D-Mbs Mus. MS 35

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: c. 1510

Archive	Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark	Mus. MS 35
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	465 x 320 mm
Other Identifiers	CCM: MunBS 35 olim (Former shelfmark): H.C. 24 MaiM 62
Notations	black void mensural
Copyists	Wagenrieder, Lucas Music Senfl, Ludwig (ca. 1486–ca. 1543) Music
Relationships	Hofkapelle (owner) Wilhelm IV (1493–1550) (owner) Wilhelm IV (1493–1550) (owner) Senfl, Ludwig (ca. 1486–ca. 1543) (compiler)
External Links	images
External Authorities	RISM Online (sources/456052303)
Provenance	court chapel of Emperor Maximilian I (1459-1519) , Wien (Vienna), Austria
Contents	29 pieces from 2 composers

General Description

Ff. 88'-109 copied by an unidentified scribe, whose hand also appears in MunBS 19, MunBS 36, MunBS 38, and (probably) MunBS 37; remainder of manuscript copied by two scribes, probably Ludwig Senfl and Lucas Wagenrieder. Related to MunBS 36-8 (see BenteNW, 73ff).Earliest layers presumably copied in Vienna, for use by the imperial court chapel of Maximilian I (1459-1519). Probably taken to Munich by Ludwig Senfl c. 1523, when he began serving at the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). At Munich, additional pieces copied, fascicles assembled in present order, and volume bound in present covers. Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017

Binding

Original covers of white leather over boards, stamped with ornamental designs.

DIAMM, 2017

Watermark

Watermark on ff. 1-29, 88-111, and 193-207 generally resembles Briquet #6884, #6890, and #6892; watermark on ff. 30-45, 51-82, 112-126, and 147-192 is triangle surmounted by six-petalled flower; no watermark on ff. 46-50, 83-87, and 127-146.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Ca. 1510-31 (BenteNW)

DIAMM, 2017

Foliation

Modern pencil foliation, 1-207, by J. J. Maier

DIAMM, 2017

Decoration

Inked calligraphic initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

29 Mass Proper sections (arranged in 11 cycles)

Isaac-16, Isaac-Senfl-1, Senfl-12

207 paper folios, 465 x 320. Modern pencil foliation, 1-207, by J. J. Maier. Original covers of white leather over boards, stamped with ornamental designs. No index. Ff. 88'-109 copied by an unidentified scribe, whose hand also appears in MunBS 19, MunBS 36, MunBS 38, and (probably) MunBS 37; remainder of manuscript copied by two scribes, probably Ludwig Senfl and Lucas Wagenrieder (see general index for other manuscripts copied by the same scribes). Inked calligraphic initials. Watermark on ff. 1-29, 88-111, and 193-207 generally resembles Briquet #6884, #6890, and #6892; watermark on ff. 30-45, 51-82, 112-126, and 147-192 is triangle surmounted by six-petalled flower; no watermark on ff. 46-50, 83-87, and 127-146. Related to MunBS 36-8 (see BenteNW, 73ff).

