E-TZ Archivo Ms. 2/3

Archivo Capitular de la Catedral, Tarazona, Spain

manuscript of polyphony: Early- to mid-16th century

Archive	Archivo Capitular de la Catedral, Tarazona, Spain (E-TZ)
Shelfmark	Archivo Ms. 2/3
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	570 x 400 mm
Other Identifiers	CCM: TarazC 2 CCM: TarazC 3
Notations	black void mensural
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	Seville? Spain
Contents	191 pieces from 27 composers

General Description

Choirbook. Between c. 1570 and 2003 the book was divided into two manuscripts (Ms 2: 1-67, 217-234, 243-300; Ms. 3: 68-217, 235-242). In 2002 the 2 books were re-united into a single 300-folio volume. 2 bifolios (58-61) now form E-Bbc M1167; the final folio (300) is missing. Copied by a single scribe, who also wrote most of SevC 5-5-20 (Charles Manns). Probably copied in Seville or Toledo; though most recently Ros-Fabregas has argued for the ms being compiled in Tarazona.

Cristina Urchueguía

Watermark

eagle (not in Briquet)

Cristina Urchueguía

Notation

black void mensural

Cristina Urchueguía

Ruling

Staff height 24

Cristina Urchueguía

Foliation

Original ink foliation on upper right rectos, i-lvii; lxii-ccc (many original numbers following 'lxvii' crossed out or altered by later hands in unsuccessful attempts to produce consistent foliation). Modern pencil foliation, 1-130, on lower right rectos of what was TZ 2 (folio between 42/43 first numbered '47,' later altered to '41a'); and I + 1-89; 100-176 ('90-99' omitted) on what was TZ 3; also a second modern pencil foliation, 1-167, on lower right rectos of ex-TZ 3.

Following re-binding into one volume, yet another pencil foliation has been added in lower right rectos, re-using the TZ 2 foliation up to fol. 65 (including 47bis), and running to 297.

Cristina Urchueguía

Decoration

Inked calligraphic initials

DIAMM, 2019

Index

Cristina Urchueguía

Surface

paper

Cristina Urchueguía

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Tarazona MS 3

16 Masses, 1 Requiem Mass (incomplete), 9 Mass Proper sections (2 incomplete), 4 motets (1 incomplete) = 30

A. Alba-9, A. Alba-Escobar-P. Fernández-Peñalosa-1, Almorox-1, Anchieta-1, Anchieta-Escobar-1, Escobar-6, P. Fernández-1, Peñalosa-6, Periquin-1, Quixada-1, A. Ribera-1, Tordesillas-1

167 paper folios, 554 x 397. TarazC 2 and TarazC 3 originally a single manuscript of 300 folios; rebound as two separate manuscripts in late 16th century. Original ff. 68-226 and 235-242 now TarazC 3; ff. 58-61 and f. 300 lost; remaining folios now TarazC 2. Original ink foliation on upper right rectos, lxviii-ccxxvi + ccxxxv-ccxlii, crossed out and replaced by modern pencil foliation, I + 1-89; 100-176 ("90-99" omitted). Second modern pencil foliation, 1-167, on lower right rectos. Late 16th century covers of brown leather over wooden boards. Original index now included in TarazC 2 (new ff. l'-2); see TarazC 2 entry for details. Copied by a single scribe, who also wrote TarazC 2 and most of SevC 5-5-20 (Charles Manns). Staff height 24. Inked calligraphic initials. Watermark: eagle (not in Briquet). Missing parts for incomplete pieces now in TarazC 2.

Early 16th century. Probably copied in Seville.

DIAMM, 2019

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Tarazona MS 2

1 Requiem Mass section (incomplete), 2 Mass Proper sections (incomplete), 14 Magnificats (2 incomplete), 20 hymns, 4 Lamentations, 50 motets (1 incomplete) = 91

A. Alba-12, Anchieta-5, Anchieta/(Peñalosa)-1, Compère [Luyset]-1, P. Diaz-1, Escobar-18, Escobar/(Peñalosa)-1, Illario-2, Josquin-1, Marlet-1, R. Morales-1, Peñalosa-33, Peñalosa/(Josquin)-1, Porto-1, A. Ribera-2, A. Ribera/(Anchieta/Compère/Peñalosa)-1, Sanabria-2, J. Segovia-1, Tordesillas-S, F. Torre-1, Wreede-1, anon-1

iii + 128 paper folios, 554 x 397. TarazC 2 and TarazC 3 originally a single manuscript of 300 folios; rebound as two separate manuscripts in late 16th century. Original ff. 68-226 and 235-242 now TarazC 3; ff. 58-61 and f. 300 lost; remaining folios now TarazC 2. Original ink foliation on upper right rectos, i-lvii; lxii-lxvii; ccxliii-ccxcix; ccxxvii-ccxxxiiii [sic] (many original numbers following "lxvii" crossed out or altered by later hands in unsuccessful attempts to produce consistent foliation). Modern pencil foliation, 1-130, on lower right rectos (folio between 42/43 first numbered "47," later altered to "41a"). Late 16th century covers of brown leather over wooden boards, with brass edges; clasps missing.

Original index on new ff. 1-3 lists pieces in order of appearance, and reflects organization of contents prior to division into two manuscripts: (1) hymns; (2) Magnificats; (3) Asperges; (4) 3-voice Masses; (5) 4-voice Masses; (6) Salves; (7) Alleluias; (8) 3-voice motets; (9) 4-voice motets; (10) Lamentations; (11) Deo gratias. Copied by a single scribe, who also wrote TarazC 3 and most of SevC 5-5-20 (Charles Manns). Staff height 24. Inked calligraphic initials. Watermark: eagle (not in Briquet). Missing parts for most incomplete pieces now in TarazC 3.

Early 16th century. Probably copied in Seville.

