D-Dl Ms Mus. 1/D/506 (Annaberger Chorbuch II)

Sächsische Landesbibliothek, Dresden, Germany

manuscript of polyphony: c. 1530

Archive	Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark	Ms Mus. 1/D/506 (Annaberger Chorbuch II)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Pagination
Measurements	408 x 289 mm
Other Identifiers	CCM: DresSL 1/D/506 olim (Former shelfmark): ANNABERG. Bibliothek der St. Annenkirche. D-ABG 1126
Notations	black void mensural
Copyists	scribal concordance [96] Music
Relationships	St. Annenkirche (owner)
External Links	images
External Authorities	RISM Online (sources/211006898)
Provenance	Wittenberg, Bavaria, Germany
Contents	175 pieces from 9 composers

General Description

Copied by several scribes, one of whom also wrote BudOS 22, BudOS 23, DresSL l/D/3, DresSL l/D/4, ZwiR 81/2, ZwiR 106/5, and portions of ZwiR 100/4 (SteudeUM). Probably copied in Wittenberg or vicinity; later taken to Annaberg and used at Church of St. Anne (SteudeUM).

DIAMM, 2017

Physical Description

At least two folios now missing (preceding p. 1 and following p. 12)

DIAMM, 2017

Binding

Brown leather covers, restored.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

1510-30 (MGG); ca. 1530 (SteudeMS).

DIAMM, 2017

Foliation

Modern pagination through 521; also a more recent partial renumbering.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses, 10 Kyries, 7 Glorias, 3 Credos, 6 Sanctus, 7 Agnus, 73 Mass Proper sections, 8 Magnificats, 38 hymns, 4 motets, 1 textless piece = 162

(A. Agricola)-1, (A. Agricola/Brumel)-1, (Brumel)-2, (Compère)-1, (Compère/Josquin)-1, (Isaac)-1 + 2?, (Notens)-1, (Raber)-1, anon-151

261 paper folios, 408 x 289, plus 1 unnumbered fragment preceding f. 1. At least two folios now missing (preceding p. 1 and following p. 12). Modern pagination through 521; also a more recent partial renumbering. Brown leather covers, restored.

1510-30 (MGG); ca. 1530 (SteudeMS). Copied for the St. Annenkirche in Annaberg. Brought to Dresden in 1968.

Vol. 4

Composers: Change "(Isaac)-1 + 2?" to "(Isaac)-2 + 2?"; change "anon-151" to "anon-150."

Physical: Copied by several scribes, one of whom also wrote BudOS 22, BudOS 23, DresSL l/D/3, DresSL l/D/4, ZwiR 81/2, ZwiR 106/5, and portions of ZwiR 100/4 (SteudeUM).

