P-Cug MM.12

Biblioteca Geral da Universidade, Coimbra, Portugal

choirbook: Late 15th-early 16th century

Archive	Biblioteca Geral da Universidade, Coimbra, Portugal (P-Cug)
Shelfmark	MM.12
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	523 x 390 mm
Other Identifiers	CCM: CoimU 12
Notations	black void mensural
Relationships	Monastery of Santa Cruz (owner)
External Links	Images (Portuguese Early Music)
Provenance	Monastery of Santa Cruz , Coimbra, Portugal
Contents	Contains 78 compositions, 36 from 18 composers, 42 are anonymous.

General Description

Copied by one main scribe and four additional scribes. From the monastery of Santa Cruz, in Coimbra.

DIAMM, 2017

Physical Description

The manuscript is in poor condition, with many folios loose and corroded by the ink.

DIAMM, 2017

Binding

Original covers of tan tooled leather, with five metal studs, similar to covers of CoimU 32.

DIAMM, 2017

Watermark

(1) circle and cross, with letters "MT"; (2) circle and cross, with letters "PM" (HardieP).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Second quarter of 16th century (HardieP).

DIAMM, 2017

Foliation

Original foliation, 1-210; f. 36 missing.

DIAMM, 2017

Index

Incomplete original index on front flyleaf.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8 Masses, 12 Magnificats (1 incomplete), 1 Canticle, 2 psalms, 6 hymns, 35 motets = 64

(Anchieta/Compère/Peñalosa)-1, (Anchieta/Peñalosa)-1, Bento -1, Escobar-2, (Illario)-1, Morangam-7, Mouton-1, (Paiva)-2, Peñalosa-4, (Pregador)-1, A. Ribera-1, Vasco Pirez-3, Wreede-1, anon-38

i + 209 + i paper folios, 523 x 390. The manuscript is in poor condition, with many folios loose and corroded by the ink. Original foliation, 1-210; f. 36 missing. Original covers of tan tooled leather, with five metal studs, similar to covers of CoimU 32. Incomplete original index on front flyleaf.

Late 15th-early 16th century (MME). From the monastery of Santa Cruz, in Coimbra.

Vol. 4

Composers: Change "(Anchieta/Compère/Penalosa)-1" to "(Anchieta/Compère/ Peñalosa/A. Ribera)-1"; change "Peñalosa-4" to "Peñalosa-3"; add "(Escobar/Peñalosa)-1."

Physical: Copied by one main scribe and four additional scribes. Watermarks: (1) circle and cross, with letters "MT"; (2) circle and cross, with letters "PM" (HardieP).

