I-PSac Bibliotheca musicalis, B. 3. 5

Archivio Capitolare di Pistoia, Pistoia, Italy

fragment: 14th - Early 15th century (c.1400)

Archive Archivio Capitolare di Pistoia, Pistoia, Italy (I-PSac)
Shelfmark Bibliotheca musicalis, B. 3. 5
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Parchment
Numbering System Foliation
Measurements c. 230 x 122, 229 x 162, 231 x 132, and 232 x 152; originally c. 250 x 165 mm
Other Identifiers
  • RISM: I-PSac5
  • RISM: Pist
  • CCM: PistAC 5
Notations
  • black full mensural
  • coloration in black void
External Links
Provenance
  • Pistoia? Italy
Contents 9 pieces from 3 composers
General Description

Recovered from bindings of liturgical manuscripts. Apparently the only surviving remnants of a larger musical manuscript of unknown extent; PirrL refutes Ghil's assertion that these leaves once belonged to same original manuscript as LucAS 184 and PerBC 3065. Copied by a single scribe. Possibly copied in Pistoia

DIAMM, 2017
Binding

No covers; folios preserved loose.

DIAMM, 2017
Notation

Black full mensural with black void colouration

DIAMM, 2017
Ruling

8 five-line staves per page

DIAMM, 2017
Foliation

I-IV verso

DIAMM, 2017
Foliation

Modern pencil foliation, I-IV

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
DIAMM Note

The holdings of the Archivio Capitolare di Pistoia will be digitized during 2010-11 and the Chapter Archives will be setting up a website to show digital reproductions of its holdings. The manuscript in its entirety will be online in this initiative. The image shown here is a low-resolution sample kindly donated by the library.

DIAMM, 2017
RISM Description

RISM B/IV 4: 15. Jh.; 4 Blätter (2 Doppelbllätter) Pergament, ca. 230 x 160/120 mm (zum Teil stark beschnitten). Moderne Foliierung von f. I-IV. Je Seite 8 Fünfliniensysteme mit schwarzer und schwarz/hohler Mensuralnotation.

Die beiden Doppelblätter, die derselben um 1400 oder im frühen 15. Jh. geschriebenen italienischen Handschrift angehören, dienten als Deck- beziehungsweise Vorsatzblätter zu liturgischen Handschriften Das ursprüngliche Format betrug ca. 250 x 165 mm. Die Blätter weisen keine direkten Beziehungen zu anderen bekannten Fragmenten oder Handschriften auf (auch nicht zu I-Las184). Die Stücke des 2. Doppelblatt (f. III/IV) stehen auf Palimpsest (Vokabular oder Kommentar des 12. Jh. ?).

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Italian secular pieces, 3 French secular pieces = 9 (some fragmentary) (Antonello da Casertani, (Landini)-2, anon-6

4 parchment folios, 230 x 122, 229 x 162, 231 x 132, and 232 x 152 (trimmed from original size of ca. 250 x 165), recovered from bindings of liturgical manuscripts. Apparently the only surviving remnants of a larger musical manuscript of unknown extent; PirrL refutes Ghil's assertion that these leaves once belonged to same original manuscript as LucAS 184 and PerBC 3065. Modern pencil foliation, I-IV. No covers; folios preserved loose. Black mensural notation with black void coloration. Copied by a single scribe. No initials or decoration.

Early 15th century (RISM). Possibly copied in Pistoia

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
I State a dio fatti con dio - Anonymous
Appears on: I
Genres: Italian secular
Voice: Tenor
Languages: Italian
Clef: f2
Voice Text: State a dio fatti con dio ...

Voice: [no designation]
Languages: Italian
Clef: c1
Voice Text: State a dio fatti con dio ...
Layout

parts

Iv Fortuna ria amor e crudel donna - Anonymous
Appears on: Iv
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: [Fortuna ri]a Amor e crudel donna ...
II A pianger l'ochi l'ochi mei -
Appears on: II
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: A piançer l'ochi ...
IIv Araigera ? de madame confort - Anonymous
Appears on: IIv
Genres: Italian secular
Voice: [no designation]
Languages: French
Clef: c2
Voice Text: Araigera (?) de madame confort ...

