D-Dl MS Löbau 66 (1)

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1600-70

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Löbau 66 (1)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None / Unknown
Measurements 200 x 160 mm
Other Identifiers
  • CCM: DresSL Löbau 66
Notations
  • Hufnagel
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 42 pieces from 9 composers
General Description

A Discantus partbook from a set originally of eight volumes. Copied by Christoph Nostwitz and others. All of the pieces are incomplete (7a pars missing): the first 20 pieces have only the Discantus part, nos. 21-23 exist in all remaining books, nos 24-30 have only the Bassus, and nos 31-50 are preserved as loose sheets from various voice parts.

Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

DIAMM, 2023
Physical Description

poor condition

DIAMM, 2017
Binding

The folios are loose; no covers

DIAMM, 2017
Notation

black void mensural and some Hufnagel

DIAMM, 2017
Foliation

No foliation

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

Pieces 1-30 are included only in the books where they are known to be copied; pieces 31-50 (the loose sheets) are included in the inventory of the books corresponding to the number of voices, or in all books where the number of voices is unknown, pending identification of which parts exist for each piece.

8 of the first 20 pieces are texted but have no music. Most of the remainder are listed in SteudeMS as '1v', but it is not clear whether these are monophonic pieces, or only 1v (the Discantus) remains.

DIAMM, 2023
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 psalm, 1 hymn, 16 motets, 2 Latin/German sacred pieces, 24 German sacred pieces, 6 texts without music = 50

(Ahle)-1, A. Duling-1, (Ebeling)-2, Hammerschmidt-3, (Händl)-1, (Löwenstern)-2, (Marquardt)-1, (Senfl)-1, (Walter)-1, anon-37

7 paper part books of an original 8, 200 x 160. The books are in poor condition. No foliation. The folios are loose; no covers. Some Hufnagel notation. Copied by Christoph Nostwitz and others. All of the pieces are incomplete; some have only the discantus part, and others have only the bassus.

Ca. 1600-70 (SteudeMS). Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[-] Sepulto Domino - 1a pars (of 2): Sepulto Domino signatum qui custodirent -
Appears on: [-]
Genres: Motet
General Note

DTÖ 12, S. 173

[-] Sepulto Domino - 2a pars (of 2): Ne forte veniant -
Appears on: [-]
Genres: Motet
General Note

DTÖ 12, S. 173

[-] 3 hymns (text only) - Anonymous
Appears on: [-]
Genres: Text only
General Note

Laus tibi Christe (Lob unndt danck set dir gesagt) -- Patris sapientia (Christ konigk schopffer lobesam) -- Hora prima ductus est Jesus (Der arge Bischoff Hannas)

[-] Zelus domus tuae - Salvum me fac Deus - Anonymous
Appears on: [-]
Genres: Psalm
[-] Judaea et Jerusalem - Laudate pueri Domine - Anonymous
Appears on: [-]
Genres: Psalm
[-] Tecum principium - Dixit Dominus Domino - Anonymous
Appears on: [-]
Genres: Psalm
[-] Christus natus est - Dominus dixit ad me - Tanquam sponsus - Anonymous
Appears on: [-]
Genres: Hymn, Psalm
[-] Caeli enarrant gloriam Dei (text-only) - Anonymous
Appears on: [-]
Genres: Psalm
[-] [A solis ortus] Beatus auctor seculi - Anonymous
Appears on: [-]
Genres: Hymn
[-] Confortati sunt qui persecuti (text-only) - Anonymous
Appears on: [-]
Genres: Text only
[-] Avertantur retrorsum - Anonymous
Appears on: [-]
Genres: Hymn
[-] Deus meus eripe me - Anonymous

Deus meus eripe me

Anonymous
Appears on: [-]
Genres: Hymn
[-] Astiterunt reges - Anonymous

Astiterunt reges

Anonymous
Appears on: [-]
Genres: Psalm
[-] Diviserunt sibi vestimenta - Anonymous
Appears on: [-]
Genres: Hymn
[-] Herr Christ wann ich bedenke - Anonymous
Appears on: [-]
Genres: Hymn
General Note

Zahn 8782

[-] ... der Sund das gewissen aufthut - Anonymous
Appears on: [-]
Genres: Hymn
[-] ... dem Leib lass in der Erden - Anonymous
Appears on: [-]
Genres: Hymn
[-] Philippe qui videt me alleluia (6vv, M84) -
Appears on: [-]
Genres: Alleluia, Motet
[-] Iam maesta quiesce querela lacrymas - Anonymous
Appears on: [-]
Genres: Hymn
General Note

Zahn 1454a

[-] Qui seminant in lacrimis (8vv) - Anonymous
Appears on: [-]
Genres: Motet
[-] Diligite iustitiam (8vv) - Anonymous
Appears on: [-]
Genres: Motet
[-] Wie die Sonne wenn sie aufgangen ist (8vv) Adam Dulingius Mag:
Appears on: [-]
Genres: Motet
Source Attribution: Adam Dulingius Mag:
[-] Ich habe einen guten Kampf gekämpfet (8vv) -
Appears on: [-]
Genres: Motet
[-] Turbabor sed non turbabor - Mein Sund mich werden krenken (8vv) - Anonymous
Appears on: [-]
Genres: Motet
[-] Herr Gott dich loben wir - Anonymous
Appears on: [-]
Genres: Motet
General Note

Zahn 8652 var.

