GB-Lbl Royal Appendix 58

British Library, London, England

partbook: c. 1515-40

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Royal Appendix 58
Numbering System	Foliation
Measurements	150 x 200-10 mm
Other Identifiers	CCM: LonBLR A58
Notations	black void mensural chant notation strene
Relationships	Lumley, John (ca. 1533–1609) (owner) ? Fitzalan, Henry (–1580) (owner)
External Links	images (& British Library online catalogue entry) IIIF manifest
Provenance	London, England
Contents	84 pieces from 9 composers

General Description

A single partbook containing various voice parts, mostly tenor. Ten pieces, for keyboard, written on two staves; pieces on ff. 51'-52 and ff. 54'-55' notated in lute tablature. Several layers, copied at different times by six scribes. Manuscript linked by common scribes and repertory to keyboard manuscript Royal Appendix 56 in this library (PartonT). Probably copied in London (GreS). Apparently a commonplace book in which several professional musicians associated with English royal court entered useful pieces (StMP).

DIAMM, 2017

Binding

Modern (1757) covers of brown leather and cloth. Fragment of original parchment cover, inscribed 'Tenor,' pasted to f. 1; fragment of original title page pasted to f. 2.

DIAMM, 2017

Watermark

Watermark on ff. 3-49: hand surmounted by three-petalled flower (not in Briquet). Remaining folios of different paper; no watermark visible.

DIAMM, 2017

Notation

Most pieces in black void mensural notation; some others in various chant notations, including "strene" notation (see BentN)

DIAMM, 2017

Date

Ca. 1515-40 (BernsCE); lute pieces probably entered after 1551 (WardLM).

DIAMM, 2017

Foliation

Modern ink foliation, 1-58, crossed out and replaced by more recent pencil foliation, 1-60, which begins with fifth flyleaf.

DIAMM, 2017

Decoration

Large inked calligraphic initials on ff. 3, 17', 23; no other decoration.

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 3 office hymns, 1 processional hymn, 9 motets, 1 English sacred piece, 1 carol, 28 English secular pieces, 12 French secular pieces (4 with garbled text incipits; remainder without text), 12 textless pieces (1 with title "The Chymes of Cardyffe"), 10 keyboard pieces = 78

(Above summary excludes lute intabulations on ff. 5T-52 and ff. 54'-55').

Ambrose-1, Aston-1, Cole-2, R. Cooper [Doct Copere]-2, (W. Cornyshe)-2, (Daggere)-1, Drake-1, (Dulot/Sermisy)-1, (Hesdin/Roquellay)-1, (Jacotin/Sermisy)-1, (Lupi)-1, Parker, Monk of Stratford-1, (Sermisy)-5, anon-58

1 paper partbook (Various voice parts, mostly tenor-vi +58 + v folios), 150 x 200-10. Modern ink foliation, 1-58, crossed out and replaced by more recent pencil foliation, 1-60, which begins with fifth flyleaf. (Following references are to pencil foliation). Modern (1757) covers of brown leather and cloth. Fragment of original parchment cover, inscribed "Tenor," pasted to f. 1; fragment of original title page pasted to f. 2. No index.

Most pieces in white mensural notation; some others in various chant notations, including "strene" notation (see BentN). Ten pieces, for keyboard, written on two staves; pieces on ff. 51'-52 and ff. 54'-55' notated in lute tablature. Several layers, copied at different times by six scribes. Large inked calligraphic initials on ff. 3, 17', 23; no other decoration. Watermark on ff. 3-49: hand surmounted by three-petalled flower (not in Briquet). Remaining folios of different paper; no watermark visible. Manuscript linked by common scribes and repertory to keyboard manuscript Royal Appendix 56 in this library (PartonT).

