I-Fn MS Magl. XIX.99

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

partbook: c. 1540 (JepFR); c. 1535 (RubIL)

Archive	Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark	MS Magl. XIX.99
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	140 x 210 mm
Other Identifiers	CCM: FlorBN Magl. 99-102
Notations	black void mensural
Copyists	? scribal concordance [51] Text and Music
External Links	images
Provenance	Firenze (Florence), Italy
Contents	59 pieces from 6 composers

General Description

A Discantus partbook from a set of four volumes. The main scribe may also have copied the second part of FlorC 2495 (Rifkin), though Fenlon/Haar disagree; the instrumental pieces (at the end of the Cantus only) are later additions in a different hand. Copied in Florence. Provenance before their acquisition by the Biblioteca Palatina unknown.

DIAMM, 2022

Extent

54 ff. (only 46 foliated)

DIAMM, 2022

Binding

Original covers of white parchment.

DIAMM, 2017

Watermark

(1) resembles Briquet #5919; (2) resembles Briquet #5926 (this latter paper is also used in FBn Magl. XIX.122-5)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

five staves per page, c. 12 mm high

DIAMM, 2022

Foliation

Modern foliation

DIAMM, 2017

Decoration

Spaces left for initials but none added

DIAMM, 2022

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

56 Italian secular pieces, plus several instrumental pieces (later additions)

(Arcadelt)-29, (Arcadelt/Corteccia)-3, (C. Festa/Verdelot)-1, (F. Layolle)-3, (Verdelot)-4, anon-16

4 paper partbooks (D-i + 46 + i folios, A-i + 44 + i, T-iii + 44 + i, B-ii + 39 + i), 140 x 210. Modern foliation. Original covers of white parchment. No index. The main scribe probably also copied the second part of FlorC 2495 (Rifkin); the instrumental pieces at the end are later additions in a different hand. One watermark resembles Briquet #5919; a similar mark is also found in FlorBN II.I.350. Another watermark resembles Briquet #5926 (also found inFlorBN Magl. 122-5, FlorBN Magl. 125bis, BrusC 27511, BrusC 27731, and RomeV 35-40).

Ca. 1540 (JepFR); ca. 1535 (RubIL). Copied in Florence.

Vol 4

Composers: (Arcadelt)-30, (Arcadelt/Corteccia)-4, (Arcadelt/C. Festa)-2, (Cor-teccia)-3, (C. Festa)-4, (C. Festa/Verdelot)-1, (F. Layolle)-3, (Verdelot)-4, anon-5

