D-Mbs Mus. MS 52

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: c. 1510

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Mus. MS 52
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 475 x 325 mm
Other Identifiers
  • CCM: MunBS 52
  • olim (Former shelfmark): H.C. 65 Maim 91
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 101 pieces from 2 composers
General Description

Copied by one main scribe and several additional scribes, probably including Ludwig Senfl and Lucas Wagenrieder (BenteNW). Earliest layers presumably copied in Vienna, for use by the imperial court chapel of Maximilian I (1459-1519). Probably taken to Munich by Ludwig Senfl c. 1523, when he began serving at the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). At Munich, additional pieces copied, and volume bound in present covers. Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017
Binding

Original covers of white leather over boards, stamped with ornamental designs

DIAMM, 2017
Watermark

triangle surmounted by six-petalled flower; no watermark on ff. 1-9.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1510, with additions before ca. 1520 and after 1523 (BenteNW)

DIAMM, 2017
Foliation

Modern pencil foliation, 1-56; 56bis-60; 60bis-155; 155bis-256, by J. J. Maier.

DIAMM, 2017
Decoration

No initials or decoration

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

15 hymns, 48 motets, 1 set of responses, 27 falsobordone settings (mostly psalm formulas) = 91

Senfl-9 + 82?*

*See BenteNW, 61.

259 paper folios, 475 x 325. Modern pencil foliation, 1-56; 56bis-60; 60bis-155; 155bis-256, by J. J. Maier. Original covers of white leather over boards, stamped with ornamental designs. No index. Copied by one main scribe and several additional scribes, probably including Ludwig Senfl and Lucas Wagenrieder (BenteNW); see general index for other manuscripts copied by Senfl and Wagenrieder. No initials or decoration. Main watermark: triangle surmounted by six-petalled flower; no watermark on ff. 1-9.

Ca. 1510, with additions before ca. 1520 and after 1523 (BenteNW). Earliest layers presumably copied in Vienna, for use by the imperial court chapel of Maximilian I (1459-1519). Probably taken to Munich by Ludwig Senfl ca. 1523, when he began serving at the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). At Munich, additional pieces copied, and volume bound in present covers. Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–9 Falsobordoni -
Appears on: 1v–9
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: none
Voice Text: Falsobordoni
10v–12 Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum - Anonymous
Appears on: 10v–12
Genres: Motet, Sequence, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus
10v–12 Veni sancte spiritus - 2a pars (of 2): Domine ad adjuvandum - Anonymous
Appears on: 10v–12
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: Latin
Voice Text: Domine ad adiuvandum
12v–20 Loquebantur variis linguis [psalm tones] - Anonymous
Appears on: 12v–20
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Loquebantur variis linguis apostoli
20v–21 Melodia Versiculorum - Anonymous
Appears on: 20v–21
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: Latin
Voice Text: Melodia Versiculorum
22–27 Intonations of antiphons of psalms and magnificats of several feast days - Anonymous
Appears on: 22–27
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Intonations of antiphons of psalms and magnificats of several feast days
28v–33 Veni sancte spiritus (5vv) [P92a] -
Appears on: 28v–33
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
33v–35 Loquebantur variis linguis (P92) - 1a pars (of 3): Loquebantur variis linguis -
Appears on: 33v–35
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Loquebantur variis linguis
35v–37 Loquebantur variis linguis (P92) - 2a pars (of 3): Seditque supra singulos -
Appears on: 35v–37
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Seditque supra singulos
33v–35 Loquebantur variis linguis (P92) - 3a pars (of 3): Gloria patri -
Appears on: 33v–35
Genres: Doxology
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri (= 7a, with two texts)
General Note