Provenance: Probably copied in Wittenberg or vicinity; later taken to Annaberg and used at Church of St. Anne (SteudeUM).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
i	[fragment]	-	-
[fragment] - Appears on: i Voice: [no designation] Languages: insufficient Voice Text: fragment - music lost, apparently not original General Note fragment - music lost, apparently not original
1	Benedicta sit sancta Trinitas	Anon.	Anonymous
Benedicta sit sancta Trinitas Anonymous Appears on: 1 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Benedicta] sit sancta Trinitas General Note incomplete: T&B only
2–3	Terribilis est locus iste Vs. Quam dilecta tabernacula tua	Anon.	Anonymous
Terribilis est locus iste Vs. Quam dilecta tabernacula tua Anonymous Appears on: 2–3 Genres: Introit, Proper Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Terribilis est] locus iste
4–6	Statuit ei Dominus Vs. Misericordias Domini	Anon.	Anonymous
Statuit ei Dominus Vs. Misericordias Domini Anonymous Appears on: 4–6 Genres: Introit, Proper Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Statuit] ei Dominus
8–9	Gaudeamus omnes Vs. Eructavit cor meum	-	Anonymous
Gaudeamus omnes Vs. Eructavit cor meum Anonymous Appears on: 8–9 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: [Gaudeamus omnes]...
10–11	Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula Concupiscit	[W. Reuber]	Reuber, W.
Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula Concupiscit Reuber, W. Appears on: 10–11 Genres: Motet Source Attribution: [W. Reuber] Voice: [no designation] Languages: Latin Voice Text: [Terribilis est] locus iste
12	Dilexisti iusticiam et odisti iniquitatem Vs: Eructavit cor meum Dico ego opera	Anon.	Anonymous
Dilexisti iusticiam et odisti iniquitatem Vs: Eructavit cor meum Dico ego opera Anonymous Appears on: 12 Genres: Introit Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Dilexisti] justitiam
13	Gaudeamus omnes in Domino	-	Anonymous
Gaudeamus omnes in Domino Anonymous Appears on: 13 Genres: Introit, Proper
14–16	Rorate caeli desuper Vs.Caeli enarrant gloriam Dei	Anon.	Anonymous
Rorate caeli desuper Vs.Caeli enarrant gloriam Dei Anonymous Appears on: 14–16 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Rorate caeli desuper
17–19	Mihi autem nimis Vs. Domine probasti me	-	Anonymous
Mihi autem nimis Vs. Domine probasti me Anonymous Appears on: 17–19 Genres: Hymn
20–22	Puer natus est Vs. Cantate Domino	Anon.	Anonymous
Puer natus est Vs. Cantate Domino Anonymous Appears on: 20–22 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Puer natus est nobis,] et filius
23–25	Etenim sederunt principes Vs. Beati immaculati	-	Anonymous
Etenim sederunt principes Vs. Beati immaculati Anonymous Appears on: 23–25 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Beati immaculati..... Qui ambulant
26–27	In medio Ecclesiae Vs. Bonum est confiteri	Anon.	Anonymous
In medio Ecclesiae Vs. Bonum est confiteri Anonymous Appears on: 26–27 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [In medio Ecclesiae] aperuit
28–30	Vultum tuum deprecabuntur Vs. Eructavit cor meum	Anon.	Anonymous
Vultum tuum deprecabuntur Vs. Eructavit cor meum Anonymous Appears on: 28–30 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Vultum tuum] deprecabuntur
31–33	Ecce advenit Vs. Deus judicium tuum (4vv)	-	Anonymous
Ecce advenit Vs. Deus judicium tuum (4vv) Anonymous Appears on: 31–33 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Deus iudicium tuum ... Et iusticiam - Ecce advenit dominator
34–37	Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri	Anon.	Anonymous
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anonymous Appears on: 34–37 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Suscepimus, Deus, misericordiam
38–39	Os justi meditabitur Vs. Noli emulari	Anon.	Anonymous
Os justi meditabitur Vs. Noli emulari Anonymous Appears on: 38–39 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Os justi] meditabitur
40–43	Protexisti me Deus Vs. Exaudi Deus orationem mean	Anon.	Anonymous
Protexisti me Deus Vs. Exaudi Deus orationem mean Anonymous Appears on: 40–43 Genres: Introit Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Protexisti me] Deus a conventu General Note Bk 111:8
42–44	Kyrie eleison	Anon.	Anonymous
Kyrie eleison Anonymous Appears on: 42–44 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
45–47	Missa De tous biens plaine: Kyrie	-	Compère, Loyset (ca. 1445–1518) (?) Notens, Johannes (?)
Missa De tous biens plaine: Kyrie Compère, Loyset (ca. 1445–1518) (?) Notens, Johannes (?) Appears on: 45–47 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Gloria
48–49	Missa De tous biens plaine: Et in terra pax [Gloria]	-	Notens, Johannes (?) Compère, Loyset (ca. 1445–1518) (?)
Missa De tous biens plaine: Et in terra pax [Gloria] Notens, Johannes (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 48–49 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Credo
50–53	Missa De tous biens plaine: Patrem omnipotentem [Credo]	-	Compère, Loyset (ca. 1445–1518) (?) Notens, Johannes (?)
Missa De tous biens plaine: Patrem omnipotentem [Credo] Compère, Loyset (ca. 1445–1518) (?) Notens, Johannes (?) Appears on: 50–53 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus
52–55	Missa De tous biens plaine: Sanctus	-	Notens, Johannes (?) Compère, Loyset (ca. 1445–1518) (?)
Missa De tous biens plaine: Sanctus Notens, Johannes (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 52–55 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa] Agnus dei
56–59	Missa De tous biens plaine: Agnus Dei	[Joh. Notens]	Compère, Loyset (ca. 1445–1518) (?) Notens, Johannes (?)
Missa De tous biens plaine: Agnus Dei Compère, Loyset (ca. 1445–1518) (?) Notens, Johannes (?) Appears on: 56–59 Genres: Agnus Dei, Mass Ordinary Source Attribution: [Joh. Notens] Voice: [no designation] Languages: Latin Voice Text: Missa [De tous biens playne] Concordances Confiteor section of Credo has different Tenor from concordant versions (freely composed, rather than carrying a complete cantus firmus statement) Agnus has 3 sections: version in Cividale LIX has only 2. Agnus I is same in both, but Cividale's Agnus II is different from both Agnus II & III in Dresden.
60–63	Missa Bergerette Savoyenne: Kyrie	[Brumel]	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Bergerette Savoyenne: Kyrie Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 60–63 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Brumel] Voice: [no designation] Languages: Latin Voice Text: Missa [Bergerette Savoyenne]
64–72	Missa Bergerette Savoyenne: Et in terra pax [Gloria]	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Bergerette Savoyenne: Et in terra pax [Gloria] Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 64–72 Genres: Gloria (et in terra pax), Mass Ordinary
72–73	Suscepimus Deus Vs. Magnus Dominus In civitate Dei	Anon.	Anonymous
Suscepimus Deus Vs. Magnus Dominus In civitate Dei Anonymous Appears on: 72–73 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Suscepimus,] Deus, misericordiam
74–75	Alleluia. Subveni mater pia	Anon.	Anonymous
Alleluia. Subveni mater pia Anonymous Appears on: 74–75 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Subveni mater pia General Note 2. Text: Alleluia, Post partum virgo
74–79	Generosi Abrahae	Anon.	Anonymous
Generosi Abrahae Anonymous Appears on: 74–79 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [G]enerosi Abrahae
80–81	Responsum accepit Simeon	Anon.	Anonymous
Responsum accepit Simeon Anonymous Appears on: 80–81 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Responsum accepit Simeon]
82–83	Alleluia. Vox exultationis et salutis	Anon.	Anonymous
Alleluia. Vox exultationis et salutis Anonymous Appears on: 82–83 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Vox exsultationis
82–85	Haec domus aulae	Anon.	Anonymous
Haec domus aulae Anonymous Appears on: 82–85 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Haec domus aulae
84–85	Domus mea domus orationis vocabitur	Anon.	Anonymous
Domus mea domus orationis vocabitur Anonymous Appears on: 84–85 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Domus mea,] domus orationis
86–89	Gaudeamus omnes Vs. Eructavit cor meum	-	Anonymous
Gaudeamus omnes Vs. Eructavit cor meum Anonymous Appears on: 86–89 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Eructavit cor meum General Note 2. Text: Exultate iusti3. Text: Exultata est sancta dei mater4. Text: Sentiant omnes
90–93	Missa Ave Maria gratia plena: Kyrie	Anon.	Anonymous
Missa Ave Maria gratia plena: Kyrie Anonymous Appears on: 90–93 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Missa [Ave Maria gratia plena] General Note parody mass based on Josquin's motet
94–97	Missa Ave Maria gratia plena: Gloria	-	Anonymous
Missa Ave Maria gratia plena: Gloria Anonymous Appears on: 94–97 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Gloria
98–99	Missa Ave Maria gratia plena: Patrem omnipotentem [Credo]	-	Anonymous
Missa Ave Maria gratia plena: Patrem omnipotentem [Credo] Anonymous Appears on: 98–99 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Credo General Note only the text as far as 'Et homo factus est' is set
100–103	Missa Ave Maria gratia plena: Sanctus	-	Anonymous
Missa Ave Maria gratia plena: Sanctus Anonymous Appears on: 100–103 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: [Missa] Sanctus
102–103	Missa Ave Maria gratia plena: Agnus Dei	-	Anonymous
Missa Ave Maria gratia plena: Agnus Dei Anonymous Appears on: 102–103 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Agnus dei
106–109	Kyrie fons bonitatis, Kyrie virginitatis amator	Anon.	Anonymous
Kyrie fons bonitatis, Kyrie virginitatis amator Anonymous Appears on: 106–109 Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie fons bonitatis, Kyrie virginitatis amator General Note 2. Text des Kyrie: Kyrie virginitatis amator
108–111	[Gloria] Laudamus te	-	Anonymous
[Gloria] Laudamus te Anonymous Appears on: 108–111 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa] Gloria. Laudamus te
112–113	Domus mea. Domus orationis	Anon.	Anonymous
Domus mea. Domus orationis Anonymous Appears on: 112–113 Genres: Communion, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laudamus te
116–117	Sanctus	Anon.	Anonymous
Sanctus Anonymous Appears on: 116–117 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note zu 112:30?
118–119	Agnus Dei	Anon.	Anonymous
Agnus Dei Anonymous Appears on: 118–119 Genres: Agnus Dei, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Agnus Dei
