Copied at San Juan Ixcoi, Guatemala. Purchased by Indiana University in 1969 from Lathrop C. Harper, New York.
US-BLl Music MS 8
Indiana University, Lilly Library, Bloomington, United States
manuscript of polyphony: Late 16th century
| Archive | Indiana University, Lilly Library, Bloomington, United States (US-BLl) |
|---|---|
| Shelfmark | Music MS 8 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 305 x 210 mm |
| Other Identifiers |
|
| Notations |
|
| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Relationships |
|
| Provenance |
|
| Contents | Contains 3 compositions from 5 composers. Contains uninventoried compositions from 12 composers. |
General Description
Binding
Original covers of brown leather, secured by three thongs on the spine.
Notation
black void mensural
Foliation
Modern pencil pagination, 1-130
Decoration
Simple black inked initials
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
Italian secular piece, 26 textless pieces = 82 (also several falsobordone settings)
(Anchieta/Compere/Peñalosa)-1, Armijo-1, Asculo-1, A. Avila-2, Basurto [Vasurto]-1, (Escobar)-1, D. Fernández-1, M. Fernández-1, Morales-2, (Mouton)-1, Pastrana-2, Peñalosa-1, Pérez-3, (Wreede)-1, anonymous
65 paper folios, 305 x 210. Modern pencil pagination, 1-130. Original covers of brown leather, secured by three thongs on the spine. No index. Simple black inked initials.
Late 16th century. Copied at San Juan Ixcoi, Guatemala. Purchased by Indiana University in 1969 from Lathrop C. Harper, New York.
Loading inventory…
The inventory could not be loaded.
‡ denotes primary source study
d'Alvarenga, João Pedro. 2019. Juan de Anchieta and the Iberian motet around 1500. Acta Musicologica, 91: 21-47. Notes: discussion of 'O bone Jesu'.
Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 276. Notes: contents list (partial); concordances (partial); incipits (partial).
Stevenson, Robert. 1970. Renaissance and Baroque Musical Sources in the Americas. Washington, D.C. Pages: 50-4; L 55-7.
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description