Vol 4

Composers: Delete "Porto-l"; change "Escobar-18" to "Escobar-19."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–3	index	-	-
index Appears on: 1v–3
4v–5	Veni redemptor omnium	Escobar	Escobar, Pedro de
Veni redemptor omnium Escobar, Pedro de Appears on: 4v–5 Genres: Hymn Source Attribution: Escobar
5v–6	Hostis Herodes	Escobar	Escobar, Pedro de
Hostis Herodes Escobar, Pedro de Appears on: 5v–6 Genres: Hymn Source Attribution: Escobar
6v–7	Vexilla regis prodeunt	ao. dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Vexilla regis prodeunt Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 6v–7 Genres: Hymn Source Attribution: ao. dalva
7v–8	Ad coenam Agni providi	Sanabria	Sanabria, Juan de
Ad coenam Agni providi Sanabria, Juan de Appears on: 7v–8 Genres: Hymn Source Attribution: Sanabria
8v–9	Jesu nostra redemptio	Penalosa	Penalosa, Francisco de
Jesu nostra redemptio Penalosa, Francisco de Appears on: 8v–9 Genres: Hymn Source Attribution: Penalosa
9v–10	Beata nobis gaudia	alonso dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Beata nobis gaudia Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 9v–10 Genres: Hymn Source Attribution: alonso dalva
10v–11	Veni creator Spiritus	ao. dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Veni creator Spiritus Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 10v–11 Genres: Hymn Source Attribution: ao. dalva
11v–12	O lux beata Trinitas	Penalosa	Penalosa, Francisco de
O lux beata Trinitas Penalosa, Francisco de Appears on: 11v–12 Genres: Hymn Source Attribution: Penalosa
12v–13r	Pange lingua gloriosi (I)	Jo. Vrede y Urreda	Urrede (Wrede), Juan de (fl. 1451-c1482)
Pange lingua gloriosi (I) Urrede (Wrede), Juan de (fl. 1451-c1482) Appears on: 12v–13r Genres: Hymn Source Attribution: Jo. Vrede y Urreda
13v–14	Sacris solemniis	Penalosa	Penalosa, Francisco de
Sacris solemniis Penalosa, Francisco de Appears on: 13v–14 Genres: Hymn Source Attribution: Penalosa
14v–15	Ut queant laxis	ao. Dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Ut queant laxis Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 14v–15 Genres: Hymn Source Attribution: ao. Dalva
15v–16	Hi sunt olivae duae	Escobar	Escobar, Pedro de
Hi sunt olivae duae Escobar, Pedro de Appears on: 15v–16 Genres: Hymn Source Attribution: Escobar
16v–17	Ave maris stella	Escobar	Escobar, Pedro de
Ave maris stella Escobar, Pedro de Appears on: 16v–17 Genres: Ave maris stella, BVM, Hymn Source Attribution: Escobar
17v–18	Ave maris stella	Escobar	Escobar, Pedro de
Ave maris stella Escobar, Pedro de Appears on: 17v–18 Genres: Ave maris stella, BVM, Hymn Source Attribution: Escobar
18v–19	Tibi Christe splendor	Ao. dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Tibi Christe splendor Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 18v–19 Genres: Hymn Source Attribution: Ao. dalva
19v–20	Christe redemptor omnium conserva	Ao. dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Christe redemptor omnium conserva Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 19v–20 Genres: Hymn Source Attribution: Ao. dalva
20v–21	Exultet caelum laudibus	Escobar	Escobar, Pedro de
Exultet caelum laudibus Escobar, Pedro de Appears on: 20v–21 Genres: Hymn Source Attribution: Escobar
21v–22	Deus tuorum militum	Escobar	Escobar, Pedro de
Deus tuorum militum Escobar, Pedro de Appears on: 21v–22 Genres: Hymn Source Attribution: Escobar
22v–23	Sanctorum meritis	Penalosa	Penalosa, Francisco de
Sanctorum meritis Penalosa, Francisco de Appears on: 22v–23 Genres: Hymn Source Attribution: Penalosa
23v–24	Iste confessor Domini sacratus	Escobar	Escobar, Pedro de
Iste confessor Domini sacratus Escobar, Pedro de Appears on: 23v–24 Genres: Hymn Source Attribution: Escobar
24v–27	Magnificat octavi toni. Et exultavit	[Pedro do] Porto	Escobar, Pedro de
Magnificat octavi toni. Et exultavit Escobar, Pedro de Appears on: 24v–27 Genres: BVM, Canticle, Magnificat Source Attribution: [Pedro do] Porto
27v–29	Magnificat. Et exultavit [K.583]	Jo. ancheta	Anchieta, Juan de (1462–1523)
Magnificat. Et exultavit [K.583] Anchieta, Juan de (1462–1523) Appears on: 27v–29 Genres: BVM, Canticle, Magnificat Source Attribution: Jo. ancheta
29v–32	Magnificat. Et exultavit	Jo. Segovia	Segovia, Juan de
Magnificat. Et exultavit Segovia, Juan de Appears on: 29v–32 Genres: BVM, Canticle, Magnificat Source Attribution: Jo. Segovia
32v–35	Magnificat primi toni. Anima mea [K.960]	Penalosa	Penalosa, Francisco de
Magnificat primi toni. Anima mea [K.960] Penalosa, Francisco de Appears on: 32v–35 Genres: BVM, Canticle, Magnificat Source Attribution: Penalosa
35v–38	Magnificat quarti toni. Et exultavit [K.962]	Penalosa	Penalosa, Francisco de
Magnificat quarti toni. Et exultavit [K.962] Penalosa, Francisco de Appears on: 35v–38 Genres: BVM, Canticle, Magnificat Source Attribution: Penalosa
38v–42	Magnificat quarti toni. Et exultavit [K.963]	Penalosa	Penalosa, Francisco de
Magnificat quarti toni. Et exultavit [K.963] Penalosa, Francisco de Appears on: 38v–42 Genres: BVM, Canticle, Magnificat Source Attribution: Penalosa
42v–46	Magnificat sexti toni: Et exultavit [K.965]	p.losa	Penalosa, Francisco de
Magnificat sexti toni: Et exultavit [K.965] Penalosa, Francisco de Appears on: 42v–46 Genres: Magnificat Source Attribution: p.losa
46v–48	Magnificat octavi toni. Et exultavit [K.966]	p.losa	Penalosa, Francisco de
Magnificat octavi toni. Et exultavit [K.966] Penalosa, Francisco de Appears on: 46v–48 Genres: BVM, Canticle, Magnificat Source Attribution: p.losa
48v–51	Magnificat octavi toni: Et exultavit [K.967]	p.losa	Penalosa, Francisco de
Magnificat octavi toni: Et exultavit [K.967] Penalosa, Francisco de Appears on: 48v–51 Genres: BVM, Canticle, Magnificat Source Attribution: p.losa
51v–54	Magnificat 4 toni. Et exultavit	Ro. Morales	Morales, Ro(drigo?} (?) Morales, Cristóbal de (ca. 1500–1553)
Magnificat 4 toni. Et exultavit Morales, Ro(drigo?} (?) Morales, Cristóbal de (ca. 1500–1553) Appears on: 51v–54 Genres: BVM, Canticle, Magnificat Source Attribution: Ro. Morales
54v–57	Magnificat. Anima mea	Anto.o Marleth	Marlet, Antonius
Magnificat. Anima mea Marlet, Antonius Appears on: 54v–57 Genres: BVM, Canticle, Magnificat Source Attribution: Anto.o Marleth
57v–59v	Magnificat sexti toni: Et exultavit [K.584]	-	Anchieta, Juan de (1462–1523)
Magnificat sexti toni: Et exultavit [K.584] Anchieta, Juan de (1462–1523) Appears on: 57v–59v Genres: Magnificat General Note incomplete: lacks ending - this can be found at the beginning of E-Bbc M1167, a bifolio extracted from this ms
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
60r–62	Magnificat sexti toni. Et exultavit	-	Tordesillas, Pedro Hernandez de
Magnificat sexti toni. Et exultavit Tordesillas, Pedro Hernandez de Appears on: 60r–62 Genres: BVM, Canticle, Magnificat General Note incomplete: lacks beginning - this can be found at the end of E-Bbc M1167, a bifolio extracted from this ms
62v–65	Magnificat septimi toni. Et exultavit	-	Tordesillas, Pedro Hernandez de
Magnificat septimi toni. Et exultavit Tordesillas, Pedro Hernandez de Appears on: 62v–65 Genres: BVM, Canticle, Magnificat
65v–66	Asperges me Domine isopo et mundabor	Escobar	Escobar, Pedro de
Asperges me Domine isopo et mundabor Escobar, Pedro de Appears on: 65v–66 Genres: Asperges me, Motet Source Attribution: Escobar Voice: [no designation] Languages: Latin Voice Text: Asperges me Domine hysopo
66v–68	Asperges me Domine isopo et mundabor	Escobar	Escobar, Pedro de
Asperges me Domine isopo et mundabor Escobar, Pedro de Appears on: 66v–68 Genres: Asperges me, Motet Source Attribution: Escobar
68v–70	Vidi aquam egredientem de templo	Alonso Dalba	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Vidi aquam egredientem de templo Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 68v–70 Genres: Motet Source Attribution: Alonso Dalba
70v–71	Vidi aquam egredientem de templo	Alonso \|Dalba	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Vidi aquam egredientem de templo Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 70v–71 Genres: Motet Source Attribution: Alonso \|Dalba
71v–78	Missa Sine nomine: Kyrie	Quixada	Quadris, Johannes de (?) Quexada [Quesada]
Missa Sine nomine: Kyrie Quadris, Johannes de (?) Quexada [Quesada] Appears on: 71v–78 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Quixada
71v–78	Missa Sine nomine: Gloria	-	Quexada [Quesada] Quadris, Johannes de (?)
Missa Sine nomine: Gloria Quexada [Quesada] Quadris, Johannes de (?) Appears on: 71v–78 Genres: Gloria (et in terra pax), Mass Ordinary
71v–78	Missa Sine nomine: Credo	-	Quadris, Johannes de (?) Quexada [Quesada]
Missa Sine nomine: Credo Quadris, Johannes de (?) Quexada [Quesada] Appears on: 71v–78 Genres: Credo (patrem omnipotentem), Mass Ordinary
71v–78	Missa Sine nomine: Sanctus	-	Quexada [Quesada] Quadris, Johannes de (?)
Missa Sine nomine: Sanctus Quexada [Quesada] Quadris, Johannes de (?) Appears on: 71v–78 Genres: Mass Ordinary, Sanctus [& Benedictus]
71v–78	Missa Sine nomine: Agnus Dei	-	Quadris, Johannes de (?) Quexada [Quesada]
Missa Sine nomine: Agnus Dei Quadris, Johannes de (?) Quexada [Quesada] Appears on: 71v–78 Genres: Agnus Dei, Mass Ordinary
78v–85	Missa Sine nomine: Kyrie	alonso dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Missa Sine nomine: Kyrie Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 78v–85 Genres: Kyrie eleison, Mass Ordinary Source Attribution: alonso dalva
78v–85	Missa Sine nomine: Gloria	-	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Missa Sine nomine: Gloria Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 78v–85 Genres: Gloria (et in terra pax), Mass Ordinary