text of doxology laid under the opening section which repeats

37v–42 Qui paraclitus diceris = Veni creator spiritus -
Appears on: 37v–42
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui paraclitus diceris (= Veni creator spiritus)
42v–44 Non vos relinquam orphanos -
Appears on: 42v–44
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Non vos relinquam orphanos
44v–48 Praestet nobis gratiam - 1a pars (of 3): Praestet nobis gratiam -
Appears on: 44v–48
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Praestet nobis gratiam
44v–48 Praestet nobis gratiam - 2a pars (of 3): Qui totum subdit -
Appears on: 44v–48
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui totum subdit
44v–48 Praestet nobis gratiam - 3a pars (of 3): Gloria patri = 10a, with two texts -
Appears on: 44v–48
Genres: Doxology
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri (= 10a, with two texts)
General Note

text of doxology laid under the opening section which repeats

48v–51 O lux beata 2 Deo Patri sit -
Appears on: 48v–51
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: O lux beata (2nd text: Deo Patri sit)
51v–55 Venite comedite panem (P95) - 1a pars (of 2): Venite comedite panem -
Appears on: 51v–55
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venite comedite panem
51v–55 Venite comedite panem (P95) - 2a pars (of 2): Quia parata sunt -
Appears on: 51v–55
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quia parata sunt
55v–59 [Pange lingua] Nobis natus nobis datus Ex intacta -
Appears on: 55v–59
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Nobis natus nobis datus (=2a pars Pange lingua gloriosi)
General Note

EdM XXI, p. 90

59v–60a Surge ferventer aquilo - 1a pars (of 2): Surge ferventer aquilo -
Appears on: 59v–60a
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surge ferventer aquilo
59v–60a Surge ferventer aquilo - 2a pars (of 2): Tanquam amica Domino -
Appears on: 59v–60a
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tanquam amica domino
60av–64 Gressum cepit -
Appears on: 60av–64
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Ornatam in monilibus
64v–66 Vidi speciosam sicut columbam ascendentem -
Appears on: 64v–66
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vidi speciosam sicut columbam ascendentem
66v–68 Veni electa mea et ponam in te thronum -
Appears on: 66v–68
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Veni electa mea et ponam in te thronum
68v–69 Ista est speciosa inter filias Jerusalem -
Appears on: 68v–69
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Ista est speciosa inter filias Ierusalem
69v–70 Ornatam in monilibus -
Appears on: 69v–70
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Ornatam in monilibus
70v–72 Tota pulchra es amica mea et macula (4vv, P105e) -
Appears on: 70v–72
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea et macula
72v–76 Paradisi porta - 1a pars (of 2): Paradisi porta per Evam -
Appears on: 72v–76
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Paradisi porta per Evam cunctis clausa
72v–76 Paradisi porta - 2a pars (of 2): Gaudent chori angelorum -
Appears on: 72v–76
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gaudent chori angelorum
76v–81 [Quem terra pontus] Cui luna sol [P105] -
Appears on: 76v–81
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cui luna sol (= Quem terra pontus)
81v–85 Virgo prudentissima quo progrederis (P106) -
Appears on: 81v–85
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Virgo prudentissima quo progrederis
85v–91 Gloriosae virginis Mariae - 1a pars (of 2): Gloriosae virginis Mariae -
Appears on: 85v–91
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gloriosae virginis Mariae
85v–91 Gloriosae virginis Mariae - 2a pars (of 2): Cuius vita inclita -
Appears on: 85v–91
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cuius vita inclita
91v–97 [Gaude visceribus mater] Cuius magnifica est -
Appears on: 91v–97
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cuius magnifica est (= Gaude visceribus mater)
97v–102 Gaudete et exultate -
Appears on: 97v–102
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gaudete et exultate
102v–106 [Omnes superni ordines] Primum virtutes ignee, 2 Tu pater assis -
Appears on: 102v–106
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Primum virtutes ignee (= Omnes superni ordines), 2nd text: Tu pater assis
107v–109 Sanctificavit Dominus tabernaculum suum -
Appears on: 107v–109
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sanctificavit dominus tabernaculum suum
109v–113 Vidit Jacob in somnio - 1a pars (of 3): Vidit Jacob in somnio -
Appears on: 109v–113
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vidit Iacob in somnio
109v–113 Vidit Jacob in somnio - 2a pars (of 3): Et ego nesciebam -
Appears on: 109v–113
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et ego nesciebam
109v–113 Vidit Jacob in somnio - 3a pars (of 3): Gloria patri = 29a, with two texts -
Appears on: 109v–113
Genres: Doxology
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri (= 29a, with two texts)
General Note