Date: Second quarter of 16th century (HardieP).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–7	Missa Salve regina: Kyrie, Gloria	-	Anonymous
Missa Salve regina: Kyrie, Gloria Anonymous Appears on: 1v–7 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Number of voices: 4/5
7v–8	Alleluia	Do[minus] Pregador	Pregador
Alleluia Pregador Appears on: 7v–8 Genres: Alleluia Source Attribution: Do[minus] Pregador Number of voices: 3
8v–18	Missa Salve regina: Credo, Sanctus Agnus Dei	-	Anonymous
Missa Salve regina: Credo, Sanctus Agnus Dei Anonymous Appears on: 8v–18 Genres: Agnus Dei, Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4/5
18v–19	Responses: Amen - Et cum spiritu tuo - etc	-	Anonymous
Responses: Amen - Et cum spiritu tuo - etc Anonymous Appears on: 18v–19 Genres: Response Number of voices: 4 Concordances Coimbra MM 44, ff. 139v-140
19v–22	Missa: Kyrie, Gloria	-	Anonymous
Missa: Kyrie, Gloria Anonymous Appears on: 19v–22 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Number of voices: 4
23v–24	Alleluia	V(as)co Pi(re)s	Pires, Vasco
Alleluia Pires, Vasco Appears on: 23v–24 Genres: Alleluia Source Attribution: V(as)co Pi(re)s Number of voices: 3
24v–32	Missa nuestra Señora / Missa Rex Virginum: Credo	-	Anchieta, Juan de (1462–1523) (?)
Missa nuestra Señora / Missa Rex Virginum: Credo Anchieta, Juan de (1462–1523) (?) Appears on: 24v–32 Genres: Credo (patrem omnipotentem), Mass Ordinary
24v–32	Missa: Sanctus, Agnus Dei	-	Anonymous
Missa: Sanctus, Agnus Dei Anonymous Appears on: 24v–32 Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
32v–33	Alleluia. Primus ad Sion dicet ecce	-	Escobar, Pedro de
Alleluia. Primus ad Sion dicet ecce Escobar, Pedro de Appears on: 32v–33 Genres: Alleluia, Proper Number of voices: 4
33v–34	Alleluia	D. heliodoro	Paiva, Heliodoro de
Alleluia Paiva, Heliodoro de Appears on: 33v–34 Genres: Alleluia Source Attribution: D. heliodoro Number of voices: 4
34v–35	Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam	-	Penalosa, Francisco de
Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam Penalosa, Francisco de Appears on: 34v–35 Genres: Motet Number of voices: 4 Concordances the last 10 breves of this copy differ from those in other copies (HardieP, p. 134) Concordances the last 10 breves of this copy differ from those in other copies (HardieP, p. 134); see two versions in PenalosaO at pp. 159-169 & 171-179 Item Bibliography Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 134. Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 134. Preciado, Dionisio (editor). 1986-2000. Francisco de Peñalosa. Opera Omnia. 4 vols. Madrid. Pages: 159-179. Notes: 2 versions: the one in Coimbra 12 differing from the others at the end of prima pars.
35v–37	Salve regina	Dom Bento	Gomes de Herrero, Manuel de S Bento
Salve regina Gomes de Herrero, Manuel de S Bento Appears on: 35v–37 Genres: BVM, Marian antiphon, Salve Regina Source Attribution: Dom Bento Number of voices: 4
37v–42	Missa El ojo: Kyrie, Gloria	Penalosa	Penalosa, Francisco de
Missa El ojo: Kyrie, Gloria Penalosa, Francisco de Appears on: 37v–42 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Penalosa Number of voices: 4
42v–43	Alleluia Sexta antigua	-	Anonymous
Alleluia Sexta antigua Anonymous Appears on: 42v–43 Genres: Alleluia Number of voices: 3
43v–53	Missa El ojo: Credo, Sanctus, Agnus Dei	Penalosa	Penalosa, Francisco de
Missa El ojo: Credo, Sanctus, Agnus Dei Penalosa, Francisco de Appears on: 43v–53 Genres: Agnus Dei, Credo (patrem omnipotentem), Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Penalosa Number of voices: 4
53v–59	Missa Sine nomine: Kyrie, Gloria	Escovar	Escobar, Pedro de
Missa Sine nomine: Kyrie, Gloria Escobar, Pedro de Appears on: 53v–59 Genres: Gloria (et in terra pax), Kyrie eleison Source Attribution: Escovar Number of voices: 4
59v–60	Alleluia. Christus resurgens ex mortuis (Octava antigua)	-	Anonymous
Alleluia. Christus resurgens ex mortuis (Octava antigua) Anonymous Appears on: 59v–60 Genres: Alleluia, Proper Number of voices: 3
60v–69	Missa Sine nomine: Credo, Sanctus, Agnus Dei	Escovar	Escobar, Pedro de
