E-GRcr MS 7 - DIAMM

E-GRcr MS 7

Capilla Real, Archivo de Música, Granada, Spain

manuscript of polyphony: ca. 1600

Archive	Capilla Real, Archivo de Música, Granada, Spain (E-GRcr)
Shelfmark	MS 7
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	540 x 385 mm (fols. 90-99 of the new foliation are 495 x 350 mm)
Other Identifiers	CCM: GranCR 7 olim (Former shelfmark): LópAM #1
Notations	black void mensural
Copyists	? Duran, Fray Pedro Music
Relationships	Vibanco, Don Juan de (mentioned in liminary text)
External Links	Hispanic Polyphony
Provenance	Granada, Spain
Contents	Contains 36 compositions, 29 from 7 composers, 7 are anonymous.

General Description

The MS. consists of three gatherings: fols 1-89, 90-99, 100-107. Copied by many scribes, aomng them possibly Fray Pedro Duran. The name Don Juan de Vibanco appears on fol. 1r. From Granada?

Cristina Urchueguía; transl. Henry Hope, 2011

Binding

Original wooden binding with leather covers, remnants of metal clasps

Cristina Urchueguía; transl. Henry Hope, 2011

Notation

black void mensural

Cristina Urchueguía; transl. Henry Hope, 2011

Foliation

Modern pencil foliation 1-107 (fols 6-8 are missing). Remains of original ink foliation up to fol 105.

Cristina Urchueguía; transl. Henry Hope, 2011

Surface

paper

Cristina Urchueguía; transl. Henry Hope, 2011

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 1 Requiem Mass, 1 Credo, 2 psalms, 2 Passions, 16 motets (2 incomplete) = 25

S. Aliseda-1, A. Lobo-2, Lusitano-6, Morales-6, Olasso-1, Villalobos-1, anon-8

104 paper folios, 540 x 385 (new ff. 90-99 measure 495 x 350). Modern pencil foliation, 1-107 (ff. 6-8 now missing); remnants of original ink foliation, to f. 105. Original covers of brown suede leather over boards; two closing clasps now missing. No index. Scribal concordances with GranCR 3 and GranCR (5). Manuscript is in three sections: ff. 1-89; 90-99; 100-107. First folio has inscription: "Don Juan de Vibanco."

Early 17th century. From Granada?