Ca. 1515-40 (BernsCE); lute pieces probably entered after 1551 (WardLM). Probably copied in London (GreS). Apparently a commonplace book in which several professional musicians associated with English royal court entered useful pieces (StMP). Possibly owned later by Henry Fitzalan, 12th Earl of Arundel (d. 1580), whose library passed to his son-in-law, John, 6th Baron Lumley (d. 1609). Arundel-Lumley collection became part of Old Royal Library, which passed to newly founded British Museum in 1757.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3r	A the syghs that come fro my hart	W Cornish	Cornysh (Junior), William (–1523)
A the syghs that come fro my hart Cornysh (Junior), William (–1523) Appears on: 3r Genres: Song Source Attribution: W Cornish
3v	Though that she cannot Redresse	-	Anonymous
Though that she cannot Redresse Anonymous Appears on: 3v Genres: Secular song
4	Colle to me the Rysshes greene	-	Anonymous
Colle to me the Rysshes greene Anonymous Appears on: 4 Genres: Secular song General Note different from setting at f. 14v
4v	Downbery down now am I	-	Daggere, William
Downbery down now am I Daggere, William Appears on: 4v Genres: Song
5	Westron [Western] wynde	-	Anonymous
Westron [Western] wynde Anonymous Appears on: 5 Genres: Secular song
5v	Iff I had wytt for to endyght	-	Anonymous
Iff I had wytt for to endyght Anonymous Appears on: 5v Genres: Song
6	Why so unkende	-	Anonymous
Why so unkende Anonymous Appears on: 6 Genres: Secular song
6v–7	Kytt hath lost her key	-	Anonymous
Kytt hath lost her key Anonymous Appears on: 6v–7 Genres: Secular song
7v	Blow thi horne hunter	-	Cornysh (Junior), William (–1523)
Blow thi horne hunter Cornysh (Junior), William (–1523) Appears on: 7v Genres: Song
8	Alone alone in wyldernys	-	Anonymous
Alone alone in wyldernys Anonymous Appears on: 8 Genres: Secular song
8v–9v	The little pretty nightingale	-	Anonymous
The little pretty nightingale Anonymous Appears on: 8v–9v Genres: Secular song General Note 2 versions, the first crossed through, with various differences
8v	Come home sweet hart	-	Anonymous
Come home sweet hart Anonymous Appears on: 8v Genres: Song General Note crossed through
9	Nay Mary	-	Anonymous
Nay Mary Anonymous Appears on: 9 Genres: Song General Note different from setting at f. 13
9v	The little pretty nightingale	-	Anonymous
The little pretty nightingale Anonymous Appears on: 9v Genres: Secular song General Note several differences from the versions on f. 8v
10	To leve alone	John Cole	Cole, John
To leve alone Cole, John Appears on: 10 Genres: Song Source Attribution: John Cole
10v–11	By a banke as I ley	-	Anonymous
By a banke as I ley Anonymous Appears on: 10v–11 Genres: Chanson
11v	Spem in alium - 1a pars (of 2): Spem in alium numquam habui	-	Anonymous
Spem in alium - 1a pars (of 2): Spem in alium numquam habui Anonymous Appears on: 11v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Spem in alium numquam habui Layout parts
12	Spem in alium - 2a pars (of 2): Ad humilitatem nostram	-	Anonymous
Spem in alium - 2a pars (of 2): Ad humilitatem nostram Anonymous Appears on: 12 Genres: Motet
12v	This yenders night I heard a wyght	-	Anonymous
This yenders night I heard a wyght Anonymous Appears on: 12v Genres: Song
13	Nay Mary	-	Anonymous
Nay Mary Anonymous Appears on: 13 Genres: Song General Note different from setting at f. 9
14v	Coll to me the russhes grene	-	Anonymous
Coll to me the russhes grene Anonymous Appears on: 14v Genres: Song General Note different from setting at f. 4
15	[fragment]	-	Anonymous
[fragment] Anonymous Appears on: 15
15v–16	[3-part instrumental piece]	-	Anonymous
[3-part instrumental piece] Anonymous Appears on: 15v–16 Genres: In illo tempore
16v	[canon, untexted]	John Ambrose	Ambrose, John
[canon, untexted] Ambrose, John Appears on: 16v Genres: Canon Source Attribution: John Ambrose
16v	O my lady dure	Parker monke of Stratford	Stratford, William (?)
O my lady dure Stratford, William (?) Appears on: 16v Genres: Song Source Attribution: Parker monke of Stratford
17	Rasyd ys my mynde	-	Anonymous