Missa Sine nomine: Credo, Sanctus, Agnus Dei Escobar, Pedro de Appears on: 60v–69 Genres: Agnus Dei, Credo (patrem omnipotentem), Sanctus [& Benedictus] Source Attribution: Escovar Number of voices: 4
69v–70	Alleluia	Buxel	Buxel
Alleluia Buxel Appears on: 69v–70 Genres: Alleluia Source Attribution: Buxel Number of voices: 3
70v–71	Alleluia	D. heliodoro	Paiva, Heliodoro de
Alleluia Paiva, Heliodoro de Appears on: 70v–71 Genres: Alleluia Source Attribution: D. heliodoro Number of voices: 3
71v–72	Alleluia	Moram	Moran, Luis
Alleluia Moran, Luis Appears on: 71v–72 Genres: Alleluia Source Attribution: Moram Number of voices: 4
72v–73	O gloriosa Domina	-	Anonymous
O gloriosa Domina Anonymous Appears on: 72v–73 Genres: Hymn Number of voices: 4
73v–80	Missa: Kyrie, Gloria	-	Tordesillas, Pedro Hernandez de (?) Ribera, Antonio de (?)
Missa: Kyrie, Gloria Tordesillas, Pedro Hernandez de (?) Ribera, Antonio de (?) Appears on: 73v–80 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Number of voices: 4
80v–81	Et incarnatus est	-	Anonymous
Et incarnatus est Anonymous Appears on: 80v–81 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
80v–81	Et incarnatus est	-	Anonymous
Et incarnatus est Anonymous Appears on: 80v–81 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
81v–89	Missa Sine nomine (II): Credo, Sanctus, Agnus Dei	-	Tordesillas, Pedro Hernandez de (?) Ribera, Antonio de (?)
Missa Sine nomine (II): Credo, Sanctus, Agnus Dei Tordesillas, Pedro Hernandez de (?) Ribera, Antonio de (?) Appears on: 81v–89 Genres: Agnus Dei, Credo (patrem omnipotentem), Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
89v–90	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 89v–90 Genres: Ave maris stella, BVM, Hymn Number of voices: 4 General Note 1st verse only
90v–91	Missa Sine nomine (II): Kyrie	Ribeira	Ribera, Antonio de
Missa Sine nomine (II): Kyrie Ribera, Antonio de Appears on: 90v–91 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Ribeira Number of voices: 4
91v–93	Missa Sine nomine (I): Gloria	Ribeira	Ribera, Antonio de
Missa Sine nomine (I): Gloria Ribera, Antonio de Appears on: 91v–93 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Ribeira Number of voices: 4
94v–100	Missa: Kyrie, Gloria	-	Anonymous
Missa: Kyrie, Gloria Anonymous Appears on: 94v–100 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Number of voices: 4
100v–101	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 100v–101 Genres: Benedicamus Domino Number of voices: 4 General Note also copied at 208v-209
101v–102	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 101v–102 Genres: Ave maris stella, BVM, Hymn Number of voices: 4
102v–105	Missa: Credo	-	Anonymous
Missa: Credo Anonymous Appears on: 102v–105 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4 General Note incomplete
106v–107	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 106v–107 Genres: Ave maris stella, BVM, Vespers Number of voices: 4
107v–108	Hoc corpus quod pro vobis	-	Anonymous
Hoc corpus quod pro vobis Anonymous Appears on: 107v–108 Genres: Motet
108v–109	Alleluia(?)	-	Anonymous
Alleluia(?) Anonymous Appears on: 108v–109 Genres: Alleluia Number of voices: 4
109v–110	Sicut erat	-	Anonymous
Sicut erat Anonymous Appears on: 109v–110 Genres: Doxology Number of voices: 3
111v–120	Missa	-	Anonymous
Missa Anonymous Appears on: 111v–120 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
121v–127	Magnificat tone 1: Anima mea [K.929]	Luis Morangam	Moran, Luis
Magnificat tone 1: Anima mea [K.929] Moran, Luis Appears on: 121v–127 Genres: BVM, Canticle, Magnificat Source Attribution: Luis Morangam Number of voices: 4
127v–133	Magnificat tone 8: Et exultavit [K.934]	Luis Morangam	Moran, Luis
Magnificat tone 8: Et exultavit [K.934] Moran, Luis Appears on: 127v–133 Genres: BVM, Canticle, Magnificat Source Attribution: Luis Morangam Number of voices: 4
133v–134	Benedicamus Domino(?) [textless]	-	Anonymous
Benedicamus Domino(?) [textless] Anonymous Appears on: 133v–134 Genres: Benedicamus Domino Number of voices: 4
133v–134	Benedicamus Domino(?) [textless]	-	Anonymous
Benedicamus Domino(?) [textless] Anonymous Appears on: 133v–134 Genres: Benedicamus Domino Number of voices: 4
