E-SE Ms. s. s. (Segovia Codex; Cancionero musical de Segovia; Cancionero del Alcázar)

Archivo Capitular de la Catedral, Segovia, Spain

manuscript of polyphony: 1500-3

Archive	Archivo Capitular de la Catedral, Segovia, Spain (E-SE)
Shelfmark	Ms. s. s. (Segovia Codex; Cancionero musical de Segovia; Cancionero del Alcázar)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	291 x 215 mm
Other Identifiers	CCM: SegC s.s.
Notations	black void mensural
Relationships	Isabella (patron) "Don Rodrigo" (mentioned in liminary text)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database images Books of Hispanic Polyphony
Provenance	court of Isabella, Queen of Castile , Toledo, Spain
Contents	Contains 239 compositions, 200 from 45 composers, 39 are anonymous.

General Description

One main scribe and one other scribe for the music; at least 3 scribes wrote the texts. The main scribe copied the franco-flemish secular pieces and also the Spanish pieces. The text of the Spanish pieces, however, was entered by a different scribe. The manuscript is ordered systematically by forms and decreasing number of parts: sacred pieces beginning with masses, franco-flemish secular pieces, duos and Spanish secular pieces. The manuscript may have originated close to the Chapel of the Catholic kings. Entry on fol. 227v: Don Rodrigo. This could be linked to Don Rodrigo de Tordesillas, the executor of Queen Isabel; however, there is no final proof for this assumption. Was transferred to the Cathedral archive of Segovia in around1525 by the Alcázar.

Cristina Urchueguía, 2010

Physical Description

Missing folios: i-iii, vi-viii, ciiii-cix, cxi, cxcix, ccvi, ccxviii-ccxxi, ccxxiii.

Cristina Urchueguía, 2010

Binding

Original parchment cover: title on the cover: Canto de organo.

Cristina Urchueguía, 2010

Watermark

hand with double-banded cuff and six-petalled flower (generally resembles Briquet #11154; facsimile in BakerU)

Cristina Urchueguía, 2010

Liminary Note

inked inscription "Canto de organo" on front

Cristina Urchueguía, 2010

Notation

black void mensural

Cristina Urchueguía, 2010

Foliation

Original foliation in ink v-ccxxviii, original gathering signatures ('Lagenzählung')

Cristina Urchueguía, 2010

Decoration

Partly decorated with ornamented initials, partly the space intended for the initials was left blank

Cristina Urchueguía, 2010

Surface

paper

Cristina Urchueguía, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

9 Masses (1 incomplete), 1 Christe, 1 Gloria, 1 Credo, 4 Magnificats, 1 Magnificat section, 1 Te Deum, 8 hymns, 2 Lamentations, 43 motets (2 incomplete), 2 litanies, 2 Spanish sacred pieces, 51 French secular pieces (1 incomplete), 33 Dutch secular pieces (1 incomplete), 35 Spanish secular pieces, 6 Italian secular pieces (1 incomplete), 4 textless pieces (1 with incipit "Cayphas"; 1 with incipit "Moyses") = 204

Adam II-2, A. Agricola-16, A. Agricola/(Aulenus/Cuvenor)-1, A. Agricola/(Brumel)-1, A. Agricola/(Ghiselin)-1, (A. Alba)-1, Anchieta-7, Anchieta/(Compère/Peñalosa/A. Ribera)-1, Anchieta/(Peñalosa)-1, Barbireau/(Isaac/Obrecht)-1, (Binchois-anon)-1, Brumel-4, Brumel/(Isaac)-1, Brumel/(Mouton)-1, Busnois-2, Caron-1, Compère-10, Compère/(A. Agricola)-2, Compère/(Busnois/Mureau)-1, Compère-Martini-1, Compère/(Tinctoris)-1, Compère/(Vaqueras)-1, Eline-3, Eline/(J. Agricola)-1, (Encina)-8, (Enrique/Wreede)-1, Farer-1, Ferdinandus et frater eius*/(A. Agricola/Isaac)-1, (Gijón)-1, Hayne van Ghizeghem [Scoen Heyne]-4, Hayne van Ghizeghem/(Ockeghem)-1, Isaac-17, Isaac/(Barle)-2, Isaac/(Martini)-1, Isaac/(Rubinet)-1, Josquin-5, Josquin/(A. Agricola)-1, Josquin-(Busnois)-1, Joye/(Japart/Josquin)-1, (Lagarto)-1, Martini-2, Martini/(Busnois)-1, Marturia-1, Mondéjar-1, Obrecht -28, Obrecht/(Isaac/Japart)-1, Obrecht/(Stoltzer)-1, Obrecht-(Virgilius)-1, Pipelare-3, Pipelare/(La Rue)-1, Roellrin-3, Tinctoris-7, (F. Torre)-4, Wreede-1, anon-40

'See BakerU I, 56-7 for discussion of this attribution.

207 paper folios of an original 228, 291 x 215. Original ink foliation on upper center rectos, v-ccxxviii (ff. i-iiii, vi-viii, ciiii-cix, cxi, cxcix, ccvi, ccxv, ccxviii-ccxix, ccxxi, ccxxiii now missing). Original covers of honey colored parchment (original wooden boards now lost); inked inscription "Canto de organo" on front. No index. Copied by one main scribe and two additional scribes (ff. ccvii-ccxxvi and ff. ccxxvi'-ccxxviii', respectively). Inked calligraphic initials on ff. v-v', ix-lii, xciiii'-xcvi, cx, cxxxiiii', and ccxxvii'; space left for decorative initials on other folios, but initials never added. Watermark: hand with double-banded cuff and six-petalled flower (generally resembles Briquet #11154; facsimile in BakerU).

Contents ordered as follows: (1) 4-voice Masses, Salve Regina settings, Magnificats, and motets; (2) 4-voice secular pieces; (3) 3-voice Masses, Magnificats, and motets; (4) 3-voice secular pieces and motets; (5) proportional duos; (6) sacred and secular works by Spanish composers.

1500-3, probably 1502 (BakerU). Probably copied in Toledo, for use at court of Isabella, Queen of Castile. Some repertory likely brought to Spain by entourage of Philip the Fair (son of Emperor Maximilian I and Mary of Burgundy) and his wife, Juana of Spain, in connection with 1502 tour. Manuscript probably deposited by Isabella in her Segovia palace library in 1503; "Don Rodrigo" mentioned on f. ccxxviii' may refer to Isabella's treasurer, Don Rodrigo de Tordesillas. Transferred ca. 1525 to cathedral library, adjacent to royal palace.