Rasyd ys my mynde Anonymous Appears on: 17 Genres: Song
17v–18v	Now fayre, fayrest of every fayre	-	Anonymous
Now fayre, fayrest of every fayre Anonymous Appears on: 17v–18v Genres: Song General Note Supposed to have been written on the marriage of Margaret, sister of Henry VIII, to James IV of Scotland, in 1503
18v–19v	Those I do sing	-	Anonymous
Those I do sing Anonymous Appears on: 18v–19v Genres: Song
19v–21	Pityeously constraynyd am I	Doctor Copere	Cowper (Cooper), Robert (ca. 1474–ca. 1540)
Pityeously constraynyd am I Cowper (Cooper), Robert (ca. 1474–ca. 1540) Appears on: 19v–21 Genres: Song Source Attribution: Doctor Copere
21v–22v	When fortune had me avaunsyd	-	Anonymous
When fortune had me avaunsyd Anonymous Appears on: 21v–22v Genres: Song
23–24	Now marcy Jhesus	-	Anonymous
Now marcy Jhesus Anonymous Appears on: 23–24 Genres: Song
[-]	Frere Gastkyn - 1a pars (of 2): Frere Gastkyn	Raff Drake	Drake, Raff (Ralph)
Frere Gastkyn - 1a pars (of 2): Frere Gastkyn Drake, Raff (Ralph) Appears on: [-] Genres: Song Source Attribution: Raff Drake
25–25v	Frere Gastkyn - 2a pars (of 2): Et fac cum	Raff Drake	Drake, Raff (Ralph)
Frere Gastkyn - 2a pars (of 2): Et fac cum Drake, Raff (Ralph) Appears on: 25–25v Genres: Song Source Attribution: Raff Drake
26	Stella caeli extirpavit que lactavit	-	Anonymous
Stella caeli extirpavit que lactavit Anonymous Appears on: 26 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: Stella caeli extirpavit que lactavit Layout parts
26v–27	O gloriosa stella maris	doctor coper	Cowper (Cooper), Robert (ca. 1474–ca. 1540)
O gloriosa stella maris Cowper (Cooper), Robert (ca. 1474–ca. 1540) Appears on: 26v–27 Genres: Motet Source Attribution: doctor coper Voice: [no designation] Languages: Latin Voice Text: O gloriosa stella maris Layout parts
27–28v	Egredientem de templo [with Gloria Patri]	-	Anonymous
Egredientem de templo [with Gloria Patri] Anonymous Appears on: 27–28v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Egredientem de templo Layout parts
28v–29v	[5 untitled viol pieces]	-	Anonymous
[5 untitled viol pieces] Anonymous Appears on: 28v–29v Genres: Viol piece
30	Apre[s] de vowse	-	Anonymous
Apre[s] de vowse Anonymous Appears on: 30 Genres: Organ piece
30–30v	[2 untitled viol pieces]	-	Anonymous
[2 untitled viol pieces] Anonymous Appears on: 30–30v Genres: Viol piece
30v	Dum vince la bella	-	Anonymous
Dum vince la bella Anonymous Appears on: 30v Genres: Organ piece
30v–31	[2 untitled viol pieces]	-	Anonymous
[2 untitled viol pieces] Anonymous Appears on: 30v–31 Genres: Viol piece
31	Grace & vertew	-	Anonymous
Grace & vertew Anonymous Appears on: 31 Genres: Organ piece
31v	Sancta Maria virgo intercede pro toto = Tresorerie de plaisir	-	Anonymous
Sancta Maria virgo intercede pro toto = Tresorerie de plaisir Anonymous Appears on: 31v Genres: Contrafactum Voice: [no designation] Languages: Latin Voice Text: Sancta Maria virgo intercede pro toto [= Tresorerie de plaisir] Layout parts General Note crossed through
31v–32	A solis ortus cardine	-	Anonymous
A solis ortus cardine Anonymous Appears on: 31v–32 Genres: Organ piece General Note 3 settings, or three parts [setting in Royal App 56 has 4 parts]
32v	Sabbatum Mariae	-	Anonymous
Sabbatum Mariae Anonymous Appears on: 32v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sabbatum Mariae Layout parts
33	Salve festa dies toto venerabilis	-	Anonymous
Salve festa dies toto venerabilis Anonymous Appears on: 33 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis Layout parts
33v–34v	Mass: Gloria	-	Anonymous
Mass: Gloria Anonymous Appears on: 33v–34v Genres: Gloria (et in terra pax), Mass Ordinary
35–36	Mass: Credo	-	Anonymous
Mass: Credo Anonymous Appears on: 35–36 Genres: Credo (patrem omnipotentem), Mass Ordinary
36v–38	Mass: Sanctus	-	Anonymous
Mass: Sanctus Anonymous Appears on: 36v–38 Genres: Mass Ordinary, Sanctus [& Benedictus]
38–38v	Mass: Agnus Dei	-	Anonymous
Mass: Agnus Dei Anonymous Appears on: 38–38v Genres: Agnus Dei, Mass Ordinary
39	[untitled]	-	Anonymous
[untitled] Anonymous Appears on: 39 Genres: Viol piece