134v–140	Magnificat tone 4: Et exultavit [K.931]	Luis Morangam	Moran, Luis
Magnificat tone 4: Et exultavit [K.931] Moran, Luis Appears on: 134v–140 Genres: BVM, Canticle, Magnificat Source Attribution: Luis Morangam Number of voices: 4
140v–146	Magnificat quarti toni: Et exultavit [K.939]	Joam Monton	Mouton, Jean (ca. 1459–1522)
Magnificat quarti toni: Et exultavit [K.939] Mouton, Jean (ca. 1459–1522) Appears on: 140v–146 Genres: BVM, Canticle, Magnificat Source Attribution: Joam Monton Number of voices: 4
146v–152	Magnificat tone 5: Anima mea [K.932]	Luis Morangam	Moran, Luis
Magnificat tone 5: Anima mea [K.932] Moran, Luis Appears on: 146v–152 Genres: BVM, Canticle, Magnificat Source Attribution: Luis Morangam Number of voices: 4 General Note 'Deposuit potentes' is at ff. 209v-210
152v–158	Magnificat tone 6: Et exultavit [K.933]	Luis Morangam	Moran, Luis
Magnificat tone 6: Et exultavit [K.933] Moran, Luis Appears on: 152v–158 Genres: BVM, Canticle, Magnificat Source Attribution: Luis Morangam Number of voices: 4
158v–159	Pange lingua	-	Anonymous
Pange lingua Anonymous Appears on: 158v–159 Genres: Hymn Number of voices: 4
159v–161	Magnificat sexti toni: Et exultavit [K.344]	-	Anonymous
Magnificat sexti toni: Et exultavit [K.344] Anonymous Appears on: 159v–161 Genres: BVM, Canticle, Magnificat Number of voices: 4
161v–166	Magnificat primi toni. Anima mea [K.960]	penhalosa	Penalosa, Francisco de
Magnificat primi toni. Anima mea [K.960] Penalosa, Francisco de Appears on: 161v–166 Genres: BVM, Canticle, Magnificat Source Attribution: penhalosa Number of voices: 4
166v–172	[Magnificat 4 toni] Quia fecit - Esurientes - Sicut erat	vasco pirez	Pires, Vasco
[Magnificat 4 toni] Quia fecit - Esurientes - Sicut erat Pires, Vasco Appears on: 166v–172 Genres: BVM, Canticle, Magnificat Source Attribution: vasco pirez Number of voices: 4 General Note beginning of the piece also repeated at 186v (incomplete)
171v	fabordao?	-	Anonymous
fabordao? Anonymous Appears on: 171v Genres: Fauxbourdon/faburden Number of voices: 4 General Note obscured by later paste-down
172v–173	Veni creator spiritus	-	Anonymous
Veni creator spiritus Anonymous Appears on: 172v–173 Genres: Hymn Number of voices: 4
173v–179	Magnificat 6 toni: Et exultavit	Joannes utrede	Urrede (Wrede), Juan de (fl. 1451-c1482)
Magnificat 6 toni: Et exultavit Urrede (Wrede), Juan de (fl. 1451-c1482) Appears on: 173v–179 Genres: Magnificat Source Attribution: Joannes utrede Number of voices: 4
179v–180	Magnificat octavi toni [K.966]: (exc) Sicut erat	penhalosa	Penalosa, Francisco de
Magnificat octavi toni [K.966]: (exc) Sicut erat Penalosa, Francisco de Appears on: 179v–180 Genres: BVM, Canticle, Doxology, Magnificat Source Attribution: penhalosa Number of voices: 2
180v–186	Magnificat octavi toni: Et exultavit [K.434]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.434] Anonymous Appears on: 180v–186 Genres: BVM, Canticle, Magnificat Number of voices: 4 General Note 'Esurientes' section
186v	[Magnificat 4 toni] Quia fecit - Esurientes - Sicut erat	-	Pires, Vasco
[Magnificat 4 toni] Quia fecit - Esurientes - Sicut erat Pires, Vasco Appears on: 186v Genres: BVM, Canticle, Magnificat General Note beginning only (incomplete). The piece is also copied at ff. 166v-172
187	Et gloriamini omnes	-	Anonymous
Et gloriamini omnes Anonymous Appears on: 187 Genres: Hymn Number of voices: 4 General Note 'Sicut erat' section
187v–188	Nunc dimittis	-	Anonymous
Nunc dimittis Anonymous Appears on: 187v–188 Genres: Canticle, Fauxbourdon/faburden, Nunc Dimittis Number of voices: 4
187v–188	Dixit Dominus	-	Anonymous
Dixit Dominus Anonymous Appears on: 187v–188 Genres: Fauxbourdon/faburden, Psalm Number of voices: 4
187v–188	Dixit Dominus	-	Anonymous
Dixit Dominus Anonymous Appears on: 187v–188 Genres: Fauxbourdon/faburden, Psalm Number of voices: 4
187v–188	In exitu Israel	-	Anonymous
In exitu Israel Anonymous Appears on: 187v–188 Genres: Fauxbourdon/faburden, Hymn Number of voices: 4
188v–189	Sicut erat	-	Anonymous
Sicut erat Anonymous Appears on: 188v–189 Genres: Doxology Number of voices: 3
189v–190	Resurgens Christus ex mortuis	-	Anonymous