Vol 4

Physical: Change "Scribal concordances with GranCR 3 and GranCR (5)" to "Copied by several scribes."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1v–18	Missa Ecce vir prudens	4	Santos de Aliseda	Aliseda, Santos de (–1580)
Missa Ecce vir prudens Aliseda, Santos de (–1580) Appears on: 1v–18 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Santos de Aliseda Number of voices: 4 General Note ff. 6-8 missing. Credo lacks Et incarnatus section
18v–34	Missa Ut, re, mi, fa, sol, la: Kyrie	4	Cristobal de Morales	Morales, Cristóbal de (ca. 1500–1553)
Missa Ut, re, mi, fa, sol, la: Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 18v–34 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Cristobal de Morales Number of voices: 4
18v–34	Missa Ut, re, mi, fa, sol, la: Gloria	4	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Ut, re, mi, fa, sol, la: Gloria Morales, Cristóbal de (ca. 1500–1553) Appears on: 18v–34 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
18v–34	Missa Ut, re, mi, fa, sol, la: Credo	4	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Ut, re, mi, fa, sol, la: Credo Morales, Cristóbal de (ca. 1500–1553) Appears on: 18v–34 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
18v–34	Missa Ut, re, mi, fa, sol, la: Sanctus	4	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Ut, re, mi, fa, sol, la: Sanctus Morales, Cristóbal de (ca. 1500–1553) Appears on: 18v–34 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
18v–34	Missa Ut, re, mi, fa, sol, la: Agnus Dei	4	-	Morales, Cristóbal de (ca. 1500–1553)
Missa Ut, re, mi, fa, sol, la: Agnus Dei Morales, Cristóbal de (ca. 1500–1553) Appears on: 18v–34 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
34v–35	[untexted]	5	Villalobos	Villalobos
[untexted] Villalobos Appears on: 34v–35 Genres: Motet Source Attribution: Villalobos Number of voices: 5
35v–36v	[untexted]	6	Villalobos	Villalobos
[untexted] Villalobos Appears on: 35v–36v Genres: Motet Source Attribution: Villalobos Number of voices: 6 General Note incomplete
37v–38	Regem cui omnia vivunt (8vv)	8	-	Anonymous
Regem cui omnia vivunt (8vv) Anonymous Appears on: 37v–38 Genres: Motet Number of voices: 8
38v–44	Invitatorium pro defunctis: i. Regem cui	-	Morales	Morales, Cristóbal de (ca. 1500–1553)
Invitatorium pro defunctis: i. Regem cui Morales, Cristóbal de (ca. 1500–1553) Appears on: 38v–44 Genres: Motet Source Attribution: Morales
44v–46	Parce mihi Domine	-	Morales	Morales, Cristóbal de (ca. 1500–1553) (?)
Parce mihi Domine Morales, Cristóbal de (ca. 1500–1553) (?) Appears on: 44v–46 Genres: Motet Source Attribution: Morales
46v–47	Taedet animam meam	-	Morales	Morales, Cristóbal de (ca. 1500–1553) (?)
Taedet animam meam Morales, Cristóbal de (ca. 1500–1553) (?) Appears on: 46v–47 Genres: Motet Source Attribution: Morales
47v–51	Manus tuae	-	Morales	Morales, Cristóbal de (ca. 1500–1553) (?)
Manus tuae Morales, Cristóbal de (ca. 1500–1553) (?) Appears on: 47v–51 Genres: Motet Source Attribution: Morales
51v–53	Domine Non secundum peccata nostra	4	Lusitano	Lusitano, Vicente
Domine Non secundum peccata nostra Lusitano, Vicente Appears on: 51v–53 Genres: Motet Source Attribution: Lusitano Number of voices: 4
53v–54	Adjuva nos Deus (4vv)	4	Lusitano, Aviles	Aviles (?) Lusitano, Vicente (?)
Adjuva nos Deus (4vv) Aviles (?) Lusitano, Vicente (?) Appears on: 53v–54 Genres: Motet Source Attribution: Lusitano, Aviles Number of voices: 4 General Note Attributed to Lusitano on the left-hand page, to Aviles on the right. No Spanish compoaer by the name of Aviles is known; possibly a misunderstanding of Lusitano's origins (in Olivenza not Aviles)? A similar double attribution with the same names occurs for "Quomodo sedet sola" in the partbook set 'MS s.s.'.
54v–55	In jejunio et fletu	4	Lusitano	Lusitano, Vicente
In jejunio et fletu Lusitano, Vicente Appears on: 54v–55 Genres: Motet Source Attribution: Lusitano Number of voices: 4
55v–59	Passio secundum Matthaeum	4	Lusitano	Lusitano, Vicente
Passio secundum Matthaeum Lusitano, Vicente Appears on: 55v–59 Genres: Passion Source Attribution: Lusitano Number of voices: 4
59v–62	Passio secundum Joannem	4	Lusitano	Lusitano, Vicente
Passio secundum Joannem Lusitano, Vicente Appears on: 59v–62 Genres: Passion Source Attribution: Lusitano Number of voices: 4
62v–69	Credo Romano	4	A Lobo	Lobo, Alonso
Credo Romano Lobo, Alonso Appears on: 62v–69 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: A Lobo Number of voices: 4
69v–77	In exitu Israel	4	-	Lobo, Alonso (?)
In exitu Israel Lobo, Alonso (?) Appears on: 69v–77 Genres: Psalm Number of voices: 4
77v–78	Nos qui vivimus	5	Alonso Lobo	Lobo, Alonso
Nos qui vivimus Lobo, Alonso Appears on: 77v–78 Genres: Antiphon Source Attribution: Alonso Lobo Number of voices: 5
78v–79	Adjuva nos Deus (3vv)	3	Lusitano	Lusitano, Vicente
Adjuva nos Deus (3vv) Lusitano, Vicente Appears on: 78v–79 Genres: Motet Source Attribution: Lusitano Number of voices: 3
79v–87	Missa pro defunctis (8vv): Introit	8	-	Anonymous
Missa pro defunctis (8vv): Introit Anonymous Appears on: 79v–87 Genres: Introit, Requiem Number of voices: 8
79v–87	Missa pro defunctis (8vv): Kyrie	8	-	Anonymous
Missa pro defunctis (8vv): Kyrie Anonymous Appears on: 79v–87 Genres: Kyrie eleison, Mass Ordinary, Requiem Number of voices: 8
79v–87	Missa pro defunctis (8vv): Sanctus	8	-	Anonymous
Missa pro defunctis (8vv): Sanctus Anonymous Appears on: 79v–87 Genres: Mass Ordinary, Requiem, Sanctus [& Benedictus] Number of voices: 8
79v–87	Missa pro defunctis (8vv): Agnus Dei	8	-	Anonymous
Missa pro defunctis (8vv): Agnus Dei Anonymous Appears on: 79v–87 Genres: Agnus Dei, Mass Ordinary, Requiem Number of voices: 8
87v–88	Regem cui omina vivunt	4	-	Morales, Cristóbal de (ca. 1500–1553) (?)
Regem cui omina vivunt Morales, Cristóbal de (ca. 1500–1553) (?) Appears on: 87v–88 Genres: Introit Number of voices: 4
87v–88	Manus tuae	4	-	Morales, Cristóbal de (ca. 1500–1553) (?)
Manus tuae Morales, Cristóbal de (ca. 1500–1553) (?) Appears on: 87v–88 Genres: Motet Number of voices: 4
90	Sedentes contra sepulchrum	5	-	Anonymous
Sedentes contra sepulchrum Anonymous Appears on: 90 Genres: Sequence Number of voices: 5
90	Voce magna	5	-	Anonymous
Voce magna Anonymous Appears on: 90 Genres: Motet Number of voices: 5
90v–100	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie	4	Cristobal de Morales	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie Morales, Cristóbal de (ca. 1500–1553) Appears on: 90v–100 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Cristobal de Morales Number of voices: 4
90v–100	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes.	4	-	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes. Morales, Cristóbal de (ca. 1500–1553) Appears on: 90v–100 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
90v–100	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes.	4	-	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes. Morales, Cristóbal de (ca. 1500–1553) Appears on: 90v–100 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
90v–100	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus.	4	-	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus. Morales, Cristóbal de (ca. 1500–1553) Appears on: 90v–100 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
90v–100	Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II.	4	-	Morales, Cristóbal de (ca. 1500–1553)
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II. Morales, Cristóbal de (ca. 1500–1553) Appears on: 90v–100 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
100v–107	In exitu Israel de Aegypto	4	Bartolome Olasso	Olasso, Bartolome
In exitu Israel de Aegypto Olasso, Bartolome Appears on: 100v–107 Genres: Psalm Source Attribution: Bartolome Olasso Number of voices: 4

