D-Dl Ms Mus. 1/D/506 (Annaberger Chorbuch II)

Sächsische Landesbibliothek, Dresden, Germany

manuscript of polyphony: c. 1530

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark Ms Mus. 1/D/506 (Annaberger Chorbuch II)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Pagination
Measurements 408 x 289 mm
Other Identifiers
  • CCM: DresSL 1/D/506
  • olim (Former shelfmark): ANNABERG. Bibliothek der St. Annenkirche. D-ABG 1126
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Wittenberg, Bavaria, Germany
Contents 175 pieces from 9 composers
General Description

Copied by several scribes, one of whom also wrote BudOS 22, BudOS 23, DresSL l/D/3, DresSL l/D/4, ZwiR 81/2, ZwiR 106/5, and portions of ZwiR 100/4 (SteudeUM). Probably copied in Wittenberg or vicinity; later taken to Annaberg and used at Church of St. Anne (SteudeUM).

DIAMM, 2017
Physical Description

At least two folios now missing (preceding p. 1 and following p. 12)

DIAMM, 2017
Binding

Brown leather covers, restored.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1510-30 (MGG); ca. 1530 (SteudeMS).

DIAMM, 2017
Foliation

Modern pagination through 521; also a more recent partial renumbering.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses, 10 Kyries, 7 Glorias, 3 Credos, 6 Sanctus, 7 Agnus, 73 Mass Proper sections, 8 Magnificats, 38 hymns, 4 motets, 1 textless piece = 162

(A. Agricola)-1, (A. Agricola/Brumel)-1, (Brumel)-2, (Compère)-1, (Compère/Josquin)-1, (Isaac)-1 + 2?, (Notens)-1, (Raber)-1, anon-151

261 paper folios, 408 x 289, plus 1 unnumbered fragment preceding f. 1. At least two folios now missing (preceding p. 1 and following p. 12). Modern pagination through 521; also a more recent partial renumbering. Brown leather covers, restored.

1510-30 (MGG); ca. 1530 (SteudeMS). Copied for the St. Annenkirche in Annaberg. Brought to Dresden in 1968.

Vol. 4

Composers: Change "(Isaac)-1 + 2?" to "(Isaac)-2 + 2?"; change "anon-151" to "anon-150."

Physical: Copied by several scribes, one of whom also wrote BudOS 22, BudOS 23, DresSL l/D/3, DresSL l/D/4, ZwiR 81/2, ZwiR 106/5, and portions of ZwiR 100/4 (SteudeUM).

Provenance: Probably copied in Wittenberg or vicinity; later taken to Annaberg and used at Church of St. Anne (SteudeUM).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
i [fragment] - -
Appears on: i
Voice: [no designation]
Languages: insufficient
Voice Text: fragment - music lost, apparently not original
General Note

fragment - music lost, apparently not original

1 Benedicta sit sancta Trinitas Anon. Anonymous
Appears on: 1
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta] sit sancta Trinitas
General Note

incomplete: T&B only

2–3 Terribilis est locus iste Vs. Quam dilecta tabernacula tua Anon. Anonymous
Appears on: 2–3
Genres: Introit, Proper
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Terribilis est] locus iste
4–6 Statuit ei Dominus Vs. Misericordias Domini Anon. Anonymous
Appears on: 4–6
Genres: Introit, Proper
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Statuit] ei Dominus
8–9 Gaudeamus omnes Vs. Eructavit cor meum - Anonymous
Appears on: 8–9
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: [Gaudeamus omnes]...
10–11 Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula Concupiscit [W. Reuber]
Appears on: 10–11
Genres: Motet
Source Attribution: [W. Reuber]
Voice: [no designation]
Languages: Latin
Voice Text: [Terribilis est] locus iste
12 Dilexisti iusticiam et odisti iniquitatem Vs: Eructavit cor meum Dico ego opera Anon. Anonymous
Appears on: 12
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Dilexisti] justitiam
13 Gaudeamus omnes in Domino - Anonymous
Appears on: 13
Genres: Introit, Proper
14–16 Rorate caeli desuper Vs.Caeli enarrant gloriam Dei Anon. Anonymous
Appears on: 14–16
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Rorate caeli desuper
17–19 Mihi autem nimis Vs. Domine probasti me - Anonymous
Appears on: 17–19
Genres: Hymn
20–22 Puer natus est Vs. Cantate Domino Anon. Anonymous
Appears on: 20–22
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Puer natus est nobis,] et filius
23–25 Etenim sederunt principes Vs. Beati immaculati - Anonymous
Appears on: 23–25
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Beati immaculati..... Qui ambulant
26–27 In medio Ecclesiae Vs. Bonum est confiteri Anon. Anonymous
Appears on: 26–27
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [In medio Ecclesiae] aperuit
28–30 Vultum tuum deprecabuntur Vs. Eructavit cor meum Anon. Anonymous
Appears on: 28–30
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Vultum tuum] deprecabuntur
31–33 Ecce advenit Vs. Deus judicium tuum (4vv) - Anonymous
Appears on: 31–33
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Deus iudicium tuum ... Et iusticiam - Ecce advenit dominator
34–37 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anon. Anonymous
Appears on: 34–37
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Suscepimus, Deus, misericordiam
38–39 Os justi meditabitur Vs. Noli emulari Anon. Anonymous
Appears on: 38–39
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Os justi] meditabitur
40–43 Protexisti me Deus Vs. Exaudi Deus orationem mean Anon. Anonymous
Appears on: 40–43
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Protexisti me] Deus a conventu
General Note

Bk 111:8

42–44 Kyrie eleison Anon. Anonymous

Kyrie eleison

Anonymous
Appears on: 42–44
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
45–47 Missa De tous biens plaine: Kyrie -
Appears on: 45–47
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Gloria
48–49 Missa De tous biens plaine: Et in terra pax [Gloria] -
Appears on: 48–49
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Credo
50–53 Missa De tous biens plaine: Patrem omnipotentem [Credo] -
Appears on: 50–53
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Sanctus
52–55 Missa De tous biens plaine: Sanctus -
Appears on: 52–55
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Agnus dei
56–59 Missa De tous biens plaine: Agnus Dei [Joh. Notens]
Appears on: 56–59
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Joh. Notens]
Voice: [no designation]
Languages: Latin
Voice Text: Missa [De tous biens playne]
Concordances

Confiteor section of Credo has different Tenor from concordant versions (freely composed, rather than carrying a complete cantus firmus statement) Agnus has 3 sections: version in Cividale LIX has only 2. Agnus I is same in both, but Cividale's Agnus II is different from both Agnus II & III in Dresden.