Resurgens Christus ex mortuis Anonymous Appears on: 189v–190 Genres: Motet Number of voices: 4
190v–191	O bone Jesu illumina oculos meos	-	Compère, Loyset (ca. 1445–1518) (?) Penalosa, Francisco de (?) Ribera, Antonio de (?) Anchieta, Juan de (1462–1523)
O bone Jesu illumina oculos meos Compère, Loyset (ca. 1445–1518) (?) Penalosa, Francisco de (?) Ribera, Antonio de (?) Anchieta, Juan de (1462–1523) Appears on: 190v–191 Genres: Motet Number of voices: 4 Concordances Coimbra MM 48, ff. 36-36v; MM 53, ff. 131v
191v–193	Domine Jesu Christe qui hora diei ultima	-	Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523)
Domine Jesu Christe qui hora diei ultima Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523) Appears on: 191v–193 Genres: Motet Number of voices: 4
192v–193	Ave sanctissimum et gloriosum / Ave verum	-	Mondejar, Alonso de (?) Diaz (Pedro Diaz de Aux?) (?)
Ave sanctissimum et gloriosum / Ave verum Mondejar, Alonso de (?) Diaz (Pedro Diaz de Aux?) (?) Appears on: 192v–193 Genres: Motet Number of voices: 4 Item Bibliography Ros-Fábregas, Emilio. 1992. The Manuscript, Biblioteca Catalunya, m. 454: Study and Edition in the Context of the Iberian and Continental Manuscript Tradition. New York, 2 vols, Ph. D. diss. Pages: II, 176-178. Notes: (Coimbra 12 version, alongside the Barcelona M. 454 version (pp.172-175).
193v–194	Clamabat autem mulier Cananaea ad Dominum	-	Escobar, Pedro de
Clamabat autem mulier Cananaea ad Dominum Escobar, Pedro de Appears on: 193v–194 Genres: Motet Number of voices: 4
194v–195	Fatigatus Jhesus	-	Escobar, Pedro de (?)
Fatigatus Jhesus Escobar, Pedro de (?) Appears on: 194v–195 Genres: Motet Number of voices: 4
195v–196	O sacrum convivium in quo Christus sumitur	-	Alba, Alonso Perez de (ca. 1480–ca. 1520)
O sacrum convivium in quo Christus sumitur Alba, Alonso Perez de (ca. 1480–ca. 1520) Appears on: 195v–196 Genres: Motet Number of voices: 4
196v–198	O admirabile commercium creator generis	[Illario]	Illarius, Johannes
O admirabile commercium creator generis Illarius, Johannes Appears on: 196v–198 Genres: Motet Source Attribution: [Illario] Number of voices: 4 Concordances Coimbra MM 48, ff. 36v-37v; MM 53, ff. 44v-45
198v–200	Salve regina	-	Anonymous
Salve regina Anonymous Appears on: 198v–200 Genres: Antiphon, BVM, Salve Regina Number of voices: 4
200v–201	Gabriel angelus	-	Anonymous
Gabriel angelus Anonymous Appears on: 200v–201 Genres: Motet Number of voices: 4
201v–202	Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles	-	Escobar, Pedro de (?) Penalosa, Francisco de (?)
Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles Escobar, Pedro de (?) Penalosa, Francisco de (?) Appears on: 201v–202 Genres: Motet Number of voices: 4
202v–203	Memorare piissima - 2a pars (of 2): Et pedes confixi	-	Escobar, Pedro de (?) Penalosa, Francisco de (?)
Memorare piissima - 2a pars (of 2): Et pedes confixi Escobar, Pedro de (?) Penalosa, Francisco de (?) Appears on: 202v–203 Genres: Motet Number of voices: 4
203v–204	Super flumina babylonis - 1a pars (of 2): Super flumina babylonis	-	Anonymous
Super flumina babylonis - 1a pars (of 2): Super flumina babylonis Anonymous Appears on: 203v–204 Genres: Motet Number of voices: 4
204v–205	Super flumina babylonis - 2a pars (of 2): Quomodo cantabimus	-	Anonymous
Super flumina babylonis - 2a pars (of 2): Quomodo cantabimus Anonymous Appears on: 204v–205 Genres: Motet Number of voices: 4
205v–207	Taedet animam meam	-	Anonymous
Taedet animam meam Anonymous Appears on: 205v–207 Genres: Motet Number of voices: 4
207v–208	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 207v–208 Genres: Benedicamus Domino Number of voices: 4
208v–209	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 208v–209 Genres: Benedicamus Domino Number of voices: 4 General Note also copied at 100v-101
208n–209	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 208n–209 Genres: Benedicamus Domino Number of voices: 4
209v–210	Magnificat tone 5: Anima mea [K.932]	-	Moran, Luis
Magnificat tone 5: Anima mea [K.932] Moran, Luis Appears on: 209v–210 Genres: BVM, Canticle, Magnificat Number of voices: 4 General Note 'Deposuit potentes' only: remainder of the piece is at ff. 146v-152