Ca. 1510-31 (BenteNW). Earliest layers presumably copied in Vienna, for use by the imperial court chapel of Maximilian I (1459-1519). Probably taken to Munich by Ludwig Senfl ca. 1523, when he began serving at the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). At Munich, additional pieces copied, fascicles assembled in present order, and volume bound in present covers. Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2v–7	De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae]	heinrici yzac	Isaac, Heinrich (ca. 1450–1517)
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] Isaac, Heinrich (ca. 1450–1517) Appears on: 2v–7 Genres: Introit Source Attribution: heinrici yzac
7v–11r	Alleluia. Erat Joannes praedicans [Proprium de S. Joanne Baptistae]	-	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Erat Joannes praedicans [Proprium de S. Joanne Baptistae] Isaac, Heinrich (ca. 1450–1517) Appears on: 7v–11r Genres: Alleluia
11v–22	Sancti Baptistae Christi praeconis [Proprium de S. Joanne Baptistae]	-	Isaac, Heinrich (ca. 1450–1517)
Sancti Baptistae Christi praeconis [Proprium de S. Joanne Baptistae] Isaac, Heinrich (ca. 1450–1517) Appears on: 11v–22 Genres: Sequence
22v–25	Tu puer propheta altissimi vocaberis [Proprium de S. Joanne Baptistae]	-	Isaac, Heinrich (ca. 1450–1517)
Tu puer propheta altissimi vocaberis [Proprium de S. Joanne Baptistae] Isaac, Heinrich (ca. 1450–1517) Appears on: 22v–25 Genres: Communion
26v–28	Nunc scio vere quia misit Dominus angelum Vs: Domine probasti me tu cognovisti [Proprium de SS. Petro et Paulo]	h: y: [=Heinricus Yzac]	Isaac, Heinrich (ca. 1450–1517)
Nunc scio vere quia misit Dominus angelum Vs: Domine probasti me tu cognovisti [Proprium de SS. Petro et Paulo] Isaac, Heinrich (ca. 1450–1517) Appears on: 26v–28 Genres: Introit Source Attribution: h: y: [=Heinricus Yzac]
28v–34	Alleluia. Tu es Petrus et super hanc petram [Proprium de SS. Petro et Paulo]	-	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Tu es Petrus et super hanc petram [Proprium de SS. Petro et Paulo] Isaac, Heinrich (ca. 1450–1517) Appears on: 28v–34 Genres: Alleluia, Motet
34v–45	[Petre summe Christi pastor] Ecclesiam vestris [Proprium de SS. Petro et Paulo]	Lud: Sennfl	Senfl, Ludwig (ca. 1486–ca. 1543)
[Petre summe Christi pastor] Ecclesiam vestris [Proprium de SS. Petro et Paulo] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 34v–45 Genres: Sequence Source Attribution: Lud: Sennfl
45v–46	Tu es Petrus (P46) [Proprium de SS. Petro et Paulo]	L: S: [=Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Tu es Petrus (P46) [Proprium de SS. Petro et Paulo] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 45v–46 Genres: Communion Source Attribution: L: S: [=Senfl]
46v–70	Caeli enarrant gloriam Dei [In divisione apostolorum]	h: y: [=Heinricus Yzac]	Isaac, Heinrich (ca. 1450–1517)
Caeli enarrant gloriam Dei [In divisione apostolorum] Isaac, Heinrich (ca. 1450–1517) Appears on: 46v–70 Genres: Sequence Source Attribution: h: y: [=Heinricus Yzac]
70v–74	Alleluia. Maria haec est	Lud: S[enfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Alleluia. Maria haec est Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 70v–74 Genres: Alleluia Source Attribution: Lud: S[enfl]
74v–86	Laus tibi Christe qui es creator [De S Maria Magdalena]	h: y: [=Heinricus Yzac]	Isaac, Heinrich (ca. 1450–1517)
Laus tibi Christe qui es creator [De S Maria Magdalena] Isaac, Heinrich (ca. 1450–1517) Appears on: 74v–86 Genres: Sequence Source Attribution: h: y: [=Heinricus Yzac]
86v–88	Dico vobis gaudium est [De S Maria Magdalena]	h: y: [=Heinricus Yzac]	Isaac, Heinrich (ca. 1450–1517)
Dico vobis gaudium est [De S Maria Magdalena] Isaac, Heinrich (ca. 1450–1517) Appears on: 86v–88 Genres: Communion Source Attribution: h: y: [=Heinricus Yzac]
88v–93	In excelso throno [Proprium de transfiguratione Domini]	Ludovicus Sennfl	Senfl, Ludwig (ca. 1486–ca. 1543)
In excelso throno [Proprium de transfiguratione Domini] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 88v–93 Genres: Introit Source Attribution: Ludovicus Sennfl
93v–97	Alleluia. Dominus regnavit [Proprium de transfiguratione Domini]	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Alleluia. Dominus regnavit [Proprium de transfiguratione Domini] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 93v–97 Genres: Alleluia
