D-B MS Mus. 40212 [Discantus]

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany

partbook: Late 16th century

Archive	Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany (D-B)
Shelfmark	MS Mus. 40212 [Discantus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	152 x 204 mm
Other Identifiers	CCM: BerlS 40212
Notations	black void mensural
Provenance	Bavaria, Germany
Contents	129 pieces from 36 composers

General Description

A Discantus partbook from a set originally of 5 books. Copied by one main scribe and several additional scribes; scribal concordances with BerlS 40208. Of German origin.

DIAMM, 2017

Extent

i + iv + 121 + i

DIAMM, 2017

Binding

Rebound in modern covers of mottled cardboard.

DIAMM, 2017

Watermark

generally resembles Briquet #1242; same mark also appears in BerlS 40208

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 12

DIAMM, 2017

Foliation

Original ink foliation in each book, with some errors and inconsistencies. According to catalogue, openings are numbered rather than folios (1 left-right, 2 left-right, ...); this has been rendered as conventional folaition in the inventory - in this case iv(v)-1r, 1v-2r, ...

DIAMM, 2017

Foliation

2 folios missing after f. 52v; last leaf (f. 123) missing. Foliation omits f.111; folios 93 & 107 occur twice each.

DIAMM, 2022

Decoration

No initials or decoration.

DIAMM, 2017

Index

Original index at beginning of both books groups pieces alphabetically by first letter of text, with sub-grouping under each letter by number of voices and order of appearance.

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

41 motets, 31 Italian pieces, 13 French pieces, 11 German pieces = 96

Buissons-1, Clemens non Papa-2, Crecquillon-3, Eccard-1, G. Ferretti-5, A. Gabrieli-1, Gastoldi-3, Geratus-1, Gero-1, Gombert-2, Hassler-1, Ivo de Vento-2, Kerle-2, Lassus-27, Le Cocq-1, Macque-5, Marenzio-3, Meiland-1, Merulo-1, Moletto-1, Philippe de Monte-2, [Giovanni Maria?] Nanino-1, A. Padovano-1, Palestrina-4, Rore-1, Striggio-1, Vaet-1, Orazio Vecchi-1, Verdelot-1, Vichauser-1, Victoria-1, Wert-2, Willaert-1, Zaphelius-1, anon-13

2 paper partbooks (D-126 folios, Q-127), 152 x 204. Original foliation. Cardboard covers. Original index in both books. Same scribe and watermarks as in BerlS 40208.

After 1582 (includes pieces from Marenzio's third book of 5-part madrigals published in that year). Of German provenance.

Vol. 4

41 motets, 4 German sacred pieces, 34 Italian secular pieces (2 fragmentary), 13 French secular pieces, 6 German secular pieces = 98

Buissons-1, Clemens non Papa-2, Crecquillon-4, Eccard-1, G. Ferretti-5, A. Gabrieli-1, Gastoldi-3, J. Gerard [Geratus]-1, Gero-1, Gombert-2, Hassler-1, Ivo de Vento-2, Kerle-2, Lassus-27, (Lassus/Wert)-1, Gerard Le Cocq-1, Macque-6, Marenzio-4, Meiland-1, Merulo-1, Philippe de Monte-3, Nanino-1, Nollet-1, A. Padovano-1, Palestrina-5, Rore-1, Striggio-1, Striggio/(Marenzio)-1, Vaet-2, Orazio Vecchi-2, Verdelot/(A. Ferrabosco I)-1, Vichauser-1, Victoria-1, (Walter)-2, Wert-2, Willaert-1, Zaphelius-1, anon-4

2 paper partbooks (D-i + iv + 121 + /folios, Q_-¿ + iv + 119 + i), 152 x 204. Original ink foliation in each book, with some errors and inconsistencies. Rebound in modern covers of mottled cardboard. Original index at beginning of both books groups pieces alphabetically by first letter of text, with subgrouping under each letter by number of voices and order of appearance. Copied by one main scribe and several additional scribes; scribal concordances with BerlS 40208. Staff height 12. No initials or decoration. Watermark generally resembles Briquet #1242; same mark also appears in BerlS 40208.

