US-BLl Music MS 8

Indiana University, Lilly Library, Bloomington, United States

manuscript of polyphony: Late 16th century

Archive	Indiana University, Lilly Library, Bloomington, United States (US-BLl)
Shelfmark	Music MS 8
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	305 x 210 mm
Other Identifiers	CCM: BloomL 8
Notations	black void mensural
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Relationships	Harper (of New York), Lathrop C. (owner) San Juan Ixcoi, Guatemala (copied at)
Provenance	San Juan Ixcoi, Guatemala
Contents	Contains 3 compositions from 5 composers. Contains uninventoried compositions from 12 composers.

General Description

Copied at San Juan Ixcoi, Guatemala. Purchased by Indiana University in 1969 from Lathrop C. Harper, New York.

DIAMM, 2017

Binding

Original covers of brown leather, secured by three thongs on the spine.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern pencil pagination, 1-130

DIAMM, 2017

Decoration

Simple black inked initials

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Italian secular piece, 26 textless pieces = 82 (also several falsobordone settings)

(Anchieta/Compere/Peñalosa)-1, Armijo-1, Asculo-1, A. Avila-2, Basurto [Vasurto]-1, (Escobar)-1, D. Fernández-1, M. Fernández-1, Morales-2, (Mouton)-1, Pastrana-2, Peñalosa-1, Pérez-3, (Wreede)-1, anonymous

65 paper folios, 305 x 210. Modern pencil pagination, 1-130. Original covers of brown leather, secured by three thongs on the spine. No index. Simple black inked initials.

Late 16th century. Copied at San Juan Ixcoi, Guatemala. Purchased by Indiana University in 1969 from Lathrop C. Harper, New York.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.

Known compositions

Composition	Composers (? Uncertain)	Folios / Pages	Source Attribution
Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum	Compère, Loyset (ca. 1445–1518)	24v–25	-
O bone Jesu illumina oculos meos	Penalosa, Francisco de (?) Compère, Loyset (ca. 1445–1518) (?) Anchieta, Juan de (1462–1523) Ribera, Antonio de (?)	26v–27	-
O bone Jesu illumina oculos meos	Penalosa, Francisco de (?) Compère, Loyset (ca. 1445–1518) (?) Anchieta, Juan de (1462–1523) Ribera, Antonio de (?)	58v–59	-
Pange lingua gloriosi (I)	Urrede (Wrede), Juan de (fl. 1451-c1482)	47v–48	-

Known composers

Composers (? Uncertain)	Folios / Pages	Item title	Attribution in Source
Works by Armijo	[-]	-	-
Works by Asculo	[-]	-	-
Works by Avila, Alonso de	[-]	-	-
Works by Basurto, Juan Garcia de (ca. 1490–1547)	[-]	-	-
Works by Escobar, Pedro de	[-]	-	-
Works by Fernandez, Diego (–1551)	[-]	-	-
Works by Fernandez, Matheo	[-]	-	-
Works by Morales, Cristóbal de (ca. 1500–1553)	[-]	-	-
Works by Mouton, Jean (ca. 1459–1522)	[-]	-	-
Works by Pastrana, Pedro de (1490–ca. 1558)	[-]	-	-
Works by Penalosa, Francisco de	[-]	-	-
Works by Perez, Juan (1604–ca. 1702)	[-]	-	-

Composer	Compositions
Anchieta, Juan de (1462-1523)	O bone Jesu illumina oculos meos – 26v–27 O bone Jesu illumina oculos meos – 58v–59
Anonymous	[No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-]
Compère, Loyset (ca. 1445-1518)	Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum – 24v–25 (?) O bone Jesu illumina oculos meos – 58v–59 (?) O bone Jesu illumina oculos meos – 26v–27
Penalosa, Francisco de	(?) O bone Jesu illumina oculos meos – 58v–59 (?) O bone Jesu illumina oculos meos – 26v–27
Ribera, Antonio de	(?) O bone Jesu illumina oculos meos – 26v–27 (?) O bone Jesu illumina oculos meos – 58v–59
Urrede (Wrede), Juan de (1451-c1482)	Pange lingua gloriosi (I) – 47v–48

Composition	Composers (? Uncertain)	Folios / Pages
Ave Maria gratia plena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum	Compère, Loyset (ca. 1445–1518)	24v–25
O bone Jesu illumina oculos meos	Penalosa, Francisco de (?) Compère, Loyset (ca. 1445–1518) (?) Anchieta, Juan de (1462–1523) Ribera, Antonio de (?)	26v–27
O bone Jesu illumina oculos meos	Penalosa, Francisco de (?) Compère, Loyset (ca. 1445–1518) (?) Anchieta, Juan de (1462–1523) Ribera, Antonio de (?)	58v–59
Pange lingua gloriosi (I)	Urrede (Wrede), Juan de (fl. 1451-c1482)	47v–48

‡ denotes primary source study

d'Alvarenga, João Pedro. 2019. Juan de Anchieta and the Iberian motet around 1500. Acta Musicologica, 91: 21-47. Notes: discussion of 'O bone Jesu'.

Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 276. Notes: contents list (partial); concordances (partial); incipits (partial).

Stevenson, Robert. 1970. Renaissance and Baroque Musical Sources in the Americas. Washington, D.C. Pages: 50-4; L 55-7.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description