E-GRcr MS 7

Capilla Real, Archivo de Música, Granada, Spain

manuscript of polyphony: ca. 1600

Archive Capilla Real, Archivo de Música, Granada, Spain (E-GRcr)
Shelfmark MS 7
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 540 x 385 mm (fols. 90-99 of the new foliation are 495 x 350 mm)
Other Identifiers
  • CCM: GranCR 7
  • olim (Former shelfmark): LópAM #1
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Granada, Spain
Contents 36 pieces from 8 composers
General Description

The MS. consists of three gatherings: fols 1-89, 90-99, 100-107. Copied by many scribes, aomng them possibly Fray Pedro Duran. The name Don Juan de Vibanco appears on fol. 1r. From Granada?

Cristina Urchueguía; transl. Henry Hope, 2011
Binding

Original wooden binding with leather covers, remnants of metal clasps

Cristina Urchueguía; transl. Henry Hope, 2011
Notation

black void mensural

Cristina Urchueguía; transl. Henry Hope, 2011
Foliation

Modern pencil foliation 1-107 (fols 6-8 are missing). Remains of original ink foliation up to fol 105.

Cristina Urchueguía; transl. Henry Hope, 2011
Surface

paper

Cristina Urchueguía; transl. Henry Hope, 2011
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 1 Requiem Mass, 1 Credo, 2 psalms, 2 Passions, 16 motets (2 incomplete) = 25

S. Aliseda-1, A. Lobo-2, Lusitano-6, Morales-6, Olasso-1, Villalobos-1, anon-8

104 paper folios, 540 x 385 (new ff. 90-99 measure 495 x 350). Modern pencil foliation, 1-107 (ff. 6-8 now missing); remnants of original ink foliation, to f. 105. Original covers of brown suede leather over boards; two closing clasps now missing. No index. Scribal concordances with GranCR 3 and GranCR (5). Manuscript is in three sections: ff. 1-89; 90-99; 100-107. First folio has inscription: "Don Juan de Vibanco."

Early 17th century. From Granada?

Vol 4

Physical: Change "Scribal concordances with GranCR 3 and GranCR (5)" to "Copied by several scribes."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–18 Missa Ecce vir prudens Santos de Aliseda
Appears on: 1v–18
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Santos de Aliseda
General Note

ff. 6-8 missing. Credo lacks Et incarnatus section

18v–34 Missa Ut, re, mi, fa, sol, la: Kyrie Cristobal de Morales
Appears on: 18v–34
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Cristobal de Morales
18v–34 Missa Ut, re, mi, fa, sol, la: Gloria -
Appears on: 18v–34
Genres: Gloria (et in terra pax), Mass Ordinary
18v–34 Missa Ut, re, mi, fa, sol, la: Credo -
Appears on: 18v–34
Genres: Credo (patrem omnipotentem), Mass Ordinary
18v–34 Missa Ut, re, mi, fa, sol, la: Sanctus -
Appears on: 18v–34
Genres: Mass Ordinary, Sanctus [& Benedictus]
18v–34 Missa Ut, re, mi, fa, sol, la: Agnus Dei -
Appears on: 18v–34
Genres: Agnus Dei, Mass Ordinary
34v–35 [untexted] Villalobos
Appears on: 34v–35
Genres: Motet
Source Attribution: Villalobos
35v–36v [untexted] Villalobos
Appears on: 35v–36v
Genres: Motet
Source Attribution: Villalobos
General Note

incomplete

37v–38 Regem cui omnia vivunt (8vv) - Anonymous
Appears on: 37v–38
Genres: Motet
38v–44 Invitatorium pro defunctis: i. Regem cui Morales
Appears on: 38v–44
Genres: Motet
Source Attribution: Morales
44v–46 Parce mihi Domine Morales
Appears on: 44v–46
Genres: Motet
Source Attribution: Morales
46v–47 Taedet animam meam Morales
Appears on: 46v–47
Genres: Motet
Source Attribution: Morales
47v–51 Manus tuae Morales
Appears on: 47v–51
Genres: Motet
Source Attribution: Morales
51v–53 Domine Non secundum peccata nostra Lusitano
Appears on: 51v–53
Genres: Motet
Source Attribution: Lusitano
53v–54 Adjuva nos Deus (4vv) Lusitano, Aviles
Aviles (?)
Appears on: 53v–54
Genres: Motet
Source Attribution: Lusitano, Aviles
General Note

Attributed to Lusitano on the left-hand page, to Aviles on the right. No Spanish compoaer by the name of Aviles is known; possibly a misunderstanding of Lusitano's origins (in Olivenza not Aviles)? A similar double attribution with the same names occurs for "Quomodo sedet sola" in the partbook set 'MS s.s.'.