text of doxology laid under the opening section which repeats

113v–118 Nova veniens de caelo -
Appears on: 113v–118
Genres: Hymn
Voice: [no designation]
Languages: none
Voice Text: Falsobordoni etc.
118v–120 O quam metuendus est locus iste vere - Anonymous
Appears on: 118v–120
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O quam metuendus est locus iste vere
120v–121 In manus tuas Domine commendo spiritum -
Appears on: 120v–121
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In manus tuas domine commendo spiritum
121v–124 Christe qui lux es [P82] -
Appears on: 121v–124
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es
General Note

EdM XXI, p. 27

124v–125 Christeleison Kyrieleison -
Appears on: 124v–125
Genres: Preces and Responses
Voice: [no designation]
Languages: Latin, English, Greek
Voice Text: Christeleison Kyrieleison (= Preces)
126v–130 Intonations of antiphons of psalms and magnificats of several feast days - Anonymous
Appears on: 126v–130
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Intonations of antiphons of psalms and magnificats of several feast days
131v–133 Suscipe devote praeconia - 1a pars (of 2): Suscipe devote praeconia (= Cordis ac vocis) (In festo Conceptionis Marie virginis Responsorium) -
Appears on: 131v–133
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Suscipe devote praeconia (= Cordis ac vocis), In profesto Conceptionis Marie virginis Responsorium
131v–133 Suscipe devote praeconia - 2a pars (of 2): Cuius matris conceptio -
Appears on: 131v–133
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cuius matris conceptio
133v–134 Scitote quia propre -
Appears on: 133v–134
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Scitote quia prope
134v–135 Orietur sicut sol -
Appears on: 134v–135
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Orietur sicut sol
135v–136 Dum ortus fuerit sol de caelo videbitis -
Appears on: 135v–136
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dum ortus fuerit sol de caelo videbitis
136v–138 Gaude et laetare Jerusalem et conventum -
Appears on: 136v–138
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gaude et laetare Ierusalem et conventum
138v–141 Ave spes nostra - 1a pars (of 2): Ave spes nostra -
Appears on: 138v–141
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave spes nostra
138v–141 Ave spes nostra - 2a pars (of 2): Ave casta sanctissima -
Appears on: 138v–141
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave casta sanctissima
141v–146 Judaea et Jerusalem - 1a pars (of 4): Judaea et Jerusalem nolite timere -
Appears on: 141v–146
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Iudaea et Ierusalem nolite timere
141v–146 Judaea et Jerusalem - 2a pars (of 4): Constantes estote videbitis -
Appears on: 141v–146
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Constantes estote videbitis
141v–146 Judaea et Jerusalem - 3a pars (of 4): Cras egrediemini et Dominus -
Appears on: 141v–146
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cras egrediemini et dominus
141v–146 Judaea et Jerusalem - 4a pars (of 4): Gloria patri = 42b, with two texts -
Appears on: 141v–146
Genres: Doxology
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri (= 42b, with two texts)
General Note

text of doxology laid under the second section which repeats

146v–149 Cum esset desponsata mater Jesu Maria -
Appears on: 146v–149
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cum esset desponsata
149v–151 Christus natus est - 1a pars (of 2): Christus natus est -
Appears on: 149v–151
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Christus natus est
149v–151 Christus natus est - 2a pars (of 2): Venite adoremus -
Appears on: 149v–151
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venite adoremus
151v–153 [Hodie nobis caelorum] Gloria in excelsis 2 Gloria patri (P70b) -
Appears on: 151v–153
Genres: Doxology, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Versus primi Responsorii: Gloria in excelsis (= Hodie nobis coelorum), 2nd text: Gloria patri
153v–155 [Hodie nobis caelorum] Gloria in excelsis 2 Gloria patri (P70c) -
Appears on: 153v–155
Genres: Doxology, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Versus primi Responsorii: Gloria in excelsis (= Hodie nobis coelorum), 2nd text: Gloria patri
155v–157 Missa ab acre - 1a pars (of 2): Missa ab acre = Descendit de caelis -
Appears on: 155v–157
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Versus Tercii Responsorii: Missa ab acre (= Descendit de coelis)
155v–157 Missa ab acre - 2a pars (of 2): Gloria pie trinitati = 47a, with two texts -
Appears on: 155v–157
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gloria pie trinitati (= 47a, with two texts)
General Note