Composer	Compositions
Alba, Alonso Perez de (ca. 1480-ca. 1520)	O sacrum convivium in quo Christus sumitur – 195v–196
Anchieta, Juan de (1462-1523)	Domine Jesu Christe qui hora diei ultima – 191v–193 (?) Missa nuestra Señora / Missa Rex Virginum: Credo – 24v–32 O bone Jesu illumina oculos meos – 190v–191
Anonymous	Alleluia Sexta antigua – 42v–43 Alleluia(?) – 108v–109 Alleluia. Christus resurgens ex mortuis (Octava antigua) – 59v–60 Ave maris stella – 101v–102 Ave maris stella – 89v–90 Ave maris stella – 106v–107 Benedicamus Domino – 208n–209 Benedicamus Domino – 100v–101 Benedicamus Domino – 208v–209 Benedicamus Domino – 207v–208 Benedicamus Domino(?) [textless] – 133v–134 Benedicamus Domino(?) [textless] – 133v–134 Dixit Dominus – 187v–188 Dixit Dominus – 187v–188 Et gloriamini omnes – 187 Et incarnatus est – 80v–81 Et incarnatus est – 80v–81 Gabriel angelus – 200v–201 Hoc corpus quod pro vobis – 107v–108 In exitu Israel – 187v–188 Magnificat octavi toni: Et exultavit [K.434] – 180v–186 Magnificat sexti toni: Et exultavit [K.344] – 159v–161 Missa – 111v–120 Missa Salve regina: Credo, Sanctus Agnus Dei – 8v–18 Missa Salve regina: Kyrie, Gloria – 1v–7 Missa: Credo – 102v–105 Missa: Kyrie, Gloria – 94v–100 Missa: Kyrie, Gloria – 19v–22 Missa: Sanctus, Agnus Dei – 24v–32 Nunc dimittis – 187v–188 O gloriosa Domina – 72v–73 Pange lingua – 158v–159 Responses: Amen - Et cum spiritu tuo - etc – 18v–19 Resurgens Christus ex mortuis – 189v–190 Salve regina – 198v–200 Sicut erat – 109v–110 Sicut erat – 188v–189 Super flumina babylonis - 1a pars (of 2): Super flumina babylonis – 203v–204 Super flumina babylonis - 2a pars (of 2): Quomodo cantabimus – 204v–205 Taedet animam meam – 205v–207 Veni creator spiritus – 172v–173 fabordao? – 171v
Buxel	Alleluia – 69v–70
Compère, Loyset (ca. 1445-1518)	(?) O bone Jesu illumina oculos meos – 190v–191
Diaz (Pedro Diaz de Aux?)	(?) Ave sanctissimum et gloriosum / Ave verum – 192v–193
Escobar, Pedro de	Alleluia. Primus ad Sion dicet ecce – 32v–33 Clamabat autem mulier Cananaea ad Dominum – 193v–194 (?) Fatigatus Jhesus – 194v–195 (?) Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles – 201v–202 (?) Memorare piissima - 2a pars (of 2): Et pedes confixi – 202v–203 Missa Sine nomine: Credo, Sanctus, Agnus Dei – 60v–69 Missa Sine nomine: Kyrie, Gloria – 53v–59
Gomes de Herrero, Manuel de S Bento	Salve regina – 35v–37
Illarius, Johannes	O admirabile commercium creator generis – 196v–198
Mondejar, Alonso de	(?) Ave sanctissimum et gloriosum / Ave verum – 192v–193
Moran, Luis	Alleluia – 71v–72 Magnificat tone 1: Anima mea [K.929] – 121v–127 Magnificat tone 4: Et exultavit [K.931] – 134v–140 Magnificat tone 5: Anima mea [K.932] – 146v–152 Magnificat tone 5: Anima mea [K.932] – 209v–210 Magnificat tone 6: Et exultavit [K.933] – 152v–158 Magnificat tone 8: Et exultavit [K.934] – 127v–133
Mouton, Jean (ca. 1459-1522)	Magnificat quarti toni: Et exultavit [K.939] – 140v–146
Paiva, Heliodoro de	Alleluia – 33v–34 Alleluia – 70v–71
Penalosa, Francisco de	(?) Domine Jesu Christe qui hora diei ultima – 191v–193 Magnificat octavi toni [K.966]: (exc) Sicut erat – 179v–180 Magnificat primi toni. Anima mea [K.960] – 161v–166 (?) Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles – 201v–202 (?) Memorare piissima - 2a pars (of 2): Et pedes confixi – 202v–203 Missa El ojo: Credo, Sanctus, Agnus Dei – 43v–53 Missa El ojo: Kyrie, Gloria – 37v–42 (?) O bone Jesu illumina oculos meos – 190v–191 Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam – 34v–35
Pires, Vasco	Alleluia – 23v–24 [Magnificat 4 toni] Quia fecit - Esurientes - Sicut erat – 186v [Magnificat 4 toni] Quia fecit - Esurientes - Sicut erat – 166v–172
Pregador	Alleluia – 7v–8
Ribera, Antonio de	Missa Sine nomine (I): Gloria – 91v–93 (?) Missa Sine nomine (II): Credo, Sanctus, Agnus Dei – 81v–89 Missa Sine nomine (II): Kyrie – 90v–91 (?) Missa: Kyrie, Gloria – 73v–80 (?) O bone Jesu illumina oculos meos – 190v–191
Tordesillas, Pedro Hernandez de	(?) Missa Sine nomine (II): Credo, Sanctus, Agnus Dei – 81v–89 (?) Missa: Kyrie, Gloria – 73v–80
Urrede (Wrede), Juan de (1451-c1482)	Magnificat 6 toni: Et exultavit – 173v–179