54v–55 In jejunio et fletu Lusitano
Appears on: 54v–55
Genres: Motet
Source Attribution: Lusitano
55v–59 Passio secundum Matthaeum Lusitano
Appears on: 55v–59
Genres: Passion
Source Attribution: Lusitano
59v–62 Passio secundum Joannem Lusitano
Appears on: 59v–62
Genres: Passion
Source Attribution: Lusitano
62v–69 Credo Romano A Lobo
Appears on: 62v–69
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: A Lobo
69v–77 In exitu Israel -
Appears on: 69v–77
Genres: Psalm
77v–78 Nos qui vivimus Alonso Lobo
Appears on: 77v–78
Genres: Antiphon
Source Attribution: Alonso Lobo
78v–79 Adjuva nos Deus (3vv) Lusitano
Appears on: 78v–79
Genres: Motet
Source Attribution: Lusitano
79v–87 Missa pro defunctis (8vv): Introit - Anonymous
Appears on: 79v–87
Genres: Introit, Requiem
79v–87 Missa pro defunctis (8vv): Kyrie - Anonymous
Appears on: 79v–87
Genres: Kyrie eleison, Mass Ordinary, Requiem
79v–87 Missa pro defunctis (8vv): Sanctus - Anonymous
Appears on: 79v–87
Genres: Mass Ordinary, Requiem, Sanctus [& Benedictus]
79v–87 Missa pro defunctis (8vv): Agnus Dei - Anonymous
Appears on: 79v–87
Genres: Agnus Dei, Mass Ordinary, Requiem
87v–88 Regem cui omina vivunt -
Appears on: 87v–88
Genres: Introit
87v–88 Manus tuae -
Appears on: 87v–88
Genres: Motet
90 Sedentes contra sepulchrum - Anonymous
Appears on: 90
Genres: Sequence
90 Voce magna - Anonymous

Voce magna

Anonymous
Appears on: 90
Genres: Motet
90v–100 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie Cristobal de Morales
Appears on: 90v–100
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Cristobal de Morales
90v–100 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes. -
Appears on: 90v–100
Genres: Gloria (et in terra pax), Mass Ordinary
90v–100 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes. -
Appears on: 90v–100
Genres: Credo (patrem omnipotentem), Mass Ordinary
90v–100 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus. -
Appears on: 90v–100
Genres: Mass Ordinary, Sanctus [& Benedictus]
90v–100 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II. -
Appears on: 90v–100
Genres: Agnus Dei, Mass Ordinary
100v–107 In exitu Israel de Aegypto Bartolome Olasso
Appears on: 100v–107
Genres: Psalm
Source Attribution: Bartolome Olasso
Composer Compositions
Aliseda, Santos de (–1580)
Anonymous
Aviles
Lobo, Alonso
Lusitano, Vicente
Morales, Cristóbal de (ca. 1500–1553)
Olasso, Bartolome
Villalobos
Composition Composers (? Uncertain) Folios / Pages
[untexted] 34v–35
[untexted] 35v–36v
Adjuva nos Deus (3vv) 78v–79
Adjuva nos Deus (4vv)
Aviles (?)
53v–54
Credo Romano 62v–69
Domine Non secundum peccata nostra 51v–53
In exitu Israel 69v–77
In exitu Israel de Aegypto 100v–107
In jejunio et fletu 54v–55
Invitatorium pro defunctis: i. Regem cui 38v–44
Manus tuae 47v–51
Manus tuae 87v–88
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II. 90v–100
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes. 90v–100
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes. 90v–100
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie 90v–100
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus. 90v–100
Missa Ecce vir prudens 1v–18
Missa pro defunctis (8vv): Agnus Dei Anonymous 79v–87
Missa pro defunctis (8vv): Introit Anonymous 79v–87
Missa pro defunctis (8vv): Kyrie Anonymous 79v–87
Missa pro defunctis (8vv): Sanctus Anonymous 79v–87
Missa Ut, re, mi, fa, sol, la: Agnus Dei 18v–34
Missa Ut, re, mi, fa, sol, la: Credo 18v–34
Missa Ut, re, mi, fa, sol, la: Gloria 18v–34
Missa Ut, re, mi, fa, sol, la: Kyrie 18v–34
Missa Ut, re, mi, fa, sol, la: Sanctus 18v–34
Nos qui vivimus 77v–78
Parce mihi Domine 44v–46
Passio secundum Joannem 59v–62
Passio secundum Matthaeum 55v–59
Regem cui omina vivunt 87v–88
Regem cui omnia vivunt (8vv) Anonymous 37v–38
Sedentes contra sepulchrum Anonymous 90
Taedet animam meam 46v–47
Voce magna Anonymous 90

denotes primary source study

Diego Pacheco, Cristina. 2016. Cristóbal de Morales en Espagne: ses premières œuvres et le manuscrit de Valladolid. 304. Lyon: Symétrie Recherche.

López Calo, S.J., José. 1993. Catálogo del Archivo de Música de la Capilla Real de Granada.  Granada. Pages: 25.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 253; IV, 392.

López Calo, S.J., José. 1958. El Archivo de Mùsica de la Capilla Real de Granada. Anuário Musical, 103-28. Pages: 106-7. Notes: physical description; contents list.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XXIV, 8-9. Notes: mention of MS.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description