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v	Divini occhi sereni occhi sempre di gratia	-	Verdelot, Philippe (ca. 1480–ca. 1532)
Divini occhi sereni occhi sempre di gratia Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 1v Genres: Madrigal (Italian)
2–2v	Ardea tutt'a voi presso	-	Arcadelt, Jacques (ca. 1507–1568)
Ardea tutt'a voi presso Arcadelt, Jacques (ca. 1507–1568) Appears on: 2–2v Genres: Madrigal (Italian)
2v–3v	Se di mostrarvi a pieno	-	Verdelot, Philippe (ca. 1480–ca. 1532)
Se di mostrarvi a pieno Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 2v–3v Genres: Madrigal (Italian)
3v–4	Ahime dov'è'l bel viso in cui solea	-	Arcadelt, Jacques (ca. 1507–1568)
Ahime dov'è'l bel viso in cui solea Arcadelt, Jacques (ca. 1507–1568) Appears on: 3v–4 Genres: Madrigal (Italian)
4–4v	Se per colpa del vostro fiero sdegno	-	Arcadelt, Jacques (ca. 1507–1568)
Se per colpa del vostro fiero sdegno Arcadelt, Jacques (ca. 1507–1568) Appears on: 4–4v Genres: Madrigal (Italian)
4v–5v	Quand' io pens' al martire amor che tu	-	Arcadelt, Jacques (ca. 1507–1568)
Quand' io pens' al martire amor che tu Arcadelt, Jacques (ca. 1507–1568) Appears on: 4v–5v Genres: Madrigal (Italian)
5v–6	Ancidetemi pur grievi martiri che'l viver	-	Arcadelt, Jacques (ca. 1507–1568)
Ancidetemi pur grievi martiri che'l viver Arcadelt, Jacques (ca. 1507–1568) Appears on: 5v–6 Genres: Italian secular
6–7	Madonna ohime ch'io ardo	-	Arcadelt, Jacques (ca. 1507–1568)
Madonna ohime ch'io ardo Arcadelt, Jacques (ca. 1507–1568) Appears on: 6–7 Genres: Madrigal (Italian)
7–7v	Deh dimm' amor se l'alma di costei	-	Arcadelt, Jacques (ca. 1507–1568)
Deh dimm' amor se l'alma di costei Arcadelt, Jacques (ca. 1507–1568) Appears on: 7–7v Genres: Madrigal (Italian)
7v–8v	Nuova donna m'apparve	-	Arcadelt, Jacques (ca. 1507–1568)
Nuova donna m'apparve Arcadelt, Jacques (ca. 1507–1568) Appears on: 7v–8v Genres: Madrigal (Italian)
8v–9	Ben m'e nemico il mio destin fallace	-	Verdelot, Philippe (ca. 1480–ca. 1532)
Ben m'e nemico il mio destin fallace Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 8v–9 Genres: Madrigal (Italian)
9–10	Dolce pegno d'amore	-	Corteccia, (Pier) Francesco
Dolce pegno d'amore Corteccia, (Pier) Francesco Appears on: 9–10 Genres: Madrigal (Italian)
10–10v	Il bianco e dolce cigno cantando more	-	Arcadelt, Jacques (ca. 1507–1568)
Il bianco e dolce cigno cantando more Arcadelt, Jacques (ca. 1507–1568) Appears on: 10–10v Genres: Madrigal (Italian)
10v–11	Poss'io morir di mala morte s'io non v'amo	-	Arcadelt, Jacques (ca. 1507–1568)
Poss'io morir di mala morte s'io non v'amo Arcadelt, Jacques (ca. 1507–1568) Appears on: 10v–11 Genres: Madrigal (Italian)
11–11v	Dunque credete ch' io voglia o possa mai	-	Arcadelt, Jacques (ca. 1507–1568)
Dunque credete ch' io voglia o possa mai Arcadelt, Jacques (ca. 1507–1568) Appears on: 11–11v Genres: Madrigal (Italian)
11v–12v	O felici occhi miei	-	Arcadelt, Jacques (ca. 1507–1568)
O felici occhi miei Arcadelt, Jacques (ca. 1507–1568) Appears on: 11v–12v Genres: Madrigal (Italian)
12v–13	Occhi miei lassi mentre ch'io vi giro	-	Arcadelt, Jacques (ca. 1507–1568) (?) Layolle, Francesco de (?)
Occhi miei lassi mentre ch'io vi giro Arcadelt, Jacques (ca. 1507–1568) (?) Layolle, Francesco de (?) Appears on: 12v–13 Genres: Madrigal (Italian)
13v–14	Il ciel che rado virtu tanta mostra	-	Arcadelt, Jacques (ca. 1507–1568)
Il ciel che rado virtu tanta mostra Arcadelt, Jacques (ca. 1507–1568) Appears on: 13v–14 Genres: Madrigal (Italian)
14–15	Voi ve n' andat' al cielo occhi beati	-	Arcadelt, Jacques (ca. 1507–1568)
Voi ve n' andat' al cielo occhi beati Arcadelt, Jacques (ca. 1507–1568) Appears on: 14–15 Genres: Italian secular, Madrigal (Italian)