Vol 4

Composers: Change "Isaac-17" to "Isaac-16, Isaac/(Obrecht/Weerbecke)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
5, 9–11	Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Kyrie	-	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 5, 9–11 Genres: Kyrie eleison, Mass Ordinary
5, 9–11	Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Credo	6	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 5, 9–11 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: [Missa Wohlauf gut gsell von hinnen] Gloria 2a pars (only Cantus I and II and Bassus). Credo 2a pars (as fragments: Cantus I and II and Tenor). Benedictus. Pleni. Compared with D-Mbs: Mus. Ms. 3154: Osanna I as Agnus I; Osanna II as Osanna I; Agnus I as Agnus II. General Note Credo 2a pars as fragments: Cantus Iand II and Tenor
5, 9–11	Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus	6	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 5, 9–11 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: [Missa Wohlauf gut gsell von hinnen] Credo 2a pars (as fragments: Cantus Iand II and Tenor). General Note Benedictus & Osanna only Compared with D-Mbs: Mus. Ms. 3154: Osanna I as Agnus I; Osanna II as Osanna I; Agnus I as Agnus II.
5, 9–11	Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Agnus Dei	6	-	Isaac, Heinrich (ca. 1450–1517)
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 5, 9–11 Genres: Agnus Dei, Mass Ordinary Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: [Missa Wohlauf gut gsell von hinnen] Benedictus. Pleni. General Note Compared with D-Mbs: Mus. Ms. 3154: Osanna I as Agnus I; Osanna II as Osanna I; Agnus I as Agnus II.
11v–12r	Missa L'homme armé sexti toni 6.2: Kyrie	4	Josquin dupres	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 11v–12r Genres: Kyrie eleison, Mass Ordinary Source Attribution: Josquin dupres Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa L'homme armé Sexti toni Kyrie
12v–14r	Missa L'homme armé sexti toni 6.2: Gloria	4	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 12v–14r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa L’homme armé sexti toni] Gloria: 2 partes
14v–17r	Missa L'homme armé sexti toni 6.2: Credo	4	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Credo Despres, Josquin (ca. 1450–1521) Appears on: 14v–17r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa L’homme armé sexti toni] Credo: 3 partes.
17v–18r	Missa L'homme armé sexti toni 6.2: Sanctus	4	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 17v–18r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa L’homme armé sexti toni] Sanctus (with: Pleni: 3 voces, Benedictus).
18r	Missa L'homme armé sexti toni 6.2: Agnus I	4	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Agnus I Despres, Josquin (ca. 1450–1521) Appears on: 18r Genres: Agnus Dei, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa L’homme armé sexti toni] Agnus I.
18v–19r	Missa Libenter gloriabor: Agnus = Kyrie	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Missa Libenter gloriabor: Agnus = Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 18v–19r Genres: Agnus Dei, Kyrie eleison, Mass Ordinary Source Attribution: Jacobus hobrecht Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa libenter gloriabo [Missa Libenter gloriabor] Kyrie.
19v–21r	Missa Libenter gloriabo: Gloria: 2 partes	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Libenter gloriabo: Gloria: 2 partes Obrecht, Jacobus (ca. 1457–1505) Appears on: 19v–21r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa libenter gloriabo [Missa Libentergloriabor] Gloria: 2 partes.
21v–23r	Missa Libenter gloriabor: Credo: 2 partes	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Libenter gloriabor: Credo: 2 partes Obrecht, Jacobus (ca. 1457–1505) Appears on: 21v–23r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa libenter gloriabo [Missa Libentergloriabor] Credo: 2 partes.
23v–25r	Missa Libenter gloriabor: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces.	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Libenter gloriabor: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. Obrecht, Jacobus (ca. 1457–1505) Appears on: 23v–25r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa libenter gloriabo [Missa Libentergloriabor] Sanctus (with: Pleni: 3 voces, Benedictus: 3 voces).
[-]	Missa Libenter gloriabor: Agnus = Kyrie	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Libenter gloriabor: Agnus = Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: [-] Genres: Agnus Dei, Kyrie eleison, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa libenter gloriabo [Missa Libentergloriabor] Agnus = Kyrie.
25v–26r	Missa Adieu mes amours: Kyrie	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Missa Adieu mes amours: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 25v–26r Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Jacobus hobrecht Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Adieu mes amours] Kyrie.
26v–28r	Missa Adieu mes amours: Gloria (2 partes)	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Adieu mes amours: Gloria (2 partes) Obrecht, Jacobus (ca. 1457–1505) Appears on: 26v–28r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa Adieu mes amours] Gloria: 2 partes.
28v–30r	Missa Adieu mes amours: Credo: 2 partes Et incarnatus: 5 voces.	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Adieu mes amours: Credo: 2 partes Et incarnatus: 5 voces. Obrecht, Jacobus (ca. 1457–1505) Appears on: 28v–30r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa Adieu mes amours] Credo: 2 partes (Et incarnatus: 5 voces).
30v–31r	Missa Rose playsante: Kyrie	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Missa Rose playsante: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 30v–31r Genres: Kyrie eleison, Mass Ordinary Source Attribution: Jacobus hobrecht Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Rose playsante / Kyrie.
31v–33r	Missa Rose playsante: Gloria (2 partes)	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Rose playsante: Gloria (2 partes) Obrecht, Jacobus (ca. 1457–1505) Appears on: 31v–33r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa Rose playsante / Gloria: 2 partes.
33v–35r	Missa Rose playsante: Credo (2 partes)	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Rose playsante: Credo (2 partes) Obrecht, Jacobus (ca. 1457–1505) Appears on: 33v–35r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa Rose playsante / Credo: 2 partes.
35v–37r	Missa Rose playsante: Sanctus	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Rose playsante: Sanctus Obrecht, Jacobus (ca. 1457–1505) Appears on: 35v–37r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa Rose playsante / .Sanctus (with: Pleni: 3 voces, Benedictus: 3 voces).
37v–38r	Missa Rose playsante: Agnus I, Agnus II	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Rose playsante: Agnus I, Agnus II Obrecht, Jacobus (ca. 1457–1505) Appears on: 37v–38r Genres: Agnus Dei, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa Rose playsante / Agnus I. Agnus II: 3 voces. [Instruction for Agnus III missing]
38v–39r	Missa Fortuna desperata	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata Obrecht, Jacobus (ca. 1457–1505) Appears on: 38v–39r Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Jacobus hobrecht Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa Fortuna disperata [Missa Fortuna desperata] Kyrie.
39v–41r	Missa Fortuna desperata: Gloria: 2 partes	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata: Gloria: 2 partes Obrecht, Jacobus (ca. 1457–1505) Appears on: 39v–41r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa Fortuna disperata [Missa Fortunadesperata] Gloria: 2 partes.
41v–43r	Missa Fortuna desperata: Credo: 2 partes	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata: Credo: 2 partes Obrecht, Jacobus (ca. 1457–1505) Appears on: 41v–43r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa Fortuna disperata [Missa Fortunadesperata] Credo: 2 partes.
43v–45r	Missa Fortuna desperata: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces.	4	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Fortuna desperata: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. Obrecht, Jacobus (ca. 1457–1505) Appears on: 43v–45r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missa Fortuna disperata [Missa Fortunadesperata] Sanctus (with: Pleni: 3 voces, Benedictus: 3 voces).
45v–46r	Missa Quant j'ai au coeur: Kyrie	4	ysaac	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 45v–46r Genres: Kyrie eleison, Mass Ordinary Source Attribution: ysaac Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Quant j’ay au cueur] Kyrie.
46v–48r	Missa Quant j'ai au coeur: Gloria: 3 partes.	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Gloria: 3 partes. Isaac, Heinrich (ca. 1450–1517) Appears on: 46v–48r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa Quant j’ay au cueur] Gloria: 3 partes.
48v–51r	Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces.	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. Isaac, Heinrich (ca. 1450–1517) Appears on: 48v–51r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa Quant j’ay au cueur] Credo: 3 partes (Et iterum: 3 voces).
51v–53r	Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces.	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces. Isaac, Heinrich (ca. 1450–1517) Appears on: 51v–53r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa Quant j’ay au cueur] Sanctus (with: Pleni: 3 voces, Benedictus: 4 voces).
53v–54r	Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III.	4	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III. Isaac, Heinrich (ca. 1450–1517) Appears on: 53v–54r Genres: Agnus Dei, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa Quant j’ay au cueur] Agnus I. Agnus II: 3 voces. Agnus III.
54v–55r	Missa Sine nomine (I): Kyrie	4	Matheus pipe[la][re]	Pipelare, Mattheus (ca. 1450–ca. 1515)
Missa Sine nomine (I): Kyrie Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 54v–55r Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Matheus pipe[la][re] Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Sine nomine] Kyrie. General Note Pipelare's name written using the Bb key signature and a D-G (=la-re)
55v–57r	Missa Sine nomine (I): Gloria: 2 partes	4	-	Pipelare, Mattheus (ca. 1450–ca. 1515)
Missa Sine nomine (I): Gloria: 2 partes Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 55v–57r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine] Gloria: 2 partes.
57v–60r	Missa Sine nomine (I): Credo: 3 partes Etiterum: 3 voces	4	-	Pipelare, Mattheus (ca. 1450–ca. 1515)
Missa Sine nomine (I): Credo: 3 partes Etiterum: 3 voces Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 57v–60r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine] Credo: 3 partes (Etiterum: 3 voces).
60v–62r	Missa Sine nomine (I): Sanctus, with: Pleni: 3 voces,Osanna, Benedictus: 3 voces	4	-	Pipelare, Mattheus (ca. 1450–ca. 1515)
Missa Sine nomine (I): Sanctus, with: Pleni: 3 voces,Osanna, Benedictus: 3 voces Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 60v–62r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine] Sanctus (with: Pleni: 3 voces,Osanna, Benedictus: 3 voces).
62v–63r	Missa Sine nomine (I): Agnus I: 3 voces. Agnus III	4	-	Pipelare, Mattheus (ca. 1450–ca. 1515)
Missa Sine nomine (I): Agnus I: 3 voces. Agnus III Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 62v–63r Genres: Agnus Dei, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine] Agnus I: 3 voces. Agnus III.
63v–65r	Missa nuestra Señora / Missa Rex Virginum: Credo	4	Johannes anxeta	Anchieta, Juan de (1462–1523) (?)
Missa nuestra Señora / Missa Rex Virginum: Credo Anchieta, Juan de (1462–1523) (?) Appears on: 63v–65r Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Johannes anxeta Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Credo Sine nomine] Credo: 2 partes.
65v–67r	Missa nuestra Señora / Missa Rex Virginum: Gloria [Trope: Spiritus et alme]	4	Jo. Ancheta	Anchieta, Juan de (1462–1523)
Missa nuestra Señora / Missa Rex Virginum: Gloria [Trope: Spiritus et alme] Anchieta, Juan de (1462–1523) Appears on: 65v–67r Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Jo. Ancheta Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Gloria BMV] Gloria: 3 partes (Tropus: Spiritus et alme)
67v–71r	Salve regina (II) [10 partes]	4	Ysaac	Isaac, Heinrich (ca. 1450–1517)
Salve regina (II) [10 partes] Isaac, Heinrich (ca. 1450–1517) Appears on: 67v–71r Genres: Marian antiphon, Motet, Salve Regina Source Attribution: Ysaac Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve regina
71v–73r	Salve regina (4vv)	4	Jacobus Hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Salve regina (4vv) Obrecht, Jacobus (ca. 1457–1505) Appears on: 71v–73r Genres: Motet, Salve Regina Source Attribution: Jacobus Hobrecht Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve regina General Note This 4vv setting by Obrecht, different from his 6vv setting in D-Mbs Mus. MS 34 (43v-49) and D-Rp C 98 (81v-90), appears to be unique to this ms (Edward Tambling).
73v–76r	Magnificat quarti toni: Et exultavit [K.632]	4	Alr. agricola	Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Alexander (ca. 1445–1506) (?)
Magnificat quarti toni: Et exultavit [K.632] Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 73v–76r Genres: BVM, Canticle, Magnificat Source Attribution: Alr. agricola Number of voices: 4
76v–78r	Magnificat [K.721]	4	Josquin dupres	Despres, Josquin (ca. 1450–1521)
Magnificat [K.721] Despres, Josquin (ca. 1450–1521) Appears on: 76v–78r Genres: BVM, Canticle, Magnificat Source Attribution: Josquin dupres Number of voices: 4 General Note Possibly a texting of an originally instrumental piece? (Kirsch)
78v–81r	Inter praeclarissimas virtutes tuas	4	Jacobus Hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Inter praeclarissimas virtutes tuas Obrecht, Jacobus (ca. 1457–1505) Appears on: 78v–81r Genres: Motet Source Attribution: Jacobus Hobrecht Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Inter praeclarissimas virtutes tuas
81v–83r	Mille quingentis verum bis sex minus annis / Requiem aeternam	4	Jacobus Hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Mille quingentis verum bis sex minus annis / Requiem aeternam Obrecht, Jacobus (ca. 1457–1505) Appears on: 81v–83r Genres: Motet Source Attribution: Jacobus Hobrecht Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Mille quingentis verum bis sex minus annis/Requiem eternam
83v–85r	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	4	Josquin du Press	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) Despres, Josquin (ca. 1450–1521) Appears on: 83v–85r Genres: Ave Maria, Motet Source Attribution: Josquin du Press Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave Maria ... virgo serena
85v–86r	Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem	-	Josquin du Press	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem Despres, Josquin (ca. 1450–1521) Appears on: 85v–86r Genres: Motet Source Attribution: Josquin du Press Voice: [no designation] Languages: Latin Voice Text: Vultum tuum deprecabuntur
86v–87r	Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus	-	-	Despres, Josquin (ca. 1450–1521)
Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus Despres, Josquin (ca. 1450–1521) Appears on: 86v–87r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vultum tuum deprecabuntur
87v–89r	Salve virgo sanctissima super omnes feminas	4	Ysaac	Isaac, Heinrich (ca. 1450–1517)
Salve virgo sanctissima super omnes feminas Isaac, Heinrich (ca. 1450–1517) Appears on: 87v–89r Genres: Motet Source Attribution: Ysaac Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve virgo sanctissima super omnes feminas
89v–91r	Omnis spiritus laudet Dominum tu autem	5	Jacobus Hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Omnis spiritus laudet Dominum tu autem Obrecht, Jacobus (ca. 1457–1505) Appears on: 89v–91r Genres: Motet Source Attribution: Jacobus Hobrecht Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Omnis spiritus laudet dominum tu autem