Late 16th century. Of German origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
i–iii	index	-	-
index Appears on: i–iii
iii v	[blank page]	-	-
[blank page] Appears on: iii v
iv	[blank staves]	-	-
[blank staves] Appears on: iv
iv v–1	D'un si bel foco - 1a pars (of 2): D'un si bel foco e d'un si nobil laccio	Giaches de Wert	Wert, Giaches [Jaches] de (1535–1596)
D'un si bel foco - 1a pars (of 2): D'un si bel foco e d'un si nobil laccio Wert, Giaches [Jaches] de (1535–1596) Appears on: iv v–1 Genres: Madrigal (Italian) Source Attribution: Giaches de Wert
1v–2	D'un si bel foco - 2a pars (of 2): Scorgo tant' alto il lume	-	Wert, Giaches [Jaches] de (1535–1596)
D'un si bel foco - 2a pars (of 2): Scorgo tant' alto il lume Wert, Giaches [Jaches] de (1535–1596) Appears on: 1v–2 Genres: Madrigal (Italian)
2v–3	Scopriro l'ardor mio - 1a pars (of 2): Scopriro l'ardor mio con dir ch'io morro	Gio. Maria Nanino	Nanino, Giovanni Maria
Scopriro l'ardor mio - 1a pars (of 2): Scopriro l'ardor mio con dir ch'io morro Nanino, Giovanni Maria Appears on: 2v–3 Genres: Madrigal (Italian) Source Attribution: Gio. Maria Nanino
3v–4	Scopriro l'ardor mio - 2a pars (of 2): Se voi siet' il mio sol	-	Nanino, Giovanni Maria
Scopriro l'ardor mio - 2a pars (of 2): Se voi siet' il mio sol Nanino, Giovanni Maria Appears on: 3v–4 Genres: Madrigal (Italian)
4v–5	Io non potria goder	Claudio Merulo	Merulo, Claudio (1533–1604)
Io non potria goder Merulo, Claudio (1533–1604) Appears on: 4v–5 Genres: Madrigal (Italian) Source Attribution: Claudio Merulo
5v–6	Invidios' amor del mio bel stato	Alessandro Striggio	Striggio, Alessandro (ca. 1536–1592)
Invidios' amor del mio bel stato Striggio, Alessandro (ca. 1536–1592) Appears on: 5v–6 Genres: Madrigal (Italian) Source Attribution: Alessandro Striggio
6v–7	Il tempo vola - 1a pars (of 2): Il tempo vola e se ne fuggon	Gianetto Palestrina	Palestrina, Giovanni Pierluigi da (1525–1594)
Il tempo vola - 1a pars (of 2): Il tempo vola e se ne fuggon Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 6v–7 Genres: Madrigal (Italian) Source Attribution: Gianetto Palestrina
7v–8	Il tempo vola - 2a pars (of 2): Ivi vedrai la gloria	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Il tempo vola - 2a pars (of 2): Ivi vedrai la gloria Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 7v–8 Genres: Madrigal (Italian)
8v–9	Rose bianche e vermiglie chi vuol veder	Luca Marenzio	Marenzio, Luca (ca. 1553–1599)
Rose bianche e vermiglie chi vuol veder Marenzio, Luca (ca. 1553–1599) Appears on: 8v–9 Genres: Italian secular Source Attribution: Luca Marenzio
9v–10	La pastorella mia - 1a pars (of 2): La pastorella mia spietata e rigida	Luca Marenzio	Marenzio, Luca (ca. 1553–1599)
La pastorella mia - 1a pars (of 2): La pastorella mia spietata e rigida Marenzio, Luca (ca. 1553–1599) Appears on: 9v–10 Genres: Madrigal (Italian) Source Attribution: Luca Marenzio
10v–11	La pastorella mia - 2a pars (of 2): Ecco ribomba che si dolci	-	Marenzio, Luca (ca. 1553–1599)
La pastorella mia - 2a pars (of 2): Ecco ribomba che si dolci Marenzio, Luca (ca. 1553–1599) Appears on: 10v–11 Genres: Madrigal (Italian)
11v–12	Scherzando con diletto	Luca Marenzio	Marenzio, Luca (ca. 1553–1599)
Scherzando con diletto Marenzio, Luca (ca. 1553–1599) Appears on: 11v–12 Genres: Madrigal (Italian) Source Attribution: Luca Marenzio
12v–13	Cantai mentre ch'i arsi del mio foco	Cyprian Rore	Rore, Cipriano de (ca. 1515–1565)
Cantai mentre ch'i arsi del mio foco Rore, Cipriano de (ca. 1515–1565) Appears on: 12v–13 Genres: Madrigal (Italian) Source Attribution: Cyprian Rore
13v–14	Vestiva i colli - 1a pars (of 2): Vestiva i colli e le campagn'intorno	Gianetto Palestrina	Palestrina, Giovanni Pierluigi da (1525–1594)
Vestiva i colli - 1a pars (of 2): Vestiva i colli e le campagn'intorno Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 13v–14 Genres: Madrigal (Italian) Source Attribution: Gianetto Palestrina