78v–85	Missa Sine nomine: Credo	-	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Missa Sine nomine: Credo Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 78v–85 Genres: Credo (patrem omnipotentem), Mass Ordinary
78v–85	Missa Sine nomine: Sanctus	-	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Missa Sine nomine: Sanctus Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 78v–85 Genres: Mass Ordinary, Sanctus [& Benedictus]
78v–85	Missa Sine nomine: Agnus Dei	-	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Missa Sine nomine: Agnus Dei Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 78v–85 Genres: Agnus Dei, Mass Ordinary
85v–92	Missa Sine nomine: Kyrie	-	Almorox, Juan Alvarez de (fl. c1482)
Missa Sine nomine: Kyrie Almorox, Juan Alvarez de (fl. c1482) Appears on: 85v–92 Genres: Kyrie eleison, Mass Ordinary
85v–92	Missa Sine nomine: Gloria	-	Almorox, Juan Alvarez de (fl. c1482)
Missa Sine nomine: Gloria Almorox, Juan Alvarez de (fl. c1482) Appears on: 85v–92 Genres: Gloria (et in terra pax), Mass Ordinary
85v–92	Missa Sine nomine: Credo	-	Almorox, Juan Alvarez de (fl. c1482)
Missa Sine nomine: Credo Almorox, Juan Alvarez de (fl. c1482) Appears on: 85v–92 Genres: Credo (patrem omnipotentem), Mass Ordinary
85v–92	Missa Sine nomine: Sanctus	-	Almorox, Juan Alvarez de (fl. c1482)
Missa Sine nomine: Sanctus Almorox, Juan Alvarez de (fl. c1482) Appears on: 85v–92 Genres: Mass Ordinary, Sanctus [& Benedictus]
85v–92	Missa Sine nomine: Agnus Dei	-	Almorox, Juan Alvarez de (fl. c1482)
Missa Sine nomine: Agnus Dei Almorox, Juan Alvarez de (fl. c1482) Appears on: 85v–92 Genres: Agnus Dei, Mass Ordinary
92v–102	Missa del Ave Maria peregrina: Kyrie, Gloria (2 partes), Credo (3 partes), Et incarnatus (3 voces), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I, Agnus II, Agnus III	Penalosa	Penalosa, Francisco de
Missa del Ave Maria peregrina: Kyrie, Gloria (2 partes), Credo (3 partes), Et incarnatus (3 voces), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I, Agnus II, Agnus III Penalosa, Francisco de Appears on: 92v–102 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Penalosa
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102v–112	Missa Por la mar: Kyrie: Gloria: 2 partes. Credo: 5 partes Qui pro: 2 voces, Et incarnatus: 3 voces, Crucifixus: 5 voces. Sanctus mit: Pleni: 3 voces, Benedictus: 4 voces. Agnus I. Agnus II.	Penalosa	Penalosa, Francisco de
Missa Por la mar: Kyrie: Gloria: 2 partes. Credo: 5 partes Qui pro: 2 voces, Et incarnatus: 3 voces, Crucifixus: 5 voces. Sanctus mit: Pleni: 3 voces, Benedictus: 4 voces. Agnus I. Agnus II. Penalosa, Francisco de Appears on: 102v–112 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Penalosa
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112v–122	Missa El ojo: Kyrie: Gloria: 3 partes Domine: 3 voces.Credo: 6 partes Qui pro: 2 voces. Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. Agnus.	p.losa	Penalosa, Francisco de
Missa El ojo: Kyrie: Gloria: 3 partes Domine: 3 voces.Credo: 6 partes Qui pro: 2 voces. Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. Agnus. Penalosa, Francisco de Appears on: 112v–122 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: p.losa
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122v–132	Missa L'homme armé: Kyrie: Gloria: 2 partes. Credo: 2 partes. Sanctus mit: Pleni: 3 voces, Benedictus: 3 voces. Agnus I. Agnus II:	p.losa	Penalosa, Francisco de
Missa L'homme armé: Kyrie: Gloria: 2 partes. Credo: 2 partes. Sanctus mit: Pleni: 3 voces, Benedictus: 3 voces. Agnus I. Agnus II: Penalosa, Francisco de Appears on: 122v–132 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: p.losa
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132v–142	Missa Adieu mes amours: Kyrie: Gloria: 2 partes. Credo: 2 partes. Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. Agnus I. Agnus II.	Penalosa	Penalosa, Francisco de
Missa Adieu mes amours: Kyrie: Gloria: 2 partes. Credo: 2 partes. Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. Agnus I. Agnus II. Penalosa, Francisco de Appears on: 132v–142 Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Penalosa
[-]	-	-	Anonymous
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142v–150	Missa Nunca fue pena mayor: Kyrie, Christe (3 voces), Gloria (3 partes), Credo (3 partes) Qui pro: 2 voces. Sanctus with Pleni (3 voces), Osanna, Agnus	Penalosa	Penalosa, Francisco de
Missa Nunca fue pena mayor: Kyrie, Christe (3 voces), Gloria (3 partes), Credo (3 partes) Qui pro: 2 voces. Sanctus with Pleni (3 voces), Osanna, Agnus Penalosa, Francisco de Appears on: 142v–150 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Penalosa
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150v–158	Missa Sine nomine (I): Kyrie, Gloria (2 partes), Credo (2 partes), Sanctus with: Pleni, Osanna, Benedictus (3 voces), Agnus I, Agnus II (5 voces)	An. de ribera	Ribera, Antonio de
Missa Sine nomine (I): Kyrie, Gloria (2 partes), Credo (2 partes), Sanctus with: Pleni, Osanna, Benedictus (3 voces), Agnus I, Agnus II (5 voces) Ribera, Antonio de Appears on: 150v–158 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: An. de ribera
153v–155	Missa Sine nomine (I): Gloria	-	Ribera, Antonio de
Missa Sine nomine (I): Gloria Ribera, Antonio de Appears on: 153v–155 Genres: Gloria (et in terra pax), Mass Ordinary
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158v–169	Missa Sine nomine: Kyrie, Christe: 3 voces, Gloria (3 partes), Credo (3 partes), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I, Agnus II	Escobar	Escobar, Pedro de
Missa Sine nomine: Kyrie, Christe: 3 voces, Gloria (3 partes), Credo (3 partes), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I, Agnus II Escobar, Pedro de Appears on: 158v–169 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Escobar
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169v–179	Missa quarti toni: Kyrie: Gloria: 2 partes. Credo: 3 partes Qui pro: 3 voces. Sanctus mit: Pleni: 3 voces, Benedictus: 3 voces. Agnus.	-	Anchieta, Juan de (1462–1523)
Missa quarti toni: Kyrie: Gloria: 2 partes. Credo: 3 partes Qui pro: 3 voces. Sanctus mit: Pleni: 3 voces, Benedictus: 3 voces. Agnus. Anchieta, Juan de (1462–1523) Appears on: 169v–179 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
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179v–189	Missa Fortuna desperata: Kyrie, Christe (3 voces), Gloria (2 partes), Credo (2 partes), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I. Agnus II	Periquin	Therache, Pierrequin de (ca. 1470–1528)
Missa Fortuna desperata: Kyrie, Christe (3 voces), Gloria (2 partes), Credo (2 partes), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I. Agnus II Therache, Pierrequin de (ca. 1470–1528) Appears on: 179v–189 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Periquin
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189v–198	Missa Sine nomine (II): Kyrie, Gloria (2 partes), Credo (2 partes), Sanctus with: Pleni, Osanna, Benedictus (3 voces), Agnus I, Agnus II (5 voces)	Tordesillas	Ribera, Antonio de (?) Tordesillas, Pedro Hernandez de (?)
Missa Sine nomine (II): Kyrie, Gloria (2 partes), Credo (2 partes), Sanctus with: Pleni, Osanna, Benedictus (3 voces), Agnus I, Agnus II (5 voces) Ribera, Antonio de (?) Tordesillas, Pedro Hernandez de (?) Appears on: 189v–198 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Tordesillas
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198v–199	Missa Rex Virginum: Kyrie Tropus: Rex virginum	Escobar	Escobar, Pedro de
Missa Rex Virginum: Kyrie Tropus: Rex virginum Escobar, Pedro de Appears on: 198v–199 Genres: Mass Ordinary, Troped Kyrie Source Attribution: Escobar
199v–205	Missa Rex Virginum: Et in terra pax [Gloria] [Tro] Spiritus et alme	p.losa	Penalosa, Francisco de
Missa Rex Virginum: Et in terra pax [Gloria] [Tro] Spiritus et alme Penalosa, Francisco de Appears on: 199v–205 Genres: Mass Ordinary, Troped Gloria Source Attribution: p.losa
199v–205	Missa Rex Virginum: Credo: 2 partes.	p.losa	Penalosa, Francisco de
Missa Rex Virginum: Credo: 2 partes. Penalosa, Francisco de Appears on: 199v–205 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: p.losa
205v–206	Missa Rex Virginum: Sanctus with: Pleni: 3 voces, Osanna.	p.hrs [Pedro Hernandes]	Fernandez, Pedro (ca. 1480–1574)
Missa Rex Virginum: Sanctus with: Pleni: 3 voces, Osanna. Fernandez, Pedro (ca. 1480–1574) Appears on: 205v–206 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: p.hrs [Pedro Hernandes]
206v–207	Missa Rex Virginum: Agnus	ao. pz dalva [Antonio Perez d'Alva]	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Missa Rex Virginum: Agnus Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 206v–207 Genres: Agnus Dei, Mass Ordinary Source Attribution: ao. pz dalva [Antonio Perez d'Alva]
207v–213	Missa nuestra Señora / Missa Rex Virginum: Kyrie [Trope: Rex virginum amator]	-	Anchieta, Juan de (1462–1523)
Missa nuestra Señora / Missa Rex Virginum: Kyrie [Trope: Rex virginum amator] Anchieta, Juan de (1462–1523) Appears on: 207v–213 Genres: Kyrie eleison, Mass Ordinary
207v–213	Missa nuestra Señora / Missa Rex Virginum: Gloria [Trope: Spiritus et alme]	Jo. ancheta	Anchieta, Juan de (1462–1523)
Missa nuestra Señora / Missa Rex Virginum: Gloria [Trope: Spiritus et alme] Anchieta, Juan de (1462–1523) Appears on: 207v–213 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Jo. ancheta
207v–213	Missa nuestra Señora / Missa Rex Virginum: Credo	Jo. ancheta	Anchieta, Juan de (1462–1523) (?)