[-] ... est si enim egero [= Ingemuit Susanna?] -
Appears on: [-]
Genres: Motet
General Note

The fragmentary text quoted in SteudeMS is very similar to a line from Handl's motet, but the concordance has not been checked

[-] ... super opera manuum tuarum (from 'Quid est homo'?) - Anonymous
Appears on: [-]
Genres: Motet
[-] Kommt her ihr lieben Bruderlein (4vv) - Anonymous
Appears on: [-]
Genres: Motet
[-] Nicht so traurig nicht so sehr -
Appears on: [-]
Genres: Motet
Concordances

Runge 1666/67:16

[-] Warum sollt' ich mich denn grämen -
Appears on: [-]
Genres: Motet
Concordances

Runge 1666/67:16

[-] Salve Jesu salutare - Anonymous
Appears on: [-]
Genres: Motet
[-] Salve cordis gaudium dt. Text: Sey gregrüßt ins Himmels Saal -
Appears on: [-]
Genres: Hymn
General Note

Zahn 4797

[-] Ach dass doch geflügelt wäre meine Seele - Anonymous
Appears on: [-]
Genres: Motet
[-] Wenn ich in Angst und Not -
Appears on: [-]
Genres: Motet
General Note

Zahn 4233

[-] Christe du Beistand deiner Kreuzgemeine -
Appears on: [-]
Genres: Motet
General Note

Zahn 993

[-] Laudate Dominum omnes gentes (12vv) - Anonymous
Appears on: [-]
Genres: Motet
[-] [Eins bitte ich vom Herren] das het ich gerne - Anonymous
Appears on: [-]
Genres: Motet
[-] Venite ... salutari nostro - Anonymous
Appears on: [-]
Genres: Motet
[-] Gott lass vom Zorne den kein Mensch kann tragen -
Appears on: [-]
Genres: Motet
General Note

Vopelius S. 1053

[-] Ach was erhebstu dich doch o Mensch Andreas Hammerschmidt
Appears on: [-]
Genres: Motet
Source Attribution: Andreas Hammerschmidt
[-] Jesu meine Freude - Anonymous

Jesu meine Freude

Anonymous
Appears on: [-]
Genres: Hymn
General Note

Zahn 8032

[-] Meinen Jesum lass ich nicht -
Appears on: [-]
Genres: Motet
General Note

Vopelius S. 888

Composer Compositions
Ahle, Johann Rudolf (1625–1673)
Anonymous
Apelles, Matthias
Duling, Adam
Ebeling, Johann Georg
Hammerschmidt, Andreas (ca. 1611–1675)
Handl (Gallus), Jacobus (1550–1591)
Senfl, Ludwig (ca. 1486–ca. 1543)
Thuring, Johann
Composition Composers (? Uncertain) Folios / Pages
... dem Leib lass in der Erden Anonymous [-]
... der Sund das gewissen aufthut Anonymous [-]
... est si enim egero [= Ingemuit Susanna?] [-]
... super opera manuum tuarum (from 'Quid est homo'?) Anonymous [-]
3 hymns (text only) Anonymous [-]
[A solis ortus] Beatus auctor seculi Anonymous [-]
[Eins bitte ich vom Herren] das het ich gerne Anonymous [-]
Ach dass doch geflügelt wäre meine Seele Anonymous [-]
Ach was erhebstu dich doch o Mensch [-]
Astiterunt reges Anonymous [-]
Avertantur retrorsum Anonymous [-]
Caeli enarrant gloriam Dei (text-only) Anonymous [-]
Christe du Beistand deiner Kreuzgemeine [-]
Christus natus est - Dominus dixit ad me - Tanquam sponsus Anonymous [-]
Confortati sunt qui persecuti (text-only) Anonymous [-]
Deus meus eripe me Anonymous [-]
Diligite iustitiam (8vv) Anonymous [-]
Diviserunt sibi vestimenta Anonymous [-]
Gott lass vom Zorne den kein Mensch kann tragen [-]
Herr Christ wann ich bedenke Anonymous [-]
Herr Gott dich loben wir Anonymous [-]
Iam maesta quiesce querela lacrymas Anonymous [-]
Ich habe einen guten Kampf gekämpfet (8vv) [-]
Jesu meine Freude Anonymous [-]
Judaea et Jerusalem - Laudate pueri Domine Anonymous [-]
Kommt her ihr lieben Bruderlein (4vv) Anonymous [-]
Laudate Dominum omnes gentes (12vv) Anonymous [-]
Meinen Jesum lass ich nicht [-]
Nicht so traurig nicht so sehr [-]
Philippe qui videt me alleluia (6vv, M84) [-]
Qui seminant in lacrimis (8vv) Anonymous [-]
Salve cordis gaudium dt. Text: Sey gregrüßt ins Himmels Saal [-]
Salve Jesu salutare Anonymous [-]
Sepulto Domino - 1a pars (of 2): Sepulto Domino signatum qui custodirent [-]
Sepulto Domino - 2a pars (of 2): Ne forte veniant [-]
Tecum principium - Dixit Dominus Domino Anonymous [-]
Turbabor sed non turbabor - Mein Sund mich werden krenken (8vv) Anonymous [-]
Venite ... salutari nostro Anonymous [-]
Warum sollt' ich mich denn grämen [-]
Wenn ich in Angst und Not [-]
Wie die Sonne wenn sie aufgangen ist (8vv) [-]
Zelus domus tuae - Salvum me fac Deus Anonymous [-]

Set: MS Löbau 66 (1-7)

Type: Partbooks

No images available

D-Dl MS Löbau 66 (1)

No images available

D-Dl MS Löbau 66 (2)

No images available

D-Dl MS Löbau 66 (3)

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D-Dl MS Löbau 66 (4)

No images available

D-Dl MS Löbau 66 (5)

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D-Dl MS Löbau 66 (6)

No images available

D-Dl MS Löbau 66 (7)

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 169-71. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description