60–63 Missa Bergerette Savoyenne: Kyrie [Brumel]
Appears on: 60–63
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Brumel]
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Bergerette Savoyenne]
64–72 Missa Bergerette Savoyenne: Et in terra pax [Gloria] -
Appears on: 64–72
Genres: Gloria (et in terra pax), Mass Ordinary
72–73 Suscepimus Deus Vs. Magnus Dominus In civitate Dei Anon. Anonymous
Appears on: 72–73
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Suscepimus,] Deus, misericordiam
74–75 Alleluia. Subveni mater pia Anon. Anonymous
Appears on: 74–75
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Subveni mater pia
General Note

2. Text: Alleluia, Post partum virgo

74–79 Generosi Abrahae Anon. Anonymous

Generosi Abrahae

Anonymous
Appears on: 74–79
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [G]enerosi Abrahae
80–81 Responsum accepit Simeon Anon. Anonymous
Appears on: 80–81
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Responsum accepit Simeon]
82–83 Alleluia. Vox exultationis et salutis Anon. Anonymous
Appears on: 82–83
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Vox exsultationis
82–85 Haec domus aulae Anon. Anonymous

Haec domus aulae

Anonymous
Appears on: 82–85
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Haec domus aulae
84–85 Domus mea domus orationis vocabitur Anon. Anonymous
Appears on: 84–85
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Domus mea,] domus orationis
86–89 Gaudeamus omnes Vs. Eructavit cor meum - Anonymous
Appears on: 86–89
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Eructavit cor meum
General Note

2. Text: Exultate iusti3. Text: Exultata est sancta dei mater4. Text: Sentiant omnes

90–93 Missa Ave Maria gratia plena: Kyrie Anon. Anonymous
Appears on: 90–93
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Ave Maria gratia plena]
General Note

parody mass based on Josquin's motet

94–97 Missa Ave Maria gratia plena: Gloria - Anonymous
Appears on: 94–97
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Gloria
98–99 Missa Ave Maria gratia plena: Patrem omnipotentem [Credo] - Anonymous
Appears on: 98–99
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Credo
General Note

only the text as far as 'Et homo factus est' is set

100–103 Missa Ave Maria gratia plena: Sanctus - Anonymous
Appears on: 100–103
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Sanctus
102–103 Missa Ave Maria gratia plena: Agnus Dei - Anonymous
Appears on: 102–103
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Agnus dei
106–109 Kyrie fons bonitatis, Kyrie virginitatis amator Anon. Anonymous
Appears on: 106–109
Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie fons bonitatis, Kyrie virginitatis amator
General Note

2. Text des Kyrie: Kyrie virginitatis amator

108–111 [Gloria] Laudamus te - Anonymous
Appears on: 108–111
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Gloria. Laudamus te
112–113 Domus mea. Domus orationis Anon. Anonymous
Appears on: 112–113
Genres: Communion, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Laudamus te
116–117 Sanctus Anon. Anonymous

Sanctus

Anonymous
Appears on: 116–117
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
General Note

zu 112:30?

118–119 Agnus Dei Anon. Anonymous

Agnus Dei

Anonymous
Appears on: 118–119
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei
118–119 Diffusa est gratia in labiis tuis Anon. Anonymous
Appears on: 118–119
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Diffusa est gratia] in labiis
120–123 Missa L'homme armé 6.1: Kyrie [Compère/Josquin]
Appears on: 120–123
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Compère/Josquin]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa [L'homme armé] (K-G-C) 6.1
124–127 Missa L'homme armé 6.1: Gloria -
Appears on: 124–127
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa super L'homme armé] Et in terra pax
130–135 Missa L'homme armé 6.1: Credo -
Appears on: 130–135
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa super L'homme armé] Credo
136–137 Alleluia. Assumpta est Maria Anon. Anonymous
Appears on: 136–137
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Assumpta est Maria
136–139 Quae sine virili commixtione (= Congaudent angelorum, Sentiat hunc diem = Ad laudes salvatoris) Anon. Anonymous
Appears on: 136–139
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quae sine virili commixtione [= Congaudent angelorum], Sentiat hunc diem [= Ad laudes salvatoris]
General Note

Quae sine virili commixtione = Congaudent angelorum, Sentiat hunc diem = Ad laudes salvatoris.

Concordances

Another setting, apparently not concordant, is at f. 356ff

140–141 Benedicta sit sancta trinitas Vs. Benedicamus Patrem Anon. Anonymous
Appears on: 140–141
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [B]enedicta sit sancta Trinitas
142–143 Exclamaverunt Ad te Domine in tempore Vs: Exultate justi Rectos decet collaudacio Anon. Anonymous
Appears on: 142–143
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Exclamaverunt] ad te
144–145 Alleluia. Surrexit pastor bonus Anon. Anonymous
Appears on: 144–145
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Alleluia.] Surrexit pastor bonus
146–147 Qui totum subdit = Summae Trinitati repetitio Anon. Anonymous
Appears on: 146–147
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Qui totum subdit [= Summae Trinitati repetitio]
148–151 Resurrexi et adhuc Vs. Domine probasti me. Anon. Anonymous
Appears on: 148–151
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Resurrexi,] et adhunc tecum sum
152–155 Kyrie eleison Anon. Anonymous