91v	Benedicamus in laude Jesu quae suae matri	4	Jacobus Hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Benedicamus in laude Jesu quae suae matri Obrecht, Jacobus (ca. 1457–1505) Appears on: 91v Genres: Benedicamus Domino, Motet Source Attribution: Jacobus Hobrecht Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Benedicamus in laude Iesu quae suae matri
92r	Exortum est in tenebris (= Fors seulement (II))	4	Matheus Pipe[la][re]	Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515)
Exortum est in tenebris (= Fors seulement (II)) Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 92r Genres: Contrafactum, Motet Source Attribution: Matheus Pipe[la][re] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Exortum est in tenebris lumen rectis [= Fors seulement] General Note Pipelare's name written using the Bb key signature and a D-G (=la-re)
92v	Cuius sacrata viscera (4vv)	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Cuius sacrata viscera (4vv) Obrecht, Jacobus (ca. 1457–1505) Appears on: 92v Genres: Motet Source Attribution: Jacobus hobrecht Number of voices: 4
93r	Domine non secundum: 1a pars (of 2) Domine non secundum peccata nostra	4	Johannes Farer	Farer, Johannes
Domine non secundum: 1a pars (of 2) Domine non secundum peccata nostra Farer, Johannes Appears on: 93r Genres: Tract Source Attribution: Johannes Farer Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra
93r	Domine non secundum: 2a pars (of 2) Tuam crucem adoramus Domine Jesu	4	Johannes Farer	Farer, Johannes
Domine non secundum: 2a pars (of 2) Tuam crucem adoramus Domine Jesu Farer, Johannes Appears on: 93r Genres: Motet Source Attribution: Johannes Farer Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Tuam crucem adoramus domine Iesu
93v–94r	Ave regina caelorum	4	Ysaac	Isaac, Heinrich (ca. 1450–1517)
Ave regina caelorum Isaac, Heinrich (ca. 1450–1517) Appears on: 93v–94r Genres: Marian antiphon Source Attribution: Ysaac Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
94v–95r	Domine Jesu Christe qui hora diei ultima	4	Johannes Ancheta	Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523)
Domine Jesu Christe qui hora diei ultima Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523) Appears on: 94v–95r Genres: Motet Source Attribution: Johannes Ancheta Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Domine Iesu Christe qui hora diei ultima
95v–96r	Virgo et mater quae filium Dei genuisti	4	Johannes Ancheta	Anchieta, Juan de (1462–1523)
Virgo et mater quae filium Dei genuisti Anchieta, Juan de (1462–1523) Appears on: 95v–96r Genres: Motet Source Attribution: Johannes Ancheta Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Virgo et mater quae filium dei genuisti
96v–97r	In passione Domini	4	-	Anchieta, Juan de (1462–1523)
In passione Domini Anchieta, Juan de (1462–1523) Appears on: 96v–97r Genres: Motet Number of voices: 4
97v–98r	Domine ne memineris iniquitatum nostrarum	4	Johannes Ancheta	Anchieta, Juan de (1462–1523)
Domine ne memineris iniquitatum nostrarum Anchieta, Juan de (1462–1523) Appears on: 97v–98r Genres: Tract Source Attribution: Johannes Ancheta Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Domine ne memineris iniquitatum nostrarum
98v	Kyrie / Qui expansis (Kyrie Tropus: Qui expansis)	4	-	Anonymous
Kyrie / Qui expansis (Kyrie Tropus: Qui expansis) Anonymous Appears on: 98v Genres: Mass Ordinary, Troped Kyrie Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Kyrie qui expansis] Kyrie (Tropus: Qui expansis).
99r	Veni sancte spiritus / Veni creator spiritus	4	-	Alba, Alonso Perez de (ca. 1480–ca. 1520)
Veni sancte spiritus / Veni creator spiritus Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 99r Genres: Hymn, Veni sancte spiritus Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus/Veni creator spiritus
99v	O crux ave, spes unica	-	-	Anonymous
O crux ave, spes unica Anonymous Appears on: 99v Genres: Motet
100r	Kyrie / Qui passurus (Kyrie Tropus: Qui passurus)	4	-	Anonymous
Kyrie / Qui passurus (Kyrie Tropus: Qui passurus) Anonymous Appears on: 100r Genres: Mass Ordinary, Troped Kyrie Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Kyrie qui passurus] Kyrie (Tropus: Qui passurus).
100v–101r	O bone Jesu illumina oculos meos	4	Johannes Ancheta	Penalosa, Francisco de (?) Ribera, Antonio de (?) Anchieta, Juan de (1462–1523) Compère, Loyset (ca. 1445–1518) (?)
O bone Jesu illumina oculos meos Penalosa, Francisco de (?) Ribera, Antonio de (?) Anchieta, Juan de (1462–1523) Compère, Loyset (ca. 1445–1518) (?) Appears on: 100v–101r Genres: Motet Source Attribution: Johannes Ancheta Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O bone Iesu illumina oculos meos General Note "The reassessment of the sources, including issues of chronology, corroborates the authority of the Segovia manuscript and the ascription ... to Juan de Anchieta, and definitively dismisses the possibility of Compere as the composer." (Alvarenga - Alv2019) Item Bibliography d'Alvarenga, João Pedro. 2019. Juan de Anchieta and the Iberian motet around 1500. Acta Musicologica, 91: 21-47.
101v–102r	Te Deum laudamus	4	-	Binchois, Gilles (ca. 1400–1460)
Te Deum laudamus Binchois, Gilles (ca. 1400–1460) Appears on: 101v–102r Genres: Liturgical work, Te Deum Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Te deum laudamus General Note Four-part version with newly-composed CT and B, first half only
102v	Juste judex Jesu Christe regum rex	4	-	Anonymous
Juste judex Jesu Christe regum rex Anonymous Appears on: 102v Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Iuste iudex Iesu Christe regum rex
[-]	Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum	4	-	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum Compère, Loyset (ca. 1445–1518) Appears on: [-] Genres: Ave Maria, Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
103r	T'meiskin was jonck	4	Jacobus hobrecht	Japart, Jean (?) Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
T'meiskin was jonck Japart, Jean (?) Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 103r Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 4 Voice: [no designation] Languages: Dutch Voice Text: T'meiskin was jonc
103v	Sullen wij langhe in drucke moeten leven	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Sullen wij langhe in drucke moeten leven Obrecht, Jacobus (ca. 1457–1505) Appears on: 103v Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 4
110r	Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum	4	-	Compère, Loyset (ca. 1445–1518)
Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum Compère, Loyset (ca. 1445–1518) Appears on: 110r Genres: Motet Number of voices: 4 General Note incomplete: Ct and Bs only
110v	J'ai pris amours	4	Johanes Martini	Martini, Johannes (ca. 1430–1497) Busnoys, Antoine (ca. 1430–1492) (?)
J'ai pris amours Martini, Johannes (ca. 1430–1497) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 110v Genres: Chanson Source Attribution: Johanes Martini Number of voices: 4
112r	Fortuna vincineta [different from "Fortuna par te cruelté", by Vincenet]	4	-	Anonymous
Fortuna vincineta [different from "Fortuna par te cruelté", by Vincenet] Anonymous Appears on: 112r Genres: Chanson Number of voices: 4
112v–113r	Benedicta semper = Je ne demande - 1a pars (of 2): Benedicta semper sancta sit trinitas = Je ne demande autre degre	-	-	Busnoys, Antoine (ca. 1430–1492)
Benedicta semper = Je ne demande - 1a pars (of 2): Benedicta semper sancta sit trinitas = Je ne demande autre degre Busnoys, Antoine (ca. 1430–1492) Appears on: 112v–113r Genres: Chanson
112v–113r	Benedicta semper = Je ne demande - 2a pars (of 2): [motet text] = O d'estre avec vous	4	anthonius busnoys	Busnoys, Antoine (ca. 1430–1492)
Benedicta semper = Je ne demande - 2a pars (of 2): [motet text] = O d'estre avec vous Busnoys, Antoine (ca. 1430–1492) Appears on: 112v–113r Genres: Chanson Source Attribution: anthonius busnoys Number of voices: 4
113v–114r	Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	4	alexander agricola	Agricola, Alexander (ca. 1445–1506)
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne Agricola, Alexander (ca. 1445–1506) Appears on: 113v–114r Genres: Chanson Source Attribution: alexander agricola Number of voices: 4 General Note Bassus has text incipit Je ne demande (in error)
114v–115r	Helas que pourra devenir	4	Caron	Caron, Firminus (ca. 1460–ca. 1475)
Helas que pourra devenir Caron, Firminus (ca. 1460–ca. 1475) Appears on: 114v–115r Genres: Chanson Source Attribution: Caron Number of voices: 4
115v–116r	Fortuna desperata iniqua e maledecta	5	ysaac	Isaac, Heinrich (ca. 1450–1517) (?)
Fortuna desperata iniqua e maledecta Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 115v–116r Genres: Italian secular Source Attribution: ysaac Number of voices: 5
116v–117r	Le souvenir	4	Johannes tinctoris	Tinctoris, Johannes (ca. 1435–1511)
Le souvenir Tinctoris, Johannes (ca. 1435–1511) Appears on: 116v–117r Genres: Chanson Source Attribution: Johannes tinctoris Number of voices: 4
117v–118r	Fortuna desperata / Sancte Petre / Ora pro nobis	5	ysaac	Isaac, Heinrich (ca. 1450–1517)
Fortuna desperata / Sancte Petre / Ora pro nobis Isaac, Heinrich (ca. 1450–1517) Appears on: 117v–118r Genres: Chanson Source Attribution: ysaac Number of voices: 5
118v	J'ay prijs amours	2 of 4	Vacat [i.e. anon]	Anonymous
J'ay prijs amours Anonymous Appears on: 118v Genres: Chanson Source Attribution: Vacat [i.e. anon] Number of voices: 2 of 4 Voice: [no designation] Languages: French Mensuration: cut-c Clef: c1 Voice Text: [J]ay prijs amours Voice: [no designation] Languages: French Mensuration: cut-c Clef: c4 Voice Text: [J]ay prijs amours General Note Only Superius and Tenor of the original chanson, transposed down a tone.
119r	Morkin ic hebbe ter scolen gheleghen	4	Matheus Pipe[la][re]	Pipelare, Mattheus (ca. 1450–ca. 1515)
Morkin ic hebbe ter scolen gheleghen Pipelare, Mattheus (ca. 1450–ca. 1515) Appears on: 119r Genres: Chanson Source Attribution: Matheus Pipe[la][re] Number of voices: 4 General Note Pipelare's name written using the Bb key signature and a D-G (=la-re)
119v–120r	Laet u ghenoughen liever Johan	4	-	Obrecht, Jacobus (ca. 1457–1505)
Laet u ghenoughen liever Johan Obrecht, Jacobus (ca. 1457–1505) Appears on: 119v–120r Genres: Chanson Number of voices: 4
120v–121r	Wat willen wij metten budel spelen	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Wat willen wij metten budel spelen Obrecht, Jacobus (ca. 1457–1505) Appears on: 120v–121r Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 4
121v–122r	Tsaat een eleen meisken al up een blocskin	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Tsaat een eleen meisken al up een blocskin Obrecht, Jacobus (ca. 1457–1505) Appears on: 121v–122r Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 4
122v–123r	Waer sij dij han / Wie roupt ons daer	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Waer sij dij han / Wie roupt ons daer Obrecht, Jacobus (ca. 1457–1505) Appears on: 122v–123r Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 4
123v	Lacen adieu wel zoete partye = Largire nunc mitissime gratiam tuam	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Lacen adieu wel zoete partye = Largire nunc mitissime gratiam tuam Obrecht, Jacobus (ca. 1457–1505) Appears on: 123v Genres: Motet Source Attribution: Jacobus hobrecht Number of voices: 4
124r	Zart reyne vrucht	4	Roelkin	Raulin / Roelkin (1443–1485) (?)
Zart reyne vrucht Raulin / Roelkin (1443–1485) (?) Appears on: 124r Genres: Chanson Source Attribution: Roelkin Number of voices: 4
124v–125r	Den Haghel ende die calde snee	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Den Haghel ende die calde snee Obrecht, Jacobus (ca. 1457–1505) Appears on: 124v–125r Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 4
125v–126r	Veci la danse barbari - L'autre jour	4	loysette compere	Compère, Loyset (ca. 1445–1518) (?)
Veci la danse barbari - L'autre jour Compère, Loyset (ca. 1445–1518) (?) Appears on: 125v–126r Genres: Secular Source Attribution: loysette compere Number of voices: 4
126v–127r	Weet ghij wat mynder jonghen herten deert	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Weet ghij wat mynder jonghen herten deert Obrecht, Jacobus (ca. 1457–1505) Appears on: 126v–127r Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 4
127v–128r	Mon pere m'a donné mari	4	loysette compere	Compère, Loyset (ca. 1445–1518)
Mon pere m'a donné mari Compère, Loyset (ca. 1445–1518) Appears on: 127v–128r Genres: Chanson Source Attribution: loysette compere Number of voices: 4
128v–129r	Bergerette savoyenne (savoysienne) 28.6	4	Josquin du press	Despres, Josquin (ca. 1450–1521)
Bergerette savoyenne (savoysienne) 28.6 Despres, Josquin (ca. 1450–1521) Appears on: 128v–129r Genres: Chanson Source Attribution: Josquin du press Number of voices: 4
129v–130r	Ic hoerde de clocskins luden	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Ic hoerde de clocskins luden Obrecht, Jacobus (ca. 1457–1505) Appears on: 129v–130r Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 4
130v–131r	Als al de weerelt in vruch den leeft	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Als al de weerelt in vruch den leeft Obrecht, Jacobus (ca. 1457–1505) Appears on: 130v–131r Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 4
131v–132r	Ic draghe de mutse clutse	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Ic draghe de mutse clutse Obrecht, Jacobus (ca. 1457–1505) Appears on: 131v–132r Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 4
132v–133r	Ic en hebbe ghen ghelt in myn bewelt	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Ic en hebbe ghen ghelt in myn bewelt Obrecht, Jacobus (ca. 1457–1505) Appears on: 132v–133r Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 4
133v–134r	Ic weinsche alle scoene vrauwen eere	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Ic weinsche alle scoene vrauwen eere Obrecht, Jacobus (ca. 1457–1505) Appears on: 133v–134r Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 4
134v	Meiskin es u cutkin ra	4	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Meiskin es u cutkin ra Obrecht, Jacobus (ca. 1457–1505) Appears on: 134v Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 4
135r	'Missa Auleni': Kyrie	3	Alexander agricola	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
'Missa Auleni': Kyrie Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 135r Genres: Kyrie eleison, Mass Ordinary Source Attribution: Alexander agricola Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Sine nomine] Kyrie.
135v–137r	'Missa Auleni': Gloria	3	-	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Gloria Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 135v–137r Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine] Gloria: 2 partes.
137v–140r	'Missa Auleni': Credo	3	-	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)
'Missa Auleni': Credo Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 137v–140r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine] Credo: 3 partes.
140v–142r	'Missa Auleni': Sanctus	3	-	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)
'Missa Auleni': Sanctus Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century) Appears on: 140v–142r Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine] Sanctus (incl.: Pleni: 2 voces, Osanna, Benedictus,the last two have the underlying text the other way round).
142v–145v	Magnificat [K.630]	3	Anthonius brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Magnificat [K.630] Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 142v–145v Genres: Magnificat Source Attribution: Anthonius brumel Number of voices: 3
146r–147v	Magnificat sexti toni: Et exultavit [K.584]	3	Johannes anxeta	Anchieta, Juan de (1462–1523)
Magnificat sexti toni: Et exultavit [K.584] Anchieta, Juan de (1462–1523) Appears on: 146r–147v Genres: Magnificat Source Attribution: Johannes anxeta Number of voices: 3
148r	Salve sancta facies nostri redemptoris (2p. Salve nostra gloria)	3	-	Obrecht, Jacobus (ca. 1457–1505)
Salve sancta facies nostri redemptoris (2p. Salve nostra gloria) Obrecht, Jacobus (ca. 1457–1505) Appears on: 148r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Salve sancta facies nostri redemptoris
148v–149r	Imperatrix reginarum	3	-	Gaffurius, Franchinus (1451–1522)