118–119	Diffusa est gratia in labiis tuis	Anon.	Anonymous
Diffusa est gratia in labiis tuis Anonymous Appears on: 118–119 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Diffusa est gratia] in labiis
120–123	Missa L'homme armé 6.1: Kyrie	[Compère/Josquin]	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)
Missa L'homme armé 6.1: Kyrie Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518) Appears on: 120–123 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Compère/Josquin] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa [L'homme armé] (K-G-C) 6.1
124–127	Missa L'homme armé 6.1: Gloria	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Gloria Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 124–127 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa super L'homme armé] Et in terra pax
130–135	Missa L'homme armé 6.1: Credo	-	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)
Missa L'homme armé 6.1: Credo Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518) Appears on: 130–135 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Missa super L'homme armé] Credo
136–137	Alleluia. Assumpta est Maria	Anon.	Anonymous
Alleluia. Assumpta est Maria Anonymous Appears on: 136–137 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Assumpta est Maria
136–139	Quae sine virili commixtione (= Congaudent angelorum, Sentiat hunc diem = Ad laudes salvatoris)	Anon.	Anonymous
Quae sine virili commixtione (= Congaudent angelorum, Sentiat hunc diem = Ad laudes salvatoris) Anonymous Appears on: 136–139 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Quae sine virili commixtione [= Congaudent angelorum], Sentiat hunc diem [= Ad laudes salvatoris] General Note Quae sine virili commixtione = Congaudent angelorum, Sentiat hunc diem = Ad laudes salvatoris. Concordances Another setting, apparently not concordant, is at f. 356ff
140–141	Benedicta sit sancta trinitas Vs. Benedicamus Patrem	Anon.	Anonymous
Benedicta sit sancta trinitas Vs. Benedicamus Patrem Anonymous Appears on: 140–141 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [B]enedicta sit sancta Trinitas
142–143	Exclamaverunt Ad te Domine in tempore Vs: Exultate justi Rectos decet collaudacio	Anon.	Anonymous
Exclamaverunt Ad te Domine in tempore Vs: Exultate justi Rectos decet collaudacio Anonymous Appears on: 142–143 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Exclamaverunt] ad te
144–145	Alleluia. Surrexit pastor bonus	Anon.	Anonymous
Alleluia. Surrexit pastor bonus Anonymous Appears on: 144–145 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Alleluia.] Surrexit pastor bonus
146–147	Qui totum subdit = Summae Trinitati repetitio	Anon.	Anonymous
Qui totum subdit = Summae Trinitati repetitio Anonymous Appears on: 146–147 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Qui totum subdit [= Summae Trinitati repetitio]
148–151	Resurrexi et adhuc Vs. Domine probasti me.	Anon.	Anonymous
Resurrexi et adhuc Vs. Domine probasti me. Anonymous Appears on: 148–151 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Resurrexi,] et adhunc tecum sum
152–155	Kyrie eleison	Anon.	Anonymous
Kyrie eleison Anonymous Appears on: 152–155 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
156–159	[Gloria] Laudamus te	Anon.	Anonymous
[Gloria] Laudamus te Anonymous Appears on: 156–159 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laudamus te
160–163	Sanctus - Agnus Dei	Anon.	Anonymous
Sanctus - Agnus Dei Anonymous Appears on: 160–163 Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sanctus. Agnus dei General Note text of Agnus Dei later underlaid beneath Benedictus
164–165	Agnus Dei	Anon.	Anonymous
Agnus Dei Anonymous Appears on: 164–165 Genres: Agnus Dei, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Agnus Dei
166–167	Alleluia. Pascha nostrum immolatus est	Anon.	Anonymous
Alleluia. Pascha nostrum immolatus est Anonymous Appears on: 166–167 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Pascha nostrum
168–171	[Victimae paschali laudes] Agnus redemit oves	Anon.	Anonymous
[Victimae paschali laudes] Agnus redemit oves Anonymous Appears on: 168–171 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Agnus redemit oves [= Victimae paschali laudes]
172–173	Kyrie eleison	Anon.	Anonymous
Kyrie eleison Anonymous Appears on: 172–173 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
174–185	Magnificat Sexti Toni: Et exultavit spiritus meus [K.322]	Anon.	Anonymous
Magnificat Sexti Toni: Et exultavit spiritus meus [K.322] Anonymous Appears on: 174–185 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Et exsultavit [= Magnificat sexti toni] General Note Kirsch, S. 119,239
186–195	Magnificat quarti toni: Et exultavit [K.632]	[A. Agricola/Brumel]	Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Alexander (ca. 1445–1506) (?)
Magnificat quarti toni: Et exultavit [K.632] Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 186–195 Genres: BVM, Canticle, Magnificat Source Attribution: [A. Agricola/Brumel] Voice: [no designation] Languages: Latin Voice Text: Et exsultavit [= Magnificat quarti toni] General Note Kirsch, S. 119,291
196–201	Magnificat Sexti Toni: Et exultavit spiritus meus [K.323]	Anon.	Anonymous
Magnificat Sexti Toni: Et exultavit spiritus meus [K.323] Anonymous Appears on: 196–201 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Et exsultavit [= Magnificat sexti toni] General Note Kirsch, S. 119,239
202–209	Missa Une musque de Biscaye: Kyrie	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Une musque de Biscaye: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 202–209 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Missa [Une mousse de Biscaye] General Note Christe I designated "quatuor puerorum"; Christe 3 "quatuor sociorum"
208–213	Missa Une musque de Biscaye: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Une musque de Biscaye: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 208–213 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa [Une mousse de Biscaye] Gloria General Note Et in terra designated "quatuor puerorum"
214–215	[Adsunt fest jubilea] Cuius sacrata viscera	-	Anonymous
[Adsunt fest jubilea] Cuius sacrata viscera Anonymous Appears on: 214–215 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Cuius sacrata viscrea [= Assunt festa jubilaea]
216–217	[Gaude visceribus] Cuius magnifica	-	Anonymous
[Gaude visceribus] Cuius magnifica Anonymous Appears on: 216–217 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Sanctis obtineas General Note 2. Text: Cuius magnifica est
218–219	[Festum nunc celebre] Conscendit jubilans	-	Anonymous
[Festum nunc celebre] Conscendit jubilans Anonymous Appears on: 218–219 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Presta hoc genitor General Note 2. Text: Conscendit iubilans
220–221	Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei	-	Anonymous
Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei Anonymous Appears on: 220–221 Genres: Veni creator spiritus Voice: [no designation] Languages: Latin Voice Text: Per te sciamus General Note 2. Text: Qui paraclitus diceris
222–233	Magnificat primi toni: Et exultavit [K.556]	[A. Agricola]	Agricola, Alexander (ca. 1445–1506)
Magnificat primi toni: Et exultavit [K.556] Agricola, Alexander (ca. 1445–1506) Appears on: 222–233 Genres: BVM, Canticle, Magnificat Source Attribution: [A. Agricola] Voice: [no designation] Languages: Latin Voice Text: Et exsultavit [= Magnificat primi toni] General Note Kirsch, S. 119,275
234–237	Sanctus	Anon.	Anonymous
Sanctus Anonymous Appears on: 234–237 Genres: Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sanctus
236–237	Agnus Dei	Anon.	Anonymous
Agnus Dei Anonymous Appears on: 236–237 Genres: Agnus Dei, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Agnus Dei
238–241	Kyrie 'De confessoribus'	Anon.	Anonymous
Kyrie 'De confessoribus' Anonymous Appears on: 238–241 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
240–243	Gratias agimus tibi	Anon.	Anonymous
Gratias agimus tibi Anonymous Appears on: 240–243 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: G[ratias agimus tibi] General Note Gloria zu 112:53?
244–245	Salve Roche pater	Anon.	Anonymous
Salve Roche pater Anonymous Appears on: 244–245 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Salve] Roche pater
246–247	Alleluia. O beata Roche	Anon.	Anonymous
Alleluia. O beata Roche Anonymous Appears on: 246–247 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Alleluia.] O beata Roche
248–255	Rochi patris ob honorem	Anon.	Anonymous
Rochi patris ob honorem Anonymous Appears on: 248–255 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Rochi patris ob honorem
256–257	Sanctus	Anon.	Anonymous
Sanctus Anonymous Appears on: 256–257 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sanctus
258–259	Agnus Dei	Anon.	Anonymous
Agnus Dei Anonymous Appears on: 258–259 Genres: Agnus Dei, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Agnus Dei
258–259	Nunc te Roche	-	Anonymous
Nunc te Roche Anonymous Appears on: 258–259 Genres: Communion, Motet
260–263	Missa: Kyrie solemne	Anon.	Anonymous
Missa: Kyrie solemne Anonymous Appears on: 260–263 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
264–267	Missa: Gloria [Gratias agimus tibi]	Anon.	Anonymous
Missa: Gloria [Gratias agimus tibi] Anonymous Appears on: 264–267 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Gratias agimus tibi
268–269	Salve sancta parens Vs. Sentiant omnes	Anon.	Anonymous
Salve sancta parens Vs. Sentiant omnes Anonymous Appears on: 268–269 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Salve] sancta Parens, [Stabant] juxta crucem General Note 2. Text: [Stabant] juxta crucem
270–275	Missa Sine nomine: Kyrie	Anon.	Anonymous
Missa Sine nomine: Kyrie Anonymous Appears on: 270–275 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Missa [Sine nomine] (K-G-C)
276–279	Missa Sine nomine: Gloria	-	Anonymous
Missa Sine nomine: Gloria Anonymous Appears on: 276–279 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa [Sine nomine] Gloria
280–283	Missa Sine nomine: Patrem omnipotentem [Credo]	-	Anonymous
Missa Sine nomine: Patrem omnipotentem [Credo] Anonymous Appears on: 280–283 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa [Sine nomine] Credo
284–285	[Victimae paschali] Agnus redemit oves	Anon.	Anonymous
[Victimae paschali] Agnus redemit oves Anonymous Appears on: 284–285 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Agnus redemit oves
