Choirbook. Between c. 1570 and 2003 the book was divided into two manuscripts (Ms 2: 1-67, 217-234, 243-300; Ms. 3: 68-217, 235-242). In 2002 the 2 books were re-united into a single 300-folio volume. 2 bifolios (58-61) now form E-Bbc M1167; the final folio (300) is missing. Copied by a single scribe, who also wrote most of SevC 5-5-20 (Charles Manns). Probably copied in Seville or Toledo; though most recently Ros-Fabregas has argued for the ms being compiled in Tarazona.
E-TZ Archivo Ms. 2/3
Archivo Capitular de la Catedral, Tarazona, Spain
manuscript of polyphony: Early- to mid-16th century
| Archive | Archivo Capitular de la Catedral, Tarazona, Spain (E-TZ) |
|---|---|
| Shelfmark | Archivo Ms. 2/3 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 570 x 400 mm |
| Other Identifiers |
|
| Notations |
|
| External Links | |
| Provenance |
|
| Contents | Contains 139 compositions from 26 composers. |
General Description
Watermark
eagle (not in Briquet)
Notation
black void mensural
Ruling
Staff height 24
Foliation
Original ink foliation on upper right rectos, i-lvii; lxii-ccc (many original numbers following 'lxvii' crossed out or altered by later hands in unsuccessful attempts to produce consistent foliation). Modern pencil foliation, 1-130, on lower right rectos of what was TZ 2 (folio between 42/43 first numbered '47,' later altered to '41a'); and I + 1-89; 100-176 ('90-99' omitted) on what was TZ 3; also a second modern pencil foliation, 1-167, on lower right rectos of ex-TZ 3.
Following re-binding into one volume, yet another pencil foliation has been added in lower right rectos, re-using the TZ 2 foliation up to fol. 65 (including 47bis), and running to 297.
Decoration
Inked calligraphic initials
Index
Original index on new ff. 1-3 lists pieces in order of appearance, and reflects organization of contents prior to division into two manuscripts: (1) hymns; (2) Magnificats; (3) Asperges; (4) 3-voice Masses; (5) 4-voice Masses; (6) Salves; (7) Alleluias; (8) 3-voice motets; (9) 4-voice motets; (10) Lamentations; (11) Deo gratias.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
Tarazona MS 3
16 Masses, 1 Requiem Mass (incomplete), 9 Mass Proper sections (2 incomplete), 4 motets (1 incomplete) = 30
A. Alba-9, A. Alba-Escobar-P. Fernández-Peñalosa-1, Almorox-1, Anchieta-1, Anchieta-Escobar-1, Escobar-6, P. Fernández-1, Peñalosa-6, Periquin-1, Quixada-1, A. Ribera-1, Tordesillas-1
167 paper folios, 554 x 397. TarazC 2 and TarazC 3 originally a single manuscript of 300 folios; rebound as two separate manuscripts in late 16th century. Original ff. 68-226 and 235-242 now TarazC 3; ff. 58-61 and f. 300 lost; remaining folios now TarazC 2. Original ink foliation on upper right rectos, lxviii-ccxxvi + ccxxxv-ccxlii, crossed out and replaced by modern pencil foliation, I + 1-89; 100-176 ("90-99" omitted). Second modern pencil foliation, 1-167, on lower right rectos. Late 16th century covers of brown leather over wooden boards. Original index now included in TarazC 2 (new ff. l'-2); see TarazC 2 entry for details. Copied by a single scribe, who also wrote TarazC 2 and most of SevC 5-5-20 (Charles Manns). Staff height 24. Inked calligraphic initials. Watermark: eagle (not in Briquet). Missing parts for incomplete pieces now in TarazC 2.
