Copied by a single scribe. Copied in Florence.
I-Fd MS 13
Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Florence, Italy
manuscript of polyphony: Mid-16th century
| Archive | Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Florence, Italy (I-Fd) |
|---|---|
| Shelfmark | MS 13 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 420 x 280 mm |
| Other Identifiers |
|
| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Provenance |
|
| Contents | Contains 7 compositions, 5 from 3 composers, 2 are anonymous. |
General Description
Binding
Original covers of leather glued to pasteboard.
Watermark
(1) flower?; (2) resembles Briquet #749; (3) resembles Briquet #4835; (4) resembles Briquet #6293; (5) unidentified mark in circle surmounted by star
Notation
not indicated
Foliation
Modern foliation, 1-60; non-original numbering of pieces; ink signatures to identify gatherings.
Decoration
Inked calligraphic initials.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Mass, 2 Te Deums, 5 Canticles, 5 psalms, 20 hymns, 4 motets, 1 doxology, 3 laude = 41 (some of the pieces are duplicates)
Animuccia-1, Verdelot-1, anon-39
(BragardE erroneously attributes 23 of the anonymous pieces to Verdelot; see BökMPV, 239-42, who suggests that all 39 anonymous pieces may be by Animuccia).
ii + 128 paper folios, 420 x 280. Modern foliation, 1-60; non-original numbering of pieces; ink signatures to identify gatherings. Original covers of leather glued to pasteboard. Copied by a single scribe. Five watermarks; three listed by Briquet (#749, #4835, #6293) as Tuscan, 1511-66.
Ca. 1545 (VerdelotO); ca. 1560 or later (Rifkin). Copied in Florence.
Vol 4
1 Mass, 2 Te Deums, 5 canticles, 5 psalms, 20 hymns, * 14 motets, 1 doxology = 48
*Several hymns use essentially the same music, but with different texts.
G. Animuccia-1, (Corteccia)-6 + 11?, (A. Layolle?)-1,* (Rampollini)-1, Verdelot-1, anon-27**
*Canticle "Benedictus dominus deus Israel" on ff. 25'-33 also appears in PistAC 215, pp. 228-239, attributed to "dell'Aiolle musico: già." According to LayolleM, this probably refers to Alemano de Layolle, son of Francesco.
**BragardE attributes many of the anonymous pieces to Verdelot, but on untenable grounds; see discussion in BõkMPV, 239-43. BökMPV, in turn, suggests that all of the anonymous works may be by G. Animuccia. However, our identification of works by Corteccia, A. Layolle, and Rampollini in this source suggests that the attributions to G. Animuccia and Verdelot were intended to apply only to the specific pieces which bear them.
ii + 137 paper folios, 420 x 280. No original foliation. Original covers of leather glued to pasteboard. No index. Copied by a single scribe. Inked calligraphic initials. Watermarks: (1) flower? (not in Briquet); (2) resembles Briquet #749; (3) resembles Briquet #4835; (4) resembles Briquet #6293; (5) unidentified mark in circle surmounted by star.
Mid 16th century? Copied in Florence.
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‡ denotes primary source study
Macey, Patrick. 1983. Savonarola and The Sixteenth-Century Motet. Journal of the American Musicological Society, 36: 422-52. Pages: 433-4. Notes: contents list (partial).
Cummings, Anthony M. 1981. Toward an Interpretation of the Sixteenth-Century Motet. Journal of the American Musicological Society, 34: 43-59. Pages: 54-7. Notes: contents list (partial); mention of MS; discussion.
Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft, vol. 2. Tutzing. Pages: 405. Notes: contents list (partial).
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 239-42. Notes: physical description (partial); contents list (partial); mention of MS; discussion.
Bragard, Anne-Marie (editor). 1966-. Philippe Verdelot: Opera Omnia. Corpus mensurabilis musicae, vol. 28. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, i-ii, 26-78; II,124-56. Notes: mention of MS; contents list (partial); transcription (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 136. Notes: mention of MS; contents list (partial).
Bragard, Anne-Marie. 1964. Etude bio-bibliographique sur Philippe Verdelot, musicien français de la Renaissance. russels. Pages: 14, 19. Notes: physical description.
Bragard, Anne-Marie. 1957. Verdelot en Italie. Revue Belge de Musicologie, 11: 109-24. Pages: 121. Notes: physical description.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description