Kyrie eleison

Anonymous
Appears on: 152–155
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
156–159 [Gloria] Laudamus te Anon. Anonymous
Appears on: 156–159
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Laudamus te
160–163 Sanctus - Agnus Dei Anon. Anonymous
Appears on: 160–163
Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus. Agnus dei
General Note

text of Agnus Dei later underlaid beneath Benedictus

164–165 Agnus Dei Anon. Anonymous

Agnus Dei

Anonymous
Appears on: 164–165
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei
166–167 Alleluia. Pascha nostrum immolatus est Anon. Anonymous
Appears on: 166–167
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Pascha nostrum
168–171 [Victimae paschali laudes] Agnus redemit oves Anon. Anonymous
Appears on: 168–171
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Agnus redemit oves [= Victimae paschali laudes]
172–173 Kyrie eleison Anon. Anonymous

Kyrie eleison

Anonymous
Appears on: 172–173
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
174–185 Magnificat Sexti Toni: Et exultavit spiritus meus [K.322] Anon. Anonymous
Appears on: 174–185
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Et exsultavit [= Magnificat sexti toni]
General Note

Kirsch, S. 119,239

186–195 Magnificat quarti toni: Et exultavit [K.632] [A. Agricola/Brumel]
Appears on: 186–195
Genres: BVM, Canticle, Magnificat
Source Attribution: [A. Agricola/Brumel]
Voice: [no designation]
Languages: Latin
Voice Text: Et exsultavit [= Magnificat quarti toni]
General Note

Kirsch, S. 119,291

196–201 Magnificat Sexti Toni: Et exultavit spiritus meus [K.323] Anon. Anonymous
Appears on: 196–201
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Et exsultavit [= Magnificat sexti toni]
General Note

Kirsch, S. 119,239

202–209 Missa Une musque de Biscaye: Kyrie [Isaac]
Appears on: 202–209
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Une mousse de Biscaye]
General Note

Christe I designated "quatuor puerorum"; Christe 3 "quatuor sociorum"

208–213 Missa Une musque de Biscaye: Gloria -
Appears on: 208–213
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Une mousse de Biscaye] Gloria
General Note

Et in terra designated "quatuor puerorum"

214–215 [Adsunt fest jubilea] Cuius sacrata viscera - Anonymous
Appears on: 214–215
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Cuius sacrata viscrea [= Assunt festa jubilaea]
216–217 [Gaude visceribus] Cuius magnifica - Anonymous
Appears on: 216–217
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Sanctis obtineas
General Note

2. Text: Cuius magnifica est

218–219 [Festum nunc celebre] Conscendit jubilans - Anonymous
Appears on: 218–219
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Presta hoc genitor
General Note

2. Text: Conscendit iubilans

220–221 Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei - Anonymous
Appears on: 220–221
Genres: Veni creator spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Per te sciamus
General Note

2. Text: Qui paraclitus diceris

222–233 Magnificat primi toni: Et exultavit [K.556] [A. Agricola]
Appears on: 222–233
Genres: BVM, Canticle, Magnificat
Source Attribution: [A. Agricola]
Voice: [no designation]
Languages: Latin
Voice Text: Et exsultavit [= Magnificat primi toni]
General Note

Kirsch, S. 119,275

234–237 Sanctus Anon. Anonymous

Sanctus

Anonymous
Appears on: 234–237
Genres: Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
236–237 Agnus Dei Anon. Anonymous

Agnus Dei

Anonymous
Appears on: 236–237
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei
238–241 Kyrie 'De confessoribus' Anon. Anonymous
Appears on: 238–241
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
240–243 Gratias agimus tibi Anon. Anonymous
Appears on: 240–243
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: G[ratias agimus tibi]
General Note

Gloria zu 112:53?

244–245 Salve Roche pater Anon. Anonymous

Salve Roche pater

Anonymous
Appears on: 244–245
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Salve] Roche pater
246–247 Alleluia. O beata Roche Anon. Anonymous
Appears on: 246–247
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Alleluia.] O beata Roche
248–255 Rochi patris ob honorem Anon. Anonymous
Appears on: 248–255
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Rochi patris ob honorem
256–257 Sanctus Anon. Anonymous

Sanctus

Anonymous
Appears on: 256–257
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
258–259 Agnus Dei Anon. Anonymous

Agnus Dei

Anonymous
Appears on: 258–259
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei
258–259 Nunc te Roche - Anonymous

Nunc te Roche

Anonymous
Appears on: 258–259
Genres: Communion, Motet
260–263 Missa: Kyrie solemne Anon. Anonymous
Appears on: 260–263
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
264–267 Missa: Gloria [Gratias agimus tibi] Anon. Anonymous
Appears on: 264–267
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gratias agimus tibi
268–269 Salve sancta parens Vs. Sentiant omnes Anon. Anonymous
Appears on: 268–269
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Salve] sancta Parens, [Stabant] juxta crucem
General Note

2. Text: [Stabant] juxta crucem

270–275 Missa Sine nomine: Kyrie Anon. Anonymous
Appears on: 270–275
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa [Sine nomine] (K-G-C)
276–279 Missa Sine nomine: Gloria - Anonymous
Appears on: 276–279
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Sine nomine] Gloria
280–283 Missa Sine nomine: Patrem omnipotentem [Credo] - Anonymous
Appears on: 280–283
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Sine nomine] Credo
284–285 [Victimae paschali] Agnus redemit oves Anon. Anonymous
Appears on: 284–285
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Agnus redemit oves
286–287 Sanctus - Agnus Dei Anon. Anonymous
Appears on: 286–287
Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Santus, Agnus Dei
General Note