14v–15	Vestiva i colli - 2a pars (of 2): Cosi le chiome mie soavemente	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Vestiva i colli - 2a pars (of 2): Cosi le chiome mie soavemente Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 14v–15 Genres: Madrigal (Italian)
15v–16	Io son ferito ahi lasso e chi mi diede	Gianetto Palestrina	Palestrina, Giovanni Pierluigi da (1525–1594)
Io son ferito ahi lasso e chi mi diede Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 15v–16 Genres: Madrigal (Italian) Source Attribution: Gianetto Palestrina
16v–17	Deh Flori se pieta - 1a pars (of 2): Deh Flori se pieta	Filippo di Monte	Monte, Philippe de
Deh Flori se pieta - 1a pars (of 2): Deh Flori se pieta Monte, Philippe de Appears on: 16v–17 Genres: Madrigal (Italian) Source Attribution: Filippo di Monte
17v–18	Deh Flori se pieta - 2a pars (of 2): Sola te cerco ogn' hor	-	Monte, Philippe de
Deh Flori se pieta - 2a pars (of 2): Sola te cerco ogn' hor Monte, Philippe de Appears on: 17v–18 Genres: Madrigal (Italian)
18v–19	Sotto quest' edra - 1a pars (of 2): Sotto quest' edra a pie	Filippo di Monte	Monte, Philippe de
Sotto quest' edra - 1a pars (of 2): Sotto quest' edra a pie Monte, Philippe de Appears on: 18v–19 Genres: Madrigal (Italian) Source Attribution: Filippo di Monte
19v–20	Sotto quest' edra - 2a pars (of 2): O quant' ho gia nel cor	-	Monte, Philippe de
Sotto quest' edra - 2a pars (of 2): O quant' ho gia nel cor Monte, Philippe de Appears on: 19v–20 Genres: Madrigal (Italian)
20v–21	S'io mir' ho male	Giacomo Gastoldi	Gastoldi, Giovanni Giacomo (ca. 1554–1609)
S'io mir' ho male Gastoldi, Giovanni Giacomo (ca. 1554–1609) Appears on: 20v–21 Genres: Madrigal (Italian) Source Attribution: Giacomo Gastoldi
21v–22	Miracol' in natura	Giacomo Gastoldi	Gastoldi, Giovanni Giacomo (ca. 1554–1609)
Miracol' in natura Gastoldi, Giovanni Giacomo (ca. 1554–1609) Appears on: 21v–22 Genres: Madrigal (Italian) Source Attribution: Giacomo Gastoldi
22v–23v	Chi chi li chi	Andrea Gabrieli [Orlando di Lasso]	Lassus, Orlande de (ca. 1532–1594)
Chi chi li chi Lassus, Orlande de (ca. 1532–1594) Appears on: 22v–23v Genres: Frottola Source Attribution: Andrea Gabrieli [Orlando di Lasso] General Note Andrea Gabrieli also made a setting of this piece, but the copyist is wrong in thinking this version is his - this is the version by Lassus.
24	[blank staves]	-	-
[blank staves] Appears on: 24
24v–25	Mirate che m' ha fatto	Gio. Ferretti	Ferretti, Giovanni
Mirate che m' ha fatto Ferretti, Giovanni Appears on: 24v–25 Genres: Madrigal (Italian) Source Attribution: Gio. Ferretti
25v–26	Ho inteso dir da molti	Gio. Ferretti	Ferretti, Giovanni
Ho inteso dir da molti Ferretti, Giovanni Appears on: 25v–26 Genres: Madrigal (Italian) Source Attribution: Gio. Ferretti
26v–27	Su su su, non piu dormir	Gio. Ferretti	Ferretti, Giovanni
Su su su, non piu dormir Ferretti, Giovanni Appears on: 26v–27 Genres: Madrigal (Italian) Source Attribution: Gio. Ferretti
27v–28	Ecco ch'io lass' il core	-	Anonymous
Ecco ch'io lass' il core Anonymous Appears on: 27v–28 Genres: Madrigal (Italian)
28v–29	Ancor che col partire	Gio. Ferretti	Ferretti, Giovanni
Ancor che col partire Ferretti, Giovanni Appears on: 28v–29 Genres: Madrigal (Italian) Source Attribution: Gio. Ferretti
29v–30	Non vegg' ogg' il mio sole	Giovanni de Macque	Macque, Giovanni de
Non vegg' ogg' il mio sole Macque, Giovanni de Appears on: 29v–30 Genres: Madrigal (Italian) Source Attribution: Giovanni de Macque
30v	Vorrei morire per prest' uscire	Giovanni Macque	Macque, Giovanni de
Vorrei morire per prest' uscire Macque, Giovanni de Appears on: 30v Genres: Madrigal (Italian) Source Attribution: Giovanni Macque
31	S'io non t'adoro	Giovanni Macque	Macque, Giovanni de
S'io non t'adoro Macque, Giovanni de Appears on: 31 Genres: Madrigal (Italian) Source Attribution: Giovanni Macque
31v–32	Bacciami vita mia	Giovanni de Macque	Macque, Giovanni de