text of doxology laid under the opening section which repeats

157v–163 Facturae plasmator - 1a pars (of 2): Facturae plasmator -
Appears on: 157v–163
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Facturae plasmator
163v–164 Facturae plasmator - 2a pars (of 2): (Repeticio.) Fabrice mundi -
Appears on: 163v–164
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Repeticio. Fabrice mundi
164v–170 In principio (P71) - 1a pars (of 3): In principio erat verbum et verbum -
Appears on: 164v–170
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In principio erat verbum et verbum
164v–170 In principio (P71) - 2a pars (of 3): Plenum gratia et veritate -
Appears on: 164v–170
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Plenum gracia et veritate
164v–170 In principio (P71) - 3a pars (of 3): Gloria patri = 49a, with two texts -
Appears on: 164v–170
Genres: Doxology
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri (= 49a, with two texts)
General Note

text of doxology laid under the opening section which repeats

170v–177 Quem aethera et terra [P71] -
Appears on: 170v–177
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quem aethera et terra
General Note

trope to no. 49

177v–183 [A solis ortus cardine] Beatus auctor saeculi II: Domus pudici pectoris -
Appears on: 177v–183
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Beatus auctor seculi (= A solis ortus), 2nd text: Domus pudici pectoris
183v–187 Vox de caelo ad beatum - 1a pars (of 2): Vox de caelo ad beatum -
Appears on: 183v–187
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vox de caelo ad beatum
183v–187 Vox de caelo ad beatum - 2a pars (of 2): In quo mihi -
Appears on: 183v–187
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In quo mihi
187v–193 Verbum Dei caro factum (P76) -
Appears on: 187v–193
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gratuletur omnis caro
193v–202 Casta parentis viscera - 1a pars (of 3): Casta parentis viscera -
Appears on: 193v–202
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Casta parentis viscera
193v–202 Casta parentis viscera - 2a pars (of 3): Gloria patri -
Appears on: 193v–202
Genres: Doxology
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri
193v–202 Casta parentis viscera - 3a pars (of 3): Stans onerata nobili -
Appears on: 193v–202
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Stans onerata nobili
202v–210 [Quod chorus vatum] Haec Deum caeli, 2 Tu libens votis -
Appears on: 202v–210
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Hec deum celi (= Quod chorus vatum), 2nd text: Tu libens votis
210v–215 Quoniam peccatorum mole - 1a pars (of 2): Quoniam peccatorum mole = Christi virgo dilectissima -
Appears on: 210v–215
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam peccatorum mole (= Christi virgo dilectissima)
210v–215 Quoniam peccatorum mole - 2a pars (of 2): Subveni domina clamantibus -
Appears on: 210v–215
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Subveni domina clamantibus
215v–219 [Veni redemptor gentium] Non ex virili, 2 Procedens de thalamo -
Appears on: 215v–219
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Non ex virili (= Veni redeptor gentium), 2nd text: Procedens de thalamo
219v–220 Alleluia alleluia alleluia. -
Appears on: 219v–220
Genres: Alleluia
Voice: [no designation]
Languages: Latin
Voice Text: In Die sancto pasce Ad vesperas super psalmos antophona. Alleluia alleluia alleluia.
220v–222 Surrexit enim sicut dixit Dominus -
Appears on: 220v–222
Genres: Hymn
222v–224 Ascendo ad patrem meum et patrem vestrum -
Appears on: 222v–224
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum
224v–231 In nomine patris - 1a pars (of 3): [Christi virgo dilectissima] In nomine patris -
Appears on: 224v–231
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quoniam peccatorum mole
224v–231 In nomine patris - 2a pars (of 3): Qui crediderit et baptizatus fuerit -
Appears on: 224v–231
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In nomine patris
224v–231 In nomine patris - 3a pars (of 3): Gloria patri = 61a, with two texts -
Appears on: 224v–231
Genres: Doxology
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri (= 61a, with two texts)
General Note

