) is concordant with Munich 1/D/505
[-]	Christi virgo dilectissima	-	Anonymous
Christi virgo dilectissima Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christi virgo dilectissima
[-]	Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum	-	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum Compère, Loyset (ca. 1445–1518) Appears on: [-] Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
[-]	Ave domina sancta Maria mater Dei	-	Anonymous
Ave domina sancta Maria mater Dei Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave domina sancta Maria mater dei
[-]	In nomine Jesu omne genuflectator (2p. Adoramus te Christe et benedicimus; 3p. Patris sapientie veritas divina; 4p. Hora prima ductus est Jesus; 5p. Crucifige clamitant hora tertiarum; 6p. Hora sexta Dominus Jesus est cruci; 7p. Hora nona Dominus Jesus expiravit; 8p. De cruce deponitur hora vespertina; 9p. Hora completorii datur sepulturae)	-	Compère, Loyset (ca. 1445–1518)
In nomine Jesu omne genuflectator (2p. Adoramus te Christe et benedicimus; 3p. Patris sapientie veritas divina; 4p. Hora prima ductus est Jesus; 5p. Crucifige clamitant hora tertiarum; 6p. Hora sexta Dominus Jesus est cruci; 7p. Hora nona Dominus Jesus expiravit; 8p. De cruce deponitur hora vespertina; 9p. Hora completorii datur sepulturae) Compère, Loyset (ca. 1445–1518) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur
[-]	Popule meus quid feci tibi aut in quo II: Ego eduxi te de Egypto in manu forti III: Ego transduxi te per mare rubrum IV: Ego eduxi te per desertum V: Quid ultra debui facere tibi	-	Walter, Johann (1496–1570) (?)
Popule meus quid feci tibi aut in quo II: Ego eduxi te de Egypto in manu forti III: Ego transduxi te per mare rubrum IV: Ego eduxi te per desertum V: Quid ultra debui facere tibi Walter, Johann (1496–1570) (?) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Popule meus quid feci tibi
[-]	Qui velatus facie fuisti 22.3	-	Despres, Josquin (ca. 1450–1521)
Qui velatus facie fuisti 22.3 Despres, Josquin (ca. 1450–1521) Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui velatus facie fuisti
[-]	Veni sancte spiritus reple tuorum corda	-	Anonymous
Veni sancte spiritus reple tuorum corda Anonymous Appears on: [-] Genres: Motet, Veni creator spiritus, Veni sancte spiritus Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus reple tuorum
[-]	Festa Christi omnis Christianitas celebrat - Que miris sunt	-	Anonymous
Festa Christi omnis Christianitas celebrat - Que miris sunt Anonymous Appears on: [-] Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Festa Christi omnis Christianitas celebrat
[-]	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: [-] Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina Concordances One of the 2 Salve Reginas in this ms (at ff. 236v-239r) is concordant with Munich 1/D/505
[-]	Te igitur clementissime ac conditor inclite	-	Anonymous
Te igitur clementissime ac conditor inclite Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Te igitur clementissime ac conditor inclite
[-]	Absente Thomas	-	Anonymous
Absente Thomas Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Absente Thomas
[-]	Sacra tu nobilis	-	Anonymous
Sacra tu nobilis Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sacra tu nobilis
[-]	In aeternum	-	Anonymous
In aeternum Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In aeternum
[-]	In aeternum	-	Anonymous
In aeternum Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In aeternum
[-]	Hymn Urbs beata	-	Anonymous
Hymn Urbs beata Anonymous Appears on: [-] Voice: [no designation] Languages: Latin Voice Text: Hymn Urbs beata