Bacciami vita mia Macque, Giovanni de Appears on: 31v–32 Genres: Madrigal (Italian) Source Attribution: Giovanni de Macque
32v–33	Amor scorse da gl' occhi	Giovanni Macque	Macque, Giovanni de
Amor scorse da gl' occhi Macque, Giovanni de Appears on: 32v–33 Genres: Madrigal (Italian) Source Attribution: Giovanni Macque
33v–34	Come havra vita amor	-	Anonymous
Come havra vita amor Anonymous Appears on: 33v–34 Genres: Madrigal (Italian)
34–35	Mens super astra volans (=Nasce la gioia mia)	Giacomo Gastoldi	Gastoldi, Giovanni Giacomo (ca. 1554–1609)
Mens super astra volans (=Nasce la gioia mia) Gastoldi, Giovanni Giacomo (ca. 1554–1609) Appears on: 34–35 Genres: Contrafactum, Motet Source Attribution: Giacomo Gastoldi
35v–36	Di corali e di perle	Giovan[ni] de Macque	Macque, Giovanni de
Di corali e di perle Macque, Giovanni de Appears on: 35v–36 Genres: Madrigal (Italian) Source Attribution: Giovan[ni] de Macque
36v–37	Un coeur en deuil je porte en un champ	Gerard Le Cocq	Le Cocq, Gerard
Un coeur en deuil je porte en un champ Le Cocq, Gerard Appears on: 36v–37 Genres: Chanson Source Attribution: Gerard Le Cocq
37v–38	Oncques amours ne fut sans grand langueur	Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Oncques amours ne fut sans grand langueur Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 37v–38 Source Attribution: Crequillon
38v–39	Mon coeur se recommande a vous	Orlando	Lassus, Orlande de (ca. 1532–1594)
Mon coeur se recommande a vous Lassus, Orlande de (ca. 1532–1594) Appears on: 38v–39 Genres: Chanson Source Attribution: Orlando
39v–40	Susanne un jour d'amour solicitée par deux viellards	Orlando	Lassus, Orlande de (ca. 1532–1594)
Susanne un jour d'amour solicitée par deux viellards Lassus, Orlande de (ca. 1532–1594) Appears on: 39v–40 Genres: Chanson Source Attribution: Orlando
40v–41	Ardant amour souvent me fait instance	Orlando	Lassus, Orlande de (ca. 1532–1594)
Ardant amour souvent me fait instance Lassus, Orlande de (ca. 1532–1594) Appears on: 40v–41 Genres: Chanson Source Attribution: Orlando
41v–42	Le departir est sans departement	Orlando	Lassus, Orlande de (ca. 1532–1594)
Le departir est sans departement Lassus, Orlande de (ca. 1532–1594) Appears on: 41v–42 Genres: Chanson Source Attribution: Orlando
42v–43	Adieu celle que j'ay servi	Geratus (=Gerardus)	Gerard, Jacques
Adieu celle que j'ay servi Gerard, Jacques Appears on: 42v–43 Genres: Chanson Source Attribution: Geratus (=Gerardus)
43v–44	En languissant je consume mes jours	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
En languissant je consume mes jours Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 43v–44 Genres: Chanson
44v–45	Jouissance vous donnerai, mon ami	Adrian Wilhart	Willaert, Adrian (ca. 1490–1562)
Jouissance vous donnerai, mon ami Willaert, Adrian (ca. 1490–1562) Appears on: 44v–45 Genres: Chanson Source Attribution: Adrian Wilhart
45v–46	Pis ne me peult venir que j'ai jusques ici	Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Pis ne me peult venir que j'ai jusques ici Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 45v–46 Genres: Chanson Source Attribution: Crequillon
46v–48	[blank staves]	-	-
[blank staves] Appears on: 46v–48 General Note blank staves in this book; at the corresponding point in the Quinta book the music for Marenzio's "Deggio dunque partire" is copied.
48v–49	Si me tenes tant de rigueur madame	Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Si me tenes tant de rigueur madame Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 48v–49 Genres: Chanson Source Attribution: Crequillon
49v–50	Tous les regrets qu'oncques furent au monde	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
Tous les regrets qu'oncques furent au monde Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 49v–50 Genres: Chanson Source Attribution: Gombert
50v–51	En attendant l'espoir de ma maîtresse	Gombert	Gombert, Nicolas (ca. 1495–ca. 1560)