286–287	Sanctus - Agnus Dei	Anon.	Anonymous
Sanctus - Agnus Dei Anonymous Appears on: 286–287 Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Santus, Agnus Dei General Note 2. Text des Benedictus: Agnus Dei
288–289	[Assunt festa jubilaea] Confestim montes	-	Anonymous
[Assunt festa jubilaea] Confestim montes Anonymous Appears on: 288–289 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Confestim montes [= Assunt festa jubilaea]
290–291	[Gaude visceribus] Felix multiplici	-	Anonymous
[Gaude visceribus] Felix multiplici Anonymous Appears on: 290–291 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Felix multiplici [= Gaude visceribus]
292–293	[Gloria] Laudamus te benedicimus te	Anon.	Anonymous
[Gloria] Laudamus te benedicimus te Anonymous Appears on: 292–293 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laudamus te General Note first section of Gloria: remainder ("Qui tollis...") at ff. 304-305
294–297	Missa Sine nomine. Credo	[Compère]	Compère, Loyset (ca. 1445–1518)
Missa Sine nomine. Credo Compère, Loyset (ca. 1445–1518) Appears on: 294–297 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [Compère] Voice: [no designation] Languages: Latin Voice Text: Patrem
298–299	[Credo] Et in unum Dominum	Anon.	Anonymous
[Credo] Et in unum Dominum Anonymous Appears on: 298–299 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Et in unum Dominum
300–301	[Credo] Et in unum Dominum	Anon.	Anonymous
[Credo] Et in unum Dominum Anonymous Appears on: 300–301 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Et in unum Dominum
302–303	Viri Galilaei Vs. Omnes gentes	-	Anonymous
Viri Galilaei Vs. Omnes gentes Anonymous Appears on: 302–303 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Omnes gentes plaudite..... Jubilate deo
304–305	[Gloria] Laudamus te benedicimus te	Anon.	Anonymous
[Gloria] Laudamus te benedicimus te Anonymous Appears on: 304–305 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Qui tollis peccata mundi General Note second section of Gloria ("Qui tollis..."); firsts ection at ff. 292-293
306–307	Viri Galilaei Vs. Omnes gentes plaudite.	-	Anonymous
Viri Galilaei Vs. Omnes gentes plaudite. Anonymous Appears on: 306–307 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Omnes gentes plaudite..... Jubilate deo
308–309	Spiritus Domini Vs. Confirma hoc	Anon.	Anonymous
Spiritus Domini Vs. Confirma hoc Anonymous Appears on: 308–309 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Spiritus Domini] replevit orbem
310–313	Nunc scio vere quia misit Vs. Domine probasti me	Anon.	Anonymous
Nunc scio vere quia misit Vs. Domine probasti me Anonymous Appears on: 310–313 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Nunc scio vere,] quia misit
314–315	Factus est repente de caelo sonus advenientis spiritus	Anon.	Anonymous
Factus est repente de caelo sonus advenientis spiritus Anonymous Appears on: 314–315 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Factus est repente de caelo sonus] advenientis spiritus
316	Alleluia. Vox exultationis et salutis	-	Anonymous
Alleluia. Vox exultationis et salutis Anonymous Appears on: 316 Genres: Alleluia, Motet Voice: [no designation] Languages: Latin Voice Text: Alleluia, vox exultationis
318–323	Psallat ecclesia, mater illibata	Anon.	Anonymous
Psallat ecclesia, mater illibata Anonymous Appears on: 318–323 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Psallat ecclesia,] mater illibata
324–325	Alleluia. Benedictus es Domine Deus	Anon.	Anonymous
Alleluia. Benedictus es Domine Deus Anonymous Appears on: 324–325 Genres: Alleluia Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Benedictus es
326–329	[Benedicta semper sancta sit Trinitas] Pater, filius	-	Anonymous
[Benedicta semper sancta sit Trinitas] Pater, filius Anonymous Appears on: 326–329 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Pater, filius [= Benedicta semper sancta sit Trinitas]
330–331	Alleluia. Tumba Sancti Nicolai [Proprium de S. Nicolao]	Anon.	Anonymous
Alleluia. Tumba Sancti Nicolai [Proprium de S. Nicolao] Anonymous Appears on: 330–331 Genres: Alleluia, Proper Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Tumba sancti Nicolai
330–333	[Sancte Dei pontifex] Sanctus ab infantia	-	Anonymous
[Sancte Dei pontifex] Sanctus ab infantia Anonymous Appears on: 330–333 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Sanctic ab infantia [= Sante Dei pontifex]
334–335	Alleluia. Prophetae sancti praedicaverunt	Anon.	Anonymous
Alleluia. Prophetae sancti praedicaverunt Anonymous Appears on: 334–335 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Prophetae sancti
336–339	Mittit ad virginem -Vs. Fortem expediat	Anon.	Anonymous
Mittit ad virginem -Vs. Fortem expediat Anonymous Appears on: 336–339 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Fortem expediat [= Mittit ad virginem]
340–341	Alleluia. Anna tuo celebrem	Anon.	Anonymous
Alleluia. Anna tuo celebrem Anonymous Appears on: 340–341 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Anna tuo celebrem
340–343	Squameus herbifera	Anon.	Anonymous
Squameus herbifera Anonymous Appears on: 340–343 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Squameus herbifera
344–347	[Audi filia] Vultum tuum deprecabuntur	Anon.	Anonymous
[Audi filia] Vultum tuum deprecabuntur Anonymous Appears on: 344–347 Genres: Tract Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Vultum tuum deprecabuntur
348–349	Alleluia. Dies sanctificatus illuxit nobis - Alleluia. Hic est discipulus	Anon.	Anonymous
Alleluia. Dies sanctificatus illuxit nobis - Alleluia. Hic est discipulus Anonymous Appears on: 348–349 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Inveni David, Alleluia. Vidimus stellam, Alleluia. Dies sanctificatus General Note 2. Text: Vidimus stellam, Alleluia. 3. Text: Dies sanctificatus illuxit
350–353	[Ad laudes salvatoris] Sentiant hunc diem	Anon.	Anonymous
[Ad laudes salvatoris] Sentiant hunc diem Anonymous Appears on: 350–353 Genres: Sequence Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sentiant hunc diem [= Ad laudes salvatoris]
354–355	Benedictie Deum caeli, et coram omnibus	Anon.	Anonymous
Benedictie Deum caeli, et coram omnibus Anonymous Appears on: 354–355 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Benedictie Deum caeli,] et coram omnibus
356–361	[Congaudent angelorum] Quae sine virili	-	Anonymous
[Congaudent angelorum] Quae sine virili Anonymous Appears on: 356–361 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Quae sine virili commixtione [= Congaudent angelorum] Concordances Another setting, apparently not concordant, is at f. 136ff
362–363	Alleluia. Assumpta est Maria	Anon.	Anonymous
Alleluia. Assumpta est Maria Anonymous Appears on: 362–363 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Assumpta est Maria
364–373	Magnificat octavi toni: Et exultavit [K.409]	Anon.	Anonymous
Magnificat octavi toni: Et exultavit [K.409] Anonymous Appears on: 364–373 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Et exsultavit [= Magnificat octavi toni] General Note Kirsch, S.119,253
374–385	Magnificat Sexti Toni: Et exultavit spiritus meus [K.324]	-	Anonymous
Magnificat Sexti Toni: Et exultavit spiritus meus [K.324] Anonymous Appears on: 374–385 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exsultavit [= Magnificat sexti toni] General Note Kirsch, S.119,239
386–389	[Salve regina] Vita, dulcedo	Anon.	Anonymous
[Salve regina] Vita, dulcedo Anonymous Appears on: 386–389 Genres: Hymn, Salve Regina Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Vita, dulcedo [= Salve, Regina]
390–395	Magnificat Sexti Toni: Et exultavit spiritus meus [K.325]	Anon.	Anonymous
Magnificat Sexti Toni: Et exultavit spiritus meus [K.325] Anonymous Appears on: 390–395 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Et exsultavit [= Magnificat sexti toni] General Note Kirsch, S.119,240
396–401	Magnificat octavi toni: Et exultavit [K.402]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.402] Anonymous Appears on: 396–401 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: Et exsultavit [= Magnificat octavi toni] General Note Kirsch, S.119,252
402–403	Cibavit eos Vs. Exsultate Deo	Anon.	Anonymous
Cibavit eos Vs. Exsultate Deo Anonymous Appears on: 402–403 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Cibavit eos] ex adipe frumenti
404–405	Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis	Anon.	Anonymous
Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis Anonymous Appears on: 404–405 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis General Note 2.Text: Alleluia, Nativitas gloriosae virginis
406–407	Quotienscumque manducabitis panem	Anon.	Anonymous
Quotienscumque manducabitis panem Anonymous Appears on: 406–407 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Quotienscumque manducabitis panem
408–409	Alleluia	Anon.	Anonymous
Alleluia Anonymous Appears on: 408–409 Genres: Alleluia Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia
410–413	Sanctus	[Isaac?]	Isaac, Heinrich (ca. 1450–1517) (?)
Sanctus Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 410–413 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [Isaac?] Voice: [no designation] Languages: Latin Voice Text: Sanctus
412–413	Agnus Dei	[Isaac?]	Isaac, Heinrich (ca. 1450–1517) (?)
Agnus Dei Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 412–413 Genres: Agnus Dei, Mass Ordinary Source Attribution: [Isaac?] Voice: [no designation] Languages: Latin Voice Text: Agnus Dei
413–415	Alleluia. Specie tua et pulchritudine tua	Anon.	Anonymous
Alleluia. Specie tua et pulchritudine tua Anonymous Appears on: 413–415 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Specie tua
414–417	Katherinae collaudemus Vs. Fulta fide Katherina	Anon.	Anonymous
Katherinae collaudemus Vs. Fulta fide Katherina Anonymous Appears on: 414–417 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Fulta fide Katherina [= Katherinae collaudemus] General Note 2.Text: Huius ergo concionis Concordances music re-used in hymn setting at pp. 472-473 for St Nicolas
418–419	Alleluia. Qui creavit omnia caelum	Anon.	Anonymous
Alleluia. Qui creavit omnia caelum Anonymous Appears on: 418–419 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Qui creavit omnia
418–423	Sanctissimae virginis	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Sanctissimae virginis Isaac, Heinrich (ca. 1450–1517) Appears on: 418–423 Genres: Sequence Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Venerantes hanc diem [= Sanctissimae virginis], Regem regum [= Laetabundus exsultet], Dignus pati [= In Wolgangi Canamus] General Note 6 verses, 3 texts underlaid to all 6 verses: Sanctissimae virginis; Laetabundus exsultet; In Wolfgangi canamus
