Polyphony on ff. A-D, ff. CXL-CXLVIII, and ff. Q-U. Main corpus copied by more than one scribe (LayIM); polyphony added by two or three different scribes. Copied in Parma, for use by cathedral choir.
I-PAac MS F-09
Archivio Capitolare di Parma, Parma, Italy
Gradual-Antiphonal with added polyphony: 2nd half of 15th century
| Archive | Archivio Capitolare di Parma, Parma, Italy (I-PAac) |
|---|---|
| Shelfmark | MS F-09 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 565 x 410 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 4 compositions, 4 are anonymous. |
General Description
Binding
Covers of leather over wooden boards probably date from 18th century.
Liminary Note
Title on first folio: 'Libro del Te Deum e Chirie del Tempo Pasquale.'
Notation
black full mensural, black void mensural ('Deo gratias' on f. U'), square
Date
Second half of 15th century (MasseraCS).
Ruling
4-or 5-line staves
Foliation
140v-148, Q-Uv
Foliation
Original ink foliation, I-CLVII, begins on sixth folio; 5 folios at beginning and 16 folios at end unnumbered (designated in RISM as 'A-D' [excludes first folio] and 'E-U').
Decoration
Coloured initials and miniatures.
Surface
Parchment
RISM Description
Main corpus folios I-CLVIII with separate fascicles front and back (f.A-D and E-U). Title 'Libro del te Deum e Chirie del tempore Pasquale'. 177 folios in total. Original foliation in corpus, no foliation in outer fascicles. 5 4-line staves per page. 18th century binding, leather over wood boards.
RISM B/IV 4: 15. Jh.; 177 Blätter Pergament + 1 Vorsatzblatt 565 x 410 mm. Originale Foliierung von f. I-CLVIII, Anfang und Schluß (f. A-D, E-U) ohne Foliierung Je Seite 5 Vierliniensysteme mit Quadratnotation (f. 140-148: schwarze Mensuralnotation); f. A-D und E-U 6 beziehungsweise 4 Fünfliniensysteme mit schwarzer Mensuralnotation (f. Uv 4 Fünfliniensysteme mit weißer Mensuralnotation). - Einband: 18. Jh. (?); mit Leder überzogene Holzdeckel.
Diese aus dem Dom von Parma stammende, vermutlich in der zweiten Hälfte des 15. Jh. geschriebene Handschrift besteht aus einem Hauptteil (f. I-CLVIII) und vorne und hinten zugebundenen Faszikeln (f. A-D, E-U). Die Handschrift trägt den Titel Libro del te Deum e Chirie del tempore Pasquale.
Inhalt: f. A-D siehe Incipitverzeichnis; f. 1-92 Invitatorien, Responsorien, Te Deum; f. 92v-176 Ordinariumszyklen, Marian. Antiphonen; f. E-U Ordinariumszyklen, Recordare, Gaudeamus, sowie Incipitverzeichnis Nr. 3 und 4.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
Graduale-Antiphonale, with polyphony: 3 Credos, 1 motet = 4
Anonymous
178 parchment folios, 565 x 410. Original ink foliation, I-CLVII, begins on sixth folio; 5 folios at beginning and 16 folios at end unnumbered (designated in RISM as "A-D" [excludes first folio] and "E-U"). Covers of leather over wooden boards probably date from 18th century. Monophonic contents copied mainly in square chant notation on 4-line staves; polyphony on ff. A-D, ff. CXL-CXLVIII, and ff. Q-U, in black mensural notation on 4- or 5-line staves; polyphonic "Deo gratias" on f. U' in white mensural notation. Main corpus copied by more than one scribe (LayIM); polyphony added by two or three different scribes. Colored initials and miniatures. Title on first folio: "Libro del Te Deum e Chirie del Tempo Pasquale."
Second half of 15th century (MasseraCS). Copied in Parma, for use by cathedral choir.
The inventory could not be loaded.
‡ denotes primary source study
Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.
Bent, Margaret. 1979. Review of PMFC XII. Journal of the American Musicological Society, 32: 561-77. Pages: 566, 576. Notes: mention of MS; contents list (partial); concordances (partial).
Fischer, Kurt von, and Franco Alberto Gallo (editors). 1976. Italian Sacred Music (I). Polyphonic Music of the Fourteenth Century, vol. 12. Monaco: Éditions de l'Oiseau-Lyre. Pages: XII, 49-52, 196. Notes: contents list (partial); transcription (partial).
Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I, vol. Einzeldrucke vor 1800. Kassel. Pages: B IV/4, 1002-4. Notes: physical description; contents list; incipits.
Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1, vol. 3, Mensurabilia, 1. Bologna: Universita degli studi di Bologna. Pages: Facs of no.2.
Massera, Giuseppe. 1964. De alcuni canti sacri a due voci nei corali del duomo di Parma. Aurea Parma, 48: 79-87. Pages: Fasz. I (Teilfaks. von Nr. 1-3, Teilübertragung von Nr. 1 u. 3);. Notes: physical description; contents list; transcription (partial); facsimile (partial); mention of MS; discussion.
Massera, Giuseppe. 1964. Sempre a proposito di alcune musiche polifoniche nei libri liturgici del duomo di Parma," Aurea Parma. Aurea Parma, 48: 260-5. Pages: Fasz. IlI (Faks. u. Ue. von Nr. 4, Teilübertragung von Nr. 2). Notes: contents list; transcription (partial); facsimile (partial); mention of MS; discussion.
Layton, Billy Jim. 1960. Italian Music for the Ordinary of the Mass 1300-1450. Harvard University, Unpublished Ph.D. dissertation. Pages: 350-3. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.
Gasperini, Guido. 1911 R 1970. Catalogo Generale delle Opere Musiche ... Città di Reggio-Emilia. Parma: (1911) Bologna (1970 reprint). Pages: 56-7. Notes: physical description (partial); contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Liminary Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description