En attendant l'espoir de ma maîtresse Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 50v–51 Genres: Chanson Source Attribution: Gombert
51v–52	Ultimi miei sospiri che mi lasciate	Verdelot	Verdelot, Philippe (ca. 1480–ca. 1532) Ferrabosco, Alfonso (the elder) (1543–1588) (?)
Ultimi miei sospiri che mi lasciate Verdelot, Philippe (ca. 1480–ca. 1532) Ferrabosco, Alfonso (the elder) (1543–1588) (?) Appears on: 51v–52 Genres: Madrigal (Italian) Source Attribution: Verdelot
52v	Quant' in mill' anni il ciel dovea mostrarne	Moletto	Nollet
Quant' in mill' anni il ciel dovea mostrarne Nollet Appears on: 52v Genres: Madrigal (Italian) Source Attribution: Moletto General Note incomplete: 2 missing folios after f. 53v
55	Gitene canzonett' al mio signore	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Gitene canzonett' al mio signore Vecchi, Orazio (1550–1605) Appears on: 55 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi General Note lacks opening, owing to 2 missing folios between 52 & 55
55v–56	Saltavan ninfe satiri e pastori	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Saltavan ninfe satiri e pastori Vecchi, Orazio (1550–1605) Appears on: 55v–56 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
56v–57	Vater unser im Himmelreich	-	Lassus, Orlande de (ca. 1532–1594)
Vater unser im Himmelreich Lassus, Orlande de (ca. 1532–1594) Appears on: 56v–57 Genres: Motet, Pater noster
57v–58	Joseph, lieber Joseph mein - Eia virgo Deum genuit	-	Walter, Johann (1496–1570)
Joseph, lieber Joseph mein - Eia virgo Deum genuit Walter, Johann (1496–1570) Appears on: 57v–58 Genres: Sacred Song
58v–59	Ein kindelein so löbelich ist uns geboren	-	Walter, Johann (1496–1570)
Ein kindelein so löbelich ist uns geboren Walter, Johann (1496–1570) Appears on: 58v–59 Genres: Motet, Sacred Song
59v–60	Christ ist erstanden	-	Anonymous
Christ ist erstanden Anonymous Appears on: 59v–60 Genres: Hymn
60v–61	Ist keiner hie der spricht zu mir	Orlando Lassus	Lassus, Orlande de (ca. 1532–1594)
Ist keiner hie der spricht zu mir Lassus, Orlande de (ca. 1532–1594) Appears on: 60v–61 Genres: Lied Source Attribution: Orlando Lassus
61v–62	Der wein der schmeckt mir also wol macht	Orlando Lassus	Lassus, Orlande de (ca. 1532–1594)
Der wein der schmeckt mir also wol macht Lassus, Orlande de (ca. 1532–1594) Appears on: 61v–62 Genres: Song Source Attribution: Orlando Lassus
62v–63	Im Maien hört man die Hahnen kreien	Orlando Lassus	Lassus, Orlande de (ca. 1532–1594)
Im Maien hört man die Hahnen kreien Lassus, Orlande de (ca. 1532–1594) Appears on: 62v–63 Genres: Lied Source Attribution: Orlando Lassus
63v–64	Freu ich bin euch	Orlando Lassus	Lassus, Orlande de (ca. 1532–1594)
Freu ich bin euch Lassus, Orlande de (ca. 1532–1594) Appears on: 63v–64 Genres: Lied Source Attribution: Orlando Lassus
64v–65	Am Abend spat beim Kühlen Wein	Orlando Lassus	Lassus, Orlande de (ca. 1532–1594)
Am Abend spat beim Kühlen Wein Lassus, Orlande de (ca. 1532–1594) Appears on: 64v–65 Genres: Lied Source Attribution: Orlando Lassus
65v–66	Frohlich zu sein - 1a pars (of 2): Frohlich zu sein	Orlando Lassus	Lassus, Orlande de (ca. 1532–1594)
Frohlich zu sein - 1a pars (of 2): Frohlich zu sein Lassus, Orlande de (ca. 1532–1594) Appears on: 65v–66 Genres: Lied Source Attribution: Orlando Lassus
66v–67	Frohlich zu sein - 2a pars (of 2): Wer frisch will sein	-	Lassus, Orlande de (ca. 1532–1594)
Frohlich zu sein - 2a pars (of 2): Wer frisch will sein Lassus, Orlande de (ca. 1532–1594) Appears on: 66v–67 Genres: Lied
67v–68	Sanctificavit Dominus tabernaculum	-	Anonymous
Sanctificavit Dominus tabernaculum Anonymous Appears on: 67v–68 Genres: Motet
68v–69	Domine a lingua dolosa et ab insidiis inimicorum meorum libera me	Hanibal Paduano	Padovano, Annibale
Domine a lingua dolosa et ab insidiis inimicorum meorum libera me Padovano, Annibale Appears on: 68v–69 Genres: Motet Source Attribution: Hanibal Paduano