424–425	Statuit ei Dominus Vs. Misericordias Domini	Anon.	Anonymous
Statuit ei Dominus Vs. Misericordias Domini Anonymous Appears on: 424–425 Genres: Introit Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Statuit] ei Dominus
426–429	Missa Petite camusette: Kyrie	-	Anonymous
Missa Petite camusette: Kyrie Anonymous Appears on: 426–429 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie [ex Missa Petite camusette] General Note Noblitt Nr 112
430–433	Resurrexi et adhuc Vs. Domine probasti me.	Anon.	Anonymous
Resurrexi et adhuc Vs. Domine probasti me. Anonymous Appears on: 430–433 Genres: Introit Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Resurrexi,] et adhunc tecum sum
432–435	Kyrie eleison	Anon.	Anonymous
Kyrie eleison Anonymous Appears on: 432–435 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
436–437	[Laudate Dominum] Quoniam confirmata est	Anon.	Anonymous
[Laudate Dominum] Quoniam confirmata est Anonymous Appears on: 436–437 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Q]uoniam confirmata est [= Laudate Dominum]
438–439	Alleluia. Laetamini in Domino	Anon.	Anonymous
Alleluia. Laetamini in Domino Anonymous Appears on: 438–439 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Alleluia.] Laetamini in Domino
440–441	[O lux, beata Trinitas] Te mane laudum	Anon.	Anonymous
[O lux, beata Trinitas] Te mane laudum Anonymous Appears on: 440–441 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Te mane laudum [= O lux, beata Trinitas] General Note RISM 1542: 58
442–443	[Veni creator, spiritus] Accende lumen	Anon.	Anonymous
[Veni creator, spiritus] Accende lumen Anonymous Appears on: 442–443 Genres: Hymn, Veni creator spiritus Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Accende lumen [= Veni creator, spiritus]
444–445	[Festum nunc celebre] Oramus, Domine, conditor	Anon.	Anonymous
[Festum nunc celebre] Oramus, Domine, conditor Anonymous Appears on: 444–445 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Oramus, Domine, conditor [=Festum nunc celebre]
446–451	Gaudeat omnis turba caelicum Deum	Anon.	Anonymous
Gaudeat omnis turba caelicum Deum Anonymous Appears on: 446–451 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Gaudeat omnis turba caelicum Deum
452–453	Laus, honor sit et gloria	Anon.	Anonymous
Laus, honor sit et gloria Anonymous Appears on: 452–453 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laus, honor sit et gloria
452–453	Missa Sine nomine: Kyrie	Anon.	Anonymous
Missa Sine nomine: Kyrie Anonymous Appears on: 452–453 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Missa [Sine nomine] (K-G-C)
458–459	Missa Sine nomine: Gloria	-	Anonymous
Missa Sine nomine: Gloria Anonymous Appears on: 458–459 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa [Sine nomine] Gloria
460–463	Missa Sine nomine. Patrem omnipotentem [Credo]	-	Anonymous
Missa Sine nomine. Patrem omnipotentem [Credo] Anonymous Appears on: 460–463 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Missa [Sine nomine] Credo General Note Et resurrexit 3 v. (without text)
464–465	[Quem terra, pontus] Quod Eva tristis	-	Anonymous
[Quem terra, pontus] Quod Eva tristis Anonymous Appears on: 464–465 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Quod Eva tristis [= Quem terra, pontus]
466–467	[A solis ortus cardine] Beatus auctor	Anon.	Anonymous
[A solis ortus cardine] Beatus auctor Anonymous Appears on: 466–467 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Beatus auctor [= A solis ortus]
468–469	[A solis ortus cardine] Domus pudici	Anon.	Anonymous
[A solis ortus cardine] Domus pudici Anonymous Appears on: 468–469 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Domus pudici [= A solis ortus]
470–471	Ibant magi quam = Hostis Herodes impie	-	Anonymous
Ibant magi quam = Hostis Herodes impie Anonymous Appears on: 470–471 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Ibant magi [= Hostis Herodes]
472–473	Katherinae collaudemus Vs. Fulta fide Katherina	-	Anonymous
Katherinae collaudemus Vs. Fulta fide Katherina Anonymous Appears on: 472–473 Genres: Hymn Concordances also at pp.416-417. Text here: Ave mirae sanctitatis Vs. Semel tantum
474–475	Ave mirae sanctitatis [= Velut aurum]	Anon.	Anonymous
Ave mirae sanctitatis [= Velut aurum] Anonymous Appears on: 474–475 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Semel tantum [= Ave mirae sanctitatis]
476–477	[Gaude visceribus] Felix multiplici	-	Anonymous
[Gaude visceribus] Felix multiplici Anonymous Appears on: 476–477 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Felix multiplici [= Gaude visceribus]
478–479	[Magne pater Augustine] Amatorem paupertatis	Anon.	Anonymous
[Magne pater Augustine] Amatorem paupertatis Anonymous Appears on: 478–479 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Amatorem paupertatis [= Magne pater Augustine]
480–481	[Quem terra, pontus] Cui luna, sol et omnia	Anon.	Anonymous
[Quem terra, pontus] Cui luna, sol et omnia Anonymous Appears on: 480–481 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Cui luna, sol et omnia [= Quem terra, pontus]
482–483	[Quem terra pontus] Benedicta caeli nuntio	-	Anonymous
[Quem terra pontus] Benedicta caeli nuntio Anonymous Appears on: 482–483 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Benedicta celi nuntio
484–485	[Urbs beata Jerusalem] Nova veniens e caelo	Anon.	Anonymous
[Urbs beata Jerusalem] Nova veniens e caelo Anonymous Appears on: 484–485 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Nova veniens e caelo [= Urbs beata Jerusalem]
486–487	[Lucis huius festa] Mater matris Christi	Anon.	Anonymous
[Lucis huius festa] Mater matris Christi Anonymous Appears on: 486–487 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Mater matris Christi [= Lucis huius festa]
488–489	[Adsunt fest jubilea] Cuius sacrata viscera	Anon.	Anonymous
[Adsunt fest jubilea] Cuius sacrata viscera Anonymous Appears on: 488–489 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Gressum cepit, Dum concepit [= In Mariam Vitae viam] General Note same music as the setting at pp.214-215; text here "[In Mariam vitae viam] Gressum cepit, dum concepit"
490–491	[Ut queant laxis] Nuntius celso	Anon.	Anonymous
[Ut queant laxis] Nuntius celso Anonymous Appears on: 490–491 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Nuntius celso [= Ut queant laxis]
492–493	[Urbs beata Jerusalem] Nova veniens e caelo	Anon.	Anonymous
[Urbs beata Jerusalem] Nova veniens e caelo Anonymous Appears on: 492–493 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Nova veniens e caelo [= Urbs beata Jerusalem]
496–497	[Urbs beata Jerusalem] Nova veniens e caelo	Anon.	Anonymous
[Urbs beata Jerusalem] Nova veniens e caelo Anonymous Appears on: 496–497 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Nova veniens e caelo [= Urbs beata Jerusalem]
498–499	[Iste confessor Domini] Qui pius, prudens	Anon.	Anonymous
[Iste confessor Domini] Qui pius, prudens Anonymous Appears on: 498–499 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Qui pius, prudens [= Iste confessor Domini]
500–501	[Omnes superni ordines] Primum virtutes ignee, 2 Tu pater assis	Anon.	Senfl, Ludwig (ca. 1486–ca. 1543)
[Omnes superni ordines] Primum virtutes ignee, 2 Tu pater assis Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 500–501 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Primum virtutes igneae [=Omnes superni ordines]
502–503	[Martine, confessor Dei] Qui pace Christi, 2nd text: [O Dei sapientia] Sumpsisti formam hominis	Anon.	Anonymous
[Martine, confessor Dei] Qui pace Christi, 2nd text: [O Dei sapientia] Sumpsisti formam hominis Anonymous Appears on: 502–503 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Qui pace Christi [= Martine, confessor Dei], Sumpsisti formam hominis [= O Dei sapientia]
504–505	[Assunt festa jubilaea] Cuius sacrata viscera	Anon.	Anonymous
[Assunt festa jubilaea] Cuius sacrata viscera Anonymous Appears on: 504–505 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: In cuius nunc praeconia [= Novum sidus emicuit], Cuius sacrata viscera [=Assunt festa jubilaea] General Note De Sancta Elysabet, with main text: [Novum sidus emicuit] In cuius nunc praeconia (2nd text Cuius sacrata viscera also underlaid)
506–507	[Gratuletur ecclesia] Ista pro Christo	Anon.	Anonymous
[Gratuletur ecclesia] Ista pro Christo Anonymous Appears on: 506–507 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ista pro Christo [= Gratuletur ecclesia] General Note De S.Barbara
508–509	Annue Christe	Anon.	Anonymous
Annue Christe Anonymous Appears on: 508–509 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Annue, Christe General Note De Sancto Thoma
510–511	[Veni redemptor gentium] Non ex virili, 2nd text: Procedens de thalamo	Anon.	Anonymous
[Veni redemptor gentium] Non ex virili, 2nd text: Procedens de thalamo Anonymous Appears on: 510–511 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Non ex virili semine [= Veni, redemptor gentium]
512–513	[Quod chorus vatum] Haec Deum caeli, 2nd text: Tu libens votis	Anon.	Anonymous
[Quod chorus vatum] Haec Deum caeli, 2nd text: Tu libens votis Anonymous Appears on: 512–513 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Haec Deum caeli [= Quod chorus vatum] General Note In festo purificationis dei genitricis
514–515	Hostis Herodes impie	Anon.	Anonymous
Hostis Herodes impie Anonymous Appears on: 514–515 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Tu gloriose bajule [= Joseph stirpis Davidicae] General Note De S.Joseph Concordances text here: "(Jospeh stirpis Davidicae) Tu gloriose bajule"; in Munich 3154 & Stuttgart 24, "(Hostis Herodes impie) Ibant magi quam "
516–517	[Vita sanctorum] Tu tuo laetos	-	Anonymous
[Vita sanctorum] Tu tuo laetos Anonymous Appears on: 516–517 Genres: Hymn
518–519	Conscendit jubilans = Festum nunc celebre	Anon.	Anonymous
Conscendit jubilans = Festum nunc celebre Anonymous Appears on: 518–519 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Conscendit jubilans [= Festum nunc celebre]
520–521	Qui paraclitus diceris = Veni creator, spiritus	Anon.	Anonymous
Qui paraclitus diceris = Veni creator, spiritus Anonymous Appears on: 520–521 Genres: Veni creator spiritus Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Qui paraclitus diceris [= Veni creator, spiritus]

