Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
1v–3 | index | - | - |
index
Appears on:
1v–3
|
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4v–5 | Veni redemptor omnium | Escobar | |
Appears on:
4v–5
Genres:
Hymn
Source Attribution:
Escobar
|
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5v–6 | Hostis Herodes | Escobar | |
Appears on:
5v–6
Genres:
Hymn
Source Attribution:
Escobar
|
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6v–7 | Vexilla regis prodeunt | ao. dalva | |
Appears on:
6v–7
Genres:
Hymn
Source Attribution:
ao. dalva
|
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7v–8 | Ad coenam Agni providi | Sanabria | |
Appears on:
7v–8
Genres:
Hymn
Source Attribution:
Sanabria
|
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8v–9 | Jesu nostra redemptio | Penalosa | |
Appears on:
8v–9
Genres:
Hymn
Source Attribution:
Penalosa
|
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9v–10 | Beata nobis gaudia | alonso dalva | |
Appears on:
9v–10
Genres:
Hymn
Source Attribution:
alonso dalva
|
|||
10v–11 | Veni creator Spiritus | ao. dalva | |
Appears on:
10v–11
Genres:
Hymn
Source Attribution:
ao. dalva
|
|||
11v–12 | O lux beata Trinitas | Penalosa | |
Appears on:
11v–12
Genres:
Hymn
Source Attribution:
Penalosa
|
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12v–13r | Pange lingua gloriosi (I) | Jo. Vrede y Urreda | |
Appears on:
12v–13r
Genres:
Hymn
Source Attribution:
Jo. Vrede y Urreda
|
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13v–14 | Sacris solemniis | Penalosa | |
Appears on:
13v–14
Genres:
Hymn
Source Attribution:
Penalosa
|
|||
14v–15 | Ut queant laxis | ao. Dalva | |
Appears on:
14v–15
Genres:
Hymn
Source Attribution:
ao. Dalva
|
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15v–16 | Hi sunt olivae duae | Escobar | |
Appears on:
15v–16
Genres:
Hymn
Source Attribution:
Escobar
|
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16v–17 | Ave maris stella | Escobar | |
Appears on:
16v–17
Genres:
Ave maris stella, BVM, Hymn
Source Attribution:
Escobar
|
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17v–18 | Ave maris stella | Escobar | |
Appears on:
17v–18
Genres:
Ave maris stella, BVM, Hymn
Source Attribution:
Escobar
|
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18v–19 | Tibi Christe splendor | Ao. dalva | |
Appears on:
18v–19
Genres:
Hymn
Source Attribution:
Ao. dalva
|
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19v–20 | Christe redemptor omnium conserva | Ao. dalva | |
Appears on:
19v–20
Genres:
Hymn
Source Attribution:
Ao. dalva
|
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20v–21 | Exultet caelum laudibus | Escobar | |
Appears on:
20v–21
Genres:
Hymn
Source Attribution:
Escobar
|
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21v–22 | Deus tuorum militum | Escobar | |
Appears on:
21v–22
Genres:
Hymn
Source Attribution:
Escobar
|
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22v–23 | Sanctorum meritis | Penalosa | |
Appears on:
22v–23
Genres:
Hymn
Source Attribution:
Penalosa
|
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23v–24 | Iste confessor Domini sacratus | Escobar | |
Appears on:
23v–24
Genres:
Hymn
Source Attribution:
Escobar
|
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24v–27 | Magnificat octavi toni. Et exultavit | [Pedro do] Porto | |
Appears on:
24v–27
Genres:
BVM, Canticle, Magnificat
Source Attribution:
[Pedro do] Porto
|
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27v–29 | Magnificat. Et exultavit [K.583] | Jo. ancheta | |
Appears on:
27v–29
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Jo. ancheta
|
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29v–32 | Magnificat. Et exultavit | Jo. Segovia | |
Appears on:
29v–32
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Jo. Segovia
|
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32v–35 | Magnificat primi toni. Anima mea [K.960] | Penalosa | |
Appears on:
32v–35
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Penalosa