69v–70	Beati omnes (5vv) - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant	Orlando Lassus	Lassus, Orlande de (ca. 1532–1594)
Beati omnes (5vv) - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant Lassus, Orlande de (ca. 1532–1594) Appears on: 69v–70 Genres: Motet Source Attribution: Orlando Lassus
70v–71	Beati omnes (5vv) - 2a pars (of 2): Ecce sic benedicetur homo qui timet	-	Lassus, Orlande de (ca. 1532–1594)
Beati omnes (5vv) - 2a pars (of 2): Ecce sic benedicetur homo qui timet Lassus, Orlande de (ca. 1532–1594) Appears on: 70v–71 Genres: Motet
71v–72	Amen dico vobis - 1a pars (of 2): Amen amen dico vobis	Jacobus de Wert	Wert, Giaches [Jaches] de (1535–1596)
Amen dico vobis - 1a pars (of 2): Amen amen dico vobis Wert, Giaches [Jaches] de (1535–1596) Appears on: 71v–72 Genres: Motet Source Attribution: Jacobus de Wert
72v–73	Amen dico vobis - 2a pars (of 2): Mulier cum parit	-	Wert, Giaches [Jaches] de (1535–1596)
Amen dico vobis - 2a pars (of 2): Mulier cum parit Wert, Giaches [Jaches] de (1535–1596) Appears on: 72v–73 Genres: Motet
73v–74	Cantate Domino (5vv) - 1a pars (of 2): Cantate Domino canticum novum quia mirabilia	Orlando Lassus	Lassus, Orlande de (ca. 1532–1594)
Cantate Domino (5vv) - 1a pars (of 2): Cantate Domino canticum novum quia mirabilia Lassus, Orlande de (ca. 1532–1594) Appears on: 73v–74 Genres: Motet Source Attribution: Orlando Lassus
74v–75	Cantate Domino (5vv) - 2a pars (of 2): Viderunt omnes termini terrae	-	Lassus, Orlande de (ca. 1532–1594)
Cantate Domino (5vv) - 2a pars (of 2): Viderunt omnes termini terrae Lassus, Orlande de (ca. 1532–1594) Appears on: 74v–75 Genres: Motet
75v–76	Deus canticum novum - 1a pars (of 2): Deus canticum novum cantabo tibi in psalterio	Orlando Lassus	Lassus, Orlande de (ca. 1532–1594)
Deus canticum novum - 1a pars (of 2): Deus canticum novum cantabo tibi in psalterio Lassus, Orlande de (ca. 1532–1594) Appears on: 75v–76 Genres: Motet Source Attribution: Orlando Lassus
76v–77	Deus canticum novum - 2a pars (of 2): Quia delectasti me Domine in factura	-	Lassus, Orlande de (ca. 1532–1594)
Deus canticum novum - 2a pars (of 2): Quia delectasti me Domine in factura Lassus, Orlande de (ca. 1532–1594) Appears on: 76v–77 Genres: Motet
77v–78	Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus	Orlando	Lassus, Orlande de (ca. 1532–1594)
Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus Lassus, Orlande de (ca. 1532–1594) Appears on: 77v–78 Genres: Motet Source Attribution: Orlando
78v–79	Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes	-	Lassus, Orlande de (ca. 1532–1594)
Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes Lassus, Orlande de (ca. 1532–1594) Appears on: 78v–79 Genres: Motet
79v–80	Bonitatem fecisti cum servo tuo Domine	Orlando	Lassus, Orlande de (ca. 1532–1594)
Bonitatem fecisti cum servo tuo Domine Lassus, Orlande de (ca. 1532–1594) Appears on: 79v–80 Genres: Motet Source Attribution: Orlando
80v–81	Tristis est anima mea usque ad mortem	Orlando	Lassus, Orlande de (ca. 1532–1594)
Tristis est anima mea usque ad mortem Lassus, Orlande de (ca. 1532–1594) Appears on: 80v–81 Genres: Motet Source Attribution: Orlando
81v–82	Quis est homo qui timet Dominum?	Orlando	Lassus, Orlande de (ca. 1532–1594)
Quis est homo qui timet Dominum? Lassus, Orlande de (ca. 1532–1594) Appears on: 81v–82 Genres: Motet Source Attribution: Orlando
82v–83	Susanna se videns rapi stuprandam fraude (5vv)	Orlando Lass.	Lassus, Orlande de (ca. 1532–1594)
Susanna se videns rapi stuprandam fraude (5vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 82v–83 Genres: Contrafactum, Motet Source Attribution: Orlando Lass.
83v–84	Quae est ista quae ascendit	-	Anonymous
Quae est ista quae ascendit Anonymous Appears on: 83v–84 Genres: Motet
84v–85	Transeunte Domine - 1a pars (of 2): Transeunte Domine clamabat	-	Anonymous
Transeunte Domine - 1a pars (of 2): Transeunte Domine clamabat Anonymous Appears on: 84v–85 Genres: Motet