Missa nuestra Señora / Missa Rex Virginum: Credo Anchieta, Juan de (1462–1523) (?) Appears on: 207v–213 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Jo. ancheta
213v–215	Missa nuestra Señora / Missa Rex Virginum: Sanctus	Escobar	Escobar, Pedro de
Missa nuestra Señora / Missa Rex Virginum: Sanctus Escobar, Pedro de Appears on: 213v–215 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Escobar
213v–215	Missa nuestra Señora / Missa Rex Virginum: Agnus Dei	scobar [sic]	Escobar, Pedro de
Missa nuestra Señora / Missa Rex Virginum: Agnus Dei Escobar, Pedro de Appears on: 213v–215 Genres: Agnus Dei, Mass Ordinary Source Attribution: scobar [sic]
215v–225	Missa pro defunctis / Missa Requiem aeternam: Introitus,: Kyrie, Graduale, Offertorium, Sanctus with Pleni, Osanna I, Benedictus, Osanna II, Agnus I, Agnus II, Tractus. only Cantus, Tenor.	Escobar	Escobar, Pedro de
Missa pro defunctis / Missa Requiem aeternam: Introitus,: Kyrie, Graduale, Offertorium, Sanctus with Pleni, Osanna I, Benedictus, Osanna II, Agnus I, Agnus II, Tractus. only Cantus, Tenor. Escobar, Pedro de Appears on: 215v–225 Genres: Agnus Dei, Gradual, Introit, Kyrie eleison, Offertory, Requiem, Sanctus [& Benedictus] Source Attribution: Escobar
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225v–226	Ne recorderis dirige dum veneris / Kyrie eleison	f. la torre	Guerrero, Francisco (?) Morales, Cristóbal de (ca. 1500–1553) (?) Torre, Francisco de la
Ne recorderis dirige dum veneris / Kyrie eleison Guerrero, Francisco (?) Morales, Cristóbal de (ca. 1500–1553) (?) Torre, Francisco de la Appears on: 225v–226 Genres: Responsory, Verse Source Attribution: f. la torre
226v–227	Libera me Domine quando caeli dum veneris	Jo. ancheta	Anchieta, Juan de (1462–1523)
Libera me Domine quando caeli dum veneris Anchieta, Juan de (1462–1523) Appears on: 226v–227 Genres: Motet Source Attribution: Jo. ancheta
227v–230	Salve regina mater misericordiae	P. Escobar	Escobar, Pedro de
Salve regina mater misericordiae Escobar, Pedro de Appears on: 227v–230 Genres: Marian antiphon, Motet, Salve Regina Source Attribution: P. Escobar Voice: [no designation] Languages: Latin Voice Text: Salve regina
230v–234	Salve regina	Jo. Ancheta	Anchieta, Juan de (1462–1523)
Salve regina Anchieta, Juan de (1462–1523) Appears on: 230v–234 Genres: Marian antiphon, Motet, Salve Regina Source Attribution: Jo. Ancheta Voice: [no designation] Languages: Latin Voice Text: Salve Regina
234v–235r	Alleluia. Vidimus stellam eius in oriente	ao.. dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Alleluia. Vidimus stellam eius in oriente Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 234v–235r Genres: Alleluia, Proper Source Attribution: ao.. dalva Voice: [no designation] Languages: Latin Voice Text: Alleluia. Vidimus stellam
235v–236	Alleluia. Angelus Domini descendit	ao. dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Alleluia. Angelus Domini descendit Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 235v–236 Genres: Alleluia, Proper Source Attribution: ao. dalva
236v–237	Alleluia. Ascendo ad patrem	ao. dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Alleluia. Ascendo ad patrem Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 236v–237 Genres: Alleluia, Proper Source Attribution: ao. dalva
237v–238	Alleluia. Deus verus / Veni sancte spiritus	alonso dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Alleluia. Deus verus / Veni sancte spiritus Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 237v–238 Genres: Alleluia, Proper, Veni sancte spiritus Source Attribution: alonso dalva
238v–239	Alleluia. O adorando trinitas	alonso dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Alleluia. O adorando trinitas Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 238v–239 Genres: Alleluia, Proper Source Attribution: alonso dalva
239v–240	Alleluia. Caro mea vere est cibus	Escobar	Escobar, Pedro de
Alleluia. Caro mea vere est cibus Escobar, Pedro de Appears on: 239v–240 Genres: Alleluia, Proper Source Attribution: Escobar
240v–241	Alleluia. Assumpta est Maria	alonso dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Alleluia. Assumpta est Maria Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 240v–241 Genres: Alleluia, Proper Source Attribution: alonso dalva
241v–242	Alleluia. Nativitas tua	alonso dalva	Madrid, Juan Fernandez de (?)
Alleluia. Nativitas tua Madrid, Juan Fernandez de (?) Appears on: 241v–242 Genres: Alleluia, Proper Source Attribution: alonso dalva
242v–243	Alleluia. Primus ad Sion dicet ecce	Escobar	Escobar, Pedro de
Alleluia. Primus ad Sion dicet ecce Escobar, Pedro de Appears on: 242v–243 Genres: Alleluia, Proper Source Attribution: Escobar
243v–244	Unica est columba mea	Peñalosa	Penalosa, Francisco de
Unica est columba mea Penalosa, Francisco de Appears on: 243v–244 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Unica est columba mea Item Bibliography Preciado, Dionisio (editor). 1986-2000. Francisco de Peñalosa. Opera Omnia. 4 vols. Madrid. Pages: (1) [facs] 74.
244v–245	Ave Maria gratia plena Dominus tecum	Ao. Dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Ave Maria gratia plena Dominus tecum Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 244v–245 Genres: Ave Maria, Motet Source Attribution: Ao. Dalva Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
245v–246	Stabat mater dolorosa	Ao. Dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Stabat mater dolorosa Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 245v–246 Genres: Motet, Stabat Mater Source Attribution: Ao. Dalva Voice: [no designation] Languages: Latin Voice Text: Stabat mater dolorosa
246v–247	O Maria mater pia esto nobis recta via	Escobar	Escobar, Pedro de
O Maria mater pia esto nobis recta via Escobar, Pedro de Appears on: 246v–247 Genres: Motet Source Attribution: Escobar Voice: [no designation] Languages: Latin Voice Text: O Maria mater pia esto nobis recta via
247v–248	Sub tuum praesidium confugimus	Escobar	Escobar, Pedro de
Sub tuum praesidium confugimus Escobar, Pedro de Appears on: 247v–248 Genres: Motet Source Attribution: Escobar Voice: [no designation] Languages: Latin Voice Text: Sub tuum praesidium
248v–249	Nigra sum sed formosa	Peñalosa	Penalosa, Francisco de
Nigra sum sed formosa Penalosa, Francisco de Appears on: 248v–249 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Nigra sum sed formosa
249v–250	Adoro te Domine Jesu Christe	Peñalosa	Penalosa, Francisco de
Adoro te Domine Jesu Christe Penalosa, Francisco de Appears on: 249v–250 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Adoro te domine Iesu Christe quem credo
250v–251	Ne reminiscaris Domine	Peñalosa	Penalosa, Francisco de
Ne reminiscaris Domine Penalosa, Francisco de Appears on: 250v–251 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Ne reminiscaris domine
251v–252	Sancta Maria succurre miseris	Peñalosa	Penalosa, Francisco de
Sancta Maria succurre miseris Penalosa, Francisco de Appears on: 251v–252 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Sancta Maria succurre miseris
252v–253	Pater noster qui es in caelis	Peñalosa	Penalosa, Francisco de
Pater noster qui es in caelis Penalosa, Francisco de Appears on: 252v–253 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Pater noster qui es in caelis
253v–254	Emendemus in melius quae ignoranter	Peñalosa	Penalosa, Francisco de
Emendemus in melius quae ignoranter Penalosa, Francisco de Appears on: 253v–254 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Emendemus in melius quae ignoranter
254v–255	Sancta mater istud agas crucifixi 25.8	Peñalosa	Penalosa, Francisco de Despres, Josquin (ca. 1450–1521) (?)
Sancta mater istud agas crucifixi 25.8 Penalosa, Francisco de Despres, Josquin (ca. 1450–1521) (?) Appears on: 254v–255 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Sancta mater istud agas crucifixi
255v–256	Ave verum corpus natum de Maria virgine	Peñalosa	Penalosa, Francisco de
Ave verum corpus natum de Maria virgine Penalosa, Francisco de Appears on: 255v–256 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Ave verum corpus natum
256v–257	O decus virgineum O dulcis domina	-	Penalosa, Francisco de
O decus virgineum O dulcis domina Penalosa, Francisco de Appears on: 256v–257 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O decus virgineum O dulcis domina Item Bibliography Preciado, Dionisio (editor). 1986-2000. Francisco de Peñalosa. Opera Omnia. 4 vols. Madrid. Pages: (1) [facs.] 74.
257v–258	Inter vestibulum et altare plorabant	Peñalosa	Penalosa, Francisco de
Inter vestibulum et altare plorabant Penalosa, Francisco de Appears on: 257v–258 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Inter vestibulum et altare plorabant
258v–259	Ave Maria gratia plena Dominus tecum	An. de Ribera	Ribera, Antonio de
Ave Maria gratia plena Dominus tecum Ribera, Antonio de Appears on: 258v–259 Genres: Ave Maria, Motet Source Attribution: An. de Ribera Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
259v–260	Ave festiva ferculis Salomonis convivia 23.3	Jusquini	Despres, Josquin (ca. 1450–1521)
Ave festiva ferculis Salomonis convivia 23.3 Despres, Josquin (ca. 1450–1521) Appears on: 259v–260 Genres: Motet Source Attribution: Jusquini Voice: [no designation] Languages: Latin Voice Text: Ave festiva ferculis Salomonis convivia
260v–261	O domina sanctissima O piissima	Peñalosa	Penalosa, Francisco de
O domina sanctissima O piissima Penalosa, Francisco de Appears on: 260v–261 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: O domina sanctissima O piissima
261v–262	Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam	Peñalosa	Penalosa, Francisco de
Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam Penalosa, Francisco de Appears on: 261v–262 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Precor te domine Iesu Christe propter illam
262v–263	Deus qui manus tuas et pedes tuos	Peñalosa	Penalosa, Francisco de
Deus qui manus tuas et pedes tuos Penalosa, Francisco de Appears on: 262v–263 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Deus qui manus tuas et pedes tuos
263v–264	Transeunte Domino Jesu caecus quidam secus	Peñalosa	Penalosa, Francisco de
Transeunte Domino Jesu caecus quidam secus Penalosa, Francisco de Appears on: 263v–264 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Transeunte domino Iesu caecus quidam secus Item Bibliography Preciado, Dionisio (editor). 1986-2000. Francisco de Peñalosa. Opera Omnia. 4 vols. Madrid. Pages: (1) [facs] 75.
264v–265	Domine Jesu Christe qui neminem vis	Peñalosa	Penalosa, Francisco de
Domine Jesu Christe qui neminem vis Penalosa, Francisco de Appears on: 264v–265 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Domine Iesu Christe qui neminem vis
265v–266	Domine secundum actum meum noli me	Peñalosa	Penalosa, Francisco de
Domine secundum actum meum noli me Penalosa, Francisco de Appears on: 265v–266 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Domine secundum actum meum noli me Item Bibliography Preciado, Dionisio (editor). 1986-2000. Francisco de Peñalosa. Opera Omnia. 4 vols. Madrid. Pages: (1), [facs.] 75.
266v–267	In passione positus Jesus qui pro nobis	Peñalosa	Penalosa, Francisco de
In passione positus Jesus qui pro nobis Penalosa, Francisco de Appears on: 266v–267 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: In passione positus Iesus
267v–268	Ave vera caro Christi quae in cruce	Peñalosa	Penalosa, Francisco de
Ave vera caro Christi quae in cruce Penalosa, Francisco de Appears on: 267v–268 Genres: Lauda Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Ave vera caro Christi quae in cruce
268v–269	Ave vere sanguis Domini nostri Jesu	Peñalosa	Penalosa, Francisco de
Ave vere sanguis Domini nostri Jesu Penalosa, Francisco de Appears on: 268v–269 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Ave vere sanguis Domini nostri Iesu
269v–270	Ave regina caelorum	Peñalosa	Penalosa, Francisco de
Ave regina caelorum Penalosa, Francisco de Appears on: 269v–270 Genres: Motet Source Attribution: Peñalosa Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
270v–271	O sacrum convivium in quo Christus sumitur	Ao. Dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
O sacrum convivium in quo Christus sumitur Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 270v–271 Genres: Motet Source Attribution: Ao. Dalva Voice: [no designation] Languages: Latin Voice Text: O sacrum convivium
271v–272	Clamabat autem mulier Cananaea ad Dominum	Escobar	Escobar, Pedro de
Clamabat autem mulier Cananaea ad Dominum Escobar, Pedro de Appears on: 271v–272 Genres: Motet Source Attribution: Escobar Voice: [no designation] Languages: Latin Voice Text: Clamabat autem mulier Cananaea ad dominum
272v–273	Patris sapientia veritas divina	Antonio de Ribera	Ribera, Antonio de
Patris sapientia veritas divina Ribera, Antonio de Appears on: 272v–273 Genres: Motet Source Attribution: Antonio de Ribera Voice: [no designation] Languages: Latin Voice Text: Patris sapientia veritas divina
273v–274	O bone Jesu illumina oculos meos	Antonjo R(ibe)ra	Penalosa, Francisco de (?) Compère, Loyset (ca. 1445–1518) (?) Anchieta, Juan de (1462–1523) Ribera, Antonio de (?)
O bone Jesu illumina oculos meos Penalosa, Francisco de (?) Compère, Loyset (ca. 1445–1518) (?) Anchieta, Juan de (1462–1523) Ribera, Antonio de (?) Appears on: 273v–274 Genres: Motet Source Attribution: Antonjo R(ibe)ra Voice: [no designation] Languages: Latin Voice Text: O bone Iesu illumina oculos meos
274v–275	O admirabile commercium creator generis	Illario	Illarius, Johannes
O admirabile commercium creator generis Illarius, Johannes Appears on: 274v–275 Genres: Motet Source Attribution: Illario Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis
275v–276	Ave sanctissimum et gloriosum / Ave verum	Diaz	Mondejar, Alonso de (?) Diaz (Pedro Diaz de Aux?) (?)
Ave sanctissimum et gloriosum / Ave verum Mondejar, Alonso de (?) Diaz (Pedro Diaz de Aux?) (?) Appears on: 275v–276 Genres: Motet Source Attribution: Diaz Voice: [no designation] Languages: Latin Voice Text: Ave sanctissimum et gloriosum/Ave verum General Note KnightonMM suggests Pedro Diaz de Aux (or possibly Diego Diaz) as author of this piece: both served at the Aragonese court in the years around 1500
276v–277	Stabat mater dolorosa	Escobar	Escobar, Pedro de
Stabat mater dolorosa Escobar, Pedro de Appears on: 276v–277 Genres: Motet, Stabat Mater Source Attribution: Escobar Voice: [no designation] Languages: Latin Voice Text: Stabat mater dolorosa
277v–278	Virgo et mater quae filium Dei genuisti	Jo. Ancheta	Anchieta, Juan de (1462–1523)
Virgo et mater quae filium Dei genuisti Anchieta, Juan de (1462–1523) Appears on: 277v–278 Genres: Motet Source Attribution: Jo. Ancheta Voice: [no designation] Languages: Latin Voice Text: Virgo et mater quae filium dei genuisti
278v–279	O felix Maria que auctorem tuum	Ao. Dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
O felix Maria que auctorem tuum Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 278v–279 Genres: Motet Source Attribution: Ao. Dalva Voice: [no designation] Languages: Latin Voice Text: O felix Maria que auctorem tuum
279v–280	Domine Jesu Christe qui hora diei ultima	Jo. Ancheta	Anchieta, Juan de (1462–1523) Penalosa, Francisco de (?)
Domine Jesu Christe qui hora diei ultima Anchieta, Juan de (1462–1523) Penalosa, Francisco de (?) Appears on: 279v–280 Genres: Motet Source Attribution: Jo. Ancheta Voice: [no designation] Languages: Latin Voice Text: Domine Iesu Christe qui hora diei ultima Item Bibliography Rubio, P Samuel (editor). 1980. Juan de Anchieta. Opera Omnia. Guipúzcoa. Pages: 78-82.
280v–281	Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum	Luyset [Compère]	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum Compère, Loyset (ca. 1445–1518) Appears on: 280v–281 Genres: Ave Maria, Motet Source Attribution: Luyset [Compère] Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
281v–282	Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum	-	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum Compère, Loyset (ca. 1445–1518) Appears on: 281v–282 Genres: Motet
282v–283	Te ergo quaesumus tuis famulis subveni	Ao. Dalva	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Te ergo quaesumus tuis famulis subveni Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 282v–283 Genres: Motet Source Attribution: Ao. Dalva Voice: [no designation] Languages: Latin Voice Text: Te ergo quaesumus tuis famulis subveni
283v–284	Memorare piissima opprobria et crudeles	Escobar/[Peñalosa]	Escobar, Pedro de (?) Penalosa, Francisco de (?)
Memorare piissima opprobria et crudeles Escobar, Pedro de (?) Penalosa, Francisco de (?) Appears on: 283v–284 Genres: Motet Source Attribution: Escobar/[Peñalosa] Voice: [no designation] Languages: Italian Voice Text: Memorare piissima opprobria et crudelis
284v–285	Regina caeli laetare alleluia	Escobar	Escobar, Pedro de
Regina caeli laetare alleluia Escobar, Pedro de Appears on: 284v–285 Genres: Marian antiphon, Motet, Regina caeli laetare Source Attribution: Escobar Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
285v–286	Beatus es et bene tibi erit	Escobar	Yñiguez, Pedro
Beatus es et bene tibi erit Yñiguez, Pedro Appears on: 285v–286 Genres: Motet Source Attribution: Escobar Voice: [no designation] Languages: Latin Voice Text: Beatus es et bene tibi
286v–287	Conceptio tua Dei genitrix	Ylario	Illarius, Johannes
Conceptio tua Dei genitrix Illarius, Johannes Appears on: 286v–287 Genres: Motet Source Attribution: Ylario Voice: [no designation] Languages: Latin Voice Text: Conceptio tua dei genitrix virgo
287v–288	Lilium sacrum virgo gloriosa regina mundi	Senabria	Sanabria, Juan de
Lilium sacrum virgo gloriosa regina mundi Sanabria, Juan de Appears on: 287v–288 Genres: Motet Source Attribution: Senabria Voice: [no designation] Languages: Latin Voice Text: Lilium sacrum virgo gloriosa regina mundi
288v–291	Lamentatio Jeremiae: Et factum est (feria quinta)	Penalosa	Penalosa, Francisco de
Lamentatio Jeremiae: Et factum est (feria quinta) Penalosa, Francisco de Appears on: 288v–291 Genres: Lamentations Source Attribution: Penalosa
291v–294	Lamentatio Jeremiae: Aleph. Quomodo obtexit caligine (feria sexta)	Penalosa	Penalosa, Francisco de
Lamentatio Jeremiae: Aleph. Quomodo obtexit caligine (feria sexta) Penalosa, Francisco de Appears on: 291v–294 Genres: Lamentations Source Attribution: Penalosa
294v–297	Lamentatio Jeremiae: Quomodo obscuratum est (Sabbato sancto)	Penalosa	Penalosa, Francisco de
Lamentatio Jeremiae: Quomodo obscuratum est (Sabbato sancto) Penalosa, Francisco de Appears on: 294v–297 Genres: Lamentations Source Attribution: Penalosa
297v–299	Lamentations: Recordata est	Tordesillas	Tordesillas, Pedro Hernandez de
Lamentations: Recordata est Tordesillas, Pedro Hernandez de Appears on: 297v–299 Genres: Lamentations, Motet Source Attribution: Tordesillas Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
299v	Absolve Domine animas omnium fidelium	Escobar	Escobar, Pedro de
Absolve Domine animas omnium fidelium Escobar, Pedro de Appears on: 299v Genres: Motet Source Attribution: Escobar Voice: [no designation] Languages: Latin Voice Text: Absolve Domine General Note incomplete: the final folio (f.300) of the ms is missing