2. Text des Benedictus: Agnus Dei

288–289 [Assunt festa jubilaea] Confestim montes - Anonymous
Appears on: 288–289
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Confestim montes [= Assunt festa jubilaea]
290–291 [Gaude visceribus] Felix multiplici - Anonymous
Appears on: 290–291
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Felix multiplici [= Gaude visceribus]
292–293 [Gloria] Laudamus te benedicimus te Anon. Anonymous
Appears on: 292–293
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Laudamus te
General Note

first section of Gloria: remainder ("Qui tollis...") at ff. 304-305

294–297 Missa Sine nomine. Credo [Compère]
Appears on: 294–297
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [Compère]
Voice: [no designation]
Languages: Latin
Voice Text: Patrem
298–299 [Credo] Et in unum Dominum Anon. Anonymous
Appears on: 298–299
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Et in unum Dominum
300–301 [Credo] Et in unum Dominum Anon. Anonymous
Appears on: 300–301
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Et in unum Dominum
302–303 Viri Galilaei Vs. Omnes gentes - Anonymous
Appears on: 302–303
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite..... Jubilate deo
304–305 [Gloria] Laudamus te benedicimus te Anon. Anonymous
Appears on: 304–305
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Qui tollis peccata mundi
General Note

second section of Gloria ("Qui tollis..."); firsts ection at ff. 292-293

306–307 Viri Galilaei Vs. Omnes gentes plaudite. - Anonymous
Appears on: 306–307
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite..... Jubilate deo
308–309 Spiritus Domini Vs. Confirma hoc Anon. Anonymous
Appears on: 308–309
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Spiritus Domini] replevit orbem
310–313 Nunc scio vere quia misit Vs. Domine probasti me Anon. Anonymous
Appears on: 310–313
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Nunc scio vere,] quia misit
314–315 Factus est repente de caelo sonus advenientis spiritus Anon. Anonymous
Appears on: 314–315
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Factus est repente de caelo sonus] advenientis spiritus
316 Alleluia. Vox exultationis et salutis - Anonymous
Appears on: 316
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia, vox exultationis
318–323 Psallat ecclesia, mater illibata Anon. Anonymous
Appears on: 318–323
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Psallat ecclesia,] mater illibata
324–325 Alleluia. Benedictus es Domine Deus Anon. Anonymous
Appears on: 324–325
Genres: Alleluia
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Benedictus es
326–329 [Benedicta semper sancta sit Trinitas] Pater, filius - Anonymous
Appears on: 326–329
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Pater, filius [= Benedicta semper sancta sit Trinitas]
330–331 Alleluia. Tumba Sancti Nicolai [Proprium de S. Nicolao] Anon. Anonymous
Appears on: 330–331
Genres: Alleluia, Proper
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Tumba sancti Nicolai
330–333 [Sancte Dei pontifex] Sanctus ab infantia - Anonymous
Appears on: 330–333
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Sanctic ab infantia [= Sante Dei pontifex]
334–335 Alleluia. Prophetae sancti praedicaverunt Anon. Anonymous
Appears on: 334–335
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Prophetae sancti
336–339 Mittit ad virginem -Vs. Fortem expediat Anon. Anonymous
Appears on: 336–339
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Fortem expediat [= Mittit ad virginem]
340–341 Alleluia. Anna tuo celebrem Anon. Anonymous
Appears on: 340–341
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Anna tuo celebrem
340–343 Squameus herbifera Anon. Anonymous

Squameus herbifera

Anonymous
Appears on: 340–343
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Squameus herbifera
344–347 [Audi filia] Vultum tuum deprecabuntur Anon. Anonymous
Appears on: 344–347
Genres: Tract
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Vultum tuum deprecabuntur
348–349 Alleluia. Dies sanctificatus illuxit nobis - Alleluia. Hic est discipulus Anon. Anonymous
Appears on: 348–349
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Inveni David, Alleluia. Vidimus stellam, Alleluia. Dies sanctificatus
General Note

2. Text: Vidimus stellam, Alleluia. 3. Text: Dies sanctificatus illuxit

350–353 [Ad laudes salvatoris] Sentiant hunc diem Anon. Anonymous
Appears on: 350–353
Genres: Sequence
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sentiant hunc diem [= Ad laudes salvatoris]
354–355 Benedictie Deum caeli, et coram omnibus Anon. Anonymous
Appears on: 354–355
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Benedictie Deum caeli,] et coram omnibus
356–361 [Congaudent angelorum] Quae sine virili - Anonymous
Appears on: 356–361
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Quae sine virili commixtione [= Congaudent angelorum]
Concordances

Another setting, apparently not concordant, is at f. 136ff

362–363 Alleluia. Assumpta est Maria Anon. Anonymous
Appears on: 362–363
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Assumpta est Maria
364–373 Magnificat octavi toni: Et exultavit [K.409] Anon. Anonymous
Appears on: 364–373
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Et exsultavit [= Magnificat octavi toni]
General Note

Kirsch, S.119,253

374–385 Magnificat Sexti Toni: Et exultavit spiritus meus [K.324] - Anonymous
Appears on: 374–385
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Et exsultavit [= Magnificat sexti toni]
General Note

Kirsch, S.119,239

386–389 [Salve regina] Vita, dulcedo Anon. Anonymous
Appears on: 386–389
Genres: Hymn, Salve Regina
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Vita, dulcedo [= Salve, Regina]
390–395 Magnificat Sexti Toni: Et exultavit spiritus meus [K.325] Anon. Anonymous
Appears on: 390–395
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Et exsultavit [= Magnificat sexti toni]
General Note

Kirsch, S.119,240

396–401 Magnificat octavi toni: Et exultavit [K.402] - Anonymous
Appears on: 396–401
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Et exsultavit [= Magnificat octavi toni]
General Note

Kirsch, S.119,252

402–403 Cibavit eos Vs. Exsultate Deo Anon. Anonymous
Appears on: 402–403
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Cibavit eos] ex adipe frumenti
404–405 Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis Anon. Anonymous
Appears on: 404–405
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis
General Note

2.Text: Alleluia, Nativitas gloriosae virginis

406–407 Quotienscumque manducabitis panem Anon. Anonymous
Appears on: 406–407
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quotienscumque manducabitis panem
408–409 Alleluia Anon. Anonymous

Alleluia

Anonymous
Appears on: 408–409
Genres: Alleluia
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia
410–413 Sanctus [Isaac?]
Appears on: 410–413
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Isaac?]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
412–413 Agnus Dei [Isaac?]
Appears on: 412–413
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Isaac?]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei
413–415 Alleluia. Specie tua et pulchritudine tua Anon. Anonymous
Appears on: 413–415
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Specie tua
414–417 Katherinae collaudemus Vs. Fulta fide Katherina Anon. Anonymous
Appears on: 414–417
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Fulta fide Katherina [= Katherinae collaudemus]
General Note