39v	Jacob autem genuit Ioseph	-	Anonymous
Jacob autem genuit Ioseph Anonymous Appears on: 39v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Iacob autem genuit Ioseph Layout parts
39v	La belle fyne	-	Anonymous
La belle fyne Anonymous Appears on: 39v Genres: Chanson
40	[untitled keyboeard piece]	-	Anonymous
[untitled keyboeard piece] Anonymous Appears on: 40 Genres: Keyboard
40	La belle fyne	-	Anonymous
La belle fyne Anonymous Appears on: 40 Genres: Keyboard
40v–44v	A hornepype [hornpipe]	Hugh Aston	Aston, Hugh (ca. 1485–1558)
A hornepype [hornpipe] Aston, Hugh (ca. 1485–1558) Appears on: 40v–44v Genres: Keyboard Source Attribution: Hugh Aston
44v–45v	My lady Carey's dompe	-	Anonymous
My lady Carey's dompe Anonymous Appears on: 44v–45v Genres: Keyboard
45v–47	My lady Wynkfyld's rownde	-	Anonymous
My lady Wynkfyld's rownde Anonymous Appears on: 45v–47 Genres: Keyboard
47	The emperor's pavyn	-	Anonymous
The emperor's pavyn Anonymous Appears on: 47 Genres: Keyboard
47–47v	Galliard	-	Anonymous
Galliard Anonymous Appears on: 47–47v Genres: Keyboard
47v–48	The Kyng's pavyn / King Harry the VIII his pavyn	-	Anonymous
The Kyng's pavyn / King Harry the VIII his pavyn Anonymous Appears on: 47v–48 Genres: Keyboard
48–48v	The crocke	-	Anonymous
The crocke Anonymous Appears on: 48–48v Genres: Keyboard
49	The kyng's marke	-	Anonymous
The kyng's marke Anonymous Appears on: 49 Genres: Keyboard
49v	galyard [Galliard]	-	Anonymous
galyard [Galliard] Anonymous Appears on: 49v Genres: Keyboard
50–51	The whele of fortune	-	Anonymous
The whele of fortune Anonymous Appears on: 50–51 Genres: Song
51	[showing the sub-divisions of various tempora, perfect & imperfect]	-	Anonymous
[showing the sub-divisions of various tempora, perfect & imperfect] Anonymous Appears on: 51
51v–52	The duke of Somersett's dompe	-	Anonymous
The duke of Somersett's dompe Anonymous Appears on: 51v–52 Genres: Tablature
52	In wynter's just returne	-	Anonymous
In wynter's just returne Anonymous Appears on: 52 Genres: Tablature
52	If care cause me to cry	-	Anonymous
If care cause me to cry Anonymous Appears on: 52 Genres: Tablature
52v–54v	Thys vyrgyn clere	-	Anonymous
Thys vyrgyn clere Anonymous Appears on: 52v–54v Genres: Song General Note a quasi-dialogue preceded by a 3-part chorus (f. 52v) "Thys endere nyyth" - the refrain "by by baby lullay" is common to both
54v	[untitled lute piece]	-	Anonymous
[untitled lute piece] Anonymous Appears on: 54v Genres: Tablature
55	Pastyme	-	Anonymous
Pastyme Anonymous Appears on: 55 Genres: Tablature
55	Pover man's dor[...]	-	Anonymous
Pover man's dor[...] Anonymous Appears on: 55 Genres: Tablature
55v–56v	My lytell fole is gon to play	-	Anonymous
My lytell fole is gon to play Anonymous Appears on: 55v–56v Genres: Song General Note Tenor, Bass & Superius parts
55v	Heven and erth	-	Anonymous
Heven and erth Anonymous Appears on: 55v Genres: Tablature
57	[untitled viol piece]	-	Anonymous
[untitled viol piece] Anonymous Appears on: 57 Genres: Viol piece
57v	[untitled viol piece]	-	Anonymous
[untitled viol piece] Anonymous Appears on: 57v Genres: Viol piece
58v	Gloria sanctorum decus	-	Anonymous
Gloria sanctorum decus Anonymous Appears on: 58v Genres: Mass Ordinary, Troped Gloria Voice: [no designation] Languages: Latin Voice Text: Gloria sanctorum decus Layout parts General Note incomplete at end
59	Gloria Patri	John Cole	Cole, John
Gloria Patri Cole, John Appears on: 59 Genres: Doxology Source Attribution: John Cole General Note incomplete - the end only
59	[2 untitled pieces]	-	Anonymous
[2 untitled pieces] Anonymous Appears on: 59 Genres: Viol piece
59v	Adesto nunc propitius	-	Anonymous
Adesto nunc propitius Anonymous Appears on: 59v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Adesto nunc propitius Layout parts
59v	[untitled - chant?]	-	Anonymous
[untitled - chant?] Anonymous Appears on: 59v Copying Style written in neumes - chant?
60	O werder mundt von dir ist wundt	-	Anonymous
O werder mundt von dir ist wundt Anonymous Appears on: 60 Genres: Song
60	[untitled]	-	Anonymous
[untitled] Anonymous Appears on: 60

