D-Mu MS 2° Art. 239

Universitätsbibliothek, München (Munich), Germany

theory treatise with added polyphony: 1514-7

Archive Universitätsbibliothek, München (Munich), Germany (D-Mu)
Shelfmark MS 2° Art. 239
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 293 x 203 mm
Other Identifiers
  • CCM: MunU 239
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Basel, Switzerland
Contents 6 pieces from 6 composers
General Description

Appended to print Franchini Gafurii … de Harmonia Mustcorum Instrumentum Opus (Milan, 1518). Copied by four or five scribes, one of whom ('Petrus Scudus' = Peter Tschudi) is named on f. 10'. Copied in Basel, probably by students of the humanist and theorist Heinrich Glareanus (1488-1563). Glareanus library sold in 1561 to Johann Egolph von Knöringen (1537-75), a canon at Augsburg Cathedral, later Bishop of Augsburg; books moved to Augsburg after Glareanus' death. Passed to university library in Ingolstadt in 1573; moved to Landshut in 1800, to Munich in 1826.

DIAMM, 2017
Binding

Seventeenth-century covers of white leather over wooden boards, stamped with ornamental designs; two leather-metal clasps.

DIAMM, 2017
Watermark

(1) hand with flower; (2) grape cluster; (3) bear (GottUM).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1514-7 (GottUM).

DIAMM, 2017
Foliation

Modern foliation, 1-18

DIAMM, 2017
Decoration

La Rue Mass at beginning has large plain inked initials; no other decoration

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Mass Proper section, 1 hymn, 1 motet, 1 French secular piece (without text) = 6

(Gerardus à Salice)-1, (Hayne van Ghizeghem-Josquin)-1, La Rue [Petri Platensis]-1, Obrecht-1, (Wannenmacher)-1, anon-1

18 paper folios, 293 x 203, appended to print Franchini Gafurii … de Harmonia Mustcorum Instrumentum Opus (Milan, 1518). Modern foliation, 1-18. Seventeenth-century covers of white leather over wooden boards, stamped with ornamental designs; two leather-metal clasps. No index. Copied by four or five scribes, one of whom ("Petrus Scudus" = Peter Tschudi) is named on f. 10'. La Rue Mass at beginning has large plain inked initials; no other decoration. Watermarks: (1) hand with flower; (2) grape cluster; (3) bear (GottUM).

1514-7 (GottUM). Copied in Basel, probably by students of the humanist and theorist Heinrich Glareanus (1488-1563). Glareanus library sold in 1561 to Johann Egolph von Knöringen (1537-75), a canon at Augsburg Cathedral, later Bishop of Augsburg; books moved to Augsburg after Glareanus' death. Passed to university library in Ingolstadt in 1573; moved to Landshut in 1800, to Munich in 1826.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–4v Missa Puer natus est nobis -
Rue, Pierre de la (ca. 1452–1518)

Missa Puer natus est nobis

Rue, Pierre de la (ca. 1452–1518)
Appears on: 1v–4v
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Puer natus est / Symphonia Puer natus Petri Platensis / Symphonistae doctissimi
General Note

Partes nicht angegeben
5 Pange lingua gloriosi corporis - Anonymous

Pange lingua gloriosi corporis

Anonymous
Appears on: 5
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Pange lingua gloriosi corporis
General Note

(Nur textmarken)
7–10v Missa Fors seulement: Symphonia cuius nominatum -
Obrecht, Jacobus (ca. 1457–1505)

Missa Fors seulement: Symphonia cuius nominatum

Obrecht, Jacobus (ca. 1457–1505)
Appears on: 7–10v
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa Fors seulement: Symphonia cuius nominatum
11v–14 Attendite popule meus legem meam -
Wannenmacher, Johannes (ca. 1485–1551)

Attendite popule meus legem meam

Wannenmacher, Johannes (ca. 1485–1551)
Appears on: 11v–14
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Attendite popule meus legem meam
General Note

(II. Peccavimus domine)
15v–16 De tous biens plaine est ma maîtresse -
Ghizeghem, Hayne van (ca. 1445–ca. 1497)

De tous biens plaine est ma maîtresse

Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Appears on: 15v–16
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: De tous biens pleine
17v–18 Os justi meditabitur -
Salice, Gerardus a

Os justi meditabitur

Salice, Gerardus a
Appears on: 17v–18
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Os iusti meditabitur
Composer Compositions
Anonymous
Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Obrecht, Jacobus (ca. 1457–1505)
Rue, Pierre de la (ca. 1452–1518)
Salice, Gerardus a
Wannenmacher, Johannes (ca. 1485–1551)
Composition Composers (? Uncertain) Folios / Pages
Attendite popule meus legem meam
Wannenmacher, Johannes (ca. 1485–1551)
11v–14
De tous biens plaine est ma maîtresse
Ghizeghem, Hayne van (ca. 1445–ca. 1497)
15v–16
Missa Fors seulement: Symphonia cuius nominatum
Obrecht, Jacobus (ca. 1457–1505)
7–10v
Missa Puer natus est nobis
Rue, Pierre de la (ca. 1452–1518)
1v–4v
Os justi meditabitur
Salice, Gerardus a
17v–18
Pange lingua gloriosi corporis Anonymous 5

‡ denotes primary source study

Maas, Chris J (editor). 1983-. New Obrecht Edition.  Utrecht. Pages: IV,xviii-xxv, [lvi-lvii], 25-47. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Staehelin, Martin. 1983. Bemerkungen zum Verhältnis von Werkcharacter und Filiation in der Musik der Renaissance. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 199-215. Wiesbaden. Pages: 203,214. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS.  American Institute of Musicology. Notes: contents list (partial); incipits (partial).

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xxxix. Notes: contents list (partial); concordances (partial).

Ward, Tom Robert. 1977. Another Mass by Obrecht? Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 102-8. Pages: 106. Notes: contents list (partial).

Maas, Chris J. 1976. Towards A New Obrecht Edition. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 84-108. Notes: contents list (partial); concordances (partial).

Crawford, David Eugene. 1975. A Review of Costanzo Festa's Biography. Journal of the American Musicological Society, 102-11. Pages: 106. Notes: mention of MS.

Staehelin, Martin. 1975. Obrechtiana. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 1-37. Pages: 16-7. Notes: physical description; mention of MS; discussion.

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München.  Wiesbaden. Pages: 100-l. Notes: physical description; contents list; concordances.

Salop, Arnold. 1959. The Masses of Jacob Obrecht (1450-1505): Structure and Style. Indiana University, Unpublished Ph.D. dissertation. Pages: I, xiii-xiv. Notes: contents list (partial).

Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie.  Brussels. Pages: 162. Notes: contents list (partial); concordances (partial).

Clendenin, William Ritchie. 1952. The Use of the French Chanson in Some Polyphonic Masses by French and Netherlands Composers, 1450-1550. Iowa State University, Unpublished Ph.D. dissertation. Pages: 1, 76-83. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 454-5. Notes: physical description (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XXIX. Notes: physical description (partial); contents list (partial); transcription (partial).

Fritzsche, Otto Fridolin. 1890. Glarean: Sein Leben und Seine Schriften.  Frauenfeld. Pages: 117. Notes: mention of MS.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description