2.Text: Huius ergo concionis

Concordances

music re-used in hymn setting at pp. 472-473 for St Nicolas

418–419 Alleluia. Qui creavit omnia caelum Anon. Anonymous
Appears on: 418–419
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Qui creavit omnia
418–423 Sanctissimae virginis [Isaac]
Appears on: 418–423
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Venerantes hanc diem [= Sanctissimae virginis], Regem regum [= Laetabundus exsultet], Dignus pati [= In Wolgangi Canamus]
General Note

6 verses, 3 texts underlaid to all 6 verses: Sanctissimae virginis; Laetabundus exsultet; In Wolfgangi canamus

424–425 Statuit ei Dominus Vs. Misericordias Domini Anon. Anonymous
Appears on: 424–425
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Statuit] ei Dominus
426–429 Missa Petite camusette: Kyrie - Anonymous
Appears on: 426–429
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [ex Missa Petite camusette]
General Note

Noblitt Nr 112

430–433 Resurrexi et adhuc Vs. Domine probasti me. Anon. Anonymous
Appears on: 430–433
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Resurrexi,] et adhunc tecum sum
432–435 Kyrie eleison Anon. Anonymous

Kyrie eleison

Anonymous
Appears on: 432–435
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
436–437 [Laudate Dominum] Quoniam confirmata est Anon. Anonymous
Appears on: 436–437
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Q]uoniam confirmata est [= Laudate Dominum]
438–439 Alleluia. Laetamini in Domino Anon. Anonymous
Appears on: 438–439
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Alleluia.] Laetamini in Domino
440–441 [O lux, beata Trinitas] Te mane laudum Anon. Anonymous
Appears on: 440–441
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Te mane laudum [= O lux, beata Trinitas]
General Note

RISM 1542: 58

442–443 [Veni creator, spiritus] Accende lumen Anon. Anonymous
Appears on: 442–443
Genres: Hymn, Veni creator spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Accende lumen [= Veni creator, spiritus]
444–445 [Festum nunc celebre] Oramus, Domine, conditor Anon. Anonymous
Appears on: 444–445
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Oramus, Domine, conditor [=Festum nunc celebre]
446–451 Gaudeat omnis turba caelicum Deum Anon. Anonymous
Appears on: 446–451
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gaudeat omnis turba caelicum Deum
452–453 Laus, honor sit et gloria Anon. Anonymous
Appears on: 452–453
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Laus, honor sit et gloria
452–453 Missa Sine nomine: Kyrie Anon. Anonymous
Appears on: 452–453
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa [Sine nomine] (K-G-C)
458–459 Missa Sine nomine: Gloria - Anonymous
Appears on: 458–459
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Sine nomine] Gloria
460–463 Missa Sine nomine. Patrem omnipotentem [Credo] - Anonymous
Appears on: 460–463
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa [Sine nomine] Credo
General Note

Et resurrexit 3 v. (without text)

464–465 [Quem terra, pontus] Quod Eva tristis - Anonymous
Appears on: 464–465
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Quod Eva tristis [= Quem terra, pontus]
466–467 [A solis ortus cardine] Beatus auctor Anon. Anonymous
Appears on: 466–467
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Beatus auctor [= A solis ortus]
468–469 [A solis ortus cardine] Domus pudici Anon. Anonymous
Appears on: 468–469
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domus pudici [= A solis ortus]
470–471 Ibant magi quam = Hostis Herodes impie - Anonymous
Appears on: 470–471
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Ibant magi [= Hostis Herodes]
472–473 Katherinae collaudemus Vs. Fulta fide Katherina - Anonymous
Appears on: 472–473
Genres: Hymn
Concordances

also at pp.416-417. Text here: Ave mirae sanctitatis Vs. Semel tantum

474–475 Ave mirae sanctitatis [= Velut aurum] Anon. Anonymous
Appears on: 474–475
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Italian
Voice Text: Semel tantum [= Ave mirae sanctitatis]
476–477 [Gaude visceribus] Felix multiplici - Anonymous
Appears on: 476–477
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Felix multiplici [= Gaude visceribus]
478–479 [Magne pater Augustine] Amatorem paupertatis Anon. Anonymous
Appears on: 478–479
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Amatorem paupertatis [= Magne pater Augustine]
480–481 [Quem terra, pontus] Cui luna, sol et omnia Anon. Anonymous
Appears on: 480–481
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Cui luna, sol et omnia [= Quem terra, pontus]
482–483 [Quem terra pontus] Benedicta caeli nuntio - Anonymous
Appears on: 482–483
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta celi nuntio
484–485 [Urbs beata Jerusalem] Nova veniens e caelo Anon. Anonymous
Appears on: 484–485
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Nova veniens e caelo [= Urbs beata Jerusalem]
486–487 [Lucis huius festa] Mater matris Christi Anon. Anonymous
Appears on: 486–487
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Mater matris Christi [= Lucis huius festa]
488–489 [Adsunt fest jubilea] Cuius sacrata viscera Anon. Anonymous
Appears on: 488–489
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gressum cepit, Dum concepit [= In Mariam Vitae viam]
General Note

same music as the setting at pp.214-215; text here "[In Mariam vitae viam] Gressum cepit, dum concepit"