Composer	Compositions
Ambrose, John	[canon, untexted] – 16v
Anonymous	A solis ortus cardine – 31v–32 Adesto nunc propitius – 59v Alone alone in wyldernys – 8 Apre[s] de vowse – 30 By a banke as I ley – 10v–11 Coll to me the russhes grene – 14v Colle to me the Rysshes greene – 4 Come home sweet hart – 8v Dum vince la bella – 30v Egredientem de templo [with Gloria Patri] – 27–28v Galliard – 47–47v Gloria sanctorum decus – 58v Grace & vertew – 31 Heven and erth – 55v If care cause me to cry – 52 Iff I had wytt for to endyght – 5v In wynter's just returne – 52 Jacob autem genuit Ioseph – 39v Kytt hath lost her key – 6v–7 La belle fyne – 39v La belle fyne – 40 Mass: Agnus Dei – 38–38v Mass: Credo – 35–36 Mass: Gloria – 33v–34v Mass: Sanctus – 36v–38 My lady Carey's dompe – 44v–45v My lady Wynkfyld's rownde – 45v–47 My lytell fole is gon to play – 55v–56v Nay Mary – 9 Nay Mary – 13 Now fayre, fayrest of every fayre – 17v–18v Now marcy Jhesus – 23–24 O werder mundt von dir ist wundt – 60 Pastyme – 55 Pover man's dor[...] – 55 Rasyd ys my mynde – 17 Sabbatum Mariae – 32v Salve festa dies toto venerabilis – 33 Sancta Maria virgo intercede pro toto = Tresorerie de plaisir – 31v Spem in alium - 1a pars (of 2): Spem in alium numquam habui – 11v Spem in alium - 2a pars (of 2): Ad humilitatem nostram – 12 Stella caeli extirpavit que lactavit – 26 The Kyng's pavyn / King Harry the VIII his pavyn – 47v–48 The crocke – 48–48v The duke of Somersett's dompe – 51v–52 The emperor's pavyn – 47 The kyng's marke – 49 The little pretty nightingale – 8v–9v The little pretty nightingale – 9v The whele of fortune – 50–51 This yenders night I heard a wyght – 12v Those I do sing – 18v–19v Though that she cannot Redresse – 3v Thys vyrgyn clere – 52v–54v Westron [Western] wynde – 5 When fortune had me avaunsyd – 21v–22v Why so unkende – 6 [2 untitled pieces] – 59 [2 untitled viol pieces] – 30–30v [2 untitled viol pieces] – 30v–31 [3-part instrumental piece] – 15v–16 [5 untitled viol pieces] – 28v–29v [fragment] – 15 [showing the sub-divisions of various tempora, perfect & imperfect] – 51 [untitled - chant?] – 59v [untitled keyboeard piece] – 40 [untitled lute piece] – 54v [untitled viol piece] – 57 [untitled viol piece] – 57v [untitled] – 39 [untitled] – 60 galyard [Galliard] – 49v
Aston, Hugh (ca. 1485–1558)	A hornepype [hornpipe] – 40v–44v
Cole, John	Gloria Patri – 59 To leve alone – 10
Cornysh (Junior), William (–1523)	A the syghs that come fro my hart – 3r Blow thi horne hunter – 7v
Cowper (Cooper), Robert (ca. 1474–ca. 1540)	O gloriosa stella maris – 26v–27 Pityeously constraynyd am I – 19v–21
Daggere, William	Downbery down now am I – 4v
Drake, Raff (Ralph)	Frere Gastkyn - 1a pars (of 2): Frere Gastkyn – [-] Frere Gastkyn - 2a pars (of 2): Et fac cum – 25–25v
Stratford, William	(?) O my lady dure – 16v