Composer	Compositions
Anonymous	(set of responsories) Et cum spiritu - Gloria tibi - Amen - etc – [-] Absente Thomas – [-] Agnus Dei – 142v–143 Agnus Dei – 13v–14 Alleluia. Anna tuo celebrem – 137v–138 Alleluia. O beata Roche – 8v–9 Amen – [-] Ave domina sancta Maria mater Dei – [-] Ave mirae sanctitatis [= Velut aurum] – 129v–130 Christi virgo dilectissima – [-] Cibavit eos ex adipe Vs. Exsultate Deo – 43v–45 Festa Christi omnis Christianitas celebrat - Que miris sunt – [-] Gaudeamus omnes in Domino – [-] Gaudeamus omnes in Domino – 132v–133 Gaudeamus omnes in Domino – [-] Gratias agimus tibi – 6v–8 Hymn Urbs beata – [-] In aeternum – [-] In aeternum – [-] Kyrie 'De confessoribus' – 4v–6 Kyrie eleison – 152v–153 Missa: Gloria [Gratias agimus tibi] – 135v–137 Missa: Kyrie solemne – 133v–135 Multae tribulationes – [-] Nunc te Roche – 14v–15 O caro sanctissima patris altissimi – [-] O praeclara stella mater virgo mater – [-] O redemptor humani generis O caeli et terre – [-] Resurrexi et adhuc tecum sum – [-] Rochi patris ob honorem – 9v–12 Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera – [-] Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera – [-] Sacra tu nobilis – [-] Salve Roche pater – 3v–4 Salve regina mater misericordiae – [-] Salve regina mater misericordiae – [-] Sanctus – 141v–142 Sanctus – 13v–14 Squameus herbifera – 138v–140 Statuit ei Dominus – [-] Statuit ei Dominus Vs. Misericordias Domini – 198v–200 Te igitur clementissime ac conditor inclite – [-] Terribilis est locus iste Vs. Quam dilecta tabernacula tua – 15v–16r Veni sancte spiritus reple tuorum corda – [-] [Credo] Et in unum Dominum – 12v–13 [Credo] Et in unum Dominum – 140v–141 [Gaude visceribus] Cuius magnifica – 126v–127 [Victimae paschali] Agnus redemit oves – 116v–118
Compère, Loyset (ca. 1445–1518)	Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum – [-] In nomine Jesu omne genuflectator (2p. Adoramus te Christe et benedicimus; 3p. Patris sapientie veritas divina; 4p. Hora prima ductus est Jesus; 5p. Crucifige clamitant hora tertiarum; 6p. Hora sexta Dominus Jesus est cruci; 7p. Hora nona Dominus Jesus expiravit; 8p. De cruce deponitur hora vespertina; 9p. Hora completorii datur sepulturae) – [-] Propter gravamen et tormentum que torquebatur II: Et subvenii in hora ultima – [-]
Despres, Josquin (ca. 1450–1521)	Qui velatus facie fuisti 22.3 – [-] (?) Si dormiero (O mitis mater Christi) 14.13 – [-]
Isaac, Heinrich (ca. 1450–1517)	(?) Agnus Dei – 79v–80 Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est – [-] Patrem omnipotentem [Credo] (M12) – 225v–228r Salve sancta parens enixa puerpera [Proprium de veneratione BVM] – [-] (?) Sanctus – 77v–79 (?) Si dormiero (O mitis mater Christi) 14.13 – [-]
Obrecht, Jacobus (ca. 1457–1505)	(?) Missa N'auray-je jamais: Agnus Dei – 25v–26r (?) Missa N'auray-je jamais: Credo – 17r–25r (?) Missa N'auray-je jamais: Gloria – 17r–25r (?) Missa N'auray-je jamais: Kyrie – 17r–25r (?) Missa N'auray-je jamais: Sanctus – 17r–25r
Rue, Pierre de la (ca. 1452–1518)	(?) Si dormiero (O mitis mater Christi) 14.13 – [-]
Senfl, Ludwig (ca. 1486–ca. 1543)	Ich stund an einem morgen heimlich [S165 - 3vv] – 250v
Walter, Johann (1496–1570)	(?) Popule meus quid feci tibi aut in quo II: Ego eduxi te de Egypto in manu forti III: Ego transduxi te per mare rubrum IV: Ego eduxi te per desertum V: Quid ultra debui facere tibi – [-]

