V-CVbav MS Ottob. lat. 1790

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

flyleaves: 14th–15th century

Archive Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark MS Ottob. lat. 1790
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Parchment
Numbering System Foliation
Measurements 110 x 167; orig. c. 300 x 220 mm
Other Identifiers
  • RISM: I-Rvat1790
  • RISM: RD
  • olim (Former shelfmark): RISM ref Ottob. lat. 1790
  • olim (Former shelfmark): I-Rvat MS Ottob. lat. 1790
Notations
  • Trecento
  • black full mensural
Relationships
External Links
Provenance
  • Italy
Contents 5 pieces from 3 composers
General Description

Flyleaves to a 75 folio manuscript from the library of John Angeli Altaemps, containing Lives of Cicero and Virgil. The flyleaves served originally as covers and now as endpapers; they were originally c. 300 x 220 mm. According to Besseler the leaves are perhaps from a north Italian manuscript; according to Fischer they come from a peripherally Florentine manuscript of the late 14th century. Cuthbert (p. 300) numbers the music containing parts of this manuscript as f. Ir/v and f. IIr/v., explaining that they were originally the other way round:

f. Ir [originally verso]

f. Iv [originally recto]

f. IIr [originally verso]

f. IIv [originally recto]

Curthbert also points to the unidentified work, item no. 3: 'The presence of additional music was noted by Fischer in RISM B IV 4 (p. 1033).'

DIAMM, 2017
Binding

reddish brown leather with gold lettering; 18 century (?)

DIAMM, 2017
Notation

Black full Trecento

DIAMM, 2017
Ruling

3 red 5-line staves per page

DIAMM, 2017
Foliation

18th-century (?) foliation of f. 1-77 (endpapers included).

DIAMM, 2017
Foliation

1rv, 77rv

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
DIAMM Note

Cuthbert (p. 300) numbers the music containing parts of this manuscript as f. Ir/v and f. IIr/v., explaining that they were originially the other way round:

f. Ir [originally verso]

f. Iv [originally recto]

f. IIr [originally verso]

f. IIv [originally recto]

Curthbert also points to the unidentified work, item no. 3: 'The presence of additional music was noted by Fischer in RISM B IV 4 (p. 1033).'

DIAMM, 2017
RISM Description

RISM B/IV 4: 14./15. Jh.; 75 Blätter Pergament, 170 x 113 mm + je 1 Vorsatz- und Nachstoßblatt Pergament, 110 x 167 mm (Querformat). Fol. 18. Jh.(?) von f. 1-77 (Vorsatz- und Nachstoßblätter inklusive). - Einband : 18. Jh.(?); rotbraunes Leder mit Goldprägung.

Diese aus der Bibliothek von Joh. Angeli ab Altaemps stammende Handschrift des 15. Jh. enthält Viten Ciceros und Vergils. Musik steht nur auf den beiden ursprünglich als Deck-, jetzt als Vorsatz- und Nachstoßblätter dienenden Fragmenten. Diese Blätter wiesen ursprünglich ein Format von ca. 300 x 220 mm auf. Je Seite sind noch 3 rote Fünfliniensysteme mit schwarzer Trecentonotation erhalten. Die Blätter entstammen nach Besseler vielleicht einer oberitalienischen, nach Fischer eher einer peripher florentinischen Handschrift des ausgehenden 14. Jh.

[Translation] 14th/15th century. 75 parchment sheets, 170 x 113 mm + 1 each front and back endpapers of parchment, 110 x 167 mm (landscape). 18th-century (?) foliation of f. 1-77 (endpapers included). - Cover: 18 century (?); reddish brown leather with gold lettering.

This 15th-century manuscript from the library of John Angeli Altaemps contains Lives of Cicero and Virgil. Music is found only on the two fragments which served originally as cover and now as endpapers. These sheets were originally a size of approximately 300 x 220 mm. The pages still have 3 red five-line systems with black Trecento notation. According to Besseler the leaves are perhaps from a north Italian manuscript; according to Fischer they come from a peripherally Florentine manuscript of the late 14th century.

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Répertoire International des Sources Musicales

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Piu non mi curo -
Appears on: 1
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Piu non mi curo ...
General Note

[C: strophe only, lacking first line of music]; Panciatichi ff. 53v–54r, London 29987 ff. 17v–18r, Squarcialupi ff. 1v–2r, San Lorenzo 2211 ff. 4v–5r, Venice Giorgio Maggiore f. 2v (fragment of the text only)

1v La bella stella che suo fiamma tene -
Appears on: 1v
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: La bella stella ...
General Note

[T: complete except first line of music]; Panciatichi ff. 47v–48r, Squarcialupi ff. 1v–2r, San Lorenzo 2211 ff. 17v–18r, Pit. ff. 19v–20r, Rossi f. 23v (Cantus only), Florence Conservatorio f. 2v (Cantus only), Seville 25 f. 59v (Cantus only),27 Florence 1041 f. 47v (text only)

1v unidentified work - -
Appears on: 1v
Voice: [no designation]
Languages: none
Voice Text: [Unidentified work. Possibly cantus of a madrigal]
77 Vidi nell' ombra d'una bella luce -
Appears on: 77
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: [Vidi nell'ombra ... gri]dando mi ...
General Note

[C: end of strophe and the complete ritornello]; Panciatichi ff. 78v–79r, London 29987 ff. 32v–33r, Squarcialupi ff. 47v–48r, Pit. ff. 23v–24r

77v Nel meço a sei pagon ne vidi un bianco -
Appears on: 77v
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: [Nel meço a sei paon ...] Perche' gli spiace ...
General Note

[C and T]: Ritornello only, plus the text of the final syllable of the strophe, [“-na”]; Panciatichi ff. 55r, Squarcialupi ff. 3v–4r, Reina f. 32v, San Lorenzo 2211 f. 1 (Jacopo da Bologna!). Cited by Prodenzani in Sollazzo 48.

denotes primary source study

Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D. Pages: 300.

Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft.  Bern: Paul Haupt. Pages: 97.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: I, 226.

Ludwig, Friedrich. 1925. Die mehrstimmige Messe des 14. Jahrhunderts. Archiv für Musikwissenschaft, 417ff. Pages: II, 24.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 201.

Bannister, Enrico Marriott. 1913. Monumenti Vaticani di paleografia musicale latina. Codices e Vaticanis selecti phototypice expressi. 2 vols. Leipzig. Pages: I, 188.

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description