Composition	Composers (? Uncertain)	Folios / Pages
[2 untitled pieces]	Anonymous	59
[2 untitled viol pieces]	Anonymous	30–30v
[2 untitled viol pieces]	Anonymous	30v–31
[3-part instrumental piece]	Anonymous	15v–16
[5 untitled viol pieces]	Anonymous	28v–29v
[canon, untexted]	Ambrose, John	16v
[fragment]	Anonymous	15
[showing the sub-divisions of various tempora, perfect & imperfect]	Anonymous	51
[untitled - chant?]	Anonymous	59v
[untitled keyboeard piece]	Anonymous	40
[untitled lute piece]	Anonymous	54v
[untitled viol piece]	Anonymous	57
[untitled viol piece]	Anonymous	57v
[untitled]	Anonymous	39
[untitled]	Anonymous	60
A hornepype [hornpipe]	Aston, Hugh (ca. 1485–1558)	40v–44v
A solis ortus cardine	Anonymous	31v–32
A the syghs that come fro my hart	Cornysh (Junior), William (–1523)	3r
Adesto nunc propitius	Anonymous	59v
Alone alone in wyldernys	Anonymous	8
Apre[s] de vowse	Anonymous	30
Blow thi horne hunter	Cornysh (Junior), William (–1523)	7v
By a banke as I ley	Anonymous	10v–11
Coll to me the russhes grene	Anonymous	14v
Colle to me the Rysshes greene	Anonymous	4
Come home sweet hart	Anonymous	8v
Downbery down now am I	Daggere, William	4v
Dum vince la bella	Anonymous	30v
Egredientem de templo [with Gloria Patri]	Anonymous	27–28v
Frere Gastkyn - 1a pars (of 2): Frere Gastkyn	Drake, Raff (Ralph)	[-]
Frere Gastkyn - 2a pars (of 2): Et fac cum	Drake, Raff (Ralph)	25–25v
Galliard	Anonymous	47–47v
galyard [Galliard]	Anonymous	49v
Gloria Patri	Cole, John	59
Gloria sanctorum decus	Anonymous	58v
Grace & vertew	Anonymous	31
Heven and erth	Anonymous	55v
If care cause me to cry	Anonymous	52
Iff I had wytt for to endyght	Anonymous	5v
In wynter's just returne	Anonymous	52
Jacob autem genuit Ioseph	Anonymous	39v
Kytt hath lost her key	Anonymous	6v–7
La belle fyne	Anonymous	39v
La belle fyne	Anonymous	40
Mass: Agnus Dei	Anonymous	38–38v
Mass: Credo	Anonymous	35–36
Mass: Gloria	Anonymous	33v–34v
Mass: Sanctus	Anonymous	36v–38
My lady Carey's dompe	Anonymous	44v–45v
My lady Wynkfyld's rownde	Anonymous	45v–47
My lytell fole is gon to play	Anonymous	55v–56v
Nay Mary	Anonymous	9
Nay Mary	Anonymous	13
Now fayre, fayrest of every fayre	Anonymous	17v–18v
Now marcy Jhesus	Anonymous	23–24
O gloriosa stella maris	Cowper (Cooper), Robert (ca. 1474–ca. 1540)	26v–27
O my lady dure	Stratford, William (?)	16v
O werder mundt von dir ist wundt	Anonymous	60
Pastyme	Anonymous	55
Pityeously constraynyd am I	Cowper (Cooper), Robert (ca. 1474–ca. 1540)	19v–21
Pover man's dor[...]	Anonymous	55
Rasyd ys my mynde	Anonymous	17
Sabbatum Mariae	Anonymous	32v
Salve festa dies toto venerabilis	Anonymous	33
Sancta Maria virgo intercede pro toto = Tresorerie de plaisir	Anonymous	31v
Spem in alium - 1a pars (of 2): Spem in alium numquam habui	Anonymous	11v
Spem in alium - 2a pars (of 2): Ad humilitatem nostram	Anonymous	12
Stella caeli extirpavit que lactavit	Anonymous	26
The crocke	Anonymous	48–48v
The duke of Somersett's dompe	Anonymous	51v–52
The emperor's pavyn	Anonymous	47
The kyng's marke	Anonymous	49
The Kyng's pavyn / King Harry the VIII his pavyn	Anonymous	47v–48
The little pretty nightingale	Anonymous	8v–9v
The little pretty nightingale	Anonymous	9v
The whele of fortune	Anonymous	50–51
This yenders night I heard a wyght	Anonymous	12v
Those I do sing	Anonymous	18v–19v
Though that she cannot Redresse	Anonymous	3v
Thys vyrgyn clere	Anonymous	52v–54v
To leve alone	Cole, John	10
Westron [Western] wynde	Anonymous	5
When fortune had me avaunsyd	Anonymous	21v–22v
Why so unkende	Anonymous	6