Composer	Compositions
Alba, Alonso Perez de (ca. 1480–ca. 1520)	Alleluia. Angelus Domini descendit – 235v–236 Alleluia. Ascendo ad patrem – 236v–237 Alleluia. Assumpta est Maria – 240v–241 Alleluia. Deus verus / Veni sancte spiritus – 237v–238 Alleluia. O adorando trinitas – 238v–239 Alleluia. Vidimus stellam eius in oriente – 234v–235r Ave Maria gratia plena Dominus tecum – 244v–245 Beata nobis gaudia – 9v–10 Christe redemptor omnium conserva – 19v–20 Missa Rex Virginum: Agnus – 206v–207 Missa Sine nomine: Agnus Dei – 78v–85 Missa Sine nomine: Credo – 78v–85 Missa Sine nomine: Gloria – 78v–85 Missa Sine nomine: Kyrie – 78v–85 Missa Sine nomine: Sanctus – 78v–85 O felix Maria que auctorem tuum – 278v–279 O sacrum convivium in quo Christus sumitur – 270v–271 Stabat mater dolorosa – 245v–246 Te ergo quaesumus tuis famulis subveni – 282v–283 Tibi Christe splendor – 18v–19 Ut queant laxis – 14v–15 Veni creator Spiritus – 10v–11 Vexilla regis prodeunt – 6v–7 Vidi aquam egredientem de templo – 68v–70 Vidi aquam egredientem de templo – 70v–71
Almorox, Juan Alvarez de (fl. c1482)	Missa Sine nomine: Agnus Dei – 85v–92 Missa Sine nomine: Credo – 85v–92 Missa Sine nomine: Gloria – 85v–92 Missa Sine nomine: Kyrie – 85v–92 Missa Sine nomine: Sanctus – 85v–92
Anchieta, Juan de (1462–1523)	Domine Jesu Christe qui hora diei ultima – 279v–280 Libera me Domine quando caeli dum veneris – 226v–227 Magnificat sexti toni: Et exultavit [K.584] – 57v–59v Magnificat. Et exultavit [K.583] – 27v–29 (?) Missa nuestra Señora / Missa Rex Virginum: Credo – 207v–213 Missa nuestra Señora / Missa Rex Virginum: Gloria [Trope: Spiritus et alme] – 207v–213 Missa nuestra Señora / Missa Rex Virginum: Kyrie [Trope: Rex virginum amator] – 207v–213 Missa quarti toni: Kyrie: Gloria: 2 partes. Credo: 3 partes Qui pro: 3 voces. Sanctus mit: Pleni: 3 voces, Benedictus: 3 voces. Agnus. – 169v–179 O bone Jesu illumina oculos meos – 273v–274 Salve regina – 230v–234 Virgo et mater quae filium Dei genuisti – 277v–278
Anonymous	[No description] – 1v–3
Compère, Loyset (ca. 1445–1518)	Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum – 280v–281 Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum – 281v–282 (?) O bone Jesu illumina oculos meos – 273v–274
Despres, Josquin (ca. 1450–1521)	Ave festiva ferculis Salomonis convivia 23.3 – 259v–260 (?) Sancta mater istud agas crucifixi 25.8 – 254v–255
Diaz (Pedro Diaz de Aux?)	(?) Ave sanctissimum et gloriosum / Ave verum – 275v–276
Escobar, Pedro de	Absolve Domine animas omnium fidelium – 299v Alleluia. Caro mea vere est cibus – 239v–240 Alleluia. Primus ad Sion dicet ecce – 242v–243 Asperges me Domine isopo et mundabor – 66v–68 Asperges me Domine isopo et mundabor – 65v–66 Ave maris stella – 16v–17 Ave maris stella – 17v–18 Clamabat autem mulier Cananaea ad Dominum – 271v–272 Deus tuorum militum – 21v–22 Exultet caelum laudibus – 20v–21 Hi sunt olivae duae – 15v–16 Hostis Herodes – 5v–6 Iste confessor Domini sacratus – 23v–24 Magnificat octavi toni. Et exultavit – 24v–27 (?) Memorare piissima opprobria et crudeles – 283v–284 Missa Rex Virginum: Kyrie Tropus: Rex virginum – 198v–199 Missa Sine nomine: Kyrie, Christe: 3 voces, Gloria (3 partes), Credo (3 partes), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I, Agnus II – 158v–169 Missa nuestra Señora / Missa Rex Virginum: Agnus Dei – 213v–215 Missa nuestra Señora / Missa Rex Virginum: Sanctus – 213v–215 Missa pro defunctis / Missa Requiem aeternam: Introitus,: Kyrie, Graduale, Offertorium, Sanctus with Pleni, Osanna I, Benedictus, Osanna II, Agnus I, Agnus II, Tractus. only Cantus, Tenor. – 215v–225 O Maria mater pia esto nobis recta via – 246v–247 Regina caeli laetare alleluia – 284v–285 Salve regina mater misericordiae – 227v–230 Stabat mater dolorosa – 276v–277 Sub tuum praesidium confugimus – 247v–248 Veni redemptor omnium – 4v–5
Fernandez, Pedro (ca. 1480–1574)	Missa Rex Virginum: Sanctus with: Pleni: 3 voces, Osanna. – 205v–206
Guerrero, Francisco	(?) Ne recorderis dirige dum veneris / Kyrie eleison – 225v–226
Illarius, Johannes	Conceptio tua Dei genitrix – 286v–287 O admirabile commercium creator generis – 274v–275
Madrid, Juan Fernandez de	(?) Alleluia. Nativitas tua – 241v–242
Marlet, Antonius	Magnificat. Anima mea – 54v–57
Mondejar, Alonso de	(?) Ave sanctissimum et gloriosum / Ave verum – 275v–276
Morales, Cristóbal de (ca. 1500–1553)	Magnificat 4 toni. Et exultavit – 51v–54 (?) Ne recorderis dirige dum veneris / Kyrie eleison – 225v–226
Morales, Ro(drigo?}	(?) Magnificat 4 toni. Et exultavit – 51v–54
Penalosa, Francisco de	Adoro te Domine Jesu Christe – 249v–250 Ave regina caelorum – 269v–270 Ave vera caro Christi quae in cruce – 267v–268 Ave vere sanguis Domini nostri Jesu – 268v–269 Ave verum corpus natum de Maria virgine – 255v–256 Deus qui manus tuas et pedes tuos – 262v–263 (?) Domine Jesu Christe qui hora diei ultima – 279v–280 Domine Jesu Christe qui neminem vis – 264v–265 Domine secundum actum meum noli me – 265v–266 Emendemus in melius quae ignoranter – 253v–254 In passione positus Jesus qui pro nobis – 266v–267 Inter vestibulum et altare plorabant – 257v–258 Jesu nostra redemptio – 8v–9 Lamentatio Jeremiae: Aleph. Quomodo obtexit caligine (feria sexta) – 291v–294 Lamentatio Jeremiae: Et factum est (feria quinta) – 288v–291 Lamentatio Jeremiae: Quomodo obscuratum est (Sabbato sancto) – 294v–297 Magnificat octavi toni. Et exultavit [K.966] – 46v–48 Magnificat octavi toni: Et exultavit [K.967] – 48v–51 Magnificat primi toni. Anima mea [K.960] – 32v–35 Magnificat quarti toni. Et exultavit [K.962] – 35v–38 Magnificat quarti toni. Et exultavit [K.963] – 38v–42 Magnificat sexti toni: Et exultavit [K.965] – 42v–46 (?) Memorare piissima opprobria et crudeles – 283v–284 Missa Adieu mes amours: Kyrie: Gloria: 2 partes. Credo: 2 partes. Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. Agnus I. Agnus II. – 132v–142 Missa El ojo: Kyrie: Gloria: 3 partes Domine: 3 voces.Credo: 6 partes Qui pro: 2 voces. Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. Agnus. – 112v–122 Missa L'homme armé: Kyrie: Gloria: 2 partes. Credo: 2 partes. Sanctus mit: Pleni: 3 voces, Benedictus: 3 voces. Agnus I. Agnus II: – 122v–132 Missa Nunca fue pena mayor: Kyrie, Christe (3 voces), Gloria (3 partes), Credo (3 partes) Qui pro: 2 voces. Sanctus with Pleni (3 voces), Osanna, Agnus – 142v–150 Missa Por la mar: Kyrie: Gloria: 2 partes. Credo: 5 partes Qui pro: 2 voces, Et incarnatus: 3 voces, Crucifixus: 5 voces. Sanctus mit: Pleni: 3 voces, Benedictus: 4 voces. Agnus I. Agnus II. – 102v–112 Missa Rex Virginum: Credo: 2 partes. – 199v–205 Missa Rex Virginum: Et in terra pax [Gloria] [Tro] Spiritus et alme – 199v–205 Missa del Ave Maria peregrina: Kyrie, Gloria (2 partes), Credo (3 partes), Et incarnatus (3 voces), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I, Agnus II, Agnus III – 92v–102 Ne reminiscaris Domine – 250v–251 Nigra sum sed formosa – 248v–249 (?) O bone Jesu illumina oculos meos – 273v–274 O decus virgineum O dulcis domina – 256v–257 O domina sanctissima O piissima – 260v–261 O lux beata Trinitas – 11v–12 Pater noster qui es in caelis – 252v–253 Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam – 261v–262 Sacris solemniis – 13v–14 Sancta Maria succurre miseris – 251v–252 Sancta mater istud agas crucifixi 25.8 – 254v–255 Sanctorum meritis – 22v–23 Transeunte Domino Jesu caecus quidam secus – 263v–264 Unica est columba mea – 243v–244
Quadris, Johannes de	(?) Missa Sine nomine: Agnus Dei – 71v–78 (?) Missa Sine nomine: Credo – 71v–78 (?) Missa Sine nomine: Gloria – 71v–78 (?) Missa Sine nomine: Kyrie – 71v–78 (?) Missa Sine nomine: Sanctus – 71v–78
Quexada [Quesada]	Missa Sine nomine: Agnus Dei – 71v–78 Missa Sine nomine: Credo – 71v–78 Missa Sine nomine: Gloria – 71v–78 Missa Sine nomine: Kyrie – 71v–78 Missa Sine nomine: Sanctus – 71v–78
Ribera, Antonio de	Ave Maria gratia plena Dominus tecum – 258v–259 Missa Sine nomine (I): Gloria – 153v–155 Missa Sine nomine (I): Kyrie, Gloria (2 partes), Credo (2 partes), Sanctus with: Pleni, Osanna, Benedictus (3 voces), Agnus I, Agnus II (5 voces) – 150v–158 (?) Missa Sine nomine (II): Kyrie, Gloria (2 partes), Credo (2 partes), Sanctus with: Pleni, Osanna, Benedictus (3 voces), Agnus I, Agnus II (5 voces) – 189v–198 (?) O bone Jesu illumina oculos meos – 273v–274 Patris sapientia veritas divina – 272v–273
Sanabria, Juan de	Ad coenam Agni providi – 7v–8 Lilium sacrum virgo gloriosa regina mundi – 287v–288
Segovia, Juan de	Magnificat. Et exultavit – 29v–32
Therache, Pierrequin de (ca. 1470–1528)	Missa Fortuna desperata: Kyrie, Christe (3 voces), Gloria (2 partes), Credo (2 partes), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I. Agnus II – 179v–189
Tordesillas, Pedro Hernandez de	Lamentations: Recordata est – 297v–299 Magnificat septimi toni. Et exultavit – 62v–65 Magnificat sexti toni. Et exultavit – 60r–62 (?) Missa Sine nomine (II): Kyrie, Gloria (2 partes), Credo (2 partes), Sanctus with: Pleni, Osanna, Benedictus (3 voces), Agnus I, Agnus II (5 voces) – 189v–198
Torre, Francisco de la	Ne recorderis dirige dum veneris / Kyrie eleison – 225v–226
Urrede (Wrede), Juan de (fl. 1451-c1482)	Pange lingua gloriosi (I) – 12v–13r
Yñiguez, Pedro	Beatus es et bene tibi erit – 285v–286