Imperatrix reginarum Gaffurius, Franchinus (1451–1522) Appears on: 148v–149r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Imperatrix reginarum sanctarum animarum
149v–150r	Osanna salvifica tuum plasma qui creasti	3	-	Anonymous
Osanna salvifica tuum plasma qui creasti Anonymous Appears on: 149v–150r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Osanna salvifica tuum plasma qui creasti
150v	Alleluia	3	-	Anonymous
Alleluia Anonymous Appears on: 150v Genres: Alleluia Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Alleluia
151r	Alleluia. Salve virgo mater Dei	3	-	Anonymous
Alleluia. Salve virgo mater Dei Anonymous Appears on: 151r Genres: Alleluia, Proper Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Alleluia. Salve virgo mater dei templum
151v–153r	Lamentation Aleph. Quomodo obscuratum est aurum / Heth. Filii Sion	3	-	Anonymous
Lamentation Aleph. Quomodo obscuratum est aurum / Heth. Filii Sion Anonymous Appears on: 151v–153r Genres: Lamentations, Motet Number of voices: 3
153v–155r	Lamentations Aleph. Viae Sion lugent / Heth. Facti sunt hostes	3	-	Anonymous
Lamentations Aleph. Viae Sion lugent / Heth. Facti sunt hostes Anonymous Appears on: 153v–155r Genres: Lamentations Number of voices: 3
155v–156r	Ave verum corpus Domini	3	-	Anonymous
Ave verum corpus Domini Anonymous Appears on: 155v–156r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ave verum corpus domini
156v–157r	Ave ancilla trinitatis - 1a pars (of 3): Ave ancilla trinitatis ave filia sempiterni	3	Anthonius Brumel	Isaac, Heinrich (ca. 1450–1517)
Ave ancilla trinitatis - 1a pars (of 3): Ave ancilla trinitatis ave filia sempiterni Isaac, Heinrich (ca. 1450–1517) Appears on: 156v–157r Genres: Motet Source Attribution: Anthonius Brumel Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ave ancilla trinitatis ave filia sempiterni
157v–158r	Mater patris et filia mulierum laetitia	3	Anthonius Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Mater patris et filia mulierum laetitia Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 157v–158r Genres: Sequence Source Attribution: Anthonius Brumel Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Mater patris et filia mulierum laetitia
158v	Ave maris stella	3	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Ave maris stella Obrecht, Jacobus (ca. 1457–1505) Appears on: 158v Source Attribution: Jacobus hobrecht Number of voices: 3
159r	Dat ik mijn lijden aldus helen moet	3	Petrus Elinc	Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506) (?) Agricola, Johannes (ca. 1560–ca. 1601) (?)
Dat ik mijn lijden aldus helen moet Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506) (?) Agricola, Johannes (ca. 1560–ca. 1601) (?) Appears on: 159r Genres: Song Source Attribution: Petrus Elinc Number of voices: 3
159v	In minen sin (= Myns herten troest)	3	Alexander agricola	Agricola, Alexander (ca. 1445–1506)
In minen sin (= Myns herten troest) Agricola, Alexander (ca. 1445–1506) Appears on: 159v Genres: Chanson, Song Source Attribution: Alexander agricola Number of voices: 3
160r	D'un autre aimer mon coeur s'abesseroit (IV)	3	Alexander agricola	Agricola, Alexander (ca. 1445–1506)
D'un autre aimer mon coeur s'abesseroit (IV) Agricola, Alexander (ca. 1445–1506) Appears on: 160r Genres: Chanson Source Attribution: Alexander agricola Number of voices: 3
160v	Oblier veult douleur et tristesse (= Carmen in sol)	3	Alexander agricola	Agricola, Alexander (ca. 1445–1506)
Oblier veult douleur et tristesse (= Carmen in sol) Agricola, Alexander (ca. 1445–1506) Appears on: 160v Genres: Chanson Source Attribution: Alexander agricola Number of voices: 3
161r	Vrucht en moet is gar dahin	3	Roelkin	Raulin / Roelkin (1443–1485)
Vrucht en moet is gar dahin Raulin / Roelkin (1443–1485) Appears on: 161r Genres: Song Source Attribution: Roelkin Number of voices: 3
161r	Bergerette savoysienne	3	Loysette compere	Compère, Loyset (ca. 1445–1518)
Bergerette savoysienne Compère, Loyset (ca. 1445–1518) Appears on: 161r Genres: Chanson Source Attribution: Loysette compere Number of voices: 3
161v–162r	Tandernaken al up den Rijn	3	Alexander agricola	Agricola, Alexander (ca. 1445–1506)
Tandernaken al up den Rijn Agricola, Alexander (ca. 1445–1506) Appears on: 161v–162r Genres: Chanson Source Attribution: Alexander agricola Number of voices: 3
162v	Soit loing ou pres tousjours me souviendra	3	Alexander agricola	Agricola, Alexander (ca. 1445–1506)
Soit loing ou pres tousjours me souviendra Agricola, Alexander (ca. 1445–1506) Appears on: 162v Genres: Chanson Source Attribution: Alexander agricola Number of voices: 3
163r	Ce n'est pas jeu d'esloignier ce qu'on ame	3	Groen heyne	Ockeghem, Jean de (ca. 1410–1497) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)
Ce n'est pas jeu d'esloignier ce qu'on ame Ockeghem, Jean de (ca. 1410–1497) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Appears on: 163r Genres: Chanson Source Attribution: Groen heyne Number of voices: 3
163v	No me canteys a la primera (= Allez regrets vuides de ma présence)	3	Groen heyne	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)
No me canteys a la primera (= Allez regrets vuides de ma présence) Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Appears on: 163v Genres: Chanson, Contrafactum Source Attribution: Groen heyne Number of voices: 3
164r	Mon souvenir mi fait morir pour les regrets	3	Groen heyne	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Mon souvenir mi fait morir pour les regrets Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 164r Genres: Chanson Source Attribution: Groen heyne Number of voices: 3
164v	Adieu natuerlic leven myn	3	Petrus Elinc	Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506)
Adieu natuerlic leven myn Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506) Appears on: 164v Genres: Chanson Source Attribution: Petrus Elinc Number of voices: 3
165r	Moet my lacen u vriendlic schiin	3	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Moet my lacen u vriendlic schiin Obrecht, Jacobus (ca. 1457–1505) Appears on: 165r Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 3
165v	Verlanghen ghij doet mynder herten piin	3	Petrus Elinc	Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506)
Verlanghen ghij doet mynder herten piin Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506) Appears on: 165v Genres: Chanson Source Attribution: Petrus Elinc Number of voices: 3
166r	Frölich wesen	3	Jacobus barbiriau	Barbireau, Jacobus (1455–1491) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Frölich wesen Barbireau, Jacobus (1455–1491) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 166r Genres: Song Source Attribution: Jacobus barbiriau Number of voices: 3
166v	Mijn alder liefste moeeselkin	3	Alexander agrico[la]	Agricola, Alexander (ca. 1445–1506)
Mijn alder liefste moeeselkin Agricola, Alexander (ca. 1445–1506) Appears on: 166v Genres: Chanson Source Attribution: Alexander agrico[la] Number of voices: 3 General Note 'la' in 'agricola' written with a clef+note
167r	Cuius sacrata viscera (3vv)	3	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Cuius sacrata viscera (3vv) Obrecht, Jacobus (ca. 1457–1505) Appears on: 167r Genres: Motet Source Attribution: Jacobus hobrecht Number of voices: 3
167v–168r	Gratias refero tibi Domine Jesu Christe	3	Ysaac	Isaac, Heinrich (ca. 1450–1517)
Gratias refero tibi Domine Jesu Christe Isaac, Heinrich (ca. 1450–1517) Appears on: 167v–168r Genres: Motet Source Attribution: Ysaac Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Gratias refero tibi domine Ihesu Christe
168r	Sancta Maria ora pro nobis	3	-	Anonymous
Sancta Maria ora pro nobis Anonymous Appears on: 168r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Sancta Maria ora pro nobis
168v	Domine non secundum peccata nostra	3	Johannes Ancheta	Anchieta, Juan de (1462–1523)
Domine non secundum peccata nostra Anchieta, Juan de (1462–1523) Appears on: 168v Genres: Tract Source Attribution: Johannes Ancheta Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra
169r	Conditor alme siderum	3	Anxieta	Anchieta, Juan de (1462–1523)
Conditor alme siderum Anchieta, Juan de (1462–1523) Appears on: 169r Genres: Motet Source Attribution: Anxieta Number of voices: 3
169r	Conditor alme siderum	3	Marturia	Prats, Marturià
Conditor alme siderum Prats, Marturià Appears on: 169r Genres: Motet Source Attribution: Marturia Number of voices: 3
169v–170r	Ave sanctissima Maria mater Dei piissima	3	-	Anonymous
Ave sanctissima Maria mater Dei piissima Anonymous Appears on: 169v–170r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima Maria mater dei piissima
170v	Si dedero somnum oculis meis	3	Alexander agrico[la]	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 170v Genres: Motet Source Attribution: Alexander agrico[la] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis General Note 'la' in 'agricola' written with clef+note
171r	Missa Si dedero: Christe eleison	3	Jacobus hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Missa Si dedero: Christe eleison Obrecht, Jacobus (ca. 1457–1505) Appears on: 171r Genres: Kyrie eleison, Mass Ordinary Source Attribution: Jacobus hobrecht Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Christe sy dedero [Missa Si dedero] Christe.
171v	Que vous madame / In pace in idipsum 27.33	3	Josquin du press	Agricola, Alexander (ca. 1445–1506) (?) Despres, Josquin (ca. 1450–1521)
Que vous madame / In pace in idipsum 27.33 Agricola, Alexander (ca. 1445–1506) (?) Despres, Josquin (ca. 1450–1521) Appears on: 171v Genres: Motet Source Attribution: Josquin du press Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: In pace in idipsum [= Que vous madame]
172r	Ortus de caelo flos est (= La Stangetta)	3	Ysaac	Obrecht, Jacobus (ca. 1457–1505) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Ortus de caelo flos est (= La Stangetta) Obrecht, Jacobus (ca. 1457–1505) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 172r Genres: Motet Source Attribution: Ysaac Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Hortus de caelo flos est [= La Stangetta]
172v	O intemerata = Der newe pawir schwantcz	3	Johannes Martini	Martini, Johannes (ca. 1430–1497) (?) Agricola, Alexander (ca. 1445–1506)
O intemerata = Der newe pawir schwantcz Martini, Johannes (ca. 1430–1497) (?) Agricola, Alexander (ca. 1445–1506) Appears on: 172v Genres: Contrafactum Source Attribution: Johannes Martini Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O intemerata [= Der newe pawir schwantcz]
173r	Hoert hier myn lieve gheselle	3	Petrus Elinc	Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506)
Hoert hier myn lieve gheselle Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506) Appears on: 173r Genres: Chanson Source Attribution: Petrus Elinc Number of voices: 3
173v	De tous biens plaine [VI]	3	Alexander agricola	Agricola, Alexander (ca. 1445–1506)
De tous biens plaine [VI] Agricola, Alexander (ca. 1445–1506) Appears on: 173v Genres: Chanson Source Attribution: Alexander agricola Number of voices: 3
174r	Fortuna desperata iniqua e maledecta	3	Anthonius busnoys	Busnoys, Antoine (ca. 1430–1492) (?)
Fortuna desperata iniqua e maledecta Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 174r Genres: Italian secular Source Attribution: Anthonius busnoys Number of voices: 3
174v	O Venus bant (II)	3	Alexander agricola	Agricola, Alexander (ca. 1445–1506)
O Venus bant (II) Agricola, Alexander (ca. 1445–1506) Appears on: 174v Genres: Chanson Source Attribution: Alexander agricola Number of voices: 3
175r	Princesse de toute beaulte	3	Alr. agricola	Agricola, Alexander (ca. 1445–1506)
Princesse de toute beaulte Agricola, Alexander (ca. 1445–1506) Appears on: 175r Genres: Chanson Source Attribution: Alr. agricola Number of voices: 3
175v	Helas que devera mon coeur 27.14	3	ysaac	Isaac, Heinrich (ca. 1450–1517) (?) Despres, Josquin (ca. 1450–1521) (?)
Helas que devera mon coeur 27.14 Isaac, Heinrich (ca. 1450–1517) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 175v Genres: Chanson Source Attribution: ysaac Number of voices: 3
176r	O crux ave spes unica	3	Anthonius brumel	Brumel, Antoine (ca. 1460–ca. 1513)
O crux ave spes unica Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 176r Genres: Hymn Source Attribution: Anthonius brumel Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O crux ave spes unica
176r–176v	De tous biens playne (= E chi le dira?)	2	ysaac	Isaac, Heinrich (ca. 1450–1517)
De tous biens playne (= E chi le dira?) Isaac, Heinrich (ca. 1450–1517) Appears on: 176r–176v Genres: Lauda Source Attribution: ysaac Number of voices: 2
176v–177r	Helas que pourra devenir	3	-	Isaac, Heinrich (ca. 1450–1517)
Helas que pourra devenir Isaac, Heinrich (ca. 1450–1517) Appears on: 176v–177r Genres: Chanson Number of voices: 3
177v	Myn liefkins bruyn ooghen ende haren	3	-	Pipelare, Mattheus (ca. 1450–ca. 1515) Agricola, Alexander (ca. 1445–1506) (?)
Myn liefkins bruyn ooghen ende haren Pipelare, Mattheus (ca. 1450–ca. 1515) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 177v Genres: Song Number of voices: 3
178r	Reveille toy franc cuer	3	Loysette compere	Compère, Loyset (ca. 1445–1518)
Reveille toy franc cuer Compère, Loyset (ca. 1445–1518) Appears on: 178r Genres: Chanson Source Attribution: Loysette compere Number of voices: 3
178v	Adieu comment joye	3	Adam	Adam
Adieu comment joye Adam Appears on: 178v Genres: Chanson Source Attribution: Adam Number of voices: 3
178v	Se j'ai parlé aulcunement des femmes de religion.	3	Loysette compere	Compère, Loyset (ca. 1445–1518)
Se j'ai parlé aulcunement des femmes de religion. Compère, Loyset (ca. 1445–1518) Appears on: 178v Genres: Chanson Source Attribution: Loysette compere Number of voices: 3
179r	Amie des que = Votre amour = Memento mei domine (= Christe from Missa Charge de dueil)	4	ysaac	Isaac, Heinrich (ca. 1450–1517)
Amie des que = Votre amour = Memento mei domine (= Christe from Missa Charge de dueil) Isaac, Heinrich (ca. 1450–1517) Appears on: 179r Genres: Motet Source Attribution: ysaac Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Vostre amour [=Missa Chargé de deul: Christe: 3 voces]
179v	James que la ne peult estre trouvée	3	Anthonius ['bus(noys)' crossed out] brumel	Brumel, Antoine (ca. 1460–ca. 1513)
James que la ne peult estre trouvée Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 179v Genres: Sacred Song Source Attribution: Anthonius ['bus(noys)' crossed out] brumel Number of voices: 3
180r	Vive le noble roy de France	3	Loysette compere	Compère, Loyset (ca. 1445–1518)
Vive le noble roy de France Compère, Loyset (ca. 1445–1518) Appears on: 180r Genres: Chanson Royale Source Attribution: Loysette compere Number of voices: 3
180v–181r	De tous biens plaine (IV)	3	Alexander agrico[la]	Agricola, Alexander (ca. 1445–1506)
De tous biens plaine (IV) Agricola, Alexander (ca. 1445–1506) Appears on: 180v–181r Genres: Chanson Source Attribution: Alexander agrico[la] Number of voices: 3 General Note 'la' in 'agricola' written with clef+note
181v	Je ne fais plus je ne dis ne escris = Au joli mois de may	3	Loysette compere	Mureau, Gilles (?) Busnoys, Antoine (ca. 1430–1492) (?) Compère, Loyset (ca. 1445–1518) (?)
Je ne fais plus je ne dis ne escris = Au joli mois de may Mureau, Gilles (?) Busnoys, Antoine (ca. 1430–1492) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 181v Genres: Chanson Source Attribution: Loysette compere Number of voices: 3
182r	J'ai beau huer avant que bien avoir	3	Loysette compe[re]	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?)
J'ai beau huer avant que bien avoir Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 182r Genres: Chanson Source Attribution: Loysette compe[re] Number of voices: 3 General Note 're' in 'compere' written with clef+note
182v	Fortuna desperata 27.11	3	Josquin du pres	Despres, Josquin (ca. 1450–1521)
Fortuna desperata 27.11 Despres, Josquin (ca. 1450–1521) Appears on: 182v Genres: Chanson Source Attribution: Josquin du pres Number of voices: 3
183r	Het es al ghedaen	3	ysaac	Barle, Jacobus (?) Isaac, Heinrich (ca. 1450–1517) (?)
Het es al ghedaen Barle, Jacobus (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 183r Genres: Chanson Source Attribution: ysaac Number of voices: 3