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Magnificat primi toni: Et exultavit [K.556] – 222–233 (?) Magnificat quarti toni: Et exultavit [K.632] – 186–195
Anonymous	Agnus Dei – 118–119 Agnus Dei – 258–259 Agnus Dei – 164–165 Agnus Dei – 236–237 Alleluia – 408–409 Alleluia. Anna tuo celebrem – 340–341 Alleluia. Assumpta est Maria – 136–137 Alleluia. Assumpta est Maria – 362–363 Alleluia. Benedictus es Domine Deus – 324–325 Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis – 404–405 Alleluia. Dies sanctificatus illuxit nobis - Alleluia. Hic est discipulus – 348–349 Alleluia. Laetamini in Domino – 438–439 Alleluia. O beata Roche – 246–247 Alleluia. Pascha nostrum immolatus est – 166–167 Alleluia. Prophetae sancti praedicaverunt – 334–335 Alleluia. Qui creavit omnia caelum – 418–419 Alleluia. Specie tua et pulchritudine tua – 413–415 Alleluia. Subveni mater pia – 74–75 Alleluia. Surrexit pastor bonus – 144–145 Alleluia. Tumba Sancti Nicolai [Proprium de S. Nicolao] – 330–331 Alleluia. Vox exultationis et salutis – 82–83 Alleluia. Vox exultationis et salutis – 316 Annue Christe – 508–509 Ave mirae sanctitatis [= Velut aurum] – 474–475 Benedicta sit sancta Trinitas – 1 Benedicta sit sancta trinitas Vs. Benedicamus Patrem – 140–141 Benedictie Deum caeli, et coram omnibus – 354–355 Cibavit eos Vs. Exsultate Deo – 402–403 Conscendit jubilans = Festum nunc celebre – 518–519 Diffusa est gratia in labiis tuis – 118–119 Dilexisti iusticiam et odisti iniquitatem Vs: Eructavit cor meum Dico ego opera – 12 Domus mea domus orationis vocabitur – 84–85 Domus mea. Domus orationis – 112–113 Ecce advenit Vs. Deus judicium tuum (4vv) – 31–33 Etenim sederunt principes Vs. Beati immaculati – 23–25 Exclamaverunt Ad te Domine in tempore Vs: Exultate justi Rectos decet collaudacio – 142–143 Factus est repente de caelo sonus advenientis spiritus – 314–315 Gaudeamus omnes Vs. Eructavit cor meum – 86–89 Gaudeamus omnes Vs. Eructavit cor meum – 8–9 Gaudeamus omnes in Domino – 13 Gaudeat omnis turba caelicum Deum – 446–451 Generosi Abrahae – 74–79 Gratias agimus tibi – 240–243 Haec domus aulae – 82–85 Hostis Herodes impie – 514–515 Ibant magi quam = Hostis Herodes impie – 470–471 In medio Ecclesiae Vs. Bonum est confiteri – 26–27 Katherinae collaudemus Vs. Fulta fide Katherina – 414–417 Katherinae collaudemus Vs. Fulta fide Katherina – 472–473 Kyrie 'De confessoribus' – 238–241 Kyrie eleison – 172–173 Kyrie eleison – 42–44 Kyrie eleison – 432–435 Kyrie eleison – 152–155 Kyrie fons bonitatis, Kyrie virginitatis amator – 106–109 Laus, honor sit et gloria – 452–453 Magnificat Sexti Toni: Et exultavit spiritus meus [K.322] – 174–185 Magnificat Sexti Toni: Et exultavit spiritus meus [K.323] – 196–201 Magnificat Sexti Toni: Et exultavit spiritus meus [K.324] – 374–385 Magnificat Sexti Toni: Et exultavit spiritus meus [K.325] – 390–395 Magnificat octavi toni: Et exultavit [K.402] – 396–401 Magnificat octavi toni: Et exultavit [K.409] – 364–373 Mihi autem nimis Vs. Domine probasti me – 17–19 Missa Ave Maria gratia plena: Agnus Dei – 102–103 Missa Ave Maria gratia plena: Gloria – 94–97 Missa Ave Maria gratia plena: Kyrie – 90–93 Missa Ave Maria gratia plena: Patrem omnipotentem [Credo] – 98–99 Missa Ave Maria gratia plena: Sanctus – 100–103 Missa Petite camusette: Kyrie – 426–429 Missa Sine nomine. Patrem omnipotentem [Credo] – 460–463 Missa Sine nomine: Gloria – 458–459 Missa Sine nomine: Gloria – 276–279 Missa Sine nomine: Kyrie – 452–453 Missa Sine nomine: Kyrie – 270–275 Missa Sine nomine: Patrem omnipotentem [Credo] – 280–283 Missa: Gloria [Gratias agimus tibi] – 264–267 Missa: Kyrie solemne – 260–263 Mittit ad virginem -Vs. Fortem expediat – 336–339 Nunc scio vere quia misit Vs. Domine probasti me – 310–313 Nunc te Roche – 258–259 Os justi meditabitur Vs. Noli emulari – 38–39 Protexisti me Deus Vs. Exaudi Deus orationem mean – 40–43 Psallat ecclesia, mater illibata – 318–323 Puer natus est Vs. Cantate Domino – 20–22 Quae sine virili commixtione (= Congaudent angelorum, Sentiat hunc diem = Ad laudes salvatoris) – 136–139 Qui paraclitus diceris = Veni creator, spiritus – 520–521 Qui totum subdit = Summae Trinitati repetitio – 146–147 Quotienscumque manducabitis panem – 406–407 Responsum accepit Simeon – 80–81 Resurrexi et adhuc Vs. Domine probasti me. – 430–433 Resurrexi et adhuc Vs. Domine probasti me. – 148–151 Rochi patris ob honorem – 248–255 Rorate caeli desuper Vs.Caeli enarrant gloriam Dei – 14–16 Salve Roche pater – 244–245 Salve sancta parens Vs. Sentiant omnes – 268–269 Sanctus – 256–257 Sanctus – 116–117 Sanctus – 234–237 Sanctus - Agnus Dei – 286–287 Sanctus - Agnus Dei – 160–163 Spiritus Domini Vs. Confirma hoc – 308–309 Squameus herbifera – 340–343 Statuit ei Dominus Vs. Misericordias Domini – 4–6 Statuit ei Dominus Vs. Misericordias Domini – 424–425 Suscepimus Deus Vs. Magnus Dominus In civitate Dei – 72–73 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri – 34–37 Terribilis est locus iste Vs. Quam dilecta tabernacula tua – 2–3 Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei – 220–221 Viri Galilaei Vs. Omnes gentes – 302–303 Viri Galilaei Vs. Omnes gentes plaudite. – 306–307 Vultum tuum deprecabuntur Vs. Eructavit cor meum – 28–30 [A solis ortus cardine] Beatus auctor – 466–467 [A solis ortus cardine] Domus pudici – 468–469 [Ad laudes salvatoris] Sentiant hunc diem – 350–353 [Adsunt fest jubilea] Cuius sacrata viscera – 214–215 [Adsunt fest jubilea] Cuius sacrata viscera – 488–489 [Assunt festa jubilaea] Confestim montes – 288–289 [Assunt festa jubilaea] Cuius sacrata viscera – 504–505 [Audi filia] Vultum tuum deprecabuntur – 344–347 [Benedicta semper sancta sit Trinitas] Pater, filius – 326–329 [Congaudent angelorum] Quae sine virili – 356–361 [Credo] Et in unum Dominum – 298–299 [Credo] Et in unum Dominum – 300–301 [Festum nunc celebre] Conscendit jubilans – 218–219 [Festum nunc celebre] Oramus, Domine, conditor – 444–445 [Gaude visceribus] Cuius magnifica – 216–217 [Gaude visceribus] Felix multiplici – 476–477 [Gaude visceribus] Felix multiplici – 290–291 [Gloria] Laudamus te – 156–159 [Gloria] Laudamus te – 108–111 [Gloria] Laudamus te benedicimus te – 304–305 [Gloria] Laudamus te benedicimus te – 292–293 [Gratuletur ecclesia] Ista pro Christo – 506–507 [Iste confessor Domini] Qui pius, prudens – 498–499 [Laudate Dominum] Quoniam confirmata est – 436–437 [Lucis huius festa] Mater matris Christi – 486–487 [Magne pater Augustine] Amatorem paupertatis – 478–479 [Martine, confessor Dei] Qui pace Christi, 2nd text: [O Dei sapientia] Sumpsisti formam hominis – 502–503 [O lux, beata Trinitas] Te mane laudum – 440–441 [Quem terra pontus] Benedicta caeli nuntio – 482–483 [Quem terra, pontus] Cui luna, sol et omnia – 480–481 [Quem terra, pontus] Quod Eva tristis – 464–465 [Quod chorus vatum] Haec Deum caeli, 2nd text: Tu libens votis – 512–513 [Salve regina] Vita, dulcedo – 386–389 [Sancte Dei pontifex] Sanctus ab infantia – 330–333 [Urbs beata Jerusalem] Nova veniens e caelo – 484–485 [Urbs beata Jerusalem] Nova veniens e caelo – 492–493 [Urbs beata Jerusalem] Nova veniens e caelo – 496–497 [Ut queant laxis] Nuntius celso – 490–491 [Veni creator, spiritus] Accende lumen – 442–443 [Veni redemptor gentium] Non ex virili, 2nd text: Procedens de thalamo – 510–511 [Victimae paschali laudes] Agnus redemit oves – 168–171 [Victimae paschali] Agnus redemit oves – 284–285 [Vita sanctorum] Tu tuo laetos – 516–517 [fragment] – i
Brumel, Antoine (ca. 1460–ca. 1513)	(?) Magnificat quarti toni: Et exultavit [K.632] – 186–195 Missa Bergerette Savoyenne: Et in terra pax [Gloria] – 64–72 Missa Bergerette Savoyenne: Kyrie – 60–63
Compère, Loyset (ca. 1445–1518)	(?) Missa De tous biens plaine: Agnus Dei – 56–59 (?) Missa De tous biens plaine: Et in terra pax [Gloria] – 48–49 (?) Missa De tous biens plaine: Kyrie – 45–47 (?) Missa De tous biens plaine: Patrem omnipotentem [Credo] – 50–53 (?) Missa De tous biens plaine: Sanctus – 52–55 Missa L'homme armé 6.1: Credo – 130–135 Missa L'homme armé 6.1: Gloria – 124–127 Missa L'homme armé 6.1: Kyrie – 120–123 Missa Sine nomine. Credo – 294–297
Despres, Josquin (ca. 1450–1521)	(?) Missa L'homme armé 6.1: Credo – 130–135 (?) Missa L'homme armé 6.1: Gloria – 124–127 (?) Missa L'homme armé 6.1: Kyrie – 120–123
Isaac, Heinrich (ca. 1450–1517)	(?) Agnus Dei – 412–413 Missa Une musque de Biscaye: Gloria – 208–213 Missa Une musque de Biscaye: Kyrie – 202–209 Sanctissimae virginis – 418–423 (?) Sanctus – 410–413
Notens, Johannes	(?) Missa De tous biens plaine: Agnus Dei – 56–59 (?) Missa De tous biens plaine: Et in terra pax [Gloria] – 48–49 (?) Missa De tous biens plaine: Kyrie – 45–47 (?) Missa De tous biens plaine: Patrem omnipotentem [Credo] – 50–53 (?) Missa De tous biens plaine: Sanctus – 52–55
Reuber, W.	Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula Concupiscit – 10–11
Senfl, Ludwig (ca. 1486–ca. 1543)	[Omnes superni ordines] Primum virtutes ignee, 2 Tu pater assis – 500–501