text of doxology laid under the opening section which repeats

231v–238 Conscendit jubilans 2 Oramus Domine conditor -
Appears on: 231v–238
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus domino
238v–241 Pater manifestavi nomen tuum hominibus -
Appears on: 238v–241
Genres: Antiphon
Voice: [no designation]
Languages: Latin
Voice Text: Pater manifestavi nomen tuum hominibus
241v–242 Pacem meam do vobis alleluia -
Appears on: 241v–242
Genres: Responsory
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus domino
242v–244 Exaltare Domine - 1a pars (of 4): Exaltare Domine -
Appears on: 242v–244
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Exaltare domine
242v–244 Exaltare Domine - 2a pars (of 4): Benedicamus Domino -
Appears on: 242v–244
Genres: Benedicamus Domino, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus domino
242v–244 Exaltare Domine - 3a pars (of 4): Gloria patri -
Appears on: 242v–244
Genres: Doxology
Voice: [no designation]
Languages: Latin
Voice Text: Gloria patri
242v–244 Exaltare Domine - 4a pars (of 4): Dominus in caelo (text only ) -
Appears on: 242v–244
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dominus in celo (text only)
244v–248 Hostis Herodes impie 2 Ibant magi quam viderant 4 Novum genus potentiae -
Appears on: 244v–248
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Ibant magi quam (= Hostis Herodes impie), 2nd text: Novum genus potencie
248v–250 Benedicamus Domino (I) (P125) -
Appears on: 248v–250
Genres: Benedicamus Domino
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus domino
250v–251 Benedicamus Domino (II). Alleluia (P126) -
Appears on: 250v–251
Genres: Alleluia, Benedicamus Domino, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus domino alleluia
251v–252 Benedicamus Domino (III). Alleluia (P127) -
Appears on: 251v–252
Genres: Alleluia, Benedicamus Domino, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus domino alleluia
252v–254 Benedicamus in laude Jesu -
Appears on: 252v–254
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus in laude iesu
254v–256 Benedicamus Domino (V) (P129) -
Appears on: 254v–256
Genres: Benedicamus Domino, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus domino
Composer Compositions
Anonymous
Senfl, Ludwig (ca. 1486–ca. 1543)
Composition Composers (? Uncertain) Folios / Pages
[A solis ortus cardine] Beatus auctor saeculi II: Domus pudici pectoris 177v–183
[Gaude visceribus mater] Cuius magnifica est 91v–97
[Hodie nobis caelorum] Gloria in excelsis 2 Gloria patri (P70b) 151v–153
[Hodie nobis caelorum] Gloria in excelsis 2 Gloria patri (P70c) 153v–155
[Omnes superni ordines] Primum virtutes ignee, 2 Tu pater assis 102v–106
[Pange lingua] Nobis natus nobis datus Ex intacta 55v–59
[Quem terra pontus] Cui luna sol [P105] 76v–81
[Quod chorus vatum] Haec Deum caeli, 2 Tu libens votis 202v–210
[Veni redemptor gentium] Non ex virili, 2 Procedens de thalamo 215v–219
Alleluia alleluia alleluia. 219v–220
Ascendo ad patrem meum et patrem vestrum 222v–224
Ave spes nostra - 1a pars (of 2): Ave spes nostra 138v–141
Ave spes nostra - 2a pars (of 2): Ave casta sanctissima 138v–141
Benedicamus Domino (I) (P125) 248v–250
Benedicamus Domino (II). Alleluia (P126) 250v–251
Benedicamus Domino (III). Alleluia (P127) 251v–252
Benedicamus Domino (V) (P129) 254v–256