183v	Amours amours trop me fiers de tes dars	3	Groen heyne	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Amours amours trop me fiers de tes dars Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 183v Genres: Chanson Source Attribution: Groen heyne Number of voices: 3
184r	Helas le bon temps que j'avoie (= Helas Abraham)	3	Loysette compere	Tinctoris, Johannes (ca. 1435–1511) (?) Compère, Loyset (ca. 1445–1518) (?)
Helas le bon temps que j'avoie (= Helas Abraham) Tinctoris, Johannes (ca. 1435–1511) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 184r Genres: Chanson Source Attribution: Loysette compere Number of voices: 3
184v	Puisque si bien m'est advenu	3	loysette compere	Compère, Loyset (ca. 1445–1518)
Puisque si bien m'est advenu Compère, Loyset (ca. 1445–1518) Appears on: 184v Genres: Chanson Source Attribution: loysette compere Number of voices: 3
185r	Cayphas	3	Loysette Compere - Johannes Martini	Martini, Johannes (ca. 1430–1497) (?) Compère, Loyset (ca. 1445–1518)
Cayphas Martini, Johannes (ca. 1430–1497) (?) Compère, Loyset (ca. 1445–1518) Appears on: 185r Genres: Motet Source Attribution: Loysette Compere - Johannes Martini Number of voices: 3 Voice: [no designation] Languages: insufficient Voice Text: Cayphas
185v	En atendant de vous [=d'avoir] secours	3	Loysette compere	Compère, Loyset (ca. 1445–1518)
En atendant de vous [=d'avoir] secours Compère, Loyset (ca. 1445–1518) Appears on: 185v Genres: Chanson Source Attribution: Loysette compere Number of voices: 3
186r	My my	3	ysaac	Isaac, Heinrich (ca. 1450–1517)
My my Isaac, Heinrich (ca. 1450–1517) Appears on: 186r Genres: Chanson Source Attribution: ysaac Number of voices: 3
186v	Penser en vous	3	Groen (or 'Scoen') heyne	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Penser en vous Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 186v Genres: Chanson Source Attribution: Groen (or 'Scoen') heyne Number of voices: 3
187r	Pour vostre amour	3	Anthonius brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Pour vostre amour Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 187r Genres: Chanson Source Attribution: Anthonius brumel Number of voices: 3
187v–188r	Nec mihi nec tibi = Helas	3	Jacobus hobrecht	Haugk, Virgilius (ca. 1490–1555) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Nec mihi nec tibi = Helas Haugk, Virgilius (ca. 1490–1555) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 187v–188r Genres: Chanson Source Attribution: Jacobus hobrecht Number of voices: 3
188v	O Venus bant (I)	3	Alexander agricola	Agricola, Alexander (ca. 1445–1506)
O Venus bant (I) Agricola, Alexander (ca. 1445–1506) Appears on: 188v Genres: Chanson Source Attribution: Alexander agricola Number of voices: 3
189r	J'ai bien nori sept ans 27.16	3	Johanes joye	Joye, Gilles (?) Despres, Josquin (ca. 1450–1521) (?) Japart, Jean (?)
J'ai bien nori sept ans 27.16 Joye, Gilles (?) Despres, Josquin (ca. 1450–1521) (?) Japart, Jean (?) Appears on: 189r Genres: Chanson Source Attribution: Johanes joye Number of voices: 3
189v	Scoent kint	3	Johanes Martini	Martini, Johannes (ca. 1430–1497)
Scoent kint Martini, Johannes (ca. 1430–1497) Appears on: 189v Genres: Chanson Source Attribution: Johanes Martini Number of voices: 3
190r	Beaulte damours	3	Loysette compere	Compère, Loyset (ca. 1445–1518)
Beaulte damours Compère, Loyset (ca. 1445–1518) Appears on: 190r Genres: Chanson Source Attribution: Loysette compere Number of voices: 3
190v	Pour mieulx valor = Comt hier	3	ysaac	Robinet, F (?) Isaac, Heinrich (ca. 1450–1517) (?)
Pour mieulx valor = Comt hier Robinet, F (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 190v Genres: Chanson Source Attribution: ysaac Number of voices: 3
191r	Moises	3	-	Compère, Loyset (ca. 1445–1518)
Moises Compère, Loyset (ca. 1445–1518) Appears on: 191r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Moyses
191v–192r	Guerisses moi du grant mal que je porte	3	Loysette compere	Compère, Loyset (ca. 1445–1518)
Guerisses moi du grant mal que je porte Compère, Loyset (ca. 1445–1518) Appears on: 191v–192r Genres: Chanson Source Attribution: Loysette compere Number of voices: 3
192r	Je ne puis plus	3	Loysette compe[re]	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?)
Je ne puis plus Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 192r Genres: Chanson, Contrafactum Source Attribution: Loysette compe[re] Number of voices: 3 General Note 're' of 'compere'written with clef+note Concordances Segovia s.s. (f 192r): Je ne puis plus - Loyset Compere Florence Magl XIX 178 (ff. 54v-55r): Je ne puis haver - Alexander [Agricola] Florence Magl. XIX 59 (ff. 26v-27r: Je nem puis - anon Cape Town, 3.b.12 (f. 120v): Benedic anima mea Domino - anon
192v–193r	Gentile spiritus	3	ysaac	Isaac, Heinrich (ca. 1450–1517)
Gentile spiritus Isaac, Heinrich (ca. 1450–1517) Appears on: 192v–193r Genres: Chanson Source Attribution: ysaac Number of voices: 3
193v–194r	Helas de vous me doy complaindre	3	Alexander agricola	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)
Helas de vous me doy complaindre Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Appears on: 193v–194r Genres: Chanson Source Attribution: Alexander agricola Number of voices: 3
194v–195r	De tous biens plaine (V)	3	Alexander agrico[la]	Agricola, Alexander (ca. 1445–1506)
De tous biens plaine (V) Agricola, Alexander (ca. 1445–1506) Appears on: 194v–195r Genres: Chanson Source Attribution: Alexander agrico[la] Number of voices: 3 General Note 'la' in 'Agricola' written with clef+note
195v–197r	Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus	3	Ferdinandus et frater eius	Isaac, Heinrich (ca. 1450–1517) (?) Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?)
Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus Isaac, Heinrich (ca. 1450–1517) (?) Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 195v–197r Genres: Contrafactum Source Attribution: Ferdinandus et frater eius Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Caecus non iudicat de coloribus General Note Here as "Caecus non iudicat", as in Q17 (elsewhere with other texts)
196v–197r	Caecus non iudicat - 2a pars (of 2): (no text)	3	-	Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?)
Caecus non iudicat - 2a pars (of 2): (no text) Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 196v–197r Genres: textless Number of voices: 3
197v–198r	La Martinella	3	ysaac	Isaac, Heinrich (ca. 1450–1517)
La Martinella Isaac, Heinrich (ca. 1450–1517) Appears on: 197v–198r Genres: Italian secular, Tablature Source Attribution: ysaac Number of voices: 3
198v	Morte che fai che non pigli	3	ysaac	Isaac, Heinrich (ca. 1450–1517)
Morte che fai che non pigli Isaac, Heinrich (ca. 1450–1517) Appears on: 198v Genres: Italian secular Source Attribution: ysaac Number of voices: 3
200r	Gaudeamus omnes in Domino	2	Alexander agrico[la]	Agricola, Alexander (ca. 1445–1506)
Gaudeamus omnes in Domino Agricola, Alexander (ca. 1445–1506) Appears on: 200r Genres: Introit, Proper Source Attribution: Alexander agrico[la] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Gaudeamus omnes in Domino General Note 'la' in 'agricola' written as clef+note
200v	Regina caeli laetare alleluia	2	Jacobus Hobrecht	Obrecht, Jacobus (ca. 1457–1505)
Regina caeli laetare alleluia Obrecht, Jacobus (ca. 1457–1505) Appears on: 200v Genres: Marian antiphon, Regina caeli laetare Source Attribution: Jacobus Hobrecht Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia
201r	De tous biens plaine est ma maîtresse	2	Adam	Adam
De tous biens plaine est ma maîtresse Adam Appears on: 201r Genres: Chanson Source Attribution: Adam Number of voices: 2
201v	Comme femme desconfortée (III)	2	Alexander agrico[la]	Agricola, Alexander (ca. 1445–1506)
Comme femme desconfortée (III) Agricola, Alexander (ca. 1445–1506) Appears on: 201v Genres: Chanson Source Attribution: Alexander agrico[la] Number of voices: 2 General Note 'la' in 'agricola' written with clef+note
202r	De tous biens plaine est ma maîtresse	2	Jo. tinctoris	Tinctoris, Johannes (ca. 1435–1511)
De tous biens plaine est ma maîtresse Tinctoris, Johannes (ca. 1435–1511) Appears on: 202r Genres: Chanson Source Attribution: Jo. tinctoris Number of voices: 2
202v–203r	De tous biens plaine est ma maîtresse	2	Roelkin	Raulin / Roelkin (1443–1485)
De tous biens plaine est ma maîtresse Raulin / Roelkin (1443–1485) Appears on: 202v–203r Genres: Chanson Source Attribution: Roelkin Number of voices: 2
203v	Le souvenir	2	Johannes tinctoris	Tinctoris, Johannes (ca. 1435–1511)
Le souvenir Tinctoris, Johannes (ca. 1435–1511) Appears on: 203v Genres: Chanson Source Attribution: Johannes tinctoris Number of voices: 2
204r	D'un autre aimer mon coeur s'abesseroit	2	Johannes tinctoris	Tinctoris, Johannes (ca. 1435–1511)
D'un autre aimer mon coeur s'abesseroit Tinctoris, Johannes (ca. 1435–1511) Appears on: 204r Genres: Chanson Source Attribution: Johannes tinctoris Number of voices: 2
204r	Alleluia	2	Johannes Tinctoris	Tinctoris, Johannes (ca. 1435–1511)
Alleluia Tinctoris, Johannes (ca. 1435–1511) Appears on: 204r Genres: Alleluia Source Attribution: Johannes Tinctoris Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Alleluia
204v–205r	Tout a par moi	2	Jo. tinctoris	Tinctoris, Johannes (ca. 1435–1511)
Tout a par moi Tinctoris, Johannes (ca. 1435–1511) Appears on: 204v–205r Genres: Chanson Source Attribution: Jo. tinctoris Number of voices: 2
205r	Fecit potentiam (secundi toni) [K.460]	2	-	Anonymous
Fecit potentiam (secundi toni) [K.460] Anonymous Appears on: 205r Genres: Magnificat Number of voices: 2
205v	Comme femme desconfortée	2	Johannes tinctoris	Tinctoris, Johannes (ca. 1435–1511)
Comme femme desconfortée Tinctoris, Johannes (ca. 1435–1511) Appears on: 205v Genres: Chanson Source Attribution: Johannes tinctoris Number of voices: 2 General Note incomplete
206r	Justa fue mi perdición	3	-	Torre, Francisco de la
Justa fue mi perdición Torre, Francisco de la Appears on: 206r Genres: Vilancico Number of voices: 3
206v–207r	Gran gasajo siento yo	4	-	Encina, Juan del
Gran gasajo siento yo Encina, Juan del Appears on: 206v–207r Genres: Vilancico Number of voices: 4
207v	Pues jamás olvidaros	4	-	Encina, Juan del
Pues jamás olvidaros Encina, Juan del Appears on: 207v Genres: Chanson Number of voices: 4
209r	Nunca fue pena mayor / Numquam fuit pena magior	3	-	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)
Nunca fue pena mayor / Numquam fuit pena magior Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?) Appears on: 209r Genres: Motet Number of voices: 3
209v	Al dolor de mi cuidado	3	-	Perez de Gijón, Juan (ca. 1460–ca. 1500)
Al dolor de mi cuidado Perez de Gijón, Juan (ca. 1460–ca. 1500) Appears on: 209v Genres: Chanson Number of voices: 3
210r	Romerico tu que vienes	3	-	Encina, Juan del
Romerico tu que vienes Encina, Juan del Appears on: 210r Genres: Vilancico Number of voices: 3
210r	O que chapado plazer	3	-	Anonymous
O que chapado plazer Anonymous Appears on: 210r Genres: Chanson Number of voices: 3
210v	Damos gracias a ti Dios	3	-	Torre, Francisco de la
Damos gracias a ti Dios Torre, Francisco de la Appears on: 210v Genres: Chanson, Sacred Song, Vilancico Number of voices: 3
211r	Peligroso pensiamento	3	-	Torre, Francisco de la
Peligroso pensiamento Torre, Francisco de la Appears on: 211r Genres: Vilancico Number of voices: 3
211v	Dezi, flor resplandeçiente	3	-	Anonymous
Dezi, flor resplandeçiente Anonymous Appears on: 211v Genres: Vilancico Number of voices: 3
211v	Contento soy que dolais dolor	3	-	Anonymous
Contento soy que dolais dolor Anonymous Appears on: 211v Genres: Vilancico Number of voices: 3
212r	Al de hato ça los angeles	3	-	Anonymous
Al de hato ça los angeles Anonymous Appears on: 212r Genres: Chanson Number of voices: 3
212v	Ya no quiero tener fe, señora	3	-	Encina, Juan del
Ya no quiero tener fe, señora Encina, Juan del Appears on: 212v Genres: Sacred Song Number of voices: 3
212v	El descanso de vos ver	3	-	Anonymous
El descanso de vos ver Anonymous Appears on: 212v Genres: Chanson Number of voices: 3
213r	Amor quiso que os quisiese	3	-	Anonymous
Amor quiso que os quisiese Anonymous Appears on: 213r Genres: Chanson Number of voices: 3
213v	Por muy dichoso se tenga	3	-	Encina, Juan del
Por muy dichoso se tenga Encina, Juan del Appears on: 213v Genres: Chanson Number of voices: 3
213v	Ay triste que vengo	3	-	Encina, Juan del
Ay triste que vengo Encina, Juan del Appears on: 213v Genres: Vilancico Number of voices: 3
214r	Mas lo precio que mi Enrique	3	-	Anonymous
Mas lo precio que mi Enrique Anonymous Appears on: 214r Genres: Chanson Number of voices: 3
214r	No cesé hasta que os vi	3	-	Anonymous
No cesé hasta que os vi Anonymous Appears on: 214r Genres: Chanson Number of voices: 3
214v	Qual estávades anoche	4	-	Anonymous
Qual estávades anoche Anonymous Appears on: 214v Genres: Chanson Number of voices: 4
216r	Ya no quiero ser vaquero	3	-	Encina, Juan del
Ya no quiero ser vaquero Encina, Juan del Appears on: 216r Genres: Vilancico Number of voices: 3
216r	(untexted)	3	-	Anonymous
(untexted) Anonymous Appears on: 216r Genres: Chanson Number of voices: 3
216v	Harto de tanta porfia	3	-	Anonymous
Harto de tanta porfia Anonymous Appears on: 216v Genres: Chanson Number of voices: 3
217r	Oyga tu merced y crea	3	-	Anonymous
Oyga tu merced y crea Anonymous Appears on: 217r Genres: Chanson Number of voices: 3
217v	Adoramus te, Señor	4	-	Torre, Francisco de la
Adoramus te, Señor Torre, Francisco de la Appears on: 217v Genres: Sacred Song Number of voices: 4
220r	Andad pasiones andad	3	-	Lagarto, Pedro de (ca. 1465–1543)
Andad pasiones andad Lagarto, Pedro de (ca. 1465–1543) Appears on: 220r Genres: Chanson Number of voices: 3
220v	O si vieras al moçuelo	3	-	Anonymous
O si vieras al moçuelo Anonymous Appears on: 220v Genres: Chanson Number of voices: 3
222r	Nuevas, nuevas de plazer	3	-	Anonymous
Nuevas, nuevas de plazer Anonymous Appears on: 222r Genres: Chanson Number of voices: 3
222v	Nuevas, nuevas por tu fe	3	-	Anonymous
Nuevas, nuevas por tu fe Anonymous Appears on: 222v Genres: Chanson Number of voices: 3
224r	Como nos liebas, amor	3	-	Anonymous
Como nos liebas, amor Anonymous Appears on: 224r Genres: Chanson Number of voices: 3
224r	Quanto más lexos de ti	4	-	Anonymous
Quanto más lexos de ti Anonymous Appears on: 224r Genres: Chanson Number of voices: 4
224v	Quedóse do quedo yo	3	-	Anonymous
Quedóse do quedo yo Anonymous Appears on: 224v Genres: Chanson Number of voices: 3
225r	Para verme con ventura	3	-	Encina, Juan del
Para verme con ventura Encina, Juan del Appears on: 225r Genres: Vilancico Number of voices: 3
225r	Con temor e con plazer	3	-	Anonymous
Con temor e con plazer Anonymous Appears on: 225r Genres: Chanson Number of voices: 3
225v	Vete amor buscas do'stés	3	-	Anonymous
Vete amor buscas do'stés Anonymous Appears on: 225v Genres: Chanson Number of voices: 3
225v	Desdichado fue nacer	3	-	Anonymous
Desdichado fue nacer Anonymous Appears on: 225v Genres: Chanson Number of voices: 3
226r	Vos partiste, yo quedé	3	-	Anonymous
Vos partiste, yo quedé Anonymous Appears on: 226r Genres: Chanson Number of voices: 3
226r	Subime a lo Alto	3	-	Anonymous
Subime a lo Alto Anonymous Appears on: 226r Genres: Sacred Song Number of voices: 3
226v–227r	Pange lingua gloriosi (II)	4	Johannes vrede	Urrede (Wrede), Juan de (fl. 1451-c1482)
Pange lingua gloriosi (II) Urrede (Wrede), Juan de (fl. 1451-c1482) Appears on: 226v–227r Genres: Hymn Source Attribution: Johannes vrede Number of voices: 4 General Note A unicum, NOT concordant with Urrede's more widely-copied Pange lingua setting
227v–228r	Ave rex noster tu solus miseratus	4	Alonso de Mondejar	Mondejar, Alonso de
Ave rex noster tu solus miseratus Mondejar, Alonso de Appears on: 227v–228r Genres: Motet Source Attribution: Alonso de Mondejar Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave rex noster tu solus miseratus
228v	Ne recorderis dirige dum veneris / Kyrie eleison	4	-	Torre, Francisco de la Guerrero, Francisco (?) Morales, Cristóbal de (ca. 1500–1553) (?)
Ne recorderis dirige dum veneris / Kyrie eleison Torre, Francisco de la Guerrero, Francisco (?) Morales, Cristóbal de (ca. 1500–1553) (?) Appears on: 228v Genres: Responsory, Verse Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ne recorderis (only Cantus) General Note Conflicting ascription in the Inventar Tarazona, No. 11: Sanabria, s. 1.3.3, p. 364. this copy incomplete (Superius only)