490–491 [Ut queant laxis] Nuntius celso Anon. Anonymous
Appears on: 490–491
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Nuntius celso [= Ut queant laxis]
492–493 [Urbs beata Jerusalem] Nova veniens e caelo Anon. Anonymous
Appears on: 492–493
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Nova veniens e caelo [= Urbs beata Jerusalem]
496–497 [Urbs beata Jerusalem] Nova veniens e caelo Anon. Anonymous
Appears on: 496–497
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Nova veniens e caelo [= Urbs beata Jerusalem]
498–499 [Iste confessor Domini] Qui pius, prudens Anon. Anonymous
Appears on: 498–499
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Qui pius, prudens [= Iste confessor Domini]
500–501 [Omnes superni ordines] Primum virtutes ignee, 2 Tu pater assis Anon.
Appears on: 500–501
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Primum virtutes igneae [=Omnes superni ordines]
502–503 [Martine, confessor Dei] Qui pace Christi, 2nd text: [O Dei sapientia] Sumpsisti formam hominis Anon. Anonymous
Appears on: 502–503
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Qui pace Christi [= Martine, confessor Dei], Sumpsisti formam hominis [= O Dei sapientia]
504–505 [Assunt festa jubilaea] Cuius sacrata viscera Anon. Anonymous
Appears on: 504–505
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: In cuius nunc praeconia [= Novum sidus emicuit], Cuius sacrata viscera [=Assunt festa jubilaea]
General Note

De Sancta Elysabet, with main text: [Novum sidus emicuit] In cuius nunc praeconia (2nd text Cuius sacrata viscera also underlaid)

506–507 [Gratuletur ecclesia] Ista pro Christo Anon. Anonymous
Appears on: 506–507
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ista pro Christo [= Gratuletur ecclesia]
General Note

De S.Barbara

508–509 Annue Christe Anon. Anonymous

Annue Christe

Anonymous
Appears on: 508–509
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Annue, Christe
General Note

De Sancto Thoma

510–511 [Veni redemptor gentium] Non ex virili, 2nd text: Procedens de thalamo Anon. Anonymous
Appears on: 510–511
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Non ex virili semine [= Veni, redemptor gentium]
512–513 [Quod chorus vatum] Haec Deum caeli, 2nd text: Tu libens votis Anon. Anonymous
Appears on: 512–513
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Haec Deum caeli [= Quod chorus vatum]
General Note

In festo purificationis dei genitricis

514–515 Hostis Herodes impie Anon. Anonymous
Appears on: 514–515
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Tu gloriose bajule [= Joseph stirpis Davidicae]
General Note

De S.Joseph

Concordances

text here: "(Jospeh stirpis Davidicae) Tu gloriose bajule"; in Munich 3154 & Stuttgart 24, "(Hostis Herodes impie) Ibant magi quam "