|
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35v–38 | Magnificat quarti toni. Et exultavit [K.962] | Penalosa | |
Appears on:
35v–38
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Penalosa
|
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38v–42 | Magnificat quarti toni. Et exultavit [K.963] | Penalosa | |
Appears on:
38v–42
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Penalosa
|
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42v–46 | Magnificat sexti toni: Et exultavit [K.965] | p.losa | |
Appears on:
42v–46
Genres:
Magnificat
Source Attribution:
p.losa
|
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46v–48 | Magnificat octavi toni. Et exultavit [K.966] | p.losa | |
Appears on:
46v–48
Genres:
BVM, Canticle, Magnificat
Source Attribution:
p.losa
|
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48v–51 | Magnificat octavi toni: Et exultavit [K.967] | p.losa | |
Appears on:
48v–51
Genres:
BVM, Canticle, Magnificat
Source Attribution:
p.losa
|
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51v–54 | Magnificat 4 toni. Et exultavit | Ro. Morales | |
Appears on:
51v–54
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Ro. Morales
|
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54v–57 | Magnificat. Anima mea | Anto.o Marleth | |
Appears on:
54v–57
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Anto.o Marleth
|
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57v–59v | Magnificat sexti toni: Et exultavit [K.584] | - | |
Appears on:
57v–59v
Genres:
Magnificat
General Noteincomplete: lacks ending - this can be found at the beginning of E-Bbc M1167, a bifolio extracted from this ms |
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
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60r–62 | Magnificat sexti toni. Et exultavit | - | |
Appears on:
60r–62
Genres:
BVM, Canticle, Magnificat
General Noteincomplete: lacks beginning - this can be found at the end of E-Bbc M1167, a bifolio extracted from this ms |
|||
62v–65 | Magnificat septimi toni. Et exultavit | - | |
Appears on:
62v–65
Genres:
BVM, Canticle, Magnificat
|
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65v–66 | Asperges me Domine isopo et mundabor | Escobar | |
Appears on:
65v–66
Genres:
Asperges me, Motet
Source Attribution:
Escobar
Voice:
[no designation]
Languages:
Latin
Voice Text:
Asperges me Domine hysopo
|
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66v–68 | Asperges me Domine isopo et mundabor | Escobar | |
Appears on:
66v–68
Genres:
Asperges me, Motet
Source Attribution:
Escobar
|
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68v–70 | Vidi aquam egredientem de templo | Alonso Dalba | |
Appears on:
68v–70
Genres:
Motet
Source Attribution:
Alonso Dalba
|
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70v–71 | Vidi aquam egredientem de templo | Alonso |Dalba | |
Appears on:
70v–71
Genres:
Motet
Source Attribution:
Alonso |Dalba
|
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71v–78 | Missa Sine nomine: Kyrie | Quixada | |
Appears on:
71v–78
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Quixada
|
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71v–78 | Missa Sine nomine: Gloria | - | |
Appears on:
71v–78
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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71v–78 | Missa Sine nomine: Credo | - | |
Appears on:
71v–78
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
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71v–78 | Missa Sine nomine: Sanctus | - | |
Appears on:
71v–78
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
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71v–78 | Missa Sine nomine: Agnus Dei | - | |
Appears on:
71v–78
Genres:
Agnus Dei, Mass Ordinary
|
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78v–85 | Missa Sine nomine: Kyrie | alonso dalva | |
Appears on:
78v–85
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
alonso dalva
|
|||