Composition	Composers (? Uncertain)	Folios / Pages
Absolve Domine animas omnium fidelium	Escobar, Pedro de	299v
Ad coenam Agni providi	Sanabria, Juan de	7v–8
Adoro te Domine Jesu Christe	Penalosa, Francisco de	249v–250
Alleluia. Angelus Domini descendit	Alba, Alonso Perez de (ca. 1480–ca. 1520)	235v–236
Alleluia. Ascendo ad patrem	Alba, Alonso Perez de (ca. 1480–ca. 1520)	236v–237
Alleluia. Assumpta est Maria	Alba, Alonso Perez de (ca. 1480–ca. 1520)	240v–241
Alleluia. Caro mea vere est cibus	Escobar, Pedro de	239v–240
Alleluia. Deus verus / Veni sancte spiritus	Alba, Alonso Perez de (ca. 1480–ca. 1520)	237v–238
Alleluia. Nativitas tua	Madrid, Juan Fernandez de (?)	241v–242
Alleluia. O adorando trinitas	Alba, Alonso Perez de (ca. 1480–ca. 1520)	238v–239
Alleluia. Primus ad Sion dicet ecce	Escobar, Pedro de	242v–243
Alleluia. Vidimus stellam eius in oriente	Alba, Alonso Perez de (ca. 1480–ca. 1520)	234v–235r
Asperges me Domine isopo et mundabor	Escobar, Pedro de	65v–66
Asperges me Domine isopo et mundabor	Escobar, Pedro de	66v–68
Ave festiva ferculis Salomonis convivia 23.3	Despres, Josquin (ca. 1450–1521)	259v–260
Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum	Compère, Loyset (ca. 1445–1518)	280v–281
Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum	Compère, Loyset (ca. 1445–1518)	281v–282
Ave Maria gratia plena Dominus tecum	Alba, Alonso Perez de (ca. 1480–ca. 1520)	244v–245
Ave Maria gratia plena Dominus tecum	Ribera, Antonio de	258v–259
Ave maris stella	Escobar, Pedro de	16v–17
Ave maris stella	Escobar, Pedro de	17v–18
Ave regina caelorum	Penalosa, Francisco de	269v–270
Ave sanctissimum et gloriosum / Ave verum	Mondejar, Alonso de (?) Diaz (Pedro Diaz de Aux?) (?)	275v–276
Ave vera caro Christi quae in cruce	Penalosa, Francisco de	267v–268
Ave vere sanguis Domini nostri Jesu	Penalosa, Francisco de	268v–269
Ave verum corpus natum de Maria virgine	Penalosa, Francisco de	255v–256
Beata nobis gaudia	Alba, Alonso Perez de (ca. 1480–ca. 1520)	9v–10
Beatus es et bene tibi erit	Yñiguez, Pedro	285v–286
Christe redemptor omnium conserva	Alba, Alonso Perez de (ca. 1480–ca. 1520)	19v–20
Clamabat autem mulier Cananaea ad Dominum	Escobar, Pedro de	271v–272
Conceptio tua Dei genitrix	Illarius, Johannes	286v–287
Deus qui manus tuas et pedes tuos	Penalosa, Francisco de	262v–263
Deus tuorum militum	Escobar, Pedro de	21v–22
Domine Jesu Christe qui hora diei ultima	Anchieta, Juan de (1462–1523) Penalosa, Francisco de (?)	279v–280
Domine Jesu Christe qui neminem vis	Penalosa, Francisco de	264v–265
Domine secundum actum meum noli me	Penalosa, Francisco de	265v–266
Emendemus in melius quae ignoranter	Penalosa, Francisco de	253v–254
Exultet caelum laudibus	Escobar, Pedro de	20v–21
Hi sunt olivae duae	Escobar, Pedro de	15v–16
Hostis Herodes	Escobar, Pedro de	5v–6
In passione positus Jesus qui pro nobis	Penalosa, Francisco de	266v–267
Inter vestibulum et altare plorabant	Penalosa, Francisco de	257v–258
Iste confessor Domini sacratus	Escobar, Pedro de	23v–24
Jesu nostra redemptio	Penalosa, Francisco de	8v–9
Lamentatio Jeremiae: Aleph. Quomodo obtexit caligine (feria sexta)	Penalosa, Francisco de	291v–294
Lamentatio Jeremiae: Et factum est (feria quinta)	Penalosa, Francisco de	288v–291
Lamentatio Jeremiae: Quomodo obscuratum est (Sabbato sancto)	Penalosa, Francisco de	294v–297
Lamentations: Recordata est	Tordesillas, Pedro Hernandez de	297v–299
Libera me Domine quando caeli dum veneris	Anchieta, Juan de (1462–1523)	226v–227
Lilium sacrum virgo gloriosa regina mundi	Sanabria, Juan de	287v–288
Magnificat 4 toni. Et exultavit	Morales, Ro(drigo?} (?) Morales, Cristóbal de (ca. 1500–1553)	51v–54
Magnificat octavi toni. Et exultavit	Escobar, Pedro de	24v–27
Magnificat octavi toni. Et exultavit [K.966]	Penalosa, Francisco de	46v–48
Magnificat octavi toni: Et exultavit [K.967]	Penalosa, Francisco de	48v–51
Magnificat primi toni. Anima mea [K.960]	Penalosa, Francisco de	32v–35
Magnificat quarti toni. Et exultavit [K.962]	Penalosa, Francisco de	35v–38
Magnificat quarti toni. Et exultavit [K.963]	Penalosa, Francisco de	38v–42
Magnificat septimi toni. Et exultavit	Tordesillas, Pedro Hernandez de	62v–65
Magnificat sexti toni. Et exultavit	Tordesillas, Pedro Hernandez de	60r–62
Magnificat sexti toni: Et exultavit [K.584]	Anchieta, Juan de (1462–1523)	57v–59v
Magnificat sexti toni: Et exultavit [K.965]	Penalosa, Francisco de	42v–46
Magnificat. Anima mea	Marlet, Antonius	54v–57
Magnificat. Et exultavit	Segovia, Juan de	29v–32
Magnificat. Et exultavit [K.583]	Anchieta, Juan de (1462–1523)	27v–29
Memorare piissima opprobria et crudeles	Escobar, Pedro de (?) Penalosa, Francisco de (?)	283v–284
Missa Adieu mes amours: Kyrie: Gloria: 2 partes. Credo: 2 partes. Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. Agnus I. Agnus II.	Penalosa, Francisco de	132v–142
Missa del Ave Maria peregrina: Kyrie, Gloria (2 partes), Credo (3 partes), Et incarnatus (3 voces), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I, Agnus II, Agnus III	Penalosa, Francisco de	92v–102
Missa El ojo: Kyrie: Gloria: 3 partes Domine: 3 voces.Credo: 6 partes Qui pro: 2 voces. Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. Agnus.	Penalosa, Francisco de	112v–122
Missa Fortuna desperata: Kyrie, Christe (3 voces), Gloria (2 partes), Credo (2 partes), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I. Agnus II	Therache, Pierrequin de (ca. 1470–1528)	179v–189
Missa L'homme armé: Kyrie: Gloria: 2 partes. Credo: 2 partes. Sanctus mit: Pleni: 3 voces, Benedictus: 3 voces. Agnus I. Agnus II:	Penalosa, Francisco de	122v–132
Missa nuestra Señora / Missa Rex Virginum: Agnus Dei	Escobar, Pedro de	213v–215
Missa nuestra Señora / Missa Rex Virginum: Credo	Anchieta, Juan de (1462–1523) (?)	207v–213
Missa nuestra Señora / Missa Rex Virginum: Gloria [Trope: Spiritus et alme]	Anchieta, Juan de (1462–1523)	207v–213
Missa nuestra Señora / Missa Rex Virginum: Kyrie [Trope: Rex virginum amator]	Anchieta, Juan de (1462–1523)	207v–213
Missa nuestra Señora / Missa Rex Virginum: Sanctus	Escobar, Pedro de	213v–215
Missa Nunca fue pena mayor: Kyrie, Christe (3 voces), Gloria (3 partes), Credo (3 partes) Qui pro: 2 voces. Sanctus with Pleni (3 voces), Osanna, Agnus	Penalosa, Francisco de	142v–150
Missa Por la mar: Kyrie: Gloria: 2 partes. Credo: 5 partes Qui pro: 2 voces, Et incarnatus: 3 voces, Crucifixus: 5 voces. Sanctus mit: Pleni: 3 voces, Benedictus: 4 voces. Agnus I. Agnus II.	Penalosa, Francisco de	102v–112
Missa pro defunctis / Missa Requiem aeternam: Introitus,: Kyrie, Graduale, Offertorium, Sanctus with Pleni, Osanna I, Benedictus, Osanna II, Agnus I, Agnus II, Tractus. only Cantus, Tenor.	Escobar, Pedro de	215v–225
Missa quarti toni: Kyrie: Gloria: 2 partes. Credo: 3 partes Qui pro: 3 voces. Sanctus mit: Pleni: 3 voces, Benedictus: 3 voces. Agnus.	Anchieta, Juan de (1462–1523)	169v–179
Missa Rex Virginum: Agnus	Alba, Alonso Perez de (ca. 1480–ca. 1520)	206v–207
Missa Rex Virginum: Credo: 2 partes.	Penalosa, Francisco de	199v–205
Missa Rex Virginum: Et in terra pax [Gloria] [Tro] Spiritus et alme	Penalosa, Francisco de	199v–205
Missa Rex Virginum: Kyrie Tropus: Rex virginum	Escobar, Pedro de	198v–199
Missa Rex Virginum: Sanctus with: Pleni: 3 voces, Osanna.	Fernandez, Pedro (ca. 1480–1574)	205v–206
Missa Sine nomine (I): Gloria	Ribera, Antonio de	153v–155
Missa Sine nomine (I): Kyrie, Gloria (2 partes), Credo (2 partes), Sanctus with: Pleni, Osanna, Benedictus (3 voces), Agnus I, Agnus II (5 voces)	Ribera, Antonio de	150v–158
Missa Sine nomine (II): Kyrie, Gloria (2 partes), Credo (2 partes), Sanctus with: Pleni, Osanna, Benedictus (3 voces), Agnus I, Agnus II (5 voces)	Ribera, Antonio de (?) Tordesillas, Pedro Hernandez de (?)	189v–198
Missa Sine nomine: Agnus Dei	Quadris, Johannes de (?) Quexada [Quesada]	71v–78
Missa Sine nomine: Agnus Dei	Alba, Alonso Perez de (ca. 1480–ca. 1520)	78v–85
Missa Sine nomine: Agnus Dei	Almorox, Juan Alvarez de (fl. c1482)	85v–92
Missa Sine nomine: Credo	Quadris, Johannes de (?) Quexada [Quesada]	71v–78
Missa Sine nomine: Credo	Alba, Alonso Perez de (ca. 1480–ca. 1520)	78v–85
Missa Sine nomine: Credo	Almorox, Juan Alvarez de (fl. c1482)	85v–92
Missa Sine nomine: Gloria	Quexada [Quesada] Quadris, Johannes de (?)	71v–78
Missa Sine nomine: Gloria	Alba, Alonso Perez de (ca. 1480–ca. 1520)	78v–85
Missa Sine nomine: Gloria	Almorox, Juan Alvarez de (fl. c1482)	85v–92
Missa Sine nomine: Kyrie	Quadris, Johannes de (?) Quexada [Quesada]	71v–78
Missa Sine nomine: Kyrie	Alba, Alonso Perez de (ca. 1480–ca. 1520)	78v–85
Missa Sine nomine: Kyrie	Almorox, Juan Alvarez de (fl. c1482)	85v–92
Missa Sine nomine: Kyrie, Christe: 3 voces, Gloria (3 partes), Credo (3 partes), Sanctus with Pleni (3 voces), Benedictus (3 voces), Agnus I, Agnus II	Escobar, Pedro de	158v–169
Missa Sine nomine: Sanctus	Quexada [Quesada] Quadris, Johannes de (?)	71v–78
Missa Sine nomine: Sanctus	Alba, Alonso Perez de (ca. 1480–ca. 1520)	78v–85
Missa Sine nomine: Sanctus	Almorox, Juan Alvarez de (fl. c1482)	85v–92
Ne recorderis dirige dum veneris / Kyrie eleison	Guerrero, Francisco (?) Morales, Cristóbal de (ca. 1500–1553) (?) Torre, Francisco de la	225v–226
Ne reminiscaris Domine	Penalosa, Francisco de	250v–251
Nigra sum sed formosa	Penalosa, Francisco de	248v–249
O admirabile commercium creator generis	Illarius, Johannes	274v–275
O bone Jesu illumina oculos meos	Penalosa, Francisco de (?) Compère, Loyset (ca. 1445–1518) (?) Anchieta, Juan de (1462–1523) Ribera, Antonio de (?)	273v–274
O decus virgineum O dulcis domina	Penalosa, Francisco de	256v–257
O domina sanctissima O piissima	Penalosa, Francisco de	260v–261
O felix Maria que auctorem tuum	Alba, Alonso Perez de (ca. 1480–ca. 1520)	278v–279
O lux beata Trinitas	Penalosa, Francisco de	11v–12
O Maria mater pia esto nobis recta via	Escobar, Pedro de	246v–247
O sacrum convivium in quo Christus sumitur	Alba, Alonso Perez de (ca. 1480–ca. 1520)	270v–271
Pange lingua gloriosi (I)	Urrede (Wrede), Juan de (fl. 1451-c1482)	12v–13r
Pater noster qui es in caelis	Penalosa, Francisco de	252v–253
Patris sapientia veritas divina	Ribera, Antonio de	272v–273
Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam	Penalosa, Francisco de	261v–262
Regina caeli laetare alleluia	Escobar, Pedro de	284v–285
Sacris solemniis	Penalosa, Francisco de	13v–14
Salve regina	Anchieta, Juan de (1462–1523)	230v–234
Salve regina mater misericordiae	Escobar, Pedro de	227v–230
Sancta Maria succurre miseris	Penalosa, Francisco de	251v–252
Sancta mater istud agas crucifixi 25.8	Penalosa, Francisco de Despres, Josquin (ca. 1450–1521) (?)	254v–255
Sanctorum meritis	Penalosa, Francisco de	22v–23
Stabat mater dolorosa	Alba, Alonso Perez de (ca. 1480–ca. 1520)	245v–246
Stabat mater dolorosa	Escobar, Pedro de	276v–277
Sub tuum praesidium confugimus	Escobar, Pedro de	247v–248
Te ergo quaesumus tuis famulis subveni	Alba, Alonso Perez de (ca. 1480–ca. 1520)	282v–283
Tibi Christe splendor	Alba, Alonso Perez de (ca. 1480–ca. 1520)	18v–19
Transeunte Domino Jesu caecus quidam secus	Penalosa, Francisco de	263v–264
Unica est columba mea	Penalosa, Francisco de	243v–244
Ut queant laxis	Alba, Alonso Perez de (ca. 1480–ca. 1520)	14v–15
Veni creator Spiritus	Alba, Alonso Perez de (ca. 1480–ca. 1520)	10v–11
Veni redemptor omnium	Escobar, Pedro de	4v–5
Vexilla regis prodeunt	Alba, Alonso Perez de (ca. 1480–ca. 1520)	6v–7
Vidi aquam egredientem de templo	Alba, Alonso Perez de (ca. 1480–ca. 1520)	68v–70
Vidi aquam egredientem de templo	Alba, Alonso Perez de (ca. 1480–ca. 1520)	70v–71
Virgo et mater quae filium Dei genuisti	Anchieta, Juan de (1462–1523)	277v–278