Benedicamus in laude Jesu 252v–254
Casta parentis viscera - 1a pars (of 3): Casta parentis viscera 193v–202
Casta parentis viscera - 2a pars (of 3): Gloria patri 193v–202
Casta parentis viscera - 3a pars (of 3): Stans onerata nobili 193v–202
Christe qui lux es [P82] 121v–124
Christeleison Kyrieleison 124v–125
Christus natus est - 1a pars (of 2): Christus natus est 149v–151
Christus natus est - 2a pars (of 2): Venite adoremus 149v–151
Conscendit jubilans 2 Oramus Domine conditor 231v–238
Cum esset desponsata mater Jesu Maria 146v–149
Dum ortus fuerit sol de caelo videbitis 135v–136
Exaltare Domine - 1a pars (of 4): Exaltare Domine 242v–244
Exaltare Domine - 2a pars (of 4): Benedicamus Domino 242v–244
Exaltare Domine - 3a pars (of 4): Gloria patri 242v–244
Exaltare Domine - 4a pars (of 4): Dominus in caelo (text only ) 242v–244
Facturae plasmator - 1a pars (of 2): Facturae plasmator 157v–163
Facturae plasmator - 2a pars (of 2): (Repeticio.) Fabrice mundi 163v–164
Falsobordoni 1v–9
Gaude et laetare Jerusalem et conventum 136v–138
Gaudete et exultate 97v–102
Gloriosae virginis Mariae - 1a pars (of 2): Gloriosae virginis Mariae 85v–91
Gloriosae virginis Mariae - 2a pars (of 2): Cuius vita inclita 85v–91
Gressum cepit 60av–64
Hostis Herodes impie 2 Ibant magi quam viderant 4 Novum genus potentiae 244v–248
In manus tuas Domine commendo spiritum 120v–121
In nomine patris - 1a pars (of 3): [Christi virgo dilectissima] In nomine patris 224v–231
In nomine patris - 2a pars (of 3): Qui crediderit et baptizatus fuerit 224v–231
In nomine patris - 3a pars (of 3): Gloria patri = 61a, with two texts 224v–231
In principio (P71) - 1a pars (of 3): In principio erat verbum et verbum 164v–170
In principio (P71) - 2a pars (of 3): Plenum gratia et veritate 164v–170
In principio (P71) - 3a pars (of 3): Gloria patri = 49a, with two texts 164v–170
Intonations of antiphons of psalms and magnificats of several feast days Anonymous 22–27
Intonations of antiphons of psalms and magnificats of several feast days Anonymous 126v–130
Ista est speciosa inter filias Jerusalem 68v–69
Judaea et Jerusalem - 1a pars (of 4): Judaea et Jerusalem nolite timere 141v–146
Judaea et Jerusalem - 2a pars (of 4): Constantes estote videbitis 141v–146
Judaea et Jerusalem - 3a pars (of 4): Cras egrediemini et Dominus 141v–146
Judaea et Jerusalem - 4a pars (of 4): Gloria patri = 42b, with two texts 141v–146
Loquebantur variis linguis (P92) - 2a pars (of 3): Seditque supra singulos 35v–37
Loquebantur variis linguis (P92) - 3a pars (of 3): Gloria patri 33v–35
Loquebantur variis linguis (P92) - 1a pars (of 3): Loquebantur variis linguis 33v–35
Loquebantur variis linguis [psalm tones] Anonymous 12v–20
Melodia Versiculorum Anonymous 20v–21
Missa ab acre - 1a pars (of 2): Missa ab acre = Descendit de caelis 155v–157
Missa ab acre - 2a pars (of 2): Gloria pie trinitati = 47a, with two texts 155v–157
Non vos relinquam orphanos 42v–44
Nova veniens de caelo 113v–118
O lux beata 2 Deo Patri sit 48v–51
O quam metuendus est locus iste vere Anonymous 118v–120
Orietur sicut sol 134v–135
Ornatam in monilibus 69v–70
Pacem meam do vobis alleluia 241v–242
Paradisi porta - 1a pars (of 2): Paradisi porta per Evam 72v–76
Paradisi porta - 2a pars (of 2): Gaudent chori angelorum 72v–76
Pater manifestavi nomen tuum hominibus 238v–241