78v–85 | Missa Sine nomine: Gloria | - | |
Appears on:
78v–85
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
78v–85 | Missa Sine nomine: Credo | - | |
Appears on:
78v–85
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
78v–85 | Missa Sine nomine: Sanctus | - | |
Appears on:
78v–85
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
78v–85 | Missa Sine nomine: Agnus Dei | - | |
Appears on:
78v–85
Genres:
Agnus Dei, Mass Ordinary
|
|||
85v–92 | Missa Sine nomine: Kyrie | - | |
Appears on:
85v–92
Genres:
Kyrie eleison, Mass Ordinary
|
|||
85v–92 | Missa Sine nomine: Gloria | - | |
Appears on:
85v–92
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
85v–92 | Missa Sine nomine: Credo | - | |
Appears on:
85v–92
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
85v–92 | Missa Sine nomine: Sanctus | - | |
Appears on:
85v–92
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
85v–92 | Missa Sine nomine: Agnus Dei | - | |
Appears on:
85v–92
Genres:
Agnus Dei, Mass Ordinary
|
|||
92v–102 | Missa del Ave Maria peregrina: Kyrie, Gloria (2 partes), Credo (3 partes), Et incarnatus (3 voces), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I, Agnus II, Agnus III | Penalosa | |
Appears on:
92v–102
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Penalosa
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
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[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
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102v–112 | Missa Por la mar: Kyrie: Gloria: 2 partes. Credo: 5 partes Qui pro: 2 voces, Et incarnatus: 3 voces, Crucifixus: 5 voces. Sanctus mit: Pleni: 3 voces, Benedictus: 4 voces. Agnus I. Agnus II. | Penalosa | |
Appears on:
102v–112
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Penalosa
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
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112v–122 | Missa El ojo: Kyrie: Gloria: 3 partes Domine: 3 voces.Credo: 6 partes Qui pro: 2 voces. Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. Agnus. | p.losa | |
Appears on:
112v–122
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
p.losa
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
122v–132 | Missa L'homme armé: Kyrie: Gloria: 2 partes. Credo: 2 partes. Sanctus mit: Pleni: 3 voces, Benedictus: 3 voces. Agnus I. Agnus II: | p.losa | |
Appears on:
122v–132
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
p.losa
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
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132v–142 | Missa Adieu mes amours: Kyrie: Gloria: 2 partes. Credo: 2 partes. Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. Agnus I. Agnus II. | Penalosa | |
Appears on:
132v–142
Genres:
Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Penalosa
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
142v–150 | Missa Nunca fue pena mayor: Kyrie, Christe (3 voces), Gloria (3 partes), Credo (3 partes) Qui pro: 2 voces. Sanctus with Pleni (3 voces), Osanna, Agnus | Penalosa | |
Appears on:
142v–150
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Penalosa
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
150v–158 | Missa Sine nomine (I): Kyrie, Gloria (2 partes), Credo (2 partes), Sanctus with: Pleni, Osanna, Benedictus (3 voces), Agnus I, Agnus II (5 voces) | An. de ribera | |
Appears on:
150v–158
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
An. de ribera
|
|||
153v–155 | Missa Sine nomine (I): Gloria | - | |
Appears on:
153v–155
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
158v–169 | Missa Sine nomine: Kyrie, Christe: 3 voces, Gloria (3 partes), Credo (3 partes), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I, Agnus II | Escobar | |
Appears on:
158v–169
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Escobar
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
169v–179 | Missa quarti toni: Kyrie: Gloria: 2 partes. Credo: 3 partes Qui pro: 3 voces. Sanctus mit: Pleni: 3 voces, Benedictus: 3 voces. Agnus. | - | |