15–15v	Io vorrei pur fuggir	-	Corteccia, (Pier) Francesco (?) Arcadelt, Jacques (ca. 1507–1568) (?)
Io vorrei pur fuggir Corteccia, (Pier) Francesco (?) Arcadelt, Jacques (ca. 1507–1568) (?) Appears on: 15–15v Genres: Madrigal (Italian)
16–16v	Io mi pensai che spento	-	Arcadelt, Jacques (ca. 1507–1568)
Io mi pensai che spento Arcadelt, Jacques (ca. 1507–1568) Appears on: 16–16v Genres: Madrigal (Italian)
17–17v	Lasso quand' io gli occhi alzo	-	Arcadelt, Jacques (ca. 1507–1568)
Lasso quand' io gli occhi alzo Arcadelt, Jacques (ca. 1507–1568) Appears on: 17–17v Genres: Madrigal (Italian)
17v–18	Madonna s'io credessi	-	Corteccia, (Pier) Francesco (?) Arcadelt, Jacques (ca. 1507–1568) (?)
Madonna s'io credessi Corteccia, (Pier) Francesco (?) Arcadelt, Jacques (ca. 1507–1568) (?) Appears on: 17v–18 Genres: Madrigal (Italian)
18v–19	Per alti monti e per selv' aspre	-	Festa, Costanzo (ca. 1485–1545) (?) Verdelot, Philippe (ca. 1480–ca. 1532)
Per alti monti e per selv' aspre Festa, Costanzo (ca. 1485–1545) (?) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 18v–19 Genres: Madrigal (Italian)
19–20	Se saper donna curi	-	Festa, Costanzo (ca. 1485–1545)
Se saper donna curi Festa, Costanzo (ca. 1485–1545) Appears on: 19–20 Genres: Madrigal (Italian) Voice: Cantus Languages: Italian Voice Text: Se saver donna cuxi (curi?)
20v–21	Coppia d'Amica cui de beltà	-	Festa, Costanzo (ca. 1485–1545)
Coppia d'Amica cui de beltà Festa, Costanzo (ca. 1485–1545) Appears on: 20v–21 Genres: Madrigal (Italian)
21–21v	O chioma di fin oro, o front' altera	-	Anonymous
O chioma di fin oro, o front' altera Anonymous Appears on: 21–21v Genres: Madrigal (Italian)
21v–22v	Donna fra i più bei volti honesti e chiari	-	Corteccia, (Pier) Francesco
Donna fra i più bei volti honesti e chiari Corteccia, (Pier) Francesco Appears on: 21v–22v Genres: Madrigal (Italian)
22v–23v	Se come dite ogn'hor bella ui paio	-	Arcadelt, Jacques (ca. 1507–1568)
Se come dite ogn'hor bella ui paio Arcadelt, Jacques (ca. 1507–1568) Appears on: 22v–23v Genres: Madrigal (Italian)
23v–24v	Donna da vostr' oltraggi	-	Anonymous
Donna da vostr' oltraggi Anonymous Appears on: 23v–24v Genres: Madrigal (Italian)
24v–25	Nasce fra l'herb' un fiore	-	Festa, Costanzo (ca. 1485–1545)
Nasce fra l'herb' un fiore Festa, Costanzo (ca. 1485–1545) Appears on: 24v–25 Genres: Madrigal (Italian)
25–26	Nova angioletta sovra l'ale accorta	-	Anonymous
Nova angioletta sovra l'ale accorta Anonymous Appears on: 25–26 Genres: Madrigal (Italian)
26–26v	Amorosi pensieri che di dolore	-	Arcadelt, Jacques (ca. 1507–1568)
Amorosi pensieri che di dolore Arcadelt, Jacques (ca. 1507–1568) Appears on: 26–26v Genres: Madrigal (Italian)
26v–27v	Ne piu concenti lagrime	-	Corteccia, (Pier) Francesco
Ne piu concenti lagrime Corteccia, (Pier) Francesco Appears on: 26v–27v Genres: Madrigal (Italian)
27v–28	Chi può fiso mirar	-	Anonymous
Chi può fiso mirar Anonymous Appears on: 27v–28 Genres: Madrigal (Italian)
28–28v	Saria pur tempo omai	-	Festa, Costanzo (ca. 1485–1545)
Saria pur tempo omai Festa, Costanzo (ca. 1485–1545) Appears on: 28–28v Genres: Madrigal (Italian)
29–29v	Ite tristi sospiri	-	Arcadelt, Jacques (ca. 1507–1568) (?) Festa, Costanzo (ca. 1485–1545) (?)
Ite tristi sospiri Arcadelt, Jacques (ca. 1507–1568) (?) Festa, Costanzo (ca. 1485–1545) (?) Appears on: 29–29v Genres: Madrigal (Italian)
29v–30v	Occhi mirand' in voi	-	Layolle, Francesco de
Occhi mirand' in voi Layolle, Francesco de Appears on: 29v–30v Genres: Madrigal (Italian)
30v–31	Se 'l pensier amoroso congn' hor	-	Arcadelt, Jacques (ca. 1507–1568)