516–517 [Vita sanctorum] Tu tuo laetos - Anonymous
Appears on: 516–517
Genres: Hymn
518–519 Conscendit jubilans = Festum nunc celebre Anon. Anonymous
Appears on: 518–519
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Conscendit jubilans [= Festum nunc celebre]
520–521 Qui paraclitus diceris = Veni creator, spiritus Anon. Anonymous
Appears on: 520–521
Genres: Veni creator spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Qui paraclitus diceris [= Veni creator, spiritus]
Composer Compositions
Agricola, Alexander (ca. 1445–1506)
Anonymous
Brumel, Antoine (ca. 1460–ca. 1513)
Compère, Loyset (ca. 1445–1518)
Despres, Josquin (ca. 1450–1521)
Isaac, Heinrich (ca. 1450–1517)
Notens, Johannes
Reuber, W.
Senfl, Ludwig (ca. 1486–ca. 1543)
Composition Composers (? Uncertain) Folios / Pages
[A solis ortus cardine] Beatus auctor Anonymous 466–467
[A solis ortus cardine] Domus pudici Anonymous 468–469
[Ad laudes salvatoris] Sentiant hunc diem Anonymous 350–353
[Adsunt fest jubilea] Cuius sacrata viscera Anonymous 214–215
[Adsunt fest jubilea] Cuius sacrata viscera Anonymous 488–489
[Assunt festa jubilaea] Confestim montes Anonymous 288–289
[Assunt festa jubilaea] Cuius sacrata viscera Anonymous 504–505
[Audi filia] Vultum tuum deprecabuntur Anonymous 344–347
[Benedicta semper sancta sit Trinitas] Pater, filius Anonymous 326–329
[Congaudent angelorum] Quae sine virili Anonymous 356–361
[Credo] Et in unum Dominum Anonymous 298–299
[Credo] Et in unum Dominum Anonymous 300–301
[Festum nunc celebre] Conscendit jubilans Anonymous 218–219
[Festum nunc celebre] Oramus, Domine, conditor Anonymous 444–445
[fragment] - i
[Gaude visceribus] Cuius magnifica Anonymous 216–217
[Gaude visceribus] Felix multiplici Anonymous 290–291
[Gaude visceribus] Felix multiplici Anonymous 476–477
[Gloria] Laudamus te Anonymous 108–111
[Gloria] Laudamus te Anonymous 156–159
[Gloria] Laudamus te benedicimus te Anonymous 292–293
[Gloria] Laudamus te benedicimus te Anonymous 304–305
[Gratuletur ecclesia] Ista pro Christo Anonymous 506–507
[Iste confessor Domini] Qui pius, prudens Anonymous 498–499
[Laudate Dominum] Quoniam confirmata est Anonymous 436–437
[Lucis huius festa] Mater matris Christi Anonymous 486–487
[Magne pater Augustine] Amatorem paupertatis Anonymous 478–479
[Martine, confessor Dei] Qui pace Christi, 2nd text: [O Dei sapientia] Sumpsisti formam hominis Anonymous 502–503
[O lux, beata Trinitas] Te mane laudum Anonymous 440–441
[Omnes superni ordines] Primum virtutes ignee, 2 Tu pater assis 500–501
[Quem terra pontus] Benedicta caeli nuntio Anonymous 482–483
[Quem terra, pontus] Cui luna, sol et omnia Anonymous 480–481
[Quem terra, pontus] Quod Eva tristis Anonymous 464–465
[Quod chorus vatum] Haec Deum caeli, 2nd text: Tu libens votis Anonymous 512–513
[Salve regina] Vita, dulcedo Anonymous 386–389
[Sancte Dei pontifex] Sanctus ab infantia Anonymous 330–333
[Urbs beata Jerusalem] Nova veniens e caelo Anonymous 484–485
[Urbs beata Jerusalem] Nova veniens e caelo Anonymous 492–493
[Urbs beata Jerusalem] Nova veniens e caelo Anonymous 496–497
[Ut queant laxis] Nuntius celso Anonymous 490–491
[Veni creator, spiritus] Accende lumen Anonymous 442–443
[Veni redemptor gentium] Non ex virili, 2nd text: Procedens de thalamo Anonymous 510–511
[Victimae paschali laudes] Agnus redemit oves Anonymous 168–171
[Victimae paschali] Agnus redemit oves Anonymous 284–285
[Vita sanctorum] Tu tuo laetos Anonymous 516–517
Agnus Dei Anonymous 118–119
Agnus Dei Anonymous 164–165
Agnus Dei Anonymous 236–237
Agnus Dei Anonymous 258–259
Agnus Dei 412–413
Alleluia Anonymous 408–409
Alleluia. Anna tuo celebrem Anonymous 340–341
Alleluia. Assumpta est Maria Anonymous 136–137
Alleluia. Assumpta est Maria Anonymous 362–363
Alleluia. Benedictus es Domine Deus Anonymous 324–325
Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis Anonymous 404–405
Alleluia. Dies sanctificatus illuxit nobis - Alleluia. Hic est discipulus Anonymous 348–349
Alleluia. Laetamini in Domino Anonymous 438–439
Alleluia. O beata Roche Anonymous 246–247
Alleluia. Pascha nostrum immolatus est Anonymous 166–167
Alleluia. Prophetae sancti praedicaverunt Anonymous 334–335
Alleluia. Qui creavit omnia caelum Anonymous 418–419
Alleluia. Specie tua et pulchritudine tua Anonymous 413–415
Alleluia. Subveni mater pia Anonymous 74–75
Alleluia. Surrexit pastor bonus Anonymous 144–145
Alleluia. Tumba Sancti Nicolai [Proprium de S. Nicolao] Anonymous 330–331
Alleluia. Vox exultationis et salutis Anonymous 82–83
Alleluia. Vox exultationis et salutis Anonymous 316
Annue Christe Anonymous 508–509
Ave mirae sanctitatis [= Velut aurum] Anonymous 474–475
Benedicta sit sancta Trinitas Anonymous 1
Benedicta sit sancta trinitas Vs. Benedicamus Patrem Anonymous 140–141
Benedictie Deum caeli, et coram omnibus Anonymous 354–355
Cibavit eos Vs. Exsultate Deo Anonymous 402–403
Conscendit jubilans = Festum nunc celebre Anonymous 518–519
Diffusa est gratia in labiis tuis Anonymous 118–119
Dilexisti iusticiam et odisti iniquitatem Vs: Eructavit cor meum Dico ego opera Anonymous 12
Domus mea domus orationis vocabitur Anonymous 84–85
Domus mea. Domus orationis Anonymous 112–113
Ecce advenit Vs. Deus judicium tuum (4vv) Anonymous 31–33
Etenim sederunt principes Vs. Beati immaculati Anonymous 23–25
Exclamaverunt Ad te Domine in tempore Vs: Exultate justi Rectos decet collaudacio Anonymous 142–143
Factus est repente de caelo sonus advenientis spiritus Anonymous 314–315
Gaudeamus omnes in Domino Anonymous 13
Gaudeamus omnes Vs. Eructavit cor meum Anonymous 8–9
Gaudeamus omnes Vs. Eructavit cor meum Anonymous 86–89
Gaudeat omnis turba caelicum Deum Anonymous 446–451
Generosi Abrahae Anonymous 74–79
Gratias agimus tibi Anonymous 240–243
Haec domus aulae Anonymous 82–85
Hostis Herodes impie Anonymous 514–515
Ibant magi quam = Hostis Herodes impie Anonymous 470–471
In medio Ecclesiae Vs. Bonum est confiteri Anonymous 26–27
Katherinae collaudemus Vs. Fulta fide Katherina Anonymous 414–417
Katherinae collaudemus Vs. Fulta fide Katherina Anonymous 472–473
Kyrie 'De confessoribus' Anonymous 238–241
Kyrie eleison Anonymous 42–44
Kyrie eleison Anonymous 152–155
Kyrie eleison Anonymous 172–173
Kyrie eleison Anonymous 432–435
Kyrie fons bonitatis, Kyrie virginitatis amator Anonymous 106–109
Laus, honor sit et gloria Anonymous 452–453
Magnificat octavi toni: Et exultavit [K.402] Anonymous 396–401
Magnificat octavi toni: Et exultavit [K.409] Anonymous 364–373
Magnificat primi toni: Et exultavit [K.556] 222–233
Magnificat quarti toni: Et exultavit [K.632] 186–195
Magnificat Sexti Toni: Et exultavit spiritus meus [K.322] Anonymous 174–185
Magnificat Sexti Toni: Et exultavit spiritus meus [K.323] Anonymous 196–201
Magnificat Sexti Toni: Et exultavit spiritus meus [K.324] Anonymous 374–385
Magnificat Sexti Toni: Et exultavit spiritus meus [K.325] Anonymous 390–395
Mihi autem nimis Vs. Domine probasti me Anonymous 17–19
Missa Ave Maria gratia plena: Agnus Dei Anonymous 102–103
Missa Ave Maria gratia plena: Gloria Anonymous 94–97
Missa Ave Maria gratia plena: Kyrie Anonymous 90–93
Missa Ave Maria gratia plena: Patrem omnipotentem [Credo] Anonymous 98–99
Missa Ave Maria gratia plena: Sanctus Anonymous 100–103
Missa Bergerette Savoyenne: Et in terra pax [Gloria] 64–72
Missa Bergerette Savoyenne: Kyrie 60–63
Missa De tous biens plaine: Agnus Dei 56–59
Missa De tous biens plaine: Et in terra pax [Gloria] 48–49
Missa De tous biens plaine: Kyrie 45–47
Missa De tous biens plaine: Patrem omnipotentem [Credo] 50–53
Missa De tous biens plaine: Sanctus 52–55
Missa L'homme armé 6.1: Credo 130–135
Missa L'homme armé 6.1: Gloria 124–127
Missa L'homme armé 6.1: Kyrie 120–123
Missa Petite camusette: Kyrie Anonymous 426–429
Missa Sine nomine. Credo 294–297
Missa Sine nomine. Patrem omnipotentem [Credo] Anonymous 460–463
Missa Sine nomine: Gloria Anonymous 276–279
Missa Sine nomine: Gloria Anonymous 458–459
Missa Sine nomine: Kyrie Anonymous 270–275
Missa Sine nomine: Kyrie Anonymous 452–453
Missa Sine nomine: Patrem omnipotentem [Credo] Anonymous 280–283
Missa Une musque de Biscaye: Gloria 208–213
Missa Une musque de Biscaye: Kyrie 202–209
Missa: Gloria [Gratias agimus tibi] Anonymous 264–267
Missa: Kyrie solemne Anonymous 260–263
Mittit ad virginem -Vs. Fortem expediat Anonymous 336–339
Nunc scio vere quia misit Vs. Domine probasti me Anonymous 310–313
Nunc te Roche Anonymous 258–259
Os justi meditabitur Vs. Noli emulari Anonymous 38–39
Protexisti me Deus Vs. Exaudi Deus orationem mean Anonymous 40–43
Psallat ecclesia, mater illibata Anonymous 318–323
Puer natus est Vs. Cantate Domino Anonymous 20–22
Quae sine virili commixtione (= Congaudent angelorum, Sentiat hunc diem = Ad laudes salvatoris) Anonymous 136–139
Qui paraclitus diceris = Veni creator, spiritus Anonymous 520–521
Qui totum subdit = Summae Trinitati repetitio Anonymous 146–147
Quotienscumque manducabitis panem Anonymous 406–407
Responsum accepit Simeon Anonymous 80–81
Resurrexi et adhuc Vs. Domine probasti me. Anonymous 148–151
Resurrexi et adhuc Vs. Domine probasti me. Anonymous 430–433
Rochi patris ob honorem Anonymous 248–255
Rorate caeli desuper Vs.Caeli enarrant gloriam Dei Anonymous 14–16
Salve Roche pater Anonymous 244–245
Salve sancta parens Vs. Sentiant omnes Anonymous 268–269
Sanctissimae virginis 418–423
Sanctus Anonymous 116–117
Sanctus Anonymous 234–237
Sanctus Anonymous 256–257
Sanctus 410–413
Sanctus - Agnus Dei Anonymous 160–163
Sanctus - Agnus Dei Anonymous 286–287
Spiritus Domini Vs. Confirma hoc Anonymous 308–309
Squameus herbifera Anonymous 340–343
Statuit ei Dominus Vs. Misericordias Domini Anonymous 4–6
Statuit ei Dominus Vs. Misericordias Domini Anonymous 424–425
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anonymous 34–37
Suscepimus Deus Vs. Magnus Dominus In civitate Dei Anonymous 72–73
Terribilis est locus iste Vs. Quam dilecta tabernacula tua Anonymous 2–3
Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula Concupiscit 10–11
Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei Anonymous 220–221
Viri Galilaei Vs. Omnes gentes Anonymous 302–303
Viri Galilaei Vs. Omnes gentes plaudite. Anonymous 306–307
Vultum tuum deprecabuntur Vs. Eructavit cor meum Anonymous 28–30