Early 16th century. Probably copied in Seville.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
Tarazona MS 2
1 Requiem Mass section (incomplete), 2 Mass Proper sections (incomplete), 14 Magnificats (2 incomplete), 20 hymns, 4 Lamentations, 50 motets (1 incomplete) = 91
A. Alba-12, Anchieta-5, Anchieta/(Peñalosa)-1, Compère [Luyset]-1, P. Diaz-1, Escobar-18, Escobar/(Peñalosa)-1, Illario-2, Josquin-1, Marlet-1, R. Morales-1, Peñalosa-33, Peñalosa/(Josquin)-1, Porto-1, A. Ribera-2, A. Ribera/(Anchieta/Compère/Peñalosa)-1, Sanabria-2, J. Segovia-1, Tordesillas-S, F. Torre-1, Wreede-1, anon-1
iii + 128 paper folios, 554 x 397. TarazC 2 and TarazC 3 originally a single manuscript of 300 folios; rebound as two separate manuscripts in late 16th century. Original ff. 68-226 and 235-242 now TarazC 3; ff. 58-61 and f. 300 lost; remaining folios now TarazC 2. Original ink foliation on upper right rectos, i-lvii; lxii-lxvii; ccxliii-ccxcix; ccxxvii-ccxxxiiii [sic] (many original numbers following "lxvii" crossed out or altered by later hands in unsuccessful attempts to produce consistent foliation). Modern pencil foliation, 1-130, on lower right rectos (folio between 42/43 first numbered "47," later altered to "41a"). Late 16th century covers of brown leather over wooden boards, with brass edges; clasps missing.
Original index on new ff. 1-3 lists pieces in order of appearance, and reflects organization of contents prior to division into two manuscripts: (1) hymns; (2) Magnificats; (3) Asperges; (4) 3-voice Masses; (5) 4-voice Masses; (6) Salves; (7) Alleluias; (8) 3-voice motets; (9) 4-voice motets; (10) Lamentations; (11) Deo gratias. Copied by a single scribe, who also wrote TarazC 3 and most of SevC 5-5-20 (Charles Manns). Staff height 24. Inked calligraphic initials. Watermark: eagle (not in Briquet). Missing parts for most incomplete pieces now in TarazC 3.
Early 16th century. Probably copied in Seville.
Vol 4
Composers: Delete "Porto-l"; change "Escobar-18" to "Escobar-19."
Loading inventory…
The inventory could not be loaded.
Sets
Select a set to see its sources.
Tarazona 2/3
Source bound in separate volumes · 2 sources
E-TZ Archivo Ms. 2/3
Current source
‡ denotes primary source study
Kreitner, Kenneth (editor). 2007. Two Early Morales Magnificat Settings. 21-61. Notes: magnificats in Valladolid 5 & Tarazona 2/3.
Roldán, Eva Esteve. 2006. Manuscrito musical 2-3 de la Catedral de Tarazona. Estudio historiografico. Revista Aragonesa de Musicologia, 22: 131-172. Notes: contents list; discussion.
Jiménez, Juan Ruiz. 2005. Infunde amorem cordibus: an early 16th-century polyphonic hymn cycle from Seville. Early Music, 33/4: 619-638. Notes: contents list (partial); transcription (partial); mention of MS; discussion.
Calahorra Martínez, Pedro (editor). 1995. Autores hispanos de los siglos XV-XVI de los Ms. 2 y 5 de la catedral de Tarazona. Polifonia Aragonesa, vol. 9. Zaragoza. Notes: contents list (partial); transcription (partial).
Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 42-52, 128ff, 169-70, 184, 196ff, 270ff, 316ff. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); transcription (partial); texts (partial); mention of MS; discussion.
Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology. Pages: 59ff, passim. Notes: contents list (partial); concordances (partial); incipits (partial).
Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 49-51, 342-4, 347-8, 351, 358, 406-8. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 165. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).
Sevillano, Justo. 1961. Catálogo musical del Archivo Capitular de Tarazona. Anuário Musical, 16: 149-76. Pages: 150-4. Notes: physical description; contents list.
Stevenson, Robert. 1960. Spanish Music in the Age of Columbus. The Hague. Pages: 84, 136, 151-2, 172, 177, 180, 189, 193, 203. Notes: contents list (partial); concordances (partial).
Kastner, Macario Santiago (editor). 1959-. Portugaliae Musica. Lisbon. Pages: XXXVII,xxix, 1-8. Notes: contents list (partial); transcription (partial).
Gerber, Rudolf. 1953. Spanische Hymnensätze um 1500. Archiv für Musikwissenschaft, 10: 165-84. Pages: 166ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: I, 1383-4; II, 1344; XII, 985. Notes: mention of MS; facsimile (partial).
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I, 122-3. Notes: physical description (partial); contents list.
Anglès, Higinio. 1941. La Música Espanola desde la Edad Media hasta Nuestros Dias. Catálogo de la Exposición Histórica, Barcelona. Pages: 29. Notes: physical description (partial).
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description