Composer	Compositions
Adam	Adieu comment joye – 178v De tous biens plaine est ma maîtresse – 201r
Agricola, Alexander (ca. 1445-1506)	(?) 'Missa Auleni': Credo – 137v–140r (?) 'Missa Auleni': Gloria – 135v–137r (?) 'Missa Auleni': Kyrie – 135r (?) 'Missa Auleni': Sanctus – 140v–142r (?) Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus – 195v–197r (?) Caecus non iudicat - 2a pars (of 2): (no text) – 196v–197r Comme femme desconfortée (III) – 201v D'un autre aimer mon coeur s'abesseroit (IV) – 160r De tous biens plaine (IV) – 180v–181r De tous biens plaine (V) – 194v–195r De tous biens plaine [VI] – 173v Gaudeamus omnes in Domino – 200r (?) Helas de vous me doy complaindre – 193v–194r In minen sin (= Myns herten troest) – 159v (?) J'ai beau huer avant que bien avoir – 182r Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne – 113v–114r (?) Je ne puis plus – 192r (?) Magnificat quarti toni: Et exultavit [K.632] – 73v–76r Mijn alder liefste moeeselkin – 166v (?) Myn liefkins bruyn ooghen ende haren – 177v (?) No me canteys a la primera (= Allez regrets vuides de ma présence) – 163v O Venus bant (I) – 188v O Venus bant (II) – 174v O intemerata = Der newe pawir schwantcz – 172v Oblier veult douleur et tristesse (= Carmen in sol) – 160v Princesse de toute beaulte – 175r (?) Que vous madame / In pace in idipsum 27.33 – 171v Si dedero somnum oculis meis – 170v Soit loing ou pres tousjours me souviendra – 162v Tandernaken al up den Rijn – 161v–162r
Agricola, Johannes (ca. 1560-ca. 1601)	(?) Dat ik mijn lijden aldus helen moet – 159r
Alba, Alonso Perez de (ca. 1480-ca. 1520)	Veni sancte spiritus / Veni creator spiritus – 99r
Anchieta, Juan de (1462-1523)	Conditor alme siderum – 169r Domine Jesu Christe qui hora diei ultima – 94v–95r Domine ne memineris iniquitatum nostrarum – 97v–98r Domine non secundum peccata nostra – 168v In passione Domini – 96v–97r Magnificat sexti toni: Et exultavit [K.584] – 146r–147v (?) Missa nuestra Señora / Missa Rex Virginum: Credo – 63v–65r Missa nuestra Señora / Missa Rex Virginum: Gloria [Trope: Spiritus et alme] – 65v–67r O bone Jesu illumina oculos meos – 100v–101r Virgo et mater quae filium Dei genuisti – 95v–96r
Anonymous	(untexted) – 216r Al de hato ça los angeles – 212r Alleluia – 150v Alleluia. Salve virgo mater Dei – 151r Amor quiso que os quisiese – 213r Ave sanctissima Maria mater Dei piissima – 169v–170r Ave verum corpus Domini – 155v–156r Como nos liebas, amor – 224r Con temor e con plazer – 225r Contento soy que dolais dolor – 211v Desdichado fue nacer – 225v Dezi, flor resplandeçiente – 211v El descanso de vos ver – 212v Fecit potentiam (secundi toni) [K.460] – 205r Fortuna vincineta [different from "Fortuna par te cruelté", by Vincenet] – 112r Harto de tanta porfia – 216v J'ay prijs amours – 118v Juste judex Jesu Christe regum rex – 102v Kyrie / Qui expansis (Kyrie Tropus: Qui expansis) – 98v Kyrie / Qui passurus (Kyrie Tropus: Qui passurus) – 100r Lamentation Aleph. Quomodo obscuratum est aurum / Heth. Filii Sion – 151v–153r Lamentations Aleph. Viae Sion lugent / Heth. Facti sunt hostes – 153v–155r Mas lo precio que mi Enrique – 214r No cesé hasta que os vi – 214r Nuevas, nuevas de plazer – 222r Nuevas, nuevas por tu fe – 222v O crux ave, spes unica – 99v O que chapado plazer – 210r O si vieras al moçuelo – 220v Osanna salvifica tuum plasma qui creasti – 149v–150r Oyga tu merced y crea – 217r Qual estávades anoche – 214v Quanto más lexos de ti – 224r Quedóse do quedo yo – 224v Sancta Maria ora pro nobis – 168r Subime a lo Alto – 226r Vete amor buscas do'stés – 225v Vos partiste, yo quedé – 226r
Aulen, Johannes (late 15th century)	'Missa Auleni': Credo – 137v–140r 'Missa Auleni': Gloria – 135v–137r 'Missa Auleni': Kyrie – 135r 'Missa Auleni': Sanctus – 140v–142r
Barbireau, Jacobus (1455-1491)	(?) Frölich wesen – 166r
Barle, Jacobus	(?) Het es al ghedaen – 183r
Binchois, Gilles (ca. 1400-1460)	Te Deum laudamus – 101v–102r
Brumel, Antoine (ca. 1460-ca. 1513)	James que la ne peult estre trouvée – 179v Magnificat [K.630] – 142v–145v (?) Magnificat quarti toni: Et exultavit [K.632] – 73v–76r Mater patris et filia mulierum laetitia – 157v–158r O crux ave spes unica – 176r Pour vostre amour – 187r
Busnoys, Antoine (ca. 1430-1492)	Benedicta semper = Je ne demande - 1a pars (of 2): Benedicta semper sancta sit trinitas = Je ne demande autre degre – 112v–113r Benedicta semper = Je ne demande - 2a pars (of 2): [motet text] = O d'estre avec vous – 112v–113r (?) Fortuna desperata iniqua e maledecta – 174r (?) J'ai pris amours – 110v (?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 181v
Caron, Firminus (ca. 1460-ca. 1475)	Helas que pourra devenir – 114v–115r
Compère, Loyset (ca. 1445-1518)	Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum – 110r Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum – [-] Beaulte damours – 190r Bergerette savoysienne – 161r Cayphas – 185r En atendant de vous [=d'avoir] secours – 185v Guerisses moi du grant mal que je porte – 191v–192r (?) Helas le bon temps que j'avoie (= Helas Abraham) – 184r (?) J'ai beau huer avant que bien avoir – 182r (?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 181v (?) Je ne puis plus – 192r Moises – 191r Mon pere m'a donné mari – 127v–128r (?) O bone Jesu illumina oculos meos – 100v–101r Puisque si bien m'est advenu – 184v Reveille toy franc cuer – 178r Se j'ai parlé aulcunement des femmes de religion. – 178v (?) Veci la danse barbari - L'autre jour – 125v–126r Vive le noble roy de France – 180r
Despres, Josquin (ca. 1450-1521)	Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas) – 83v–85r Bergerette savoyenne (savoysienne) 28.6 – 128v–129r Fortuna desperata 27.11 – 182v (?) Helas que devera mon coeur 27.14 – 175v (?) J'ai bien nori sept ans 27.16 – 189r Magnificat [K.721] – 76v–78r Missa L'homme armé sexti toni 6.2: Agnus I – 18r Missa L'homme armé sexti toni 6.2: Credo – 14v–17r Missa L'homme armé sexti toni 6.2: Gloria – 12v–14r Missa L'homme armé sexti toni 6.2: Kyrie – 11v–12r Missa L'homme armé sexti toni 6.2: Sanctus – 17v–18r Que vous madame / In pace in idipsum 27.33 – 171v Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem – 85v–86r Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus – 86v–87r
Elinc, Petrus (=Pieter Edelinck) (ca. 1504-ca. 1506)	Adieu natuerlic leven myn – 164v (?) Dat ik mijn lijden aldus helen moet – 159r Hoert hier myn lieve gheselle – 173r Verlanghen ghij doet mynder herten piin – 165v
Encina, Juan del	Ay triste que vengo – 213v Gran gasajo siento yo – 206v–207r Para verme con ventura – 225r Por muy dichoso se tenga – 213v Pues jamás olvidaros – 207v Romerico tu que vienes – 210r Ya no quiero ser vaquero – 216r Ya no quiero tener fe, señora – 212v
Enrique	(?) Nunca fue pena mayor / Numquam fuit pena magior – 209r
Farer, Johannes	Domine non secundum: 1a pars (of 2) Domine non secundum peccata nostra – 93r Domine non secundum: 2a pars (of 2) Tuam crucem adoramus Domine Jesu – 93r
Ferdinandus et frater eius	(?) Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus – 195v–197r (?) Caecus non iudicat - 2a pars (of 2): (no text) – 196v–197r
Gaffurius, Franchinus (1451-1522)	Imperatrix reginarum – 148v–149r
Ghizeghem, Hayne van (ca. 1445-ca. 1497)	Amours amours trop me fiers de tes dars – 183v (?) Ce n'est pas jeu d'esloignier ce qu'on ame – 163r (?) Helas de vous me doy complaindre – 193v–194r Mon souvenir mi fait morir pour les regrets – 164r (?) No me canteys a la primera (= Allez regrets vuides de ma présence) – 163v Penser en vous – 186v
Guerrero, Francisco	(?) Ne recorderis dirige dum veneris / Kyrie eleison – 228v
Haugk, Virgilius (ca. 1490-1555)	(?) Nec mihi nec tibi = Helas – 187v–188r
Isaac, Heinrich (ca. 1450-1517)	Amie des que = Votre amour = Memento mei domine (= Christe from Missa Charge de dueil) – 179r Ave ancilla trinitatis - 1a pars (of 3): Ave ancilla trinitatis ave filia sempiterni – 156v–157r Ave regina caelorum – 93v–94r (?) Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus – 195v–197r De tous biens playne (= E chi le dira?) – 176r–176v Fortuna desperata / Sancte Petre / Ora pro nobis – 117v–118r (?) Fortuna desperata iniqua e maledecta – 115v–116r Gentile spiritus – 192v–193r Gratias refero tibi Domine Jesu Christe – 167v–168r (?) Helas que devera mon coeur 27.14 – 175v Helas que pourra devenir – 176v–177r (?) Het es al ghedaen – 183r La Martinella – 197v–198r Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III. – 53v–54r Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. – 48v–51r Missa Quant j'ai au coeur: Gloria: 3 partes. – 46v–48r Missa Quant j'ai au coeur: Kyrie – 45v–46r Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces. – 51v–53r Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Agnus Dei – 5, 9–11 Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Credo – 5, 9–11 Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Kyrie – 5, 9–11 Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus – 5, 9–11 Morte che fai che non pigli – 198v My my – 186r (?) Ortus de caelo flos est (= La Stangetta) – 172r (?) Pour mieulx valor = Comt hier – 190v Salve regina (II) [10 partes] – 67v–71r Salve virgo sanctissima super omnes feminas – 87v–89r (?) T'meiskin was jonck – 103r
Japart, Jean	(?) J'ai bien nori sept ans 27.16 – 189r (?) T'meiskin was jonck – 103r
Joye, Gilles	(?) J'ai bien nori sept ans 27.16 – 189r
Lagarto, Pedro de (ca. 1465-1543)	Andad pasiones andad – 220r
Martini, Johannes (ca. 1430-1497)	(?) Cayphas – 185r J'ai pris amours – 110v (?) O intemerata = Der newe pawir schwantcz – 172v Scoent kint – 189v
Mondejar, Alonso de	Ave rex noster tu solus miseratus – 227v–228r
Morales, Cristóbal de (ca. 1500-1553)	(?) Ne recorderis dirige dum veneris / Kyrie eleison – 228v
Mureau, Gilles	(?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 181v
Obrecht, Jacobus (ca. 1457-1505)	Als al de weerelt in vruch den leeft – 130v–131r Ave maris stella – 158v Benedicamus in laude Jesu quae suae matri – 91v Cuius sacrata viscera (3vv) – 167r Cuius sacrata viscera (4vv) – 92v Den Haghel ende die calde snee – 124v–125r (?) Frölich wesen – 166r Ic draghe de mutse clutse – 131v–132r Ic en hebbe ghen ghelt in myn bewelt – 132v–133r Ic hoerde de clocskins luden – 129v–130r Ic weinsche alle scoene vrauwen eere – 133v–134r Inter praeclarissimas virtutes tuas – 78v–81r Lacen adieu wel zoete partye = Largire nunc mitissime gratiam tuam – 123v Laet u ghenoughen liever Johan – 119v–120r Meiskin es u cutkin ra – 134v Mille quingentis verum bis sex minus annis / Requiem aeternam – 81v–83r Missa Adieu mes amours: Credo: 2 partes Et incarnatus: 5 voces. – 28v–30r Missa Adieu mes amours: Gloria (2 partes) – 26v–28r Missa Adieu mes amours: Kyrie – 25v–26r Missa Fortuna desperata – 38v–39r Missa Fortuna desperata: Credo: 2 partes – 41v–43r Missa Fortuna desperata: Gloria: 2 partes – 39v–41r Missa Fortuna desperata: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. – 43v–45r Missa Libenter gloriabo: Gloria: 2 partes – 19v–21r Missa Libenter gloriabor: Agnus = Kyrie – [-] Missa Libenter gloriabor: Agnus = Kyrie – 18v–19r Missa Libenter gloriabor: Credo: 2 partes – 21v–23r Missa Libenter gloriabor: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces. – 23v–25r Missa Rose playsante: Agnus I, Agnus II – 37v–38r Missa Rose playsante: Credo (2 partes) – 33v–35r Missa Rose playsante: Gloria (2 partes) – 31v–33r Missa Rose playsante: Kyrie – 30v–31r Missa Rose playsante: Sanctus – 35v–37r Missa Si dedero: Christe eleison – 171r Moet my lacen u vriendlic schiin – 165r (?) Nec mihi nec tibi = Helas – 187v–188r Omnis spiritus laudet Dominum tu autem – 89v–91r (?) Ortus de caelo flos est (= La Stangetta) – 172r Regina caeli laetare alleluia – 200v Salve regina (4vv) – 71v–73r Salve sancta facies nostri redemptoris (2p. Salve nostra gloria) – 148r Sullen wij langhe in drucke moeten leven – 103v (?) T'meiskin was jonck – 103r Tsaat een eleen meisken al up een blocskin – 121v–122r Waer sij dij han / Wie roupt ons daer – 122v–123r Wat willen wij metten budel spelen – 120v–121r Weet ghij wat mynder jonghen herten deert – 126v–127r
Ockeghem, Jean de (ca. 1410-1497)	(?) Ce n'est pas jeu d'esloignier ce qu'on ame – 163r
Penalosa, Francisco de	(?) Domine Jesu Christe qui hora diei ultima – 94v–95r (?) O bone Jesu illumina oculos meos – 100v–101r
Perez de Gijón, Juan (ca. 1460-ca. 1500)	Al dolor de mi cuidado – 209v
Pipelare, Mattheus (ca. 1450-ca. 1515)	Exortum est in tenebris (= Fors seulement (II)) – 92r Missa Sine nomine (I): Agnus I: 3 voces. Agnus III – 62v–63r Missa Sine nomine (I): Credo: 3 partes Etiterum: 3 voces – 57v–60r Missa Sine nomine (I): Gloria: 2 partes – 55v–57r Missa Sine nomine (I): Kyrie – 54v–55r Missa Sine nomine (I): Sanctus, with: Pleni: 3 voces,Osanna, Benedictus: 3 voces – 60v–62r Morkin ic hebbe ter scolen gheleghen – 119r Myn liefkins bruyn ooghen ende haren – 177v
Prats, Marturià	Conditor alme siderum – 169r
Raulin / Roelkin (1443-1485)	De tous biens plaine est ma maîtresse – 202v–203r Vrucht en moet is gar dahin – 161r (?) Zart reyne vrucht – 124r
Ribera, Antonio de	(?) O bone Jesu illumina oculos meos – 100v–101r
Robinet, F	(?) Pour mieulx valor = Comt hier – 190v
Rue, Pierre de la (ca. 1452-1518)	(?) Exortum est in tenebris (= Fors seulement (II)) – 92r
Tinctoris, Johannes (ca. 1435-1511)	Alleluia – 204r Comme femme desconfortée – 205v D'un autre aimer mon coeur s'abesseroit – 204r De tous biens plaine est ma maîtresse – 202r (?) Helas le bon temps que j'avoie (= Helas Abraham) – 184r Le souvenir – 116v–117r Le souvenir – 203v Tout a par moi – 204v–205r
Torre, Francisco de la	Adoramus te, Señor – 217v Damos gracias a ti Dios – 210v Justa fue mi perdición – 206r Ne recorderis dirige dum veneris / Kyrie eleison – 228v Peligroso pensiamento – 211r
Urrede (Wrede), Juan de (1451-c1482)	(?) Nunca fue pena mayor / Numquam fuit pena magior – 209r Pange lingua gloriosi (II) – 226v–227r
Weerbecke, Gaspar van (ca. 1445-ca. 1516)	(?) Ortus de caelo flos est (= La Stangetta) – 172r