Appears on:
169v–179
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
179v–189 | Missa Fortuna desperata: Kyrie, Christe (3 voces), Gloria (2 partes), Credo (2 partes), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I. Agnus II | Periquin | |
Appears on:
179v–189
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Periquin
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
189v–198 | Missa Sine nomine (II): Kyrie, Gloria (2 partes), Credo (2 partes), Sanctus with: Pleni, Osanna, Benedictus (3 voces), Agnus I, Agnus II (5 voces) | Tordesillas | |
Appears on:
189v–198
Genres:
Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Tordesillas
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
198v–199 | Missa Rex Virginum: Kyrie Tropus: Rex virginum | Escobar | |
Appears on:
198v–199
Genres:
Mass Ordinary, Troped Kyrie
Source Attribution:
Escobar
|
|||
199v–205 | Missa Rex Virginum: Et in terra pax [Gloria] [Tro] Spiritus et alme | p.losa | |
Appears on:
199v–205
Genres:
Mass Ordinary, Troped Gloria
Source Attribution:
p.losa
|
|||
199v–205 | Missa Rex Virginum: Credo: 2 partes. | p.losa | |
Appears on:
199v–205
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
p.losa
|
|||
205v–206 | Missa Rex Virginum: Sanctus with: Pleni: 3 voces, Osanna. | p.hrs [Pedro Hernandes] | |
Appears on:
205v–206
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
p.hrs [Pedro Hernandes]
|
|||
206v–207 | Missa Rex Virginum: Agnus | ao. pz dalva [Antonio Perez d'Alva] | |
Appears on:
206v–207
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
ao. pz dalva [Antonio Perez d'Alva]
|
|||
207v–213 | Missa nuestra Señora / Missa Rex Virginum: Kyrie [Trope: Rex virginum amator] | - | |
Appears on:
207v–213
Genres:
Kyrie eleison, Mass Ordinary
|
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207v–213 | Missa nuestra Señora / Missa Rex Virginum: Gloria [Trope: Spiritus et alme] | Jo. ancheta | |
Appears on:
207v–213
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
Jo. ancheta
|
|||
207v–213 | Missa nuestra Señora / Missa Rex Virginum: Credo | Jo. ancheta | |
Appears on:
207v–213
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Jo. ancheta
|
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213v–215 | Missa nuestra Señora / Missa Rex Virginum: Sanctus | Escobar | |
Appears on:
213v–215
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Source Attribution:
Escobar
|
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213v–215 | Missa nuestra Señora / Missa Rex Virginum: Agnus Dei | scobar [sic] | |
Appears on:
213v–215
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
scobar [sic]
|
|||
215v–225 | Missa pro defunctis / Missa Requiem aeternam: Introitus,: Kyrie, Graduale, Offertorium, Sanctus with Pleni, Osanna I, Benedictus, Osanna II, Agnus I, Agnus II, Tractus. only Cantus, Tenor. | Escobar | |
Appears on:
215v–225
Genres:
Agnus Dei, Gradual, Introit, Kyrie eleison, Offertory, Requiem, Sanctus [& Benedictus]
Source Attribution:
Escobar
|
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[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
|||
[-] | - | - | Anonymous |
[Unknown Title]
Appears on:
[-]
|
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225v–226 | Ne recorderis dirige dum veneris / Kyrie eleison | f. la torre | |
Appears on:
225v–226
Genres:
Responsory, Verse
Source Attribution:
f. la torre
|
|||
226v–227 | Libera me Domine quando caeli dum veneris | Jo. ancheta | |
Appears on:
226v–227
Genres:
Motet
Source Attribution:
Jo. ancheta
|
|||
227v–230 | Salve regina mater misericordiae | P. Escobar | |
Appears on:
227v–230
Genres:
Marian antiphon, Motet, Salve Regina
Source Attribution:
P. Escobar
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve regina
|
|||
230v–234 | Salve regina | Jo. Ancheta | |
Appears on:
230v–234
Genres:
Marian antiphon, Motet, Salve Regina
Source Attribution:
Jo. Ancheta
Voice:
[no designation]
Languages:
Latin
Voice Text:
Salve Regina
|
|||
234v–235r | Alleluia. Vidimus stellam eius in oriente | ao.. dalva | |