Composer	Compositions
Aliseda, Santos de (-1580)	Missa Ecce vir prudens – 1v–18
Anonymous	Missa pro defunctis (8vv): Agnus Dei – 79v–87 Missa pro defunctis (8vv): Introit – 79v–87 Missa pro defunctis (8vv): Kyrie – 79v–87 Missa pro defunctis (8vv): Sanctus – 79v–87 Regem cui omnia vivunt (8vv) – 37v–38 Sedentes contra sepulchrum – 90 Voce magna – 90
Aviles	(?) Adjuva nos Deus (4vv) – 53v–54
Lobo, Alonso	Credo Romano – 62v–69 (?) In exitu Israel – 69v–77 Nos qui vivimus – 77v–78
Lusitano, Vicente	Adjuva nos Deus (3vv) – 78v–79 (?) Adjuva nos Deus (4vv) – 53v–54 Domine Non secundum peccata nostra – 51v–53 In jejunio et fletu – 54v–55 Passio secundum Joannem – 59v–62 Passio secundum Matthaeum – 55v–59
Morales, Cristóbal de (ca. 1500-1553)	Invitatorium pro defunctis: i. Regem cui – 38v–44 (?) Manus tuae – 87v–88 (?) Manus tuae – 47v–51 Missa Ut, re, mi, fa, sol, la: Agnus Dei – 18v–34 Missa Ut, re, mi, fa, sol, la: Credo – 18v–34 Missa Ut, re, mi, fa, sol, la: Gloria – 18v–34 Missa Ut, re, mi, fa, sol, la: Kyrie – 18v–34 Missa Ut, re, mi, fa, sol, la: Sanctus – 18v–34 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II. – 90v–100 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes. – 90v–100 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes. – 90v–100 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie – 90v–100 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus. – 90v–100 (?) Parce mihi Domine – 44v–46 (?) Regem cui omina vivunt – 87v–88 (?) Taedet animam meam – 46v–47
Olasso, Bartolome	In exitu Israel de Aegypto – 100v–107
Villalobos	[untexted] – 34v–35 [untexted] – 35v–36v