Set: Tarazona 2/3

Type: Source bound in separate volumes

No images available

E-Bbc MS 1167

No images available

E-TZ Archivo Ms. 2/3

‡ denotes primary source study

Kreitner, Kenneth (editor). 2007. Two Early Morales Magnificat Settings. 21-61. Notes: magnificats in Valladolid 5 & Tarazona 2/3.

Roldán, Eva Esteve. 2006. Manuscrito musical 2-3 de la Catedral de Tarazona. Estudio historiografico. Revista Aragonesa de Musicologia, 131-172. Notes: contents list; discussion.

Jiménez, Juan Ruiz. 2005. Infunde amorem cordibus: an early 16th-century polyphonic hymn cycle from Seville. Early Music, 619-638. Notes: contents list (partial); transcription (partial); mention of MS; discussion.

Calahorra Martínez, Pedro (editor). 1995. Autores hispanos de los siglos XV-XVI de los Ms. 2 y 5 de la catedral de Tarazona. Polifonia Aragonesa. Zaragoza. Notes: contents list (partial); transcription (partial).

Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 42-52, 128ff, 169-70, 184, 196ff, 270ff, 316ff. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); transcription (partial); texts (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Pages: 59ff, passim. Notes: contents list (partial); concordances (partial); incipits (partial).

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 49-51, 342-4, 347-8, 351, 358, 406-8. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 165. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Sevillano, Justo. 1961. Catálogo musical del Archivo Capitular de Tarazona. Anuário Musical, 149-76. Pages: 150-4. Notes: physical description; contents list.

Stevenson, Robert. 1960. Spanish Music in the Age of Columbus. The Hague. Pages: 84, 136, 151-2, 172, 177, 180, 189, 193, 203. Notes: contents list (partial); concordances (partial).

Kastner, Macario Santiago (editor). 1959-. Portugaliae Musica. Lisbon. Pages: XXXVII,xxix, 1-8. Notes: contents list (partial); transcription (partial).

Gerber, Rudolf. 1953. Spanische Hymnensätze um 1500. Archiv für Musikwissenschaft, 165-84. Pages: 166ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: I, 1383-4; II, 1344; XII, 985. Notes: mention of MS; facsimile (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I, 122-3. Notes: physical description (partial); contents list.

Anglès, Higinio. 1941. La Música Espanola desde la Edad Media hasta Nuestros Dias. Catálogo de la Exposición Histórica, Barcelona. Pages: 29. Notes: physical description (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

E-TZ Archivo Ms. 2/3

Archivo Capitular de la Catedral, Tarazona, Spain

manuscript of polyphony: Early- to mid-16th century

General Description

Watermark

Notation

Ruling

Foliation

Decoration

Index

Surface

Census Catalogue of Music Description

Census Catalogue of Music Description

General Note

General Note