Composition	Composers (? Uncertain)	Folios / Pages
[A solis ortus cardine] Beatus auctor	Anonymous	466–467
[A solis ortus cardine] Domus pudici	Anonymous	468–469
[Ad laudes salvatoris] Sentiant hunc diem	Anonymous	350–353
[Adsunt fest jubilea] Cuius sacrata viscera	Anonymous	214–215
[Adsunt fest jubilea] Cuius sacrata viscera	Anonymous	488–489
[Assunt festa jubilaea] Confestim montes	Anonymous	288–289
[Assunt festa jubilaea] Cuius sacrata viscera	Anonymous	504–505
[Audi filia] Vultum tuum deprecabuntur	Anonymous	344–347
[Benedicta semper sancta sit Trinitas] Pater, filius	Anonymous	326–329
[Congaudent angelorum] Quae sine virili	Anonymous	356–361
[Credo] Et in unum Dominum	Anonymous	298–299
[Credo] Et in unum Dominum	Anonymous	300–301
[Festum nunc celebre] Conscendit jubilans	Anonymous	218–219
[Festum nunc celebre] Oramus, Domine, conditor	Anonymous	444–445
[fragment]	-	i
[Gaude visceribus] Cuius magnifica	Anonymous	216–217
[Gaude visceribus] Felix multiplici	Anonymous	290–291
[Gaude visceribus] Felix multiplici	Anonymous	476–477
[Gloria] Laudamus te	Anonymous	108–111
[Gloria] Laudamus te	Anonymous	156–159
[Gloria] Laudamus te benedicimus te	Anonymous	292–293
[Gloria] Laudamus te benedicimus te	Anonymous	304–305
[Gratuletur ecclesia] Ista pro Christo	Anonymous	506–507
[Iste confessor Domini] Qui pius, prudens	Anonymous	498–499
[Laudate Dominum] Quoniam confirmata est	Anonymous	436–437
[Lucis huius festa] Mater matris Christi	Anonymous	486–487
[Magne pater Augustine] Amatorem paupertatis	Anonymous	478–479
[Martine, confessor Dei] Qui pace Christi, 2nd text: [O Dei sapientia] Sumpsisti formam hominis	Anonymous	502–503
[O lux, beata Trinitas] Te mane laudum	Anonymous	440–441
[Omnes superni ordines] Primum virtutes ignee, 2 Tu pater assis	Senfl, Ludwig (ca. 1486–ca. 1543)	500–501
[Quem terra pontus] Benedicta caeli nuntio	Anonymous	482–483
[Quem terra, pontus] Cui luna, sol et omnia	Anonymous	480–481
[Quem terra, pontus] Quod Eva tristis	Anonymous	464–465
[Quod chorus vatum] Haec Deum caeli, 2nd text: Tu libens votis	Anonymous	512–513
[Salve regina] Vita, dulcedo	Anonymous	386–389
[Sancte Dei pontifex] Sanctus ab infantia	Anonymous	330–333
[Urbs beata Jerusalem] Nova veniens e caelo	Anonymous	484–485
[Urbs beata Jerusalem] Nova veniens e caelo	Anonymous	492–493
[Urbs beata Jerusalem] Nova veniens e caelo	Anonymous	496–497
[Ut queant laxis] Nuntius celso	Anonymous	490–491
[Veni creator, spiritus] Accende lumen	Anonymous	442–443
[Veni redemptor gentium] Non ex virili, 2nd text: Procedens de thalamo	Anonymous	510–511
[Victimae paschali laudes] Agnus redemit oves	Anonymous	168–171
[Victimae paschali] Agnus redemit oves	Anonymous	284–285
[Vita sanctorum] Tu tuo laetos	Anonymous	516–517
Agnus Dei	Anonymous	118–119
Agnus Dei	Anonymous	164–165
Agnus Dei	Anonymous	236–237
Agnus Dei	Anonymous	258–259
Agnus Dei	Isaac, Heinrich (ca. 1450–1517) (?)	412–413
Alleluia	Anonymous	408–409
Alleluia. Anna tuo celebrem	Anonymous	340–341
Alleluia. Assumpta est Maria	Anonymous	136–137
Alleluia. Assumpta est Maria	Anonymous	362–363
Alleluia. Benedictus es Domine Deus	Anonymous	324–325
Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis	Anonymous	404–405
Alleluia. Dies sanctificatus illuxit nobis - Alleluia. Hic est discipulus	Anonymous	348–349
Alleluia. Laetamini in Domino	Anonymous	438–439
Alleluia. O beata Roche	Anonymous	246–247
Alleluia. Pascha nostrum immolatus est	Anonymous	166–167
Alleluia. Prophetae sancti praedicaverunt	Anonymous	334–335
Alleluia. Qui creavit omnia caelum	Anonymous	418–419
Alleluia. Specie tua et pulchritudine tua	Anonymous	413–415
Alleluia. Subveni mater pia	Anonymous	74–75
Alleluia. Surrexit pastor bonus	Anonymous	144–145
Alleluia. Tumba Sancti Nicolai [Proprium de S. Nicolao]	Anonymous	330–331
Alleluia. Vox exultationis et salutis	Anonymous	82–83
Alleluia. Vox exultationis et salutis	Anonymous	316
Annue Christe	Anonymous	508–509
Ave mirae sanctitatis [= Velut aurum]	Anonymous	474–475
Benedicta sit sancta Trinitas	Anonymous	1
Benedicta sit sancta trinitas Vs. Benedicamus Patrem	Anonymous	140–141
Benedictie Deum caeli, et coram omnibus	Anonymous	354–355
Cibavit eos Vs. Exsultate Deo	Anonymous	402–403
Conscendit jubilans = Festum nunc celebre	Anonymous	518–519
Diffusa est gratia in labiis tuis	Anonymous	118–119
Dilexisti iusticiam et odisti iniquitatem Vs: Eructavit cor meum Dico ego opera	Anonymous	12
Domus mea domus orationis vocabitur	Anonymous	84–85
Domus mea. Domus orationis	Anonymous	112–113
Ecce advenit Vs. Deus judicium tuum (4vv)	Anonymous	31–33
Etenim sederunt principes Vs. Beati immaculati	Anonymous	23–25
Exclamaverunt Ad te Domine in tempore Vs: Exultate justi Rectos decet collaudacio	Anonymous	142–143
Factus est repente de caelo sonus advenientis spiritus	Anonymous	314–315
Gaudeamus omnes in Domino	Anonymous	13
Gaudeamus omnes Vs. Eructavit cor meum	Anonymous	8–9
Gaudeamus omnes Vs. Eructavit cor meum	Anonymous	86–89
Gaudeat omnis turba caelicum Deum	Anonymous	446–451
Generosi Abrahae	Anonymous	74–79
Gratias agimus tibi	Anonymous	240–243
Haec domus aulae	Anonymous	82–85
Hostis Herodes impie	Anonymous	514–515
Ibant magi quam = Hostis Herodes impie	Anonymous	470–471
In medio Ecclesiae Vs. Bonum est confiteri	Anonymous	26–27
Katherinae collaudemus Vs. Fulta fide Katherina	Anonymous	414–417
Katherinae collaudemus Vs. Fulta fide Katherina	Anonymous	472–473
Kyrie 'De confessoribus'	Anonymous	238–241
Kyrie eleison	Anonymous	42–44
Kyrie eleison	Anonymous	152–155
Kyrie eleison	Anonymous	172–173
Kyrie eleison	Anonymous	432–435
Kyrie fons bonitatis, Kyrie virginitatis amator	Anonymous	106–109
Laus, honor sit et gloria	Anonymous	452–453
Magnificat octavi toni: Et exultavit [K.402]	Anonymous	396–401
Magnificat octavi toni: Et exultavit [K.409]	Anonymous	364–373
Magnificat primi toni: Et exultavit [K.556]	Agricola, Alexander (ca. 1445–1506)	222–233
Magnificat quarti toni: Et exultavit [K.632]	Brumel, Antoine (ca. 1460–ca. 1513) (?) Agricola, Alexander (ca. 1445–1506) (?)	186–195
Magnificat Sexti Toni: Et exultavit spiritus meus [K.322]	Anonymous	174–185
Magnificat Sexti Toni: Et exultavit spiritus meus [K.323]	Anonymous	196–201
Magnificat Sexti Toni: Et exultavit spiritus meus [K.324]	Anonymous	374–385
Magnificat Sexti Toni: Et exultavit spiritus meus [K.325]	Anonymous	390–395
Mihi autem nimis Vs. Domine probasti me	Anonymous	17–19
Missa Ave Maria gratia plena: Agnus Dei	Anonymous	102–103
Missa Ave Maria gratia plena: Gloria	Anonymous	94–97
Missa Ave Maria gratia plena: Kyrie	Anonymous	90–93
Missa Ave Maria gratia plena: Patrem omnipotentem [Credo]	Anonymous	98–99
Missa Ave Maria gratia plena: Sanctus	Anonymous	100–103
Missa Bergerette Savoyenne: Et in terra pax [Gloria]	Brumel, Antoine (ca. 1460–ca. 1513)	64–72
Missa Bergerette Savoyenne: Kyrie	Brumel, Antoine (ca. 1460–ca. 1513)	60–63
Missa De tous biens plaine: Agnus Dei	Compère, Loyset (ca. 1445–1518) (?) Notens, Johannes (?)	56–59
Missa De tous biens plaine: Et in terra pax [Gloria]	Notens, Johannes (?) Compère, Loyset (ca. 1445–1518) (?)	48–49
Missa De tous biens plaine: Kyrie	Compère, Loyset (ca. 1445–1518) (?) Notens, Johannes (?)	45–47
Missa De tous biens plaine: Patrem omnipotentem [Credo]	Compère, Loyset (ca. 1445–1518) (?) Notens, Johannes (?)	50–53
Missa De tous biens plaine: Sanctus	Notens, Johannes (?) Compère, Loyset (ca. 1445–1518) (?)	52–55
Missa L'homme armé 6.1: Credo	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)	130–135
Missa L'homme armé 6.1: Gloria	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	124–127
Missa L'homme armé 6.1: Kyrie	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)	120–123
Missa Petite camusette: Kyrie	Anonymous	426–429
Missa Sine nomine. Credo	Compère, Loyset (ca. 1445–1518)	294–297
Missa Sine nomine. Patrem omnipotentem [Credo]	Anonymous	460–463
Missa Sine nomine: Gloria	Anonymous	276–279
Missa Sine nomine: Gloria	Anonymous	458–459
Missa Sine nomine: Kyrie	Anonymous	270–275
Missa Sine nomine: Kyrie	Anonymous	452–453
Missa Sine nomine: Patrem omnipotentem [Credo]	Anonymous	280–283
Missa Une musque de Biscaye: Gloria	Isaac, Heinrich (ca. 1450–1517)	208–213
Missa Une musque de Biscaye: Kyrie	Isaac, Heinrich (ca. 1450–1517)	202–209
Missa: Gloria [Gratias agimus tibi]	Anonymous	264–267
Missa: Kyrie solemne	Anonymous	260–263
Mittit ad virginem -Vs. Fortem expediat	Anonymous	336–339
Nunc scio vere quia misit Vs. Domine probasti me	Anonymous	310–313
Nunc te Roche	Anonymous	258–259
Os justi meditabitur Vs. Noli emulari	Anonymous	38–39
Protexisti me Deus Vs. Exaudi Deus orationem mean	Anonymous	40–43
Psallat ecclesia, mater illibata	Anonymous	318–323
Puer natus est Vs. Cantate Domino	Anonymous	20–22
Quae sine virili commixtione (= Congaudent angelorum, Sentiat hunc diem = Ad laudes salvatoris)	Anonymous	136–139
Qui paraclitus diceris = Veni creator, spiritus	Anonymous	520–521
Qui totum subdit = Summae Trinitati repetitio	Anonymous	146–147
Quotienscumque manducabitis panem	Anonymous	406–407
Responsum accepit Simeon	Anonymous	80–81
Resurrexi et adhuc Vs. Domine probasti me.	Anonymous	148–151
Resurrexi et adhuc Vs. Domine probasti me.	Anonymous	430–433
Rochi patris ob honorem	Anonymous	248–255
Rorate caeli desuper Vs.Caeli enarrant gloriam Dei	Anonymous	14–16
Salve Roche pater	Anonymous	244–245
Salve sancta parens Vs. Sentiant omnes	Anonymous	268–269
Sanctissimae virginis	Isaac, Heinrich (ca. 1450–1517)	418–423
Sanctus	Anonymous	116–117
Sanctus	Anonymous	234–237
Sanctus	Anonymous	256–257
Sanctus	Isaac, Heinrich (ca. 1450–1517) (?)	410–413
Sanctus - Agnus Dei	Anonymous	160–163
Sanctus - Agnus Dei	Anonymous	286–287
Spiritus Domini Vs. Confirma hoc	Anonymous	308–309
Squameus herbifera	Anonymous	340–343
Statuit ei Dominus Vs. Misericordias Domini	Anonymous	4–6
Statuit ei Dominus Vs. Misericordias Domini	Anonymous	424–425
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri	Anonymous	34–37
Suscepimus Deus Vs. Magnus Dominus In civitate Dei	Anonymous	72–73
Terribilis est locus iste Vs. Quam dilecta tabernacula tua	Anonymous	2–3
Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula Concupiscit	Reuber, W.	10–11
Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei	Anonymous	220–221
Viri Galilaei Vs. Omnes gentes	Anonymous	302–303
Viri Galilaei Vs. Omnes gentes plaudite.	Anonymous	306–307
Vultum tuum deprecabuntur Vs. Eructavit cor meum	Anonymous	28–30