97v–109	[Speciosus forma] Vultum desiderant cuius [Proprium de transfiguratione Domini]	L.S. [=Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
[Speciosus forma] Vultum desiderant cuius [Proprium de transfiguratione Domini] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 97v–109 Genres: Sequence Source Attribution: L.S. [=Senfl]
111v–114	Confessio et pulchritudo [Proprium de S Laurentio]	h: y: [=Heinricus Yzac]	Isaac, Heinrich (ca. 1450–1517)
Confessio et pulchritudo [Proprium de S Laurentio] Isaac, Heinrich (ca. 1450–1517) Appears on: 111v–114 Genres: Introit Source Attribution: h: y: [=Heinricus Yzac]
114v–117	Alleluia. Levita Laurentius [Proprium de S Laurentio]	-	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Levita Laurentius [Proprium de S Laurentio] Isaac, Heinrich (ca. 1450–1517) Appears on: 114v–117 Genres: Alleluia
117v–125	Laurenti David magni [Proprium de S Laurentio]	h: y: [=Heinricus Yzac]	Isaac, Heinrich (ca. 1450–1517)
Laurenti David magni [Proprium de S Laurentio] Isaac, Heinrich (ca. 1450–1517) Appears on: 117v–125 Genres: Sequence Source Attribution: h: y: [=Heinricus Yzac]
125v–127	Qui mihi ministrat [Proprium de S Laurentio]	L S [=Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Qui mihi ministrat [Proprium de S Laurentio] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 125v–127 Genres: Communion Source Attribution: L S [=Senfl]
127v–130	Benedicite Domino omnes angeli eius [Proprium S Michaeli archangeli]	h: y: [=Heinricus Yzac]	Isaac, Heinrich (ca. 1450–1517)
Benedicite Domino omnes angeli eius [Proprium S Michaeli archangeli] Isaac, Heinrich (ca. 1450–1517) Appears on: 127v–130 Genres: Introit Source Attribution: h: y: [=Heinricus Yzac]
130v–133	Alleluia. Concussum est mare [Proprium S Michaeli archangeli]	-	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Concussum est mare [Proprium S Michaeli archangeli] Isaac, Heinrich (ca. 1450–1517) Appears on: 130v–133 Genres: Alleluia
133v–144	Ad celebres rex [Proprium S Michaeli archangeli]	-	Isaac, Heinrich (ca. 1450–1517)
Ad celebres rex [Proprium S Michaeli archangeli] Isaac, Heinrich (ca. 1450–1517) Appears on: 133v–144 Genres: Sequence
144v–146	Benendicite omnes angeli [Proprium S Michaeli archangeli]	h: y: [=Heinricus Yzac]	Isaac, Heinrich (ca. 1450–1517)
Benendicite omnes angeli [Proprium S Michaeli archangeli] Isaac, Heinrich (ca. 1450–1517) Appears on: 144v–146 Genres: Communion Source Attribution: h: y: [=Heinricus Yzac]
146v–160	Virginalis turma sexus	h: y: [=Heinricus Yzac] ; Lud. S[enfl]	Isaac, Heinrich (ca. 1450–1517) Senfl, Ludwig (ca. 1486–ca. 1543)
Virginalis turma sexus Isaac, Heinrich (ca. 1450–1517) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 146v–160 Genres: Sequence Source Attribution: h: y: [=Heinricus Yzac] ; Lud. S[enfl] General Note attribution to "h.y." (Isaac) on the first opening; then on f.156v, "Lud. S[enfl] ad finem deduxit" (the remainder of the piece by Senfl, from 'O felix colonia')
160v–165	Alleluia. Martinus episcopus	L.S. [=Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Alleluia. Martinus episcopus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 160v–165 Genres: Alleluia Source Attribution: L.S. [=Senfl]
165v–177	[Sacerdotem Christi Martinum] Atque illius nomen	-	Senfl, Ludwig (ca. 1486–ca. 1543)
[Sacerdotem Christi Martinum] Atque illius nomen Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 165v–177 Genres: Sequence
177c–191	Gaude Sion quod egressus	L.S. [=Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Gaude Sion quod egressus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 177c–191 Genres: Sequence Source Attribution: L.S. [=Senfl]
191v–194	Alleluia. Beata virgo Catherina	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Alleluia. Beata virgo Catherina Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 191v–194 Genres: Alleluia
194v–207	[Hac in die laudes pie] Qua conscendit ad divina	-	Senfl, Ludwig (ca. 1486–ca. 1543)
[Hac in die laudes pie] Qua conscendit ad divina Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 194v–207 Genres: Sequence