Se 'l pensier amoroso congn' hor Arcadelt, Jacques (ca. 1507–1568) Appears on: 30v–31 Genres: Madrigal (Italian)
31–32	Languir non mi fa amore	-	Arcadelt, Jacques (ca. 1507–1568) (?) Corteccia, (Pier) Francesco (?)
Languir non mi fa amore Arcadelt, Jacques (ca. 1507–1568) (?) Corteccia, (Pier) Francesco (?) Appears on: 31–32 Genres: Madrigal (Italian)
32–32v	Infra bianche rugiade e verdi fronde	-	Layolle, Francesco de
Infra bianche rugiade e verdi fronde Layolle, Francesco de Appears on: 32–32v Genres: Madrigal (Italian)
33–33v	Quando con dolce suono	-	Arcadelt, Jacques (ca. 1507–1568)
Quando con dolce suono Arcadelt, Jacques (ca. 1507–1568) Appears on: 33–33v Genres: Madrigal (Italian)
33v–34	Ver' inferno e'l mio petto ver' infernale	-	Arcadelt, Jacques (ca. 1507–1568)
Ver' inferno e'l mio petto ver' infernale Arcadelt, Jacques (ca. 1507–1568) Appears on: 33v–34 Genres: Italian secular, Madrigal (Italian)
34v–35	Quanti travagli e pene, quant' ogn' hor dogli e morti	-	Arcadelt, Jacques (ca. 1507–1568)
Quanti travagli e pene, quant' ogn' hor dogli e morti Arcadelt, Jacques (ca. 1507–1568) Appears on: 34v–35 Genres: Madrigal (Italian)
35–35v	Dai dolci campi elisi	-	Arcadelt, Jacques (ca. 1507–1568)
Dai dolci campi elisi Arcadelt, Jacques (ca. 1507–1568) Appears on: 35–35v Genres: Madrigal (Italian)
35v–36v	Che piu foco al mio foco	-	Arcadelt, Jacques (ca. 1507–1568)
Che piu foco al mio foco Arcadelt, Jacques (ca. 1507–1568) Appears on: 35v–36v Genres: Madrigal (Italian)
36v–37	Il vago e dolce sguardo	-	Arcadelt, Jacques (ca. 1507–1568) (?) Layolle, Francesco de (?)
Il vago e dolce sguardo Arcadelt, Jacques (ca. 1507–1568) (?) Layolle, Francesco de (?) Appears on: 36v–37 Genres: Madrigal (Italian)
37–37v	Ogn' hor per voi sospiro donne	-	Verdelot, Philippe (ca. 1480–ca. 1532)
Ogn' hor per voi sospiro donne Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 37–37v Genres: Madrigal (Italian)
37v–38v	Amore a tal gioia	-	Arcadelt, Jacques (ca. 1507–1568)
Amore a tal gioia Arcadelt, Jacques (ca. 1507–1568) Appears on: 37v–38v Genres: Madrigal (Italian)
38v–39	Io dovea ben pensarmi	-	Festa, Costanzo (ca. 1485–1545)
Io dovea ben pensarmi Festa, Costanzo (ca. 1485–1545) Appears on: 38v–39 Genres: Madrigal (Italian)
39–39v	Non cerchero giammai	-	Anonymous
Non cerchero giammai Anonymous Appears on: 39–39v Genres: Madrigal (Italian)
40–40v	Se vi piace	-	Arcadelt, Jacques (ca. 1507–1568)
Se vi piace Arcadelt, Jacques (ca. 1507–1568) Appears on: 40–40v Genres: Madrigal (Italian)
40v–41	Non ch'io non voglio mai altro pensiero	-	Arcadelt, Jacques (ca. 1507–1568)
Non ch'io non voglio mai altro pensiero Arcadelt, Jacques (ca. 1507–1568) Appears on: 40v–41 Genres: Madrigal (Italian)
41–41v	Madonna s' io v' offendo	-	Arcadelt, Jacques (ca. 1507–1568)
Madonna s' io v' offendo Arcadelt, Jacques (ca. 1507–1568) Appears on: 41–41v Genres: Madrigal (Italian)
41v–42v	Parol' estreme anz' ultimi sospiri	-	Arcadelt, Jacques (ca. 1507–1568)
Parol' estreme anz' ultimi sospiri Arcadelt, Jacques (ca. 1507–1568) Appears on: 41v–42v Genres: Madrigal (Italian)
42v–43	Deh come trista dei esser fiorenza	-	Arcadelt, Jacques (ca. 1507–1568)
Deh come trista dei esser fiorenza Arcadelt, Jacques (ca. 1507–1568) Appears on: 42v–43 Genres: Madrigal (Italian)
44–44v	instrumental piece	-	Anonymous
instrumental piece Anonymous Appears on: 44–44v Genres: textless Layout Cantus (verso) and Tenor (recto)
45–45v	instrumental piece	-	Anonymous
instrumental piece Anonymous Appears on: 45–45v Genres: textless Layout Cantus (verso) and Tenor (recto)
46–46v	instrumental piece	-	Anonymous
instrumental piece Anonymous Appears on: 46–46v Genres: textless Layout Cantus (verso) and Tenor (recto)