Praestet nobis gratiam - 1a pars (of 3): Praestet nobis gratiam 44v–48
Praestet nobis gratiam - 2a pars (of 3): Qui totum subdit 44v–48
Praestet nobis gratiam - 3a pars (of 3): Gloria patri = 10a, with two texts 44v–48
Quem aethera et terra [P71] 170v–177
Qui paraclitus diceris = Veni creator spiritus 37v–42
Quoniam peccatorum mole - 1a pars (of 2): Quoniam peccatorum mole = Christi virgo dilectissima 210v–215
Quoniam peccatorum mole - 2a pars (of 2): Subveni domina clamantibus 210v–215
Sanctificavit Dominus tabernaculum suum 107v–109
Scitote quia propre 133v–134
Surge ferventer aquilo - 1a pars (of 2): Surge ferventer aquilo 59v–60a
Surge ferventer aquilo - 2a pars (of 2): Tanquam amica Domino 59v–60a
Surrexit enim sicut dixit Dominus 220v–222
Suscipe devote praeconia - 1a pars (of 2): Suscipe devote praeconia (= Cordis ac vocis) (In festo Conceptionis Marie virginis Responsorium) 131v–133
Suscipe devote praeconia - 2a pars (of 2): Cuius matris conceptio 131v–133
Tota pulchra es amica mea et macula (4vv, P105e) 70v–72
Veni electa mea et ponam in te thronum 66v–68
Veni sancte spiritus (5vv) [P92a] 28v–33
Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus et emitte caelitus Veni pater pauperum veni dator munerum Anonymous 10v–12
Veni sancte spiritus - 2a pars (of 2): Domine ad adjuvandum Anonymous 10v–12
Venite comedite panem (P95) - 1a pars (of 2): Venite comedite panem 51v–55
Venite comedite panem (P95) - 2a pars (of 2): Quia parata sunt 51v–55
Verbum Dei caro factum (P76) 187v–193
Vidi speciosam sicut columbam ascendentem 64v–66
Vidit Jacob in somnio - 1a pars (of 3): Vidit Jacob in somnio 109v–113
Vidit Jacob in somnio - 2a pars (of 3): Et ego nesciebam 109v–113
Vidit Jacob in somnio - 3a pars (of 3): Gloria patri = 29a, with two texts 109v–113
Virgo prudentissima quo progrederis (P106) 81v–85
Vox de caelo ad beatum - 1a pars (of 2): Vox de caelo ad beatum 183v–187
Vox de caelo ad beatum - 2a pars (of 2): In quo mihi 183v–187

denotes primary source study

Bragard, Murray C. 1978. The Falsobordone: A Study in Renaissance and Baroque Music. Musicological Studies and Documents.  American Institute of Musicology. Pages: 54-5, 160. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Fox, Bertha Mary. 1977. A Liturgical-Répertoriai Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchényi Library, Budapest. University of Illinois, Unpublished Ph.D. dissertation. Pages: 146. Notes: contents list (partial); concordances (partial).

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 25ff, 33ff, 57-62, 214ff, 227, passim. Notes: physical description; contents list; concordances; mention of MS; discussion.

Bente, Martin. 1966. Senfls Musik im Heidelberger Kapellkatalog. Ein Beitrag zur Repertoire-Überlieferung im 16. Jahrhundert. GMKB, 186-90. Leipzig. Pages: 188, 190. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 46. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXI, xv; XXV, 78, 82, 89. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen.  Munich. Pages: 62-4. Notes: physical description; contents list.

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Edward Tambling

Sunday, 22 September, 2019

'Paradisi porta' now anonymous - not the motet by Escribano previously included in inventory

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description