Composer	Compositions
Isaac, Heinrich (ca. 1450–1517)	Ad celebres rex [Proprium S Michaeli archangeli] – 133v–144 Alleluia. Concussum est mare [Proprium S Michaeli archangeli] – 130v–133 Alleluia. Erat Joannes praedicans [Proprium de S. Joanne Baptistae] – 7v–11r Alleluia. Levita Laurentius [Proprium de S Laurentio] – 114v–117 Alleluia. Tu es Petrus et super hanc petram [Proprium de SS. Petro et Paulo] – 28v–34 Benedicite Domino omnes angeli eius [Proprium S Michaeli archangeli] – 127v–130 Benendicite omnes angeli [Proprium S Michaeli archangeli] – 144v–146 Caeli enarrant gloriam Dei [In divisione apostolorum] – 46v–70 Confessio et pulchritudo [Proprium de S Laurentio] – 111v–114 De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] – 2v–7 Dico vobis gaudium est [De S Maria Magdalena] – 86v–88 Laurenti David magni [Proprium de S Laurentio] – 117v–125 Laus tibi Christe qui es creator [De S Maria Magdalena] – 74v–86 Nunc scio vere quia misit Dominus angelum Vs: Domine probasti me tu cognovisti [Proprium de SS. Petro et Paulo] – 26v–28 Sancti Baptistae Christi praeconis [Proprium de S. Joanne Baptistae] – 11v–22 Tu puer propheta altissimi vocaberis [Proprium de S. Joanne Baptistae] – 22v–25 Virginalis turma sexus – 146v–160
Senfl, Ludwig (ca. 1486–ca. 1543)	Alleluia. Beata virgo Catherina – 191v–194 Alleluia. Dominus regnavit [Proprium de transfiguratione Domini] – 93v–97 Alleluia. Maria haec est – 70v–74 Alleluia. Martinus episcopus – 160v–165 Gaude Sion quod egressus – 177c–191 In excelso throno [Proprium de transfiguratione Domini] – 88v–93 Qui mihi ministrat [Proprium de S Laurentio] – 125v–127 Tu es Petrus (P46) [Proprium de SS. Petro et Paulo] – 45v–46 Virginalis turma sexus – 146v–160 [Hac in die laudes pie] Qua conscendit ad divina – 194v–207 [Petre summe Christi pastor] Ecclesiam vestris [Proprium de SS. Petro et Paulo] – 34v–45 [Sacerdotem Christi Martinum] Atque illius nomen – 165v–177 [Speciosus forma] Vultum desiderant cuius [Proprium de transfiguratione Domini] – 97v–109