Appears on:
234v–235r
Genres:
Alleluia, Proper
Source Attribution:
ao.. dalva
Voice:
[no designation]
Languages:
Latin
Voice Text:
Alleluia. Vidimus stellam
|
|||
235v–236 | Alleluia. Angelus Domini descendit | ao. dalva | |
Appears on:
235v–236
Genres:
Alleluia, Proper
Source Attribution:
ao. dalva
|
|||
236v–237 | Alleluia. Ascendo ad patrem | ao. dalva | |
Appears on:
236v–237
Genres:
Alleluia, Proper
Source Attribution:
ao. dalva
|
|||
237v–238 | Alleluia. Deus verus / Veni sancte spiritus | alonso dalva | |
Appears on:
237v–238
Genres:
Alleluia, Proper, Veni sancte spiritus
Source Attribution:
alonso dalva
|
|||
238v–239 | Alleluia. O adorando trinitas | alonso dalva | |
Appears on:
238v–239
Genres:
Alleluia, Proper
Source Attribution:
alonso dalva
|
|||
239v–240 | Alleluia. Caro mea vere est cibus | Escobar | |
Appears on:
239v–240
Genres:
Alleluia, Proper
Source Attribution:
Escobar
|
|||
240v–241 | Alleluia. Assumpta est Maria | alonso dalva | |
Appears on:
240v–241
Genres:
Alleluia, Proper
Source Attribution:
alonso dalva
|
|||
241v–242 | Alleluia. Nativitas tua | alonso dalva | |
Appears on:
241v–242
Genres:
Alleluia, Proper
Source Attribution:
alonso dalva
|
|||
242v–243 | Alleluia. Primus ad Sion dicet ecce | Escobar | |
Appears on:
242v–243
Genres:
Alleluia, Proper
Source Attribution:
Escobar
|
|||
243v–244 | Unica est columba mea | Peñalosa | |
Appears on:
243v–244
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Unica est columba mea
Item BibliographyPreciado, Dionisio (editor). 1986-2000. Francisco de Peñalosa. Opera Omnia. 4 vols. Madrid. Pages: (1) [facs] 74. |
|||
244v–245 | Ave Maria gratia plena Dominus tecum | Ao. Dalva | |
Appears on:
244v–245
Genres:
Ave Maria, Motet
Source Attribution:
Ao. Dalva
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave Maria gratia plena
|
|||
245v–246 | Stabat mater dolorosa | Ao. Dalva | |
Appears on:
245v–246
Genres:
Motet, Stabat Mater
Source Attribution:
Ao. Dalva
Voice:
[no designation]
Languages:
Latin
Voice Text:
Stabat mater dolorosa
|
|||
246v–247 | O Maria mater pia esto nobis recta via | Escobar | |
Appears on:
246v–247
Genres:
Motet
Source Attribution:
Escobar
Voice:
[no designation]
Languages:
Latin
Voice Text:
O Maria mater pia esto nobis recta via
|
|||
247v–248 | Sub tuum praesidium confugimus | Escobar | |
Appears on:
247v–248
Genres:
Motet
Source Attribution:
Escobar
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sub tuum praesidium
|
|||
248v–249 | Nigra sum sed formosa | Peñalosa | |
Appears on:
248v–249
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Nigra sum sed formosa
|
|||
249v–250 | Adoro te Domine Jesu Christe | Peñalosa | |
Appears on:
249v–250
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Adoro te domine Iesu Christe quem credo
|
|||
250v–251 | Ne reminiscaris Domine | Peñalosa | |
Appears on:
250v–251
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ne reminiscaris domine
|
|||
251v–252 | Sancta Maria succurre miseris | Peñalosa | |
Appears on:
251v–252
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sancta Maria succurre miseris
|
|||
252v–253 | Pater noster qui es in caelis | Peñalosa | |
Appears on:
252v–253
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pater noster qui es in caelis
|
|||
253v–254 | Emendemus in melius quae ignoranter | Peñalosa | |
Appears on:
253v–254
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Emendemus in melius quae ignoranter
|
|||
254v–255 | Sancta mater istud agas crucifixi 25.8 | Peñalosa | |
Appears on:
254v–255
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Sancta mater istud agas crucifixi
|
|||
255v–256 | Ave verum corpus natum de Maria virgine | Peñalosa | |
Appears on:
255v–256
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave verum corpus natum
|
|||
256v–257 | O decus virgineum O dulcis domina | - | |
Appears on:
256v–257
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
O decus virgineum O dulcis domina