Composition	Composers (? Uncertain)	Folios / Pages
[untexted]	Villalobos	34v–35
[untexted]	Villalobos	35v–36v
Adjuva nos Deus (3vv)	Lusitano, Vicente	78v–79
Adjuva nos Deus (4vv)	Aviles (?) Lusitano, Vicente (?)	53v–54
Credo Romano	Lobo, Alonso	62v–69
Domine Non secundum peccata nostra	Lusitano, Vicente	51v–53
In exitu Israel	Lobo, Alonso (?)	69v–77
In exitu Israel de Aegypto	Olasso, Bartolome	100v–107
In jejunio et fletu	Lusitano, Vicente	54v–55
Invitatorium pro defunctis: i. Regem cui	Morales, Cristóbal de (ca. 1500–1553)	38v–44
Manus tuae	Morales, Cristóbal de (ca. 1500–1553) (?)	47v–51
Manus tuae	Morales, Cristóbal de (ca. 1500–1553) (?)	87v–88
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II.	Morales, Cristóbal de (ca. 1500–1553)	90v–100
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes.	Morales, Cristóbal de (ca. 1500–1553)	90v–100
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes.	Morales, Cristóbal de (ca. 1500–1553)	90v–100
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie	Morales, Cristóbal de (ca. 1500–1553)	90v–100
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus.	Morales, Cristóbal de (ca. 1500–1553)	90v–100
Missa Ecce vir prudens	Aliseda, Santos de (–1580)	1v–18
Missa pro defunctis (8vv): Agnus Dei	Anonymous	79v–87
Missa pro defunctis (8vv): Introit	Anonymous	79v–87
Missa pro defunctis (8vv): Kyrie	Anonymous	79v–87
Missa pro defunctis (8vv): Sanctus	Anonymous	79v–87
Missa Ut, re, mi, fa, sol, la: Agnus Dei	Morales, Cristóbal de (ca. 1500–1553)	18v–34
Missa Ut, re, mi, fa, sol, la: Credo	Morales, Cristóbal de (ca. 1500–1553)	18v–34
Missa Ut, re, mi, fa, sol, la: Gloria	Morales, Cristóbal de (ca. 1500–1553)	18v–34
Missa Ut, re, mi, fa, sol, la: Kyrie	Morales, Cristóbal de (ca. 1500–1553)	18v–34
Missa Ut, re, mi, fa, sol, la: Sanctus	Morales, Cristóbal de (ca. 1500–1553)	18v–34
Nos qui vivimus	Lobo, Alonso	77v–78
Parce mihi Domine	Morales, Cristóbal de (ca. 1500–1553) (?)	44v–46
Passio secundum Joannem	Lusitano, Vicente	59v–62
Passio secundum Matthaeum	Lusitano, Vicente	55v–59
Regem cui omina vivunt	Morales, Cristóbal de (ca. 1500–1553) (?)	87v–88
Regem cui omnia vivunt (8vv)	Anonymous	37v–38
Sedentes contra sepulchrum	Anonymous	90
Taedet animam meam	Morales, Cristóbal de (ca. 1500–1553) (?)	46v–47
Voce magna	Anonymous	90

‡ denotes primary source study

Diego Pacheco, Cristina. 2016. Cristóbal de Morales en Espagne: ses premières œuvres et le manuscrit de Valladolid. 304. Lyon: Symétrie Recherche. 978-2-914373-92-0.

López Calo, S.J., José. 1993. Catálogo del Archivo de Música de la Capilla Real de Granada. Granada. Pages: 25.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 253; IV, 392.

López Calo, S.J., José. 1958. El Archivo de Mùsica de la Capilla Real de Granada. Anuário Musical, 13: 103-28. Pages: 106-7. Notes: physical description; contents list.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XXIV, 8-9. Notes: mention of MS.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description