Composer	Compositions
Anonymous	Chi può fiso mirar – 27v–28 Donna da vostr' oltraggi – 23v–24v Non cerchero giammai – 39–39v Nova angioletta sovra l'ale accorta – 25–26 O chioma di fin oro, o front' altera – 21–21v instrumental piece – 46–46v instrumental piece – 45–45v instrumental piece – 44–44v
Arcadelt, Jacques (ca. 1507–1568)	Ahime dov'è'l bel viso in cui solea – 3v–4 Amore a tal gioia – 37v–38v Amorosi pensieri che di dolore – 26–26v Ancidetemi pur grievi martiri che'l viver – 5v–6 Ardea tutt'a voi presso – 2–2v Che piu foco al mio foco – 35v–36v Dai dolci campi elisi – 35–35v Deh come trista dei esser fiorenza – 42v–43 Deh dimm' amor se l'alma di costei – 7–7v Dunque credete ch' io voglia o possa mai – 11–11v Il bianco e dolce cigno cantando more – 10–10v Il ciel che rado virtu tanta mostra – 13v–14 (?) Il vago e dolce sguardo – 36v–37 Io mi pensai che spento – 16–16v (?) Io vorrei pur fuggir – 15–15v (?) Ite tristi sospiri – 29–29v (?) Languir non mi fa amore – 31–32 Lasso quand' io gli occhi alzo – 17–17v Madonna ohime ch'io ardo – 6–7 Madonna s' io v' offendo – 41–41v (?) Madonna s'io credessi – 17v–18 Non ch'io non voglio mai altro pensiero – 40v–41 Nuova donna m'apparve – 7v–8v O felici occhi miei – 11v–12v (?) Occhi miei lassi mentre ch'io vi giro – 12v–13 Parol' estreme anz' ultimi sospiri – 41v–42v Poss'io morir di mala morte s'io non v'amo – 10v–11 Quand' io pens' al martire amor che tu – 4v–5v Quando con dolce suono – 33–33v Quanti travagli e pene, quant' ogn' hor dogli e morti – 34v–35 Se 'l pensier amoroso congn' hor – 30v–31 Se come dite ogn'hor bella ui paio – 22v–23v Se per colpa del vostro fiero sdegno – 4–4v Se vi piace – 40–40v Ver' inferno e'l mio petto ver' infernale – 33v–34 Voi ve n' andat' al cielo occhi beati – 14–15
Corteccia, (Pier) Francesco	Dolce pegno d'amore – 9–10 Donna fra i più bei volti honesti e chiari – 21v–22v (?) Io vorrei pur fuggir – 15–15v (?) Languir non mi fa amore – 31–32 (?) Madonna s'io credessi – 17v–18 Ne piu concenti lagrime – 26v–27v
Festa, Costanzo (ca. 1485–1545)	Coppia d'Amica cui de beltà – 20v–21 Io dovea ben pensarmi – 38v–39 (?) Ite tristi sospiri – 29–29v Nasce fra l'herb' un fiore – 24v–25 (?) Per alti monti e per selv' aspre – 18v–19 Saria pur tempo omai – 28–28v Se saper donna curi – 19–20
Layolle, Francesco de	(?) Il vago e dolce sguardo – 36v–37 Infra bianche rugiade e verdi fronde – 32–32v (?) Occhi miei lassi mentre ch'io vi giro – 12v–13 Occhi mirand' in voi – 29v–30v
Verdelot, Philippe (ca. 1480–ca. 1532)	Ben m'e nemico il mio destin fallace – 8v–9 Divini occhi sereni occhi sempre di gratia – 1v Ogn' hor per voi sospiro donne – 37–37v Per alti monti e per selv' aspre – 18v–19 Se di mostrarvi a pieno – 2v–3v