Item BibliographyPreciado, Dionisio (editor). 1986-2000. Francisco de Peñalosa. Opera Omnia. 4 vols. Madrid. Pages: (1) [facs.] 74. |
|||
257v–258 | Inter vestibulum et altare plorabant | Peñalosa | |
Appears on:
257v–258
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Inter vestibulum et altare plorabant
|
|||
258v–259 | Ave Maria gratia plena Dominus tecum | An. de Ribera | |
Appears on:
258v–259
Genres:
Ave Maria, Motet
Source Attribution:
An. de Ribera
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave Maria gratia plena
|
|||
259v–260 | Ave festiva ferculis Salomonis convivia 23.3 | Jusquini | |
Appears on:
259v–260
Genres:
Motet
Source Attribution:
Jusquini
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave festiva ferculis Salomonis convivia
|
|||
260v–261 | O domina sanctissima O piissima | Peñalosa | |
Appears on:
260v–261
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
O domina sanctissima O piissima
|
|||
261v–262 | Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam | Peñalosa | |
Appears on:
261v–262
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Precor te domine Iesu Christe propter illam
|
|||
262v–263 | Deus qui manus tuas et pedes tuos | Peñalosa | |
Appears on:
262v–263
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Deus qui manus tuas et pedes tuos
|
|||
263v–264 | Transeunte Domino Jesu caecus quidam secus | Peñalosa | |
Appears on:
263v–264
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Transeunte domino Iesu caecus quidam secus
Item BibliographyPreciado, Dionisio (editor). 1986-2000. Francisco de Peñalosa. Opera Omnia. 4 vols. Madrid. Pages: (1) [facs] 75. |
|||
264v–265 | Domine Jesu Christe qui neminem vis | Peñalosa | |
Appears on:
264v–265
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine Iesu Christe qui neminem vis
|
|||
265v–266 | Domine secundum actum meum noli me | Peñalosa | |
Appears on:
265v–266
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine secundum actum meum noli me
Item BibliographyPreciado, Dionisio (editor). 1986-2000. Francisco de Peñalosa. Opera Omnia. 4 vols. Madrid. Pages: (1), [facs.] 75. |
|||
266v–267 | In passione positus Jesus qui pro nobis | Peñalosa | |
Appears on:
266v–267
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
In passione positus Iesus
|
|||
267v–268 | Ave vera caro Christi quae in cruce | Peñalosa | |
Appears on:
267v–268
Genres:
Lauda
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave vera caro Christi quae in cruce
|
|||
268v–269 | Ave vere sanguis Domini nostri Jesu | Peñalosa | |
Appears on:
268v–269
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave vere sanguis Domini nostri Iesu
|
|||
269v–270 | Ave regina caelorum | Peñalosa | |
Appears on:
269v–270
Genres:
Motet
Source Attribution:
Peñalosa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave regina caelorum
|
|||
270v–271 | O sacrum convivium in quo Christus sumitur | Ao. Dalva | |
Appears on:
270v–271
Genres:
Motet
Source Attribution:
Ao. Dalva
Voice:
[no designation]
Languages:
Latin
Voice Text:
O sacrum convivium
|
|||
271v–272 | Clamabat autem mulier Cananaea ad Dominum | Escobar | |
Appears on:
271v–272
Genres:
Motet
Source Attribution:
Escobar
Voice:
[no designation]
Languages:
Latin
Voice Text:
Clamabat autem mulier Cananaea ad dominum
|
|||
272v–273 | Patris sapientia veritas divina | Antonio de Ribera | |
Appears on:
272v–273
Genres:
Motet
Source Attribution:
Antonio de Ribera
Voice:
[no designation]
Languages:
Latin
Voice Text:
Patris sapientia veritas divina
|
|||
273v–274 | O bone Jesu illumina oculos meos | Antonjo R(ibe)ra | |
Appears on:
273v–274
Genres:
Motet
Source Attribution:
Antonjo R(ibe)ra
Voice:
[no designation]
Languages:
Latin
Voice Text:
O bone Iesu illumina oculos meos
|
|||
274v–275 | O admirabile commercium creator generis | Illario | |
Appears on:
274v–275
Genres:
Motet
Source Attribution:
Illario
Voice:
[no designation]
Languages:
Latin
Voice Text:
O admirabile commercium creator generis
|
|||
275v–276 | Ave sanctissimum et gloriosum / Ave verum | Diaz | |