‡ denotes primary source study

Kindermann, Jürgen (editor). 2010. Annaberger Chorbuch II: Sächsische Landesbibliothek Mus. 1-D-506 (Ms. 1126). Breitkopf & Härtel. Notes: transcriptions; contents list; discussion.

Kindermann, Jürgen. 1978. Die doppelten und mehrfachen Textierungen in den Annaberger Chorbüchern. Festschrift Georg von Dadelsen, 179-88. Neuhausen nr. Stuttgart. Notes: contents list (partial); mention of MS; discussion.

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert. Leipzig. Pages: 23-8; Abb. 16-7. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xiii-xiv,29-30,51,69; II1,41-2,186,200 [erroneously referred to as "Annaberg 1248"]. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270 [incorrectly referred to as MS 1248] An edition by Jürgen Kindermann is in preparation as Vols. 72-3 of EDMR. Notes: contents list (partial).

Kindermann, Jürgen. 1974. Verzeichnis von Konkordanzen zu Kompositionen aus den Annaberger Chorbüchern Ms. 1126 and Ms. 1248. Die Musikforschung, 86-92. Notes: contents list.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte. Wilhelmshaven. Pages: 233-41. Notes: physical description (partial); contents list; concordances (partial).

Noblitt, Thomas L. 1973. Manuscript Mus. l/D/505 of the Sächsische Landesbibliothek Dresden (olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1248). Archiv für Musikwissenschaft, 275-310. Pages: 275-7. Notes: mention of MS.

Cavanaugh, Philip Stephen. 1972. A Liturgico-Musical Study of German Polyphonic Mass Propers, 1490-1520. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: [incorrectly referred to as MS 1248]. Notes: contents list (partial); concordances (partial); transcriptions (partial); incipits (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 122ff. Notes: mention of MS.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xvi [incorrectly referred to as MS 1248]. Notes: mention of MS.

Noblitt, Thomas L. 1969. Das Chorbuch des Nikolaus Leopold (München, Staatsbibliothek, Mus. Ms. 3154): Repertorium. Archiv für Musikwissenschaft, 169-208. Notes: concordances (partial).

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 150ff [incorrectly referred to as MS 1248]. Notes: contents list (partial); concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 119. Notes: concordances (partial); incipits (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 32, passim. Notes: contents list (partial); concordances (partial).

Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1-19. Notes: concordances (partial).

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, viii, 20-7. Notes: concordances (partial); transcription (partial).

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, 37-43. Notes: transcription (partial).

Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: I, fasc. 6, xxvi [incorrectly referred to as MS 1248]. Notes: mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: I, 489-91. Notes: mention of MS.

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV, ix, 77. Notes: physical description (partial); facsimile (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description