Images © The British Library

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 13

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GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

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GB-Lbl Royal Appendix 42

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GB-Lbl Royal Appendix 43

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GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

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GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

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GB-Lbl Royal Appendix 59

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GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

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GB-Lcm [pr. bk.] B187

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GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

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GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

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GB-Ob MS. Tenbury 807

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GB-Ob MS. Tenbury 808

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GB-Ob MS. Tenbury 809

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GB-Ob MS. Tenbury 810

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GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

Bernstein, Jane Agar. 1974. The Chanson in England 1530-1640: A Study of Sources and Styles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 30-40. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bent, Margaret. 1968. New and Little-Known Fragments of English Medieval Polyphony. Journal of the American Musicological Society, 137-56. Pages: 148, 150. Notes: mention of MS; contents list (partial).

Parton, Kenton. 1964. On Two Early Tudor Manuscripts of Keyboard Music. Journal of the American Musicological Society, 81-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Greene, Richard Leighton. 1962. A Selection of English Carols. Oxford. Pages: 173. Notes: mention of MS.

Stevens, John E. 1961. Music & Poetry in the Early Tudor Court. Cambridge. Pages: 128ff, 388ff, 466. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Ward, John M. 1960. The Lute Music of MS Royal Appendix 58. Journal of the American Musicological Society, 117-25. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 139, 204, 212, 258; II, 1, 123-4; III, 57, 103, 181, 235, 313, 375. Notes: physical description (partial); contents list.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XII, xiii; XVIII, 18-9, 25-6, 29, 101-5. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VIII, 1177; XIII, 939. Notes: physical description (partial); contents list (partial).

Greene, Richard Leighton (editor). 1935, 2nd 1977. The Early English Carols. Oxford. Pages: 306, passim. Notes: physical description; contents list; incipitsst of contents (partial); texts (partial).

Davey, Henry. 1921. History of English Music. London. Pages: 72, 88-9, 96-7. Notes: physical description (partial); contents list (partial).

Warner, Sir George F, and Julius P Gilson. 1921. Catalogue of Western Manuscripts in the Old Royal and King's Collections. London. Pages: II, 394. Notes: physical description.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description