Composer

Compositions

Isaac, Heinrich (ca. 1450–1517)

Ad celebres rex [Proprium S Michaeli archangeli] – 133v–144
Alleluia. Concussum est mare [Proprium S Michaeli archangeli] – 130v–133
Alleluia. Erat Joannes praedicans [Proprium de S. Joanne Baptistae] – 7v–11r
Alleluia. Levita Laurentius [Proprium de S Laurentio] – 114v–117
Alleluia. Tu es Petrus et super hanc petram [Proprium de SS. Petro et Paulo] – 28v–34
Benedicite Domino omnes angeli eius [Proprium S Michaeli archangeli] – 127v–130
Benendicite omnes angeli [Proprium S Michaeli archangeli] – 144v–146
Caeli enarrant gloriam Dei [In divisione apostolorum] – 46v–70
Confessio et pulchritudo [Proprium de S Laurentio] – 111v–114
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] – 2v–7
Dico vobis gaudium est [De S Maria Magdalena] – 86v–88
Laurenti David magni [Proprium de S Laurentio] – 117v–125
Laus tibi Christe qui es creator [De S Maria Magdalena] – 74v–86
Nunc scio vere quia misit Dominus angelum Vs: Domine probasti me tu cognovisti [Proprium de SS. Petro et Paulo] – 26v–28
Sancti Baptistae Christi praeconis [Proprium de S. Joanne Baptistae] – 11v–22
Tu puer propheta altissimi vocaberis [Proprium de S. Joanne Baptistae] – 22v–25
Virginalis turma sexus – 146v–160

Senfl, Ludwig (ca. 1486–ca. 1543)

Alleluia. Beata virgo Catherina – 191v–194
Alleluia. Dominus regnavit [Proprium de transfiguratione Domini] – 93v–97
Alleluia. Maria haec est – 70v–74
Alleluia. Martinus episcopus – 160v–165
Gaude Sion quod egressus – 177c–191
In excelso throno [Proprium de transfiguratione Domini] – 88v–93
Qui mihi ministrat [Proprium de S Laurentio] – 125v–127
Tu es Petrus (P46) [Proprium de SS. Petro et Paulo] – 45v–46
Virginalis turma sexus – 146v–160
[Hac in die laudes pie] Qua conscendit ad divina – 194v–207
[Petre summe Christi pastor] Ecclesiam vestris [Proprium de SS. Petro et Paulo] – 34v–45
[Sacerdotem Christi Martinum] Atque illius nomen – 165v–177
[Speciosus forma] Vultum desiderant cuius [Proprium de transfiguratione Domini] – 97v–109