denotes primary source study

Kindermann, Jürgen (editor). 2010. Annaberger Chorbuch II: Sächsische Landesbibliothek Mus. 1-D-506 (Ms. 1126).  Breitkopf & Härtel. Notes: transcriptions; contents list; discussion.

Kindermann, Jürgen. 1978. Die doppelten und mehrfachen Textierungen in den Annaberger Chorbüchern. Festschrift Georg von Dadelsen, 179-88. Neuhausen nr. Stuttgart. Notes: contents list (partial); mention of MS; discussion.

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert.  Leipzig. Pages: 23-8; Abb. 16-7. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I,xiii-xiv,29-30,51,69; II1,41-2,186,200 [erroneously referred to as "Annaberg 1248"]. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270 [incorrectly referred to as MS 1248] An edition by Jürgen Kindermann is in preparation as Vols. 72-3 of EDMR. Notes: contents list (partial).

Kindermann, Jürgen. 1974. Verzeichnis von Konkordanzen zu Kompositionen aus den Annaberger Chorbüchern Ms. 1126 and Ms. 1248. Die Musikforschung, 86-92. Notes: contents list.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 233-41. Notes: physical description (partial); contents list; concordances (partial).

Noblitt, Thomas L. 1973. Manuscript Mus. l/D/505 of the Sächsische Landesbibliothek Dresden (olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1248). Archiv für Musikwissenschaft, 275-310. Pages: 275-7. Notes: mention of MS.

Cavanaugh, Philip Stephen. 1972. A Liturgico-Musical Study of German Polyphonic Mass Propers, 1490-1520. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: [incorrectly referred to as MS 1248]. Notes: contents list (partial); concordances (partial); transcriptions (partial); incipits (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 122ff. Notes: mention of MS.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xvi [incorrectly referred to as MS 1248]. Notes: mention of MS.

Noblitt, Thomas L. 1969. Das Chorbuch des Nikolaus Leopold (München, Staatsbibliothek, Mus. Ms. 3154): Repertorium. Archiv für Musikwissenschaft, 169-208. Notes: concordances (partial).

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 150ff [incorrectly referred to as MS 1248]. Notes: contents list (partial); concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 119. Notes: concordances (partial); incipits (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents.  American Institute of Musicology. Pages: 32, passim. Notes: contents list (partial); concordances (partial).

Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1-19. Notes: concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, viii, 20-7. Notes: concordances (partial); transcription (partial).

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, 37-43. Notes: transcription (partial).

Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia.  Amsterdam. Pages: I, fasc. 6, xxvi [incorrectly referred to as MS 1248]. Notes: mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: I, 489-91. Notes: mention of MS.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV, ix, 77. Notes: physical description (partial); facsimile (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description