Composition	Composers (? Uncertain)	Folios / Pages
Ahime dov'è'l bel viso in cui solea	Arcadelt, Jacques (ca. 1507–1568)	3v–4
Amore a tal gioia	Arcadelt, Jacques (ca. 1507–1568)	37v–38v
Amorosi pensieri che di dolore	Arcadelt, Jacques (ca. 1507–1568)	26–26v
Ancidetemi pur grievi martiri che'l viver	Arcadelt, Jacques (ca. 1507–1568)	5v–6
Ardea tutt'a voi presso	Arcadelt, Jacques (ca. 1507–1568)	2–2v
Ben m'e nemico il mio destin fallace	Verdelot, Philippe (ca. 1480–ca. 1532)	8v–9
Che piu foco al mio foco	Arcadelt, Jacques (ca. 1507–1568)	35v–36v
Chi può fiso mirar	Anonymous	27v–28
Coppia d'Amica cui de beltà	Festa, Costanzo (ca. 1485–1545)	20v–21
Dai dolci campi elisi	Arcadelt, Jacques (ca. 1507–1568)	35–35v
Deh come trista dei esser fiorenza	Arcadelt, Jacques (ca. 1507–1568)	42v–43
Deh dimm' amor se l'alma di costei	Arcadelt, Jacques (ca. 1507–1568)	7–7v
Divini occhi sereni occhi sempre di gratia	Verdelot, Philippe (ca. 1480–ca. 1532)	1v
Dolce pegno d'amore	Corteccia, (Pier) Francesco	9–10
Donna da vostr' oltraggi	Anonymous	23v–24v
Donna fra i più bei volti honesti e chiari	Corteccia, (Pier) Francesco	21v–22v
Dunque credete ch' io voglia o possa mai	Arcadelt, Jacques (ca. 1507–1568)	11–11v
Il bianco e dolce cigno cantando more	Arcadelt, Jacques (ca. 1507–1568)	10–10v
Il ciel che rado virtu tanta mostra	Arcadelt, Jacques (ca. 1507–1568)	13v–14
Il vago e dolce sguardo	Arcadelt, Jacques (ca. 1507–1568) (?) Layolle, Francesco de (?)	36v–37
Infra bianche rugiade e verdi fronde	Layolle, Francesco de	32–32v
instrumental piece	Anonymous	44–44v
instrumental piece	Anonymous	45–45v
instrumental piece	Anonymous	46–46v
Io dovea ben pensarmi	Festa, Costanzo (ca. 1485–1545)	38v–39
Io mi pensai che spento	Arcadelt, Jacques (ca. 1507–1568)	16–16v
Io vorrei pur fuggir	Corteccia, (Pier) Francesco (?) Arcadelt, Jacques (ca. 1507–1568) (?)	15–15v
Ite tristi sospiri	Arcadelt, Jacques (ca. 1507–1568) (?) Festa, Costanzo (ca. 1485–1545) (?)	29–29v
Languir non mi fa amore	Arcadelt, Jacques (ca. 1507–1568) (?) Corteccia, (Pier) Francesco (?)	31–32
Lasso quand' io gli occhi alzo	Arcadelt, Jacques (ca. 1507–1568)	17–17v
Madonna ohime ch'io ardo	Arcadelt, Jacques (ca. 1507–1568)	6–7
Madonna s' io v' offendo	Arcadelt, Jacques (ca. 1507–1568)	41–41v
Madonna s'io credessi	Corteccia, (Pier) Francesco (?) Arcadelt, Jacques (ca. 1507–1568) (?)	17v–18
Nasce fra l'herb' un fiore	Festa, Costanzo (ca. 1485–1545)	24v–25
Ne piu concenti lagrime	Corteccia, (Pier) Francesco	26v–27v
Non cerchero giammai	Anonymous	39–39v
Non ch'io non voglio mai altro pensiero	Arcadelt, Jacques (ca. 1507–1568)	40v–41
Nova angioletta sovra l'ale accorta	Anonymous	25–26
Nuova donna m'apparve	Arcadelt, Jacques (ca. 1507–1568)	7v–8v
O chioma di fin oro, o front' altera	Anonymous	21–21v
O felici occhi miei	Arcadelt, Jacques (ca. 1507–1568)	11v–12v
Occhi miei lassi mentre ch'io vi giro	Arcadelt, Jacques (ca. 1507–1568) (?) Layolle, Francesco de (?)	12v–13
Occhi mirand' in voi	Layolle, Francesco de	29v–30v
Ogn' hor per voi sospiro donne	Verdelot, Philippe (ca. 1480–ca. 1532)	37–37v
Parol' estreme anz' ultimi sospiri	Arcadelt, Jacques (ca. 1507–1568)	41v–42v
Per alti monti e per selv' aspre	Festa, Costanzo (ca. 1485–1545) (?) Verdelot, Philippe (ca. 1480–ca. 1532)	18v–19
Poss'io morir di mala morte s'io non v'amo	Arcadelt, Jacques (ca. 1507–1568)	10v–11
Quand' io pens' al martire amor che tu	Arcadelt, Jacques (ca. 1507–1568)	4v–5v
Quando con dolce suono	Arcadelt, Jacques (ca. 1507–1568)	33–33v
Quanti travagli e pene, quant' ogn' hor dogli e morti	Arcadelt, Jacques (ca. 1507–1568)	34v–35
Saria pur tempo omai	Festa, Costanzo (ca. 1485–1545)	28–28v
Se 'l pensier amoroso congn' hor	Arcadelt, Jacques (ca. 1507–1568)	30v–31
Se come dite ogn'hor bella ui paio	Arcadelt, Jacques (ca. 1507–1568)	22v–23v
Se di mostrarvi a pieno	Verdelot, Philippe (ca. 1480–ca. 1532)	2v–3v
Se per colpa del vostro fiero sdegno	Arcadelt, Jacques (ca. 1507–1568)	4–4v
Se saper donna curi	Festa, Costanzo (ca. 1485–1545)	19–20
Se vi piace	Arcadelt, Jacques (ca. 1507–1568)	40–40v
Ver' inferno e'l mio petto ver' infernale	Arcadelt, Jacques (ca. 1507–1568)	33v–34
Voi ve n' andat' al cielo occhi beati	Arcadelt, Jacques (ca. 1507–1568)	14–15