Appears on:
275v–276
Genres:
Motet
Source Attribution:
Diaz
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave sanctissimum et gloriosum/Ave verum
General NoteKnightonMM suggests Pedro Diaz de Aux (or possibly Diego Diaz) as author of this piece: both served at the Aragonese court in the years around 1500 |
|||
276v–277 | Stabat mater dolorosa | Escobar | |
Appears on:
276v–277
Genres:
Motet, Stabat Mater
Source Attribution:
Escobar
Voice:
[no designation]
Languages:
Latin
Voice Text:
Stabat mater dolorosa
|
|||
277v–278 | Virgo et mater quae filium Dei genuisti | Jo. Ancheta | |
Appears on:
277v–278
Genres:
Motet
Source Attribution:
Jo. Ancheta
Voice:
[no designation]
Languages:
Latin
Voice Text:
Virgo et mater quae filium dei genuisti
|
|||
278v–279 | O felix Maria que auctorem tuum | Ao. Dalva | |
Appears on:
278v–279
Genres:
Motet
Source Attribution:
Ao. Dalva
Voice:
[no designation]
Languages:
Latin
Voice Text:
O felix Maria que auctorem tuum
|
|||
279v–280 | Domine Jesu Christe qui hora diei ultima | Jo. Ancheta | |
Appears on:
279v–280
Genres:
Motet
Source Attribution:
Jo. Ancheta
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine Iesu Christe qui hora diei ultima
Item BibliographyRubio, P Samuel (editor). 1980. Juan de Anchieta. Opera Omnia. Guipúzcoa. Pages: 78-82. |
|||
280v–281 | Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum | Luyset [Compère] | |
Appears on:
280v–281
Genres:
Ave Maria, Motet
Source Attribution:
Luyset [Compère]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave Maria gratia plena
|
|||
281v–282 | Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum | - | |
Appears on:
281v–282
Genres:
Motet
|
|||
282v–283 | Te ergo quaesumus tuis famulis subveni | Ao. Dalva | |
Appears on:
282v–283
Genres:
Motet
Source Attribution:
Ao. Dalva
Voice:
[no designation]
Languages:
Latin
Voice Text:
Te ergo quaesumus tuis famulis subveni
|
|||
283v–284 | Memorare piissima opprobria et crudeles | Escobar/[Peñalosa] | |
Appears on:
283v–284
Genres:
Motet
Source Attribution:
Escobar/[Peñalosa]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Memorare piissima opprobria et crudelis
|
|||
284v–285 | Regina caeli laetare alleluia | Escobar | |
Appears on:
284v–285
Genres:
Marian antiphon, Motet, Regina caeli laetare
Source Attribution:
Escobar
Voice:
[no designation]
Languages:
Latin
Voice Text:
Regina caeli laetare alleluia
|
|||
285v–286 | Beatus es et bene tibi erit | Escobar | |
Appears on:
285v–286
Genres:
Motet
Source Attribution:
Escobar
Voice:
[no designation]
Languages:
Latin
Voice Text:
Beatus es et bene tibi
|
|||
286v–287 | Conceptio tua Dei genitrix | Ylario | |
Appears on:
286v–287
Genres:
Motet
Source Attribution:
Ylario
Voice:
[no designation]
Languages:
Latin
Voice Text:
Conceptio tua dei genitrix virgo
|
|||
287v–288 | Lilium sacrum virgo gloriosa regina mundi | Senabria | |
Appears on:
287v–288
Genres:
Motet
Source Attribution:
Senabria
Voice:
[no designation]
Languages:
Latin
Voice Text:
Lilium sacrum virgo gloriosa regina mundi
|
|||
288v–291 | Lamentatio Jeremiae: Et factum est (feria quinta) | Penalosa | |
Appears on:
288v–291
Genres:
Lamentations
Source Attribution:
Penalosa
|
|||
291v–294 | Lamentatio Jeremiae: Aleph. Quomodo obtexit caligine (feria sexta) | Penalosa | |
Appears on:
291v–294
Genres:
Lamentations
Source Attribution:
Penalosa
|
|||
294v–297 | Lamentatio Jeremiae: Quomodo obscuratum est (Sabbato sancto) | Penalosa | |
Appears on:
294v–297
Genres:
Lamentations
Source Attribution:
Penalosa
|
|||
297v–299 | Lamentations: Recordata est | Tordesillas | |
Appears on:
297v–299
Genres:
Lamentations, Motet
Source Attribution:
Tordesillas
Voice:
[no designation]
Languages:
Latin
Voice Text:
Benedicamus domino
|
|||
299v | Absolve Domine animas omnium fidelium | Escobar | |
Appears on:
299v
Genres:
Motet
Source Attribution:
Escobar
Voice:
[no designation]
Languages:
Latin
Voice Text:
Absolve Domine
General Noteincomplete: the final folio (f.300) of the ms is missing |