Composition	Composers (? Uncertain)	Folios / Pages
'Missa Auleni': Credo	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	137v–140r
'Missa Auleni': Gloria	Aulen, Johannes (fl. late 15th century) Agricola, Alexander (ca. 1445–1506) (?)	135v–137r
'Missa Auleni': Kyrie	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	135r
'Missa Auleni': Sanctus	Agricola, Alexander (ca. 1445–1506) (?) Aulen, Johannes (fl. late 15th century)	140v–142r
(untexted)	Anonymous	216r
Adieu comment joye	Adam	178v
Adieu natuerlic leven myn	Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506)	164v
Adoramus te, Señor	Torre, Francisco de la	217v
Al de hato ça los angeles	Anonymous	212r
Al dolor de mi cuidado	Perez de Gijón, Juan (ca. 1460–ca. 1500)	209v
Alleluia	Anonymous	150v
Alleluia	Tinctoris, Johannes (ca. 1435–1511)	204r
Alleluia. Salve virgo mater Dei	Anonymous	151r
Als al de weerelt in vruch den leeft	Obrecht, Jacobus (ca. 1457–1505)	130v–131r
Amie des que = Votre amour = Memento mei domine (= Christe from Missa Charge de dueil)	Isaac, Heinrich (ca. 1450–1517)	179r
Amor quiso que os quisiese	Anonymous	213r
Amours amours trop me fiers de tes dars	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	183v
Andad pasiones andad	Lagarto, Pedro de (ca. 1465–1543)	220r
Ave ancilla trinitatis - 1a pars (of 3): Ave ancilla trinitatis ave filia sempiterni	Isaac, Heinrich (ca. 1450–1517)	156v–157r
Ave Maria ... virgo serena 23.6 (2p. Ave vera virginitas)	Despres, Josquin (ca. 1450–1521)	83v–85r
Ave Maria gratia plena - 2a pars (of 2): Sancte Michael ora pro nobis ad Dominum	Compère, Loyset (ca. 1445–1518)	110r
Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum	Compère, Loyset (ca. 1445–1518)	[-]
Ave maris stella	Obrecht, Jacobus (ca. 1457–1505)	158v
Ave regina caelorum	Isaac, Heinrich (ca. 1450–1517)	93v–94r
Ave rex noster tu solus miseratus	Mondejar, Alonso de	227v–228r
Ave sanctissima Maria mater Dei piissima	Anonymous	169v–170r
Ave verum corpus Domini	Anonymous	155v–156r
Ay triste que vengo	Encina, Juan del	213v
Beaulte damours	Compère, Loyset (ca. 1445–1518)	190r
Benedicamus in laude Jesu quae suae matri	Obrecht, Jacobus (ca. 1457–1505)	91v
Benedicta semper = Je ne demande - 1a pars (of 2): Benedicta semper sancta sit trinitas = Je ne demande autre degre	Busnoys, Antoine (ca. 1430–1492)	112v–113r
Benedicta semper = Je ne demande - 2a pars (of 2): [motet text] = O d'estre avec vous	Busnoys, Antoine (ca. 1430–1492)	112v–113r
Bergerette savoyenne (savoysienne) 28.6	Despres, Josquin (ca. 1450–1521)	128v–129r
Bergerette savoysienne	Compère, Loyset (ca. 1445–1518)	161r
Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus	Isaac, Heinrich (ca. 1450–1517) (?) Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?)	195v–197r
Caecus non iudicat - 2a pars (of 2): (no text)	Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?)	196v–197r
Cayphas	Martini, Johannes (ca. 1430–1497) (?) Compère, Loyset (ca. 1445–1518)	185r
Ce n'est pas jeu d'esloignier ce qu'on ame	Ockeghem, Jean de (ca. 1410–1497) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)	163r
Comme femme desconfortée	Tinctoris, Johannes (ca. 1435–1511)	205v
Comme femme desconfortée (III)	Agricola, Alexander (ca. 1445–1506)	201v
Como nos liebas, amor	Anonymous	224r
Con temor e con plazer	Anonymous	225r
Conditor alme siderum	Anchieta, Juan de (1462–1523)	169r
Conditor alme siderum	Prats, Marturià	169r
Contento soy que dolais dolor	Anonymous	211v
Cuius sacrata viscera (3vv)	Obrecht, Jacobus (ca. 1457–1505)	167r
Cuius sacrata viscera (4vv)	Obrecht, Jacobus (ca. 1457–1505)	92v
D'un autre aimer mon coeur s'abesseroit	Tinctoris, Johannes (ca. 1435–1511)	204r
D'un autre aimer mon coeur s'abesseroit (IV)	Agricola, Alexander (ca. 1445–1506)	160r
Damos gracias a ti Dios	Torre, Francisco de la	210v
Dat ik mijn lijden aldus helen moet	Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506) (?) Agricola, Johannes (ca. 1560–ca. 1601) (?)	159r
De tous biens plaine (IV)	Agricola, Alexander (ca. 1445–1506)	180v–181r
De tous biens plaine (V)	Agricola, Alexander (ca. 1445–1506)	194v–195r
De tous biens plaine [VI]	Agricola, Alexander (ca. 1445–1506)	173v
De tous biens plaine est ma maîtresse	Adam	201r
De tous biens plaine est ma maîtresse	Tinctoris, Johannes (ca. 1435–1511)	202r
De tous biens plaine est ma maîtresse	Raulin / Roelkin (1443–1485)	202v–203r
De tous biens playne (= E chi le dira?)	Isaac, Heinrich (ca. 1450–1517)	176r–176v
Den Haghel ende die calde snee	Obrecht, Jacobus (ca. 1457–1505)	124v–125r
Desdichado fue nacer	Anonymous	225v
Dezi, flor resplandeçiente	Anonymous	211v
Domine Jesu Christe qui hora diei ultima	Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523)	94v–95r
Domine ne memineris iniquitatum nostrarum	Anchieta, Juan de (1462–1523)	97v–98r
Domine non secundum peccata nostra	Anchieta, Juan de (1462–1523)	168v
Domine non secundum: 1a pars (of 2) Domine non secundum peccata nostra	Farer, Johannes	93r
Domine non secundum: 2a pars (of 2) Tuam crucem adoramus Domine Jesu	Farer, Johannes	93r
El descanso de vos ver	Anonymous	212v
En atendant de vous [=d'avoir] secours	Compère, Loyset (ca. 1445–1518)	185v
Exortum est in tenebris (= Fors seulement (II))	Rue, Pierre de la (ca. 1452–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515)	92r
Fecit potentiam (secundi toni) [K.460]	Anonymous	205r
Fortuna desperata / Sancte Petre / Ora pro nobis	Isaac, Heinrich (ca. 1450–1517)	117v–118r
Fortuna desperata 27.11	Despres, Josquin (ca. 1450–1521)	182v
Fortuna desperata iniqua e maledecta	Isaac, Heinrich (ca. 1450–1517) (?)	115v–116r
Fortuna desperata iniqua e maledecta	Busnoys, Antoine (ca. 1430–1492) (?)	174r
Fortuna vincineta [different from "Fortuna par te cruelté", by Vincenet]	Anonymous	112r
Frölich wesen	Barbireau, Jacobus (1455–1491) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	166r
Gaudeamus omnes in Domino	Agricola, Alexander (ca. 1445–1506)	200r
Gentile spiritus	Isaac, Heinrich (ca. 1450–1517)	192v–193r
Gran gasajo siento yo	Encina, Juan del	206v–207r
Gratias refero tibi Domine Jesu Christe	Isaac, Heinrich (ca. 1450–1517)	167v–168r
Guerisses moi du grant mal que je porte	Compère, Loyset (ca. 1445–1518)	191v–192r
Harto de tanta porfia	Anonymous	216v
Helas de vous me doy complaindre	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)	193v–194r
Helas le bon temps que j'avoie (= Helas Abraham)	Tinctoris, Johannes (ca. 1435–1511) (?) Compère, Loyset (ca. 1445–1518) (?)	184r
Helas que devera mon coeur 27.14	Isaac, Heinrich (ca. 1450–1517) (?) Despres, Josquin (ca. 1450–1521) (?)	175v
Helas que pourra devenir	Caron, Firminus (ca. 1460–ca. 1475)	114v–115r
Helas que pourra devenir	Isaac, Heinrich (ca. 1450–1517)	176v–177r
Het es al ghedaen	Barle, Jacobus (?) Isaac, Heinrich (ca. 1450–1517) (?)	183r
Hoert hier myn lieve gheselle	Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506)	173r
Ic draghe de mutse clutse	Obrecht, Jacobus (ca. 1457–1505)	131v–132r
Ic en hebbe ghen ghelt in myn bewelt	Obrecht, Jacobus (ca. 1457–1505)	132v–133r
Ic hoerde de clocskins luden	Obrecht, Jacobus (ca. 1457–1505)	129v–130r
Ic weinsche alle scoene vrauwen eere	Obrecht, Jacobus (ca. 1457–1505)	133v–134r
Imperatrix reginarum	Gaffurius, Franchinus (1451–1522)	148v–149r
In minen sin (= Myns herten troest)	Agricola, Alexander (ca. 1445–1506)	159v
In passione Domini	Anchieta, Juan de (1462–1523)	96v–97r
Inter praeclarissimas virtutes tuas	Obrecht, Jacobus (ca. 1457–1505)	78v–81r
J'ai beau huer avant que bien avoir	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?)	182r
J'ai bien nori sept ans 27.16	Joye, Gilles (?) Despres, Josquin (ca. 1450–1521) (?) Japart, Jean (?)	189r
J'ai pris amours	Martini, Johannes (ca. 1430–1497) Busnoys, Antoine (ca. 1430–1492) (?)	110v
J'ay prijs amours	Anonymous	118v
James que la ne peult estre trouvée	Brumel, Antoine (ca. 1460–ca. 1513)	179v
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	Agricola, Alexander (ca. 1445–1506)	113v–114r
Je ne fais plus je ne dis ne escris = Au joli mois de may	Mureau, Gilles (?) Busnoys, Antoine (ca. 1430–1492) (?) Compère, Loyset (ca. 1445–1518) (?)	181v
Je ne puis plus	Agricola, Alexander (ca. 1445–1506) (?) Compère, Loyset (ca. 1445–1518) (?)	192r
Justa fue mi perdición	Torre, Francisco de la	206r
Juste judex Jesu Christe regum rex	Anonymous	102v
Kyrie / Qui expansis (Kyrie Tropus: Qui expansis)	Anonymous	98v
Kyrie / Qui passurus (Kyrie Tropus: Qui passurus)	Anonymous	100r
La Martinella	Isaac, Heinrich (ca. 1450–1517)	197v–198r
Lacen adieu wel zoete partye = Largire nunc mitissime gratiam tuam	Obrecht, Jacobus (ca. 1457–1505)	123v
Laet u ghenoughen liever Johan	Obrecht, Jacobus (ca. 1457–1505)	119v–120r
Lamentation Aleph. Quomodo obscuratum est aurum / Heth. Filii Sion	Anonymous	151v–153r
Lamentations Aleph. Viae Sion lugent / Heth. Facti sunt hostes	Anonymous	153v–155r
Le souvenir	Tinctoris, Johannes (ca. 1435–1511)	116v–117r
Le souvenir	Tinctoris, Johannes (ca. 1435–1511)	203v
Magnificat [K.630]	Brumel, Antoine (ca. 1460–ca. 1513)	142v–145v
Magnificat [K.721]	Despres, Josquin (ca. 1450–1521)	76v–78r
Magnificat quarti toni: Et exultavit [K.632]	Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Alexander (ca. 1445–1506) (?)	73v–76r
Magnificat sexti toni: Et exultavit [K.584]	Anchieta, Juan de (1462–1523)	146r–147v
Mas lo precio que mi Enrique	Anonymous	214r
Mater patris et filia mulierum laetitia	Brumel, Antoine (ca. 1460–ca. 1513)	157v–158r
Meiskin es u cutkin ra	Obrecht, Jacobus (ca. 1457–1505)	134v
Mijn alder liefste moeeselkin	Agricola, Alexander (ca. 1445–1506)	166v
Mille quingentis verum bis sex minus annis / Requiem aeternam	Obrecht, Jacobus (ca. 1457–1505)	81v–83r
Missa Adieu mes amours: Credo: 2 partes Et incarnatus: 5 voces.	Obrecht, Jacobus (ca. 1457–1505)	28v–30r
Missa Adieu mes amours: Gloria (2 partes)	Obrecht, Jacobus (ca. 1457–1505)	26v–28r
Missa Adieu mes amours: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	25v–26r
Missa Fortuna desperata	Obrecht, Jacobus (ca. 1457–1505)	38v–39r
Missa Fortuna desperata: Credo: 2 partes	Obrecht, Jacobus (ca. 1457–1505)	41v–43r
Missa Fortuna desperata: Gloria: 2 partes	Obrecht, Jacobus (ca. 1457–1505)	39v–41r
Missa Fortuna desperata: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces.	Obrecht, Jacobus (ca. 1457–1505)	43v–45r
Missa L'homme armé sexti toni 6.2: Agnus I	Despres, Josquin (ca. 1450–1521)	18r
Missa L'homme armé sexti toni 6.2: Credo	Despres, Josquin (ca. 1450–1521)	14v–17r
Missa L'homme armé sexti toni 6.2: Gloria	Despres, Josquin (ca. 1450–1521)	12v–14r
Missa L'homme armé sexti toni 6.2: Kyrie	Despres, Josquin (ca. 1450–1521)	11v–12r
Missa L'homme armé sexti toni 6.2: Sanctus	Despres, Josquin (ca. 1450–1521)	17v–18r
Missa Libenter gloriabo: Gloria: 2 partes	Obrecht, Jacobus (ca. 1457–1505)	19v–21r
Missa Libenter gloriabor: Agnus = Kyrie	Obrecht, Jacobus (ca. 1457–1505)	18v–19r
Missa Libenter gloriabor: Agnus = Kyrie	Obrecht, Jacobus (ca. 1457–1505)	[-]
Missa Libenter gloriabor: Credo: 2 partes	Obrecht, Jacobus (ca. 1457–1505)	21v–23r
Missa Libenter gloriabor: Sanctus with: Pleni: 3 voces, Benedictus: 3 voces.	Obrecht, Jacobus (ca. 1457–1505)	23v–25r
Missa nuestra Señora / Missa Rex Virginum: Credo	Anchieta, Juan de (1462–1523) (?)	63v–65r
Missa nuestra Señora / Missa Rex Virginum: Gloria [Trope: Spiritus et alme]	Anchieta, Juan de (1462–1523)	65v–67r
Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III.	Isaac, Heinrich (ca. 1450–1517)	53v–54r
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces.	Isaac, Heinrich (ca. 1450–1517)	48v–51r
Missa Quant j'ai au coeur: Gloria: 3 partes.	Isaac, Heinrich (ca. 1450–1517)	46v–48r
Missa Quant j'ai au coeur: Kyrie	Isaac, Heinrich (ca. 1450–1517)	45v–46r
Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces.	Isaac, Heinrich (ca. 1450–1517)	51v–53r
Missa Rose playsante: Agnus I, Agnus II	Obrecht, Jacobus (ca. 1457–1505)	37v–38r
Missa Rose playsante: Credo (2 partes)	Obrecht, Jacobus (ca. 1457–1505)	33v–35r
Missa Rose playsante: Gloria (2 partes)	Obrecht, Jacobus (ca. 1457–1505)	31v–33r
Missa Rose playsante: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	30v–31r
Missa Rose playsante: Sanctus	Obrecht, Jacobus (ca. 1457–1505)	35v–37r
Missa Si dedero: Christe eleison	Obrecht, Jacobus (ca. 1457–1505)	171r
Missa Sine nomine (I): Agnus I: 3 voces. Agnus III	Pipelare, Mattheus (ca. 1450–ca. 1515)	62v–63r
Missa Sine nomine (I): Credo: 3 partes Etiterum: 3 voces	Pipelare, Mattheus (ca. 1450–ca. 1515)	57v–60r
Missa Sine nomine (I): Gloria: 2 partes	Pipelare, Mattheus (ca. 1450–ca. 1515)	55v–57r
Missa Sine nomine (I): Kyrie	Pipelare, Mattheus (ca. 1450–ca. 1515)	54v–55r
Missa Sine nomine (I): Sanctus, with: Pleni: 3 voces,Osanna, Benedictus: 3 voces	Pipelare, Mattheus (ca. 1450–ca. 1515)	60v–62r
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	5, 9–11
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Credo	Isaac, Heinrich (ca. 1450–1517)	5, 9–11
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Kyrie	Isaac, Heinrich (ca. 1450–1517)	5, 9–11
Missa Wohlauf gut G'sell = Missa Comment poit avoir (6vv): Sanctus	Isaac, Heinrich (ca. 1450–1517)	5, 9–11
Moet my lacen u vriendlic schiin	Obrecht, Jacobus (ca. 1457–1505)	165r
Moises	Compère, Loyset (ca. 1445–1518)	191r
Mon pere m'a donné mari	Compère, Loyset (ca. 1445–1518)	127v–128r
Mon souvenir mi fait morir pour les regrets	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	164r
Morkin ic hebbe ter scolen gheleghen	Pipelare, Mattheus (ca. 1450–ca. 1515)	119r
Morte che fai che non pigli	Isaac, Heinrich (ca. 1450–1517)	198v
My my	Isaac, Heinrich (ca. 1450–1517)	186r
Myn liefkins bruyn ooghen ende haren	Pipelare, Mattheus (ca. 1450–ca. 1515) Agricola, Alexander (ca. 1445–1506) (?)	177v
Ne recorderis dirige dum veneris / Kyrie eleison	Torre, Francisco de la Guerrero, Francisco (?) Morales, Cristóbal de (ca. 1500–1553) (?)	228v
Nec mihi nec tibi = Helas	Haugk, Virgilius (ca. 1490–1555) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	187v–188r
No cesé hasta que os vi	Anonymous	214r
No me canteys a la primera (= Allez regrets vuides de ma présence)	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)	163v
Nuevas, nuevas de plazer	Anonymous	222r
Nuevas, nuevas por tu fe	Anonymous	222v
Nunca fue pena mayor / Numquam fuit pena magior	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)	209r
O bone Jesu illumina oculos meos	Penalosa, Francisco de (?) Ribera, Antonio de (?) Anchieta, Juan de (1462–1523) Compère, Loyset (ca. 1445–1518) (?)	100v–101r
O crux ave spes unica	Brumel, Antoine (ca. 1460–ca. 1513)	176r
O crux ave, spes unica	Anonymous	99v
O intemerata = Der newe pawir schwantcz	Martini, Johannes (ca. 1430–1497) (?) Agricola, Alexander (ca. 1445–1506)	172v
O que chapado plazer	Anonymous	210r
O si vieras al moçuelo	Anonymous	220v
O Venus bant (I)	Agricola, Alexander (ca. 1445–1506)	188v
O Venus bant (II)	Agricola, Alexander (ca. 1445–1506)	174v
Oblier veult douleur et tristesse (= Carmen in sol)	Agricola, Alexander (ca. 1445–1506)	160v
Omnis spiritus laudet Dominum tu autem	Obrecht, Jacobus (ca. 1457–1505)	89v–91r
Ortus de caelo flos est (= La Stangetta)	Obrecht, Jacobus (ca. 1457–1505) (?) Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Isaac, Heinrich (ca. 1450–1517) (?)	172r
Osanna salvifica tuum plasma qui creasti	Anonymous	149v–150r
Oyga tu merced y crea	Anonymous	217r
Pange lingua gloriosi (II)	Urrede (Wrede), Juan de (fl. 1451-c1482)	226v–227r
Para verme con ventura	Encina, Juan del	225r
Peligroso pensiamento	Torre, Francisco de la	211r
Penser en vous	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	186v
Por muy dichoso se tenga	Encina, Juan del	213v
Pour mieulx valor = Comt hier	Robinet, F (?) Isaac, Heinrich (ca. 1450–1517) (?)	190v
Pour vostre amour	Brumel, Antoine (ca. 1460–ca. 1513)	187r
Princesse de toute beaulte	Agricola, Alexander (ca. 1445–1506)	175r
Pues jamás olvidaros	Encina, Juan del	207v
Puisque si bien m'est advenu	Compère, Loyset (ca. 1445–1518)	184v
Qual estávades anoche	Anonymous	214v
Quanto más lexos de ti	Anonymous	224r
Que vous madame / In pace in idipsum 27.33	Agricola, Alexander (ca. 1445–1506) (?) Despres, Josquin (ca. 1450–1521)	171v
Quedóse do quedo yo	Anonymous	224v
Regina caeli laetare alleluia	Obrecht, Jacobus (ca. 1457–1505)	200v
Reveille toy franc cuer	Compère, Loyset (ca. 1445–1518)	178r
Romerico tu que vienes	Encina, Juan del	210r
Salve regina (4vv)	Obrecht, Jacobus (ca. 1457–1505)	71v–73r
Salve regina (II) [10 partes]	Isaac, Heinrich (ca. 1450–1517)	67v–71r
Salve sancta facies nostri redemptoris (2p. Salve nostra gloria)	Obrecht, Jacobus (ca. 1457–1505)	148r
Salve virgo sanctissima super omnes feminas	Isaac, Heinrich (ca. 1450–1517)	87v–89r
Sancta Maria ora pro nobis	Anonymous	168r
Scoent kint	Martini, Johannes (ca. 1430–1497)	189v
Se j'ai parlé aulcunement des femmes de religion.	Compère, Loyset (ca. 1445–1518)	178v
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	170v
Soit loing ou pres tousjours me souviendra	Agricola, Alexander (ca. 1445–1506)	162v
Subime a lo Alto	Anonymous	226r
Sullen wij langhe in drucke moeten leven	Obrecht, Jacobus (ca. 1457–1505)	103v
T'meiskin was jonck	Japart, Jean (?) Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	103r
Tandernaken al up den Rijn	Agricola, Alexander (ca. 1445–1506)	161v–162r
Te Deum laudamus	Binchois, Gilles (ca. 1400–1460)	101v–102r
Tout a par moi	Tinctoris, Johannes (ca. 1435–1511)	204v–205r
Tsaat een eleen meisken al up een blocskin	Obrecht, Jacobus (ca. 1457–1505)	121v–122r
Veci la danse barbari - L'autre jour	Compère, Loyset (ca. 1445–1518) (?)	125v–126r
Veni sancte spiritus / Veni creator spiritus	Alba, Alonso Perez de (ca. 1480–ca. 1520)	99r
Verlanghen ghij doet mynder herten piin	Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506)	165v
Vete amor buscas do'stés	Anonymous	225v
Virgo et mater quae filium Dei genuisti	Anchieta, Juan de (1462–1523)	95v–96r
Vive le noble roy de France	Compère, Loyset (ca. 1445–1518)	180r
Vos partiste, yo quedé	Anonymous	226r
Vrucht en moet is gar dahin	Raulin / Roelkin (1443–1485)	161r
Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem	Despres, Josquin (ca. 1450–1521)	85v–86r
Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus	Despres, Josquin (ca. 1450–1521)	86v–87r
Waer sij dij han / Wie roupt ons daer	Obrecht, Jacobus (ca. 1457–1505)	122v–123r
Wat willen wij metten budel spelen	Obrecht, Jacobus (ca. 1457–1505)	120v–121r
Weet ghij wat mynder jonghen herten deert	Obrecht, Jacobus (ca. 1457–1505)	126v–127r
Ya no quiero ser vaquero	Encina, Juan del	216r
Ya no quiero tener fe, señora	Encina, Juan del	212v
Zart reyne vrucht	Raulin / Roelkin (1443–1485) (?)	124r

