I-Fd MS 13

Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Florence, Italy

manuscript of polyphony: Mid-16th century

Archive	Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Florence, Italy (I-Fd)
Shelfmark	MS 13
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	420 x 280 mm
Other Identifiers	CCM: FlorD 13
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Provenance	Florence, Italy
Contents	Contains 7 compositions, 5 from 3 composers, 2 are anonymous.

General Description

Copied by a single scribe. Copied in Florence.

DIAMM, 2017

Binding

Original covers of leather glued to pasteboard.

DIAMM, 2017

Watermark

(1) flower?; (2) resembles Briquet #749; (3) resembles Briquet #4835; (4) resembles Briquet #6293; (5) unidentified mark in circle surmounted by star

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Modern foliation, 1-60; non-original numbering of pieces; ink signatures to identify gatherings.

DIAMM, 2017

Decoration

Inked calligraphic initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 2 Te Deums, 5 Canticles, 5 psalms, 20 hymns, 4 motets, 1 doxology, 3 laude = 41 (some of the pieces are duplicates)

Animuccia-1, Verdelot-1, anon-39

(BragardE erroneously attributes 23 of the anonymous pieces to Verdelot; see BökMPV, 239-42, who suggests that all 39 anonymous pieces may be by Animuccia).

ii + 128 paper folios, 420 x 280. Modern foliation, 1-60; non-original numbering of pieces; ink signatures to identify gatherings. Original covers of leather glued to pasteboard. Copied by a single scribe. Five watermarks; three listed by Briquet (#749, #4835, #6293) as Tuscan, 1511-66.

Ca. 1545 (VerdelotO); ca. 1560 or later (Rifkin). Copied in Florence.

Vol 4

1 Mass, 2 Te Deums, 5 canticles, 5 psalms, 20 hymns, * 14 motets, 1 doxology = 48

*Several hymns use essentially the same music, but with different texts.

G. Animuccia-1, (Corteccia)-6 + 11?, (A. Layolle?)-1,* (Rampollini)-1, Verdelot-1, anon-27**

*Canticle "Benedictus dominus deus Israel" on ff. 25'-33 also appears in PistAC 215, pp. 228-239, attributed to "dell'Aiolle musico: già." According to LayolleM, this probably refers to Alemano de Layolle, son of Francesco.

**BragardE attributes many of the anonymous pieces to Verdelot, but on untenable grounds; see discussion in BõkMPV, 239-43. BökMPV, in turn, suggests that all of the anonymous works may be by G. Animuccia. However, our identification of works by Corteccia, A. Layolle, and Rampollini in this source suggests that the attributions to G. Animuccia and Verdelot were intended to apply only to the specific pieces which bear them.

ii + 137 paper folios, 420 x 280. No original foliation. Original covers of leather glued to pasteboard. No index. Copied by a single scribe. Inked calligraphic initials. Watermarks: (1) flower? (not in Briquet); (2) resembles Briquet #749; (3) resembles Briquet #4835; (4) resembles Briquet #6293; (5) unidentified mark in circle surmounted by star.

Mid 16th century? Copied in Florence.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
[-]	PARTIAL INVENTORY ONLY	-	-	-
PARTIAL INVENTORY ONLY Appears on: [-]
25v–33	Benedictus Dominus Deus Israel	-	-	Layolle, Francesco de (?) Layolle, Alamanne de (?)
Benedictus Dominus Deus Israel Layolle, Francesco de (?) Layolle, Alamanne de (?) Appears on: 25v–33 Genres: Psalm
[-]	Te Deum [K.526]	-	-	Anonymous
Te Deum [K.526] Anonymous Appears on: [-] Genres: Te Deum
[-]	Te Deum [K.527] (adapted from K.526)	-	-	Anonymous
Te Deum [K.527] (adapted from K.526) Anonymous Appears on: [-] Genres: Te Deum
108v–112	Ad coenam agni	-	-	Corteccia, (Pier) Francesco
Ad coenam agni Corteccia, (Pier) Francesco Appears on: 108v–112 Genres: Hymn
113v–115	Iste confessor (I)	-	-	Corteccia, (Pier) Francesco
Iste confessor (I) Corteccia, (Pier) Francesco Appears on: 113v–115 Genres: Hymn
115v–118	Christe redemptor / Tu lumen tu splendor	-	-	Corteccia, (Pier) Francesco
Christe redemptor / Tu lumen tu splendor Corteccia, (Pier) Francesco Appears on: 115v–118 Genres: Hymn
118v–122	Pange lingua gloriosi	-	-	Corteccia, (Pier) Francesco
Pange lingua gloriosi Corteccia, (Pier) Francesco Appears on: 118v–122 Genres: Hymn

Composer	Compositions
Anonymous	Te Deum [K.526] – [-] Te Deum [K.527] (adapted from K.526) – [-] [No description] – [-]
Corteccia, (Pier) Francesco	Ad coenam agni – 108v–112 Christe redemptor / Tu lumen tu splendor – 115v–118 Iste confessor (I) – 113v–115 Pange lingua gloriosi – 118v–122
Layolle, Alamanne de	(?) Benedictus Dominus Deus Israel – 25v–33
Layolle, Francesco de	(?) Benedictus Dominus Deus Israel – 25v–33

Composition	Composers (? Uncertain)	Folios / Pages
Ad coenam agni	Corteccia, (Pier) Francesco	108v–112
Benedictus Dominus Deus Israel	Layolle, Francesco de (?) Layolle, Alamanne de (?)	25v–33
Christe redemptor / Tu lumen tu splendor	Corteccia, (Pier) Francesco	115v–118
Iste confessor (I)	Corteccia, (Pier) Francesco	113v–115
Pange lingua gloriosi	Corteccia, (Pier) Francesco	118v–122
Te Deum [K.526]	Anonymous	[-]
Te Deum [K.527] (adapted from K.526)	Anonymous	[-]

‡ denotes primary source study

Macey, Patrick. 1983. Savonarola and The Sixteenth-Century Motet. Journal of the American Musicological Society, 36: 422-52. Pages: 433-4. Notes: contents list (partial).

Cummings, Anthony M. 1981. Toward an Interpretation of the Sixteenth-Century Motet. Journal of the American Musicological Society, 34: 43-59. Pages: 54-7. Notes: contents list (partial); mention of MS; discussion.

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft, vol. 2. Tutzing. Pages: 405. Notes: contents list (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 239-42. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Bragard, Anne-Marie (editor). 1966-. Philippe Verdelot: Opera Omnia. Corpus mensurabilis musicae, vol. 28. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, i-ii, 26-78; II,124-56. Notes: mention of MS; contents list (partial); transcription (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 136. Notes: mention of MS; contents list (partial).

Bragard, Anne-Marie. 1964. Etude bio-bibliographique sur Philippe Verdelot, musicien français de la Renaissance. russels. Pages: 14, 19. Notes: physical description.

Bragard, Anne-Marie. 1957. Verdelot en Italie. Revue Belge de Musicologie, 11: 109-24. Pages: 121. Notes: physical description.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description