85v–86	Transeunte Domine - 2a pars (of 2): Et ait illi Jesus	-	Anonymous
Transeunte Domine - 2a pars (of 2): Et ait illi Jesus Anonymous Appears on: 85v–86 Genres: Motet
86v–87v	Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 86v–87v Genres: Motet Source Attribution: Clemens non Papa
88–89	Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 88–89 Genres: Motet
89v	Ego flos campi - 1a pars (of 3): Ego flos campi (= Donna crudel)	Jo. Ferretti	Ferretti, Giovanni
Ego flos campi - 1a pars (of 3): Ego flos campi (= Donna crudel) Ferretti, Giovanni Appears on: 89v Genres: Contrafactum, Motet Source Attribution: Jo. Ferretti General Note (The madrigals re-used in 1a & 2a partes are adjacent to each other - butin the reverse order - in Ferretti's 'Primo libro'.)
90	Ego flos campi - 2a pars (of 3): Sub umbra illius (=Hor va canzona mia)	-	Ferretti, Giovanni
Ego flos campi - 2a pars (of 3): Sub umbra illius (=Hor va canzona mia) Ferretti, Giovanni Appears on: 90 Genres: Contrafactum, Motet General Note (The madrigals re-used in 1a & 2a partes are adjacent to each other - butin the reverse order - in Ferretti's 'Primo libro'.)
90v	Ego flos campi - 3a pars (of 3): Quam pulchra es et quam decora	-	Ferretti, Giovanni
Ego flos campi - 3a pars (of 3): Quam pulchra es et quam decora Ferretti, Giovanni Appears on: 90v Genres: Contrafactum, Motet General Note This 3a pars is assumed also to be a contrafact but the model is not identified in the ms.
91–91v	Haec dies quam fecit Dominus exultemus	Ivo de Vent[o]	Vento, Ivo de
Haec dies quam fecit Dominus exultemus Vento, Ivo de Appears on: 91–91v Genres: Motet Source Attribution: Ivo de Vent[o]
92–92v	Tu es pastor ovium	Orland. Lass.	Lassus, Orlande de (ca. 1532–1594)
Tu es pastor ovium Lassus, Orlande de (ca. 1532–1594) Appears on: 92–92v Genres: Motet Source Attribution: Orland. Lass.
93–93a	Inclita sanctae virginis	Jan Gero	Gero, Jhan
Inclita sanctae virginis Gero, Jhan Appears on: 93–93a Genres: Motet Source Attribution: Jan Gero
93a v–94	Descendi in hortum - 1a pars (of 2): Decscendi in hortum meum	Jacob de Kerle	Kerle, Jacobus de
Descendi in hortum - 1a pars (of 2): Decscendi in hortum meum Kerle, Jacobus de Appears on: 93a v–94 Genres: Motet Source Attribution: Jacob de Kerle
94v–95	Descendi in hortum - 2a pars (of 2): Revertere sana mitis	-	Kerle, Jacobus de
Descendi in hortum - 2a pars (of 2): Revertere sana mitis Kerle, Jacobus de Appears on: 94v–95 Genres: Motet
95v–96	Salve regina misericordiae	-	Anonymous
Salve regina misericordiae Anonymous Appears on: 95v–96 Genres: Motet, Salve Regina
96v–97	Vulnerasti cor meum	Sigismundus Vichauser	Vichauser, Sigismund
Vulnerasti cor meum Vichauser, Sigismund Appears on: 96v–97 Genres: Motet Source Attribution: Sigismundus Vichauser
97v–98	Veni sancte spiritus reple	Joan. Ecchart	Eccard, Johannes (1553–1611)
Veni sancte spiritus reple Eccard, Johannes (1553–1611) Appears on: 97v–98 Genres: Motet Source Attribution: Joan. Ecchart
98v–99	O sacrum convivium	Ivone de Vento	Vento, Ivo de
O sacrum convivium Vento, Ivo de Appears on: 98v–99 Genres: Motet Source Attribution: Ivone de Vento
99v–100v	Assumens Jesus Petrum	Jacobus Vaet	Vaet, Jacobus (ca. 1529–ca. 1567)
Assumens Jesus Petrum Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 99v–100v Genres: Motet Source Attribution: Jacobus Vaet
100v–101	Gaudete filiae Jerusalem nam flores apparuerunt	Jacobus Meilandus	Meiland, Jacob (1542–1577)
Gaudete filiae Jerusalem nam flores apparuerunt Meiland, Jacob (1542–1577) Appears on: 100v–101 Genres: Motet Source Attribution: Jacobus Meilandus
101v–102	In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar	Orlando Lassus	Lassus, Orlande de (ca. 1532–1594)
In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar Lassus, Orlande de (ca. 1532–1594) Appears on: 101v–102 Genres: Motet Source Attribution: Orlando Lassus