‡ denotes primary source study

‡ Fuhrmann, Wolfgang, and Cristina Urchuegúia (editors). 2019. The Segovia Manuscript: A European Musical Repertory in Spain, c. 1500. Studies in Medieval and Renaissance Music, vol. 20. Boydell Press. Notes: contents list; concordances; discussion; watermarks; dating.

Teuling, Arnold den (editor). 2015. De tous biens playne, by Roelkin (edition). http://ks.imslp.info/files/imglnks/usimg/b/b3/IMSLP357411-PMLP577239-RoeDetousbiens.pdf(Accessed: 2nd May 2018). Pages: 3-4. Notes: critical notes to edition provide concordances & discussion of identity of composers Roelkin & Elinc/Edelinck.

Kreitner, Kenneth. 2004. The Church Music of Fifteenth-century Spain. Woodbridge, Suffolk: Boydell Press. Pages: 80-103. Notes: chapter 6 discussed the church music in teh Segovia ms.

Bonda, Jan Willem. 1996. De meerstemmige Nederlandse liederen van de vijftiende en zestiende eeuw. Hilversum: Verloren. [= The Polyphonic Songs in Dutch of the Fifteenth and Sixteenth Centuries]. Pages: 46, 112-115. Notes: discusses identiy of the composer Roelkin.

Maas, Chris J (editor). 1983-. New Obrecht Edition. Utrecht. Pages: I,xi-ff; IV,xxvi-liii; V,xix-xx. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 6-7, 115, 143-4, 149, 167-8, 283-5. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); texts (partial); mention of MS; discussion.

Buxton, Ralph W. 1981. Johannes Japart: A Fifteenth-Century Chanson Composer. Current Musicology, 31: 7-38. Pages: 10, 13-5, 31, 33. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bernstein, Lawrence F. 1980. French Duos in the First Half of the Sixteenth Century. Studies in Musicology in Honor of Otto E. Albrecht, , 43-87. Kassel, Basel, and London. Pages: 51-7. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; incipits; facsimile (partial); transcriptiion (partial); mention of MS; discussion.

Kämper, Dietrich. 1978. Instrumentale Stilelemente bei Alexander Agricola. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 28: 1-13. Pages: 3-4, 9. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Perales de la Cal, Ramón. 1977. Concionerò de la Catedral de Segovia: Edición Facsimilar del Còdice de la Santa Iglesia Catedral de Segovia. Segovia. Notes: physical description; contents list; concordances; facsimile; mention of MS; discussion; [includes reprint of material from MME I.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xxxix, 30-4, 62, 76, 86-7; II, 58; III, 14, 46-7, 76-7, 88-9, 203. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Melin, William (editor). 1976. Johannes Tinctoris: Collected Works. Corpus mensurabilis musicae, vol. 18. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: x, xiii-xiv, 128-9, 135-46. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Thompson, James (editor). 1976. Les Oeuvres Completes de Philippe (?) Caron. Transcription et Notes Critiques de James Thomson. Brooklyn: Institute of Mediaeval Music. Pages: II, iii, xi-xii, 175-8. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae, vol. 65. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI.x.xxxii-xxxiii.xlix, 185-6; VII,xix-xxi. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Nagle, Sister Mary Ellen. 1972. The Structural Role of the Cantus Firmus in the Motets of Jacob Obrecht. University of Michigan, Unpublished Ph.D. dissertation. Pages: 10-7, 176, passim. Notes: physical description (partial); contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xxiii; V, xxviii, l-3; VI, xvi, xxvii-xxviii, 1-6, 79, 87-8. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement. Amsterdam. Pages: 30-5. Notes: transcription (partial).

Cross, Ronald (editor). 1966-. Matthaeus Pipelare: Opera Omnia. Corpus mensurabilis musicae, vol. 34. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xiii-ff, 7-8, 34-5; III, xi, 71-93. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, i; III, xvi, 88-93; IV, xv-xvi; V, x-ff, 60ff. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 370. Notes: physical description; contents list (partial); concordances (partial).

Stevenson, Robert. 1960. Spanish Music in the Age of Columbus. The Hague. Pages: 136-44, 183, 194, 201ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Meier, Bernhard (editor). 1954-7. Jacobi Barbireau: Opera Omnia. Corpus mensurabilis musicae, vol. 7. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, ii, 11-2. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: I, fasc. 3, xv-xvi. Notes: physical description; contents list (partial); concordances (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I, 95-102, 106-12, passim; II, 25-32 X, 32-3; XIV, 26-30. Notes: physical description; contents list; concordances; transcription (partial).

Anglès, Higinio. 1941. La Música Espanola desde la Edad Media hasta Nuestros Dias. Catálogo de la Exposición Histórica, Barcelona. Pages: 29, Facs. 18. Notes: physical description; facsimile (partial).

Anglès, Higinio. 1936. Un manuscrit inconnu avec polyphonie du Xve siècle conservé à la cathédrale de Ségovie (Espagne). Acta Musicologica, 8: 6ff. Notes: physical description; contents list; concordances.

Anglès, Higinio. 1933. Die spanische Liedkunst im 15. und am Anfang des 16. Jahrhunderts. Theodor Kroyer-Festschrift zum sechzigsten Geburtstage am 9. September 1933, Regensburg. Pages: 68. Notes: physical description.

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken. Amsterdam. Pages: IV, x, xv-xviii, 27-9. Notes: contents list (partial); concordances (partial); transcriptions (partial).

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Clemens Goldberg

Tuesday, 9 September, 2025

Pointed out that 'J'ay prijs amours' on fol. 118v is NOT concordant with Isaac's setting in Florence 178, fols. 2v-4r (as previously state here), being only the Superius und Tenor of the original chanson, transposed down a tone.

Edward Tambling

Friday, 12 May, 2023

Separated the 4vv Salve regina by Obrecht, apparently unique to this source, from the 6vv setting in D-Mbs Mus. MS 34 and D-Rp C 98

Clemens Goldberg

Saturday, 12 February, 2022

image link added

Clemens Goldberg

Saturday, 12 February, 2022

Note that 118v Jay pris amours is only Superius and Tenor; also separated 3vv & 4vv versions of the song in Isaac's worklist

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description