Composition	Composers (? Uncertain)	Folios / Pages
[Magnificat 4 toni] Quia fecit - Esurientes - Sicut erat	Pires, Vasco	166v–172
[Magnificat 4 toni] Quia fecit - Esurientes - Sicut erat	Pires, Vasco	186v
Alleluia	Pregador	7v–8
Alleluia	Pires, Vasco	23v–24
Alleluia	Paiva, Heliodoro de	33v–34
Alleluia	Buxel	69v–70
Alleluia	Paiva, Heliodoro de	70v–71
Alleluia	Moran, Luis	71v–72
Alleluia Sexta antigua	Anonymous	42v–43
Alleluia(?)	Anonymous	108v–109
Alleluia. Christus resurgens ex mortuis (Octava antigua)	Anonymous	59v–60
Alleluia. Primus ad Sion dicet ecce	Escobar, Pedro de	32v–33
Ave maris stella	Anonymous	89v–90
Ave maris stella	Anonymous	101v–102
Ave maris stella	Anonymous	106v–107
Ave sanctissimum et gloriosum / Ave verum	Mondejar, Alonso de (?) Diaz (Pedro Diaz de Aux?) (?)	192v–193
Benedicamus Domino	Anonymous	100v–101
Benedicamus Domino	Anonymous	207v–208
Benedicamus Domino	Anonymous	208v–209
Benedicamus Domino	Anonymous	208n–209
Benedicamus Domino(?) [textless]	Anonymous	133v–134
Benedicamus Domino(?) [textless]	Anonymous	133v–134
Clamabat autem mulier Cananaea ad Dominum	Escobar, Pedro de	193v–194
Dixit Dominus	Anonymous	187v–188
Dixit Dominus	Anonymous	187v–188
Domine Jesu Christe qui hora diei ultima	Penalosa, Francisco de (?) Anchieta, Juan de (1462–1523)	191v–193
Et gloriamini omnes	Anonymous	187
Et incarnatus est	Anonymous	80v–81
Et incarnatus est	Anonymous	80v–81
fabordao?	Anonymous	171v
Fatigatus Jhesus	Escobar, Pedro de (?)	194v–195
Gabriel angelus	Anonymous	200v–201
Hoc corpus quod pro vobis	Anonymous	107v–108
In exitu Israel	Anonymous	187v–188
Magnificat 6 toni: Et exultavit	Urrede (Wrede), Juan de (fl. 1451-c1482)	173v–179
Magnificat octavi toni [K.966]: (exc) Sicut erat	Penalosa, Francisco de	179v–180
Magnificat octavi toni: Et exultavit [K.434]	Anonymous	180v–186
Magnificat primi toni. Anima mea [K.960]	Penalosa, Francisco de	161v–166
Magnificat quarti toni: Et exultavit [K.939]	Mouton, Jean (ca. 1459–1522)	140v–146
Magnificat sexti toni: Et exultavit [K.344]	Anonymous	159v–161
Magnificat tone 1: Anima mea [K.929]	Moran, Luis	121v–127
Magnificat tone 4: Et exultavit [K.931]	Moran, Luis	134v–140
Magnificat tone 5: Anima mea [K.932]	Moran, Luis	146v–152
Magnificat tone 5: Anima mea [K.932]	Moran, Luis	209v–210
Magnificat tone 6: Et exultavit [K.933]	Moran, Luis	152v–158
Magnificat tone 8: Et exultavit [K.934]	Moran, Luis	127v–133
Memorare piissima - 1a pars (of 2): Memorare piissima opprobria et crudeles	Escobar, Pedro de (?) Penalosa, Francisco de (?)	201v–202
Memorare piissima - 2a pars (of 2): Et pedes confixi	Escobar, Pedro de (?) Penalosa, Francisco de (?)	202v–203
Missa	Anonymous	111v–120
Missa El ojo: Credo, Sanctus, Agnus Dei	Penalosa, Francisco de	43v–53
Missa El ojo: Kyrie, Gloria	Penalosa, Francisco de	37v–42
Missa nuestra Señora / Missa Rex Virginum: Credo	Anchieta, Juan de (1462–1523) (?)	24v–32
Missa Salve regina: Credo, Sanctus Agnus Dei	Anonymous	8v–18
Missa Salve regina: Kyrie, Gloria	Anonymous	1v–7
Missa Sine nomine (I): Gloria	Ribera, Antonio de	91v–93
Missa Sine nomine (II): Credo, Sanctus, Agnus Dei	Tordesillas, Pedro Hernandez de (?) Ribera, Antonio de (?)	81v–89
Missa Sine nomine (II): Kyrie	Ribera, Antonio de	90v–91
Missa Sine nomine: Credo, Sanctus, Agnus Dei	Escobar, Pedro de	60v–69
Missa Sine nomine: Kyrie, Gloria	Escobar, Pedro de	53v–59
Missa: Credo	Anonymous	102v–105
Missa: Kyrie, Gloria	Anonymous	19v–22
Missa: Kyrie, Gloria	Tordesillas, Pedro Hernandez de (?) Ribera, Antonio de (?)	73v–80
Missa: Kyrie, Gloria	Anonymous	94v–100
Missa: Sanctus, Agnus Dei	Anonymous	24v–32
Nunc dimittis	Anonymous	187v–188
O admirabile commercium creator generis	Illarius, Johannes	196v–198
O bone Jesu illumina oculos meos	Compère, Loyset (ca. 1445–1518) (?) Penalosa, Francisco de (?) Ribera, Antonio de (?) Anchieta, Juan de (1462–1523)	190v–191
O gloriosa Domina	Anonymous	72v–73
O sacrum convivium in quo Christus sumitur	Alba, Alonso Perez de (ca. 1480–ca. 1520)	195v–196
Pange lingua	Anonymous	158v–159
Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam	Penalosa, Francisco de	34v–35
Responses: Amen - Et cum spiritu tuo - etc	Anonymous	18v–19
Resurgens Christus ex mortuis	Anonymous	189v–190
Salve regina	Gomes de Herrero, Manuel de S Bento	35v–37
Salve regina	Anonymous	198v–200
Sicut erat	Anonymous	109v–110
Sicut erat	Anonymous	188v–189
Super flumina babylonis - 1a pars (of 2): Super flumina babylonis	Anonymous	203v–204
Super flumina babylonis - 2a pars (of 2): Quomodo cantabimus	Anonymous	204v–205
Taedet animam meam	Anonymous	205v–207
Veni creator spiritus	Anonymous	172v–173

