A Bassus partbook from a set originally of five or six volumes. Copied by a single scribe, who also wrote most of LeuvK 4 (Rifkin) and WinF 153 (Call). Copied in Low Countries.
I-Bc Q.26 [Bassus]
Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy
partbook: c. 1564-6 (presumably collateral with LeuvK 4 and WinF 153).
| Archive | Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy (I-Bc) |
|---|---|
| Shelfmark | Q.26 [Bassus] |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Measurements | 145 x 210 mm |
| Other Identifiers |
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| Notations |
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| Provenance |
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| Contents | Contains 61 compositions, 57 from 29 composers, 4 are anonymous. |
General Description
Extent
i + 132 + i leaves
Binding
Original leather covers tooled in gold front and back with identical ornamental designs and initials of voice designations; string ties remain.
Watermark
resembles Briquet #9870 (Crawford)
Foliation
Modern pencil foliation.
Decoration
Painted and inked calligraphic initials.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
61 French, Italian, and Dutch secular pieces
Appenzeller-1, Baston-7, Buissons-2, Clemens non Papa-3, Courtois-1, Crecquillon-5, Crespel-5, Delafont-1, Descandam-1, Gervaise-1, Guyon-1, C. Hollander-1, Janequin-4, Le Cocq-1, Lebrun-1, Lupi-1, Marle-1, Morel-2, Rousée-1, Sanserre-3, Waelrant-4, anon-15
2 paper partbooks (B-132 folios, Q-64), 145 x 210. Original covers. Watermark: Briquet #9870 (Brabant, 1536).
Ca. 1540-50. Possibly originated in Brabant or vicinity.
Vol. 4
55 French secular pieces, 4 Italian secular pieces, 2 Dutch secular pieces = 61
Appenzeller [Benedictus]-1, Baston-7, Buus-2, Clemens non Papa-4, Courtois-1, Crecquillon-o, Crespel-o, Delafont-2, Descaudain/ (Moulu)-1, Gervaise-1, Guyon-1, C. Hollander-1, Janequin-6, (L'Archier)-1, Le Cocq-1, Lebrun-1, Lupi-1, Marle-1, (Meigret)-1, Morel-2, Rousée-1, Sanserre-3, (Vassal)-1, Waelrant-4, (Wilder)-1, anon-4
2 paper partbooks of an original 5 or 6 (B-i + 132 + i folios, Q-ii + 64 + iii), 145 x 210. Modern pencil foliation. Blank folios or blank staves only—B: 1, 14-33, 46-65, 111-132'; Q: 1, ll'-33, 47-64'. Original leather covers tooled in gold front and back with identical ornamental designs and initials of voice designations; string ties remain. No index. Copied by a single scribe, who also wrote most of LeuvK 4 (Rifkin) and WinF 153 (Call). Painted and inked calligraphic initials. Watermark resembles Briquet #9870 (Crawford).
Probably ca. 1564-6 (presumably collateral with LeuvK 4 and WinF 153). Copied in Low Countries.
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Sets
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Q.26
Partbooks · 2 sources
I-Bc Q.26 [Bassus]
Current source
‡ denotes primary source study
Bernstein, Jane Agar. 1979. Philip van Wilder and the Netherlandish Chanson in England. Musica Disciplina, 33: 55-75. Pages: 71. Notes: contents list (partial); concordances (partial).
Torchi, Luigi. 1906. I Monumenti dell'antica musica francese a Bologna. Rivista Musicale Italiana, 13: 451-505,575-615. Pages: 504-5,575-6. Notes: contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description