Composition	Composers (? Uncertain)	Folios / Pages
(set of responsories) Et cum spiritu - Gloria tibi - Amen - etc	Anonymous	[-]
[Credo] Et in unum Dominum	Anonymous	12v–13
[Credo] Et in unum Dominum	Anonymous	140v–141
[Gaude visceribus] Cuius magnifica	Anonymous	126v–127
[Victimae paschali] Agnus redemit oves	Anonymous	116v–118
Absente Thomas	Anonymous	[-]
Agnus Dei	Anonymous	13v–14
Agnus Dei	Isaac, Heinrich (ca. 1450–1517) (?)	79v–80
Agnus Dei	Anonymous	142v–143
Alleluia. Anna tuo celebrem	Anonymous	137v–138
Alleluia. O beata Roche	Anonymous	8v–9
Amen	Anonymous	[-]
Anima mea liquefacta est - 1a pars (of 3): Anima mea liquefacta est	Isaac, Heinrich (ca. 1450–1517)	[-]
Ave domina sancta Maria mater Dei	Anonymous	[-]
Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum	Compère, Loyset (ca. 1445–1518)	[-]
Ave mirae sanctitatis [= Velut aurum]	Anonymous	129v–130
Christi virgo dilectissima	Anonymous	[-]
Cibavit eos ex adipe Vs. Exsultate Deo	Anonymous	43v–45
Festa Christi omnis Christianitas celebrat - Que miris sunt	Anonymous	[-]
Gaudeamus omnes in Domino	Anonymous	132v–133
Gaudeamus omnes in Domino	Anonymous	[-]
Gaudeamus omnes in Domino	Anonymous	[-]
Gratias agimus tibi	Anonymous	6v–8
Hymn Urbs beata	Anonymous	[-]
Ich stund an einem morgen heimlich [S165 - 3vv]	Senfl, Ludwig (ca. 1486–ca. 1543)	250v
In aeternum	Anonymous	[-]
In aeternum	Anonymous	[-]
In nomine Jesu omne genuflectator (2p. Adoramus te Christe et benedicimus; 3p. Patris sapientie veritas divina; 4p. Hora prima ductus est Jesus; 5p. Crucifige clamitant hora tertiarum; 6p. Hora sexta Dominus Jesus est cruci; 7p. Hora nona Dominus Jesus expiravit; 8p. De cruce deponitur hora vespertina; 9p. Hora completorii datur sepulturae)	Compère, Loyset (ca. 1445–1518)	[-]
Kyrie 'De confessoribus'	Anonymous	4v–6
Kyrie eleison	Anonymous	152v–153
Missa N'auray-je jamais: Agnus Dei	Obrecht, Jacobus (ca. 1457–1505) (?)	25v–26r
Missa N'auray-je jamais: Credo	Obrecht, Jacobus (ca. 1457–1505) (?)	17r–25r
Missa N'auray-je jamais: Gloria	Obrecht, Jacobus (ca. 1457–1505) (?)	17r–25r
Missa N'auray-je jamais: Kyrie	Obrecht, Jacobus (ca. 1457–1505) (?)	17r–25r
Missa N'auray-je jamais: Sanctus	Obrecht, Jacobus (ca. 1457–1505) (?)	17r–25r
Missa: Gloria [Gratias agimus tibi]	Anonymous	135v–137
Missa: Kyrie solemne	Anonymous	133v–135
Multae tribulationes	Anonymous	[-]
Nunc te Roche	Anonymous	14v–15
O caro sanctissima patris altissimi	Anonymous	[-]
O praeclara stella mater virgo mater	Anonymous	[-]
O redemptor humani generis O caeli et terre	Anonymous	[-]
Patrem omnipotentem [Credo] (M12)	Isaac, Heinrich (ca. 1450–1517)	225v–228r
Popule meus quid feci tibi aut in quo II: Ego eduxi te de Egypto in manu forti III: Ego transduxi te per mare rubrum IV: Ego eduxi te per desertum V: Quid ultra debui facere tibi	Walter, Johann (1496–1570) (?)	[-]
Propter gravamen et tormentum que torquebatur II: Et subvenii in hora ultima	Compère, Loyset (ca. 1445–1518)	[-]
Qui velatus facie fuisti 22.3	Despres, Josquin (ca. 1450–1521)	[-]
Resurrexi et adhuc tecum sum	Anonymous	[-]
Rochi patris ob honorem	Anonymous	9v–12
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera	Anonymous	[-]
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera	Anonymous	[-]
Sacra tu nobilis	Anonymous	[-]
Salve regina mater misericordiae	Anonymous	[-]
Salve regina mater misericordiae	Anonymous	[-]
Salve Roche pater	Anonymous	3v–4
Salve sancta parens enixa puerpera [Proprium de veneratione BVM]	Isaac, Heinrich (ca. 1450–1517)	[-]
Sanctus	Anonymous	13v–14
Sanctus	Isaac, Heinrich (ca. 1450–1517) (?)	77v–79
Sanctus	Anonymous	141v–142
Si dormiero (O mitis mater Christi) 14.13	Rue, Pierre de la (ca. 1452–1518) (?) Isaac, Heinrich (ca. 1450–1517) (?) Despres, Josquin (ca. 1450–1521) (?)	[-]
Squameus herbifera	Anonymous	138v–140
Statuit ei Dominus	Anonymous	[-]
Statuit ei Dominus Vs. Misericordias Domini	Anonymous	198v–200
Te igitur clementissime ac conditor inclite	Anonymous	[-]
Terribilis est locus iste Vs. Quam dilecta tabernacula tua	Anonymous	15v–16r
Veni sancte spiritus reple tuorum corda	Anonymous	[-]

‡ denotes primary source study

Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xii, 179-87. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 740-l, 746. Notes: contents list (partial); concordances (partial); incipits (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xx,44,51,68-9,75; III,13,18,65,142, 184-6. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1977. Review of JustM. Journal of the American Musicological Society, 524-31. Pages: 528 [incorrectly referred to as MS I.F. 408]. Notes: mention of MS.

Josephson, Nors S. 1975. Kanon und Parodie: Zu einigen JosquinNachahmungen. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 23-32. Pages: 23-4. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Just, Martin. 1975. Der Mensuralkodex Mus. ms. 40021 der Staatsbibliothek Preussischer Kulturbesitz Berlin: Untersuchungen zum Repertoire einer deutschen Quelle des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage. Tutzing. Pages: II.51, 93,107-8. Notes: contents list (partial); concordances (partial).

Staehelin, Martin. 1975. Obrechtiana. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 1-37. Pages: 3-5, 7-9, 19. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xiv; IV.xvii-xviii, 58-70; V,xiii. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Staehelin, Martin. 1971. Der Grüne Codex der Viadrina: Eine wenig beachtete Quelle zur Musik des späten 15. und frühen 16. Jahrhunderts in Deutschland. Abhandlungen der Akademie der Wissenschaften und der Literatur (Geistes- und Sozialwissenschaftlichen Klasse) Jahrgang 1970. Mainz. Notes: physical description; contents list; concordances; incipits; facsimile (partial); mention of MS; discussion.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VII,92,95,97. Notes: physical description; contents list (partial); concordances (partial).

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Benjamin Ory

Wednesday, 17 March, 2021

The motet Christi virgo dilectissima in this source is not Adrian Willaert's. (Now attributed to 'anon')

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description