‡ denotes primary source study

Rees, Owen. 1995. Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra. New York & London: Garland. Notes: physical description; inventory; concordances.

Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 102-8,134-49,283-5,300-4. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); transcription (partial); texts (partial); mention of MS; discussion.

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 49-51,342,461. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Bragard, Murray C. 1978. The Falsobordone: A Study in Renaissance and Baroque Music. Musicological Studies and Documents, vol. 34. American Institute of Musicology. Pages: 19,22ff,159-60. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 131. Notes: contents list (partial); concordances (partial); incipits (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents, vol. 12. American Institute of Musicology. Pages: 34. Notes: mention of MS.

Kastner, Macario Santiago (editor). 1959-. Portugaliae Musica. Lisbon. Pages: XXXVII,xxx-xxxi,18-9. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae, vol. 15. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, ix, 27-8. Notes: transcription (partial); facsimile (partial).

Gerber, Rudolf. 1953. Spanische Hymnensätze um 1500. Archiv für Musikwissenschaft, 10: 165-84. Pages: 167. Notes: contents list (partial).

Luper, Albert T. 1950. Portuguese Polyphony in the Sixteenth and Early Seventeenth Centuries. Journal of the American Musicological Society, 3: 93-112. Pages: 104. Notes: mention of MS.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I, 119-22. Notes: physical description; contents list; concordances (partial).

Sampayo Ribeiro, Mário de. 1941. Os Manuscritos Musicais n.os 6 e 12 da Biblioteca Geral da Universidade de Coimbra. Coimbra. Pages: 33-99. Notes: physical description; mention of MS; discussion; contents list; facsimile (partial).

Kastner, Macario Santiago. 1937. Inventário dos inéditos e impressos musicais. Coimbra. Pages: 18-9. Notes: physical description; contents list; incipitsst of contents (partial).

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Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

P-Cug MM.12

Biblioteca Geral da Universidade, Coimbra, Portugal

choirbook: Late 15th-early 16th century

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Census Catalogue of Music Description

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