Composition	Composers (? Uncertain)	Folios / Pages
[Hac in die laudes pie] Qua conscendit ad divina	Senfl, Ludwig (ca. 1486–ca. 1543)	194v–207
[Petre summe Christi pastor] Ecclesiam vestris [Proprium de SS. Petro et Paulo]	Senfl, Ludwig (ca. 1486–ca. 1543)	34v–45
[Sacerdotem Christi Martinum] Atque illius nomen	Senfl, Ludwig (ca. 1486–ca. 1543)	165v–177
[Speciosus forma] Vultum desiderant cuius [Proprium de transfiguratione Domini]	Senfl, Ludwig (ca. 1486–ca. 1543)	97v–109
Ad celebres rex [Proprium S Michaeli archangeli]	Isaac, Heinrich (ca. 1450–1517)	133v–144
Alleluia. Beata virgo Catherina	Senfl, Ludwig (ca. 1486–ca. 1543)	191v–194
Alleluia. Concussum est mare [Proprium S Michaeli archangeli]	Isaac, Heinrich (ca. 1450–1517)	130v–133
Alleluia. Dominus regnavit [Proprium de transfiguratione Domini]	Senfl, Ludwig (ca. 1486–ca. 1543)	93v–97
Alleluia. Erat Joannes praedicans [Proprium de S. Joanne Baptistae]	Isaac, Heinrich (ca. 1450–1517)	7v–11r
Alleluia. Levita Laurentius [Proprium de S Laurentio]	Isaac, Heinrich (ca. 1450–1517)	114v–117
Alleluia. Maria haec est	Senfl, Ludwig (ca. 1486–ca. 1543)	70v–74
Alleluia. Martinus episcopus	Senfl, Ludwig (ca. 1486–ca. 1543)	160v–165
Alleluia. Tu es Petrus et super hanc petram [Proprium de SS. Petro et Paulo]	Isaac, Heinrich (ca. 1450–1517)	28v–34
Benedicite Domino omnes angeli eius [Proprium S Michaeli archangeli]	Isaac, Heinrich (ca. 1450–1517)	127v–130
Benendicite omnes angeli [Proprium S Michaeli archangeli]	Isaac, Heinrich (ca. 1450–1517)	144v–146
Caeli enarrant gloriam Dei [In divisione apostolorum]	Isaac, Heinrich (ca. 1450–1517)	46v–70
Confessio et pulchritudo [Proprium de S Laurentio]	Isaac, Heinrich (ca. 1450–1517)	111v–114
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae]	Isaac, Heinrich (ca. 1450–1517)	2v–7
Dico vobis gaudium est [De S Maria Magdalena]	Isaac, Heinrich (ca. 1450–1517)	86v–88
Gaude Sion quod egressus	Senfl, Ludwig (ca. 1486–ca. 1543)	177c–191
In excelso throno [Proprium de transfiguratione Domini]	Senfl, Ludwig (ca. 1486–ca. 1543)	88v–93
Laurenti David magni [Proprium de S Laurentio]	Isaac, Heinrich (ca. 1450–1517)	117v–125
Laus tibi Christe qui es creator [De S Maria Magdalena]	Isaac, Heinrich (ca. 1450–1517)	74v–86
Nunc scio vere quia misit Dominus angelum Vs: Domine probasti me tu cognovisti [Proprium de SS. Petro et Paulo]	Isaac, Heinrich (ca. 1450–1517)	26v–28
Qui mihi ministrat [Proprium de S Laurentio]	Senfl, Ludwig (ca. 1486–ca. 1543)	125v–127
Sancti Baptistae Christi praeconis [Proprium de S. Joanne Baptistae]	Isaac, Heinrich (ca. 1450–1517)	11v–22
Tu es Petrus (P46) [Proprium de SS. Petro et Paulo]	Senfl, Ludwig (ca. 1486–ca. 1543)	45v–46
Tu puer propheta altissimi vocaberis [Proprium de S. Joanne Baptistae]	Isaac, Heinrich (ca. 1450–1517)	22v–25
Virginalis turma sexus	Isaac, Heinrich (ca. 1450–1517) Senfl, Ludwig (ca. 1486–ca. 1543)	146v–160

‡ denotes primary source study

Hell, Helmut. 1983. Zwei weitere Blätter zum Fragment Mus. ms. 3224 in der Bayerischen Staatsbibliothek aus der Dufay-Zeit. Musik in Bayern, 43-9. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Gerstenberg, Walter. 1974. Das Alleluja in Senfls Propriumskompositionen. Studies in Renaissance and Baroque Music in Honor of Arthur Mendel, 25-30. Kassel, Basel, Tours, London. Pages: 25ff. Notes: mention of MS.

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 25ff, 33ff, 73-145, 227, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Pätzig, Gerhard-Rudolf. 1964. Das Chorbuch Mus. ms. 40024 der Deutschen Staatsbibliothek Berlin: Eine wichtige Quelle zum Schaffen Isaacs aus der Hand Leonhard Pämingers. Festschrift Walter Gerstenberg zum 60. Geburtstag, 122-42. Wolfenbüttel and Zürich. Notes: contents list (partial); concordances (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 77ff, passim; II, 143ff, 199-200. Notes: physical description (partial); contents list; concordances (partial); incipits (partial); mention of MS; discussion.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: X, vi, 20-71, 110-1. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 455. Notes: mention of MS.

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 37-9. Notes: physical description; contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Mbs Mus. MS 35

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: c. 1510

General Description

Binding

Watermark

Notation

Date

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017