Set: MSS Magliabechi XIX. 99-102

Type: Partbooks

No images available

I-Fn MS Magl. XIX.99

No images available

I-Fn MS Magl. XIX.100

No images available

I-Fn MS Magl. XIX.101

No images available

I-Fn MS Magl. XIX.102

‡ denotes primary source study

D'Accone, Frank A (editor). 1985-. Collected Sacred Works. Vol. XI [several additional volumes projected] of Music of the Florentine Renaissance. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VIII,xxi-xxvi. Notes: contents list (partial); concordances (partial).

Haar, James. 1978. Madrigals from the Last Florentine Republic. Essays Presented to Myron P. Gilmore, 383-403. Florence. Pages: 384,394-8. Notes: contents list (partial); concordances (partial).

D'Accone, Frank A (editor). 1969. Francesco de Layolle: Collected Secular Works for 2, 3, 4 and 5 Voices. Vols. Ill and IV of Music of the Florentine Renaissance. Corpus mensurabilis musicae. 32. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xviii. Notes: mention of MS.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 60. Notes: physical description; contents list (partial); concordances (partial).

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 36-7. Notes: physical description; contents list.

Rubsamen, Walter H. 1951. Music Research in Italian Libraries: An Anecdotal Account of Obstacles and Discoveries. Los Angeles. Pages: 63. Notes: mention of MS.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

I-Fn MS Magl. XIX.99

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

partbook: c. 1540 (JepFR); c. 1535 (RubIL)

General Description

Extent

Binding

Watermark

Notation

Ruling

Foliation

Decoration

Surface

Census Catalogue of Music Description

Layout

Layout

Layout

Set: MSS Magliabechi XIX. 99-102

Type: Partbooks

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017