Voice: Tenor
Languages: none
Clef: c4

Voice: Contratenor
Languages: none
Clef: c4
Layout

parts

IIv ... plus tost vorroj la mort - Anonymous
Appears on: IIv
Genres: Chanson, Secular
Voice: Contratenor
Languages: none
Clef: f3

Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: ... plus tost vorroj la mort ...

Voice: Tenor
Languages: none
Clef: f3
Layout

parts

III Vous etes celle qui m'a cure vous etes - Anonymous
Appears on: III
Genres: Chanson, Secular
Voice: Tenor
Languages: French
Clef: f3
Voice Text: Vos celle.

Voice: [no designation]
Languages: French
Clef: c2
Voice Text: Vos estes celle qui m'a cure vos estes ...

Voice: Contratenor
Languages: French
Clef: f3
Voice Text: [Vos celle.]
Layout

parts

IIIv Gentil aspecto in cui la mente - Anonymous
Appears on: IIIv
Genres: Secular
Voice: [no designation]
Languages: Italian
Voice Text: [Gentil aspec]to in cui la mente ...
Layout

parts

IV Se n'Antogn'ama ... ... dell'onesta ca frena / Se n'Antogn'ama 'l qual e 'l - Anonymous
Appears on: IV
Genres: Secular
Voice: [no designation]
Languages: Italian
Clef: c2
Voice Text: [Se n'Antogn'ama ...] ... dell'onesta ca frena ...

Voice: Tenor
Languages: Italian
Clef: c4
Voice Text: Se n'Antogn'ama 'l qual e 'l.
Layout

parts

IVv Mercé o morte o vaga anima mia -
Appears on: IVv
Genres: Ballata
Voice: Tenor
Languages: Italian
Clef: f2c4
Voice Text: Merçe merçe.

Voice: [no designation]
Languages: Italian
Clef: [c2]
Voice Text: Merçe merçe merçe o morte ...
Layout

parts

denotes primary source study

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Hagopian, Viola L. 1973. Italian Ars Nova Musik: A Bibliographic Guide to Modem Editions and Related Literature. 2nd ed.  Berkeley, Los Angeles, and London. Pages: 53-4,106. Notes: additional bibliography.

Apel, Willi (editor). 1970-72. French Secular Compositions of the Fourteenth Century. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,xlv-ff, 78,123,148. Notes: transcription (partial); texts (partial).

Gallo, Franco Alberto (editor). 1968-70. Il Codice Musicale 2216 della Biblioteca Universitaria di Bologna. Monumenta Lyrica Medii Aevi Italica: III. Mensurabilia. 2 vols. Bologna. Pages: 13. Notes: contents list (partial); concordances (partial).

Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. Pages: Commentary to Vol. IV, 49,110; X,149; XI,147, 173,176; XXIV, 152,213. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft.  Bern: Paul Haupt. Pages: 42ff, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Gotti, Ettore Li, and Nino Pirrotta. 1949-1951. II codice di Lucca. Musica Disciplina, III, 119-38; IV, 111-52; V, 115-42. Pages: 122. Notes: physical description; mention of MS; discussion.

Ghisi, Federico (editor). 1946-47. 'Italian Ars-Nova Music', musical supplement . Journal of Renaissance and Baroque Music, . Pages: 17-8. Notes: transcription (partial).

Ghisi, Federico. 1946-47. Italian Ars-Nova Music: The Perugia and Pistoia fragments of the Lucca musical codex and other unpublished early 15th century sources. Journal of Renaissance and Baroque Music, 173-91. Pages: 179ff; Suppl., 17. Notes: physical description (partial); contents list; concordances (partial); texts (partial); mention of MS; discussion.

Ghisi, Federico. 1942. Frammenti di un Nuovo Codice Musicale dell'ArsNova Italiana e due Saggi Inediti di Cacce del Secondo Quattrocento. La Rinascita, 72-103. Pages: 73. Notes: mention of MS; contents list (partial).

Ghisi, Federico. 1938. Un frammento musicale della 'Ars Nova Italiana' nell'Archivio Capitolare della Cattedrale di Pistoia. Rivista Musicale Italiana, 162-8. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description