F-Pnm Français 1597 (Lorraine Chansonnier)

Bibliothèque nationale de France, Département des Manuscrits, Paris, France

manuscript of polyphony: c. 1500

Archive Bibliothèque nationale de France, Département des Manuscrits, Paris, France (F-Pnm)
Shelfmark Français 1597 (Lorraine Chansonnier)
Image Availability The images on this record are linked using IIIF.
Surface Parchment
Numbering System Foliation
Measurements 279 x 201 mm
Other Identifiers
  • CCM: ParisBNF 1597
  • olim (Former shelfmark): F-Pn fonds français 1597
Notations
  • black void mensural
Relationships
External Links
Provenance
  • Paris, France
Contents Contains 68 compositions, 39 from 15 composers, 29 are anonymous.
General Description

First section (ff. [iv']-48) contains three-voice works except for four-voice piece on ff. 4'-5; second section (ff. 48'-[78]) contains four-voice works except for three-voice pieces on ff. 75'-[78]. One main scribe copied ff. [iv'J-63; second scribe copied ff. 63'-17; 'Consomo la vita mia' (f. 78) is later addition by a different hand. Probably copied in Paris, for René II de Vaudemont, Duke of Lorraine (1451-1508), or for René's son Antoine I, Duke 1508-44 (CouchL).

DIAMM, 2017
Physical Description

Recto of first flyleaf and verso of last flyleaf now glued to front and back covers, respectively; second flyleaf is stub only

DIAMM, 2017
Binding

Rebound in modern leather covers.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1500, or shortly thereafter (CouchL); before 1500 (LitteMR).

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Ruling

Staff height 12

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Foliation

Original ink foliation, i-lxxvii, on upper center rectos, excludes flyleaves and last folio

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Foliation

Other numberings: Modern ink numbering of pieces, 1-78, on upper left versos (some partes numbered as separate pieces).

DIAMM, 2017
Decoration

Illuminated initials and borders in gold and black; each border decorated with smaller replicas of initial letter on that page. Coat of arms of Dukes of Lorraine on f. [78'].

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Index

Original index on f. [iii'] lists all pieces except Prioris' 'Consomo 1a vita mia,' in order of appearance; some partes listed separately.

DIAMM, 2017
Surface

parchment

DIAMM, 2017
Census Catalogue of Music Description

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8 motets, 2 motet-chansons, 53 French secular pieces, 3 Italian secular pieces, 1 macaronic secular piece = 67

(A. Agricola)-8, (A. Agricola/Compère)-2, (A. Agricola/Fresneau)-1, (A. Agricola/Ghiselin)-1, (A. Agricola/Hayne van Ghizeghem)-2, (A. Agricola/Josquin)-1, (Binchois/Dufay)-1, (Compère)-4, (Compère/Josquin/Ninot le Petit)-1, (Compère/Obrecht)-1, (Hayne van Ghizeghem)-5, (Josquin)-2, (Josquin/Ninot le Petit)-1, (La Rue/Pipelare)-1, (Obrecht)-1, (Ockeghem)-1, (Prioris)-3, anon-31

iv + 78 + ii parchment folios, 279 x 201. Recto of first flyleaf and verso of last flyleaf now glued to front and back covers, respectively; second flyleaf is stub only. Original ink foliation, i-lxxvii, on upper center rectos, excludes flyleaves and last folio. Modern ink numbering of pieces, 1-78, on upper left versos (some partes numbered as separate pieces). Rebound in modern leather covers. Original index on f. [iii'] lists all pieces except Prioris' "Consomo 1a vita mia," in order of appearance; some partes listed separately. One main scribe copied ff. [iv'J-63; second scribe copied ff. 63'-17; "Consomo la vita mia" (f. 78) is later addition by a different hand. Staff height 12. Illuminated initials and borders in gold and black; each border decorated with smaller replicas of initial letter on that page. Coat of arms of Dukes of Lorraine on f. [78'].

First section (ff. [iv']-48) contains three-voice works except for four-voice piece on ff. 4'-5; second section (ff. 48'-[78]) contains four-voice works except for three-voice pieces on ff. 75'-[78].

Ca. 1500, or shortly thereafter (CouchL); before 1500 (LitteMR). Probably copied in Paris, for René II de Vaudemont, Duke of Lorraine (1451-1508), or for René's son Antoine I, Duke 1508-44 (CouchL).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Keahey, Thomas Herman, and Conrad Edward Mary Douglas (editors). 1982-85. Johannes Prioris: Opera Omnia. Corpus mensurabilis musicae, vol. 90.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,xi-xii,xvii,xix-xx, 126-8. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 1: 275-326. Pages: 289-90, 294-7. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Couchman, Jonathan Paul. 1980. The Lorraine Chansonnier: Antoine de Lorraine and the Court of Louis XII. Musica Disciplina, 34: 85-157. Notes: physical description; contents list; concordances; incipits (partial); transcription (partial); mention of MS; discussion.

Litterick, Louise. 1980. Performing Franco-Netherlandish secular music of the late 15th century. Early Music, 8: 474-85. Notes: facsimile (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae, vol. 74.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii-xviii, xxv, xxxiv, xliii-xlvi, 26-8. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Benthem, Jaap van. 1976. Josquin's Three-part 'Chansons rustiques': A Critique of the Readings in Manuscripts and Prints. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971,  London, New York, and Toronto. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Litterick, Louise. 1976. The Manuscript Royal 20. A. XVI of the British Library. New York University, Unpublished Ph.D. dissertation. Pages: 104, 116ff, 150, 166, 190ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies, vol. 27.  Brooklyn. Pages: I, 70ff, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 226-7, 304, 330-1, 373ff. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Douglas, Conrad Edward Mary. 1969. The motets of Johannes Prioris with a prefatory bio-bibliographical study. University of Illinois, Ph.D. Dissertation. Pages: 49-50, 72-4, 108, 129. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, 87, 150-3, 168-9, 190-1. Notes: physical description; contents list (partial); concordances (partial).

Hewitt, Helen Margaret (editor). 1967. Ottaviano Petrucci: Canti B Numero Cinquanta Venice, 1502. Monuments of Renaissance Music, vol. II.  Chicago and London. Pages: 28ff, passim. Notes: contents list (partial); concordances (partial); facsimile (partial); texts (partial).

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 165-6, 171, 185, 279, 283, 299, 339. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xiv-xvi, xix-xx, 47-51 V, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: (I, 365. Notes: physical description (partial); contents list (partial); concordances (partial).

Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Notes: physical description (partial); contents list; concordances; texts; transcription; efacsimile (partial); mention of MS; discussion.

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae, vol. 15.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, [viii]. Notes: facsimile (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XXI, 124-5. Notes: contents list (partial); transcription (partial).

Paris, Gaston, and Auguste Gevaert (editors). 1875. Chansons du XVe Siècle.  Paris. Notes: contents list (partial); texts (partial); mention of MS; discussion.

Omont, Henri (editor). 1868-1902. Bibliothèque Nationale: Catalogue Général des Manuscrits Français.  Paris. Pages: I, 270. Notes: contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description