102v–103	In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium	-	Lassus, Orlande de (ca. 1532–1594)
In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium Lassus, Orlande de (ca. 1532–1594) Appears on: 102v–103 Genres: Motet
103v	Surge propera - 1a pars (of 2): Surge propera amica mea columba mea	Orlando Lassus	Lassus, Orlande de (ca. 1532–1594)
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea Lassus, Orlande de (ca. 1532–1594) Appears on: 103v Genres: Motet Source Attribution: Orlando Lassus
104	Surge propera - 2a pars (of 2): Surge amica mea speciosa mea	-	Lassus, Orlande de (ca. 1532–1594)
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea Lassus, Orlande de (ca. 1532–1594) Appears on: 104 Genres: Motet
104v–105	Beata Dei genitrix virgo Maria cuius viscera	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Beata Dei genitrix virgo Maria cuius viscera Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 104v–105 Genres: Motet Source Attribution: Clemens non Papa
105v–106v	Nigra sum sed formosa filia Jerusalem	Ludo. de Victor[ia]	Victoria, Tomas Luis de (1548–1611)
Nigra sum sed formosa filia Jerusalem Victoria, Tomas Luis de (1548–1611) Appears on: 105v–106v Genres: Motet Source Attribution: Ludo. de Victor[ia]
107–107a	Pater noster qui es in caelis (6vv)	Orlando Lassus	Lassus, Orlande de (ca. 1532–1594)
Pater noster qui es in caelis (6vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 107–107a Genres: Motet Source Attribution: Orlando Lassus
107a v–108	Dixit Joseph - 1a pars (of 2): Dixit Joseph undecim fratribus suis	Orlando	Lassus, Orlande de (ca. 1532–1594)
Dixit Joseph - 1a pars (of 2): Dixit Joseph undecim fratribus suis Lassus, Orlande de (ca. 1532–1594) Appears on: 107a v–108 Genres: Motet Source Attribution: Orlando
108v–109	Dixit Joseph - 2a pars (of 2): Nuntiaverunt Jacob dicentes Ioseph	-	Lassus, Orlande de (ca. 1532–1594)
Dixit Joseph - 2a pars (of 2): Nuntiaverunt Jacob dicentes Ioseph Lassus, Orlande de (ca. 1532–1594) Appears on: 108v–109 Genres: Motet
109v–110	Domine Dominus noster quam admirabile est (6vv)	Orlando	Lassus, Orlande de (ca. 1532–1594)
Domine Dominus noster quam admirabile est (6vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 109v–110 Genres: Motet Source Attribution: Orlando
110v	Da pacem Domine (6vv, LV 63)	Orlando	Lassus, Orlande de (ca. 1532–1594)
Da pacem Domine (6vv, LV 63) Lassus, Orlande de (ca. 1532–1594) Appears on: 110v Genres: Motet Source Attribution: Orlando
112	Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium	Orlando	Lassus, Orlande de (ca. 1532–1594)
Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium Lassus, Orlande de (ca. 1532–1594) Appears on: 112 Genres: Motet Source Attribution: Orlando General Note (Note: numbering omits f. 111.)
112v	Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos	-	Lassus, Orlande de (ca. 1532–1594)
Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos Lassus, Orlande de (ca. 1532–1594) Appears on: 112v Genres: Motet
113	Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala	-	Lassus, Orlande de (ca. 1532–1594)
Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala Lassus, Orlande de (ca. 1532–1594) Appears on: 113 Genres: Motet
113v	Jesu nostra redemptio - 4a pars (of 4): Tu esto nostrum gaudium qui es	-	Lassus, Orlande de (ca. 1532–1594)
Jesu nostra redemptio - 4a pars (of 4): Tu esto nostrum gaudium qui es Lassus, Orlande de (ca. 1532–1594) Appears on: 113v Genres: Motet
114	[blank staves]	-	-
[blank staves] Appears on: 114
114v–115	Alleluia. Tulerunt Dominum meum et nescio	Praenestinus (=Palestrina)	Palestrina, Giovanni Pierluigi da (1525–1594)
Alleluia. Tulerunt Dominum meum et nescio Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 114v–115 Genres: Alleluia, Motet Source Attribution: Praenestinus (=Palestrina)
115v–116	Ecce ego mitto - 1a pars (of 2): Ecce ego mitto vos	Matthias Zaphellius	Zaphelius, Matthias
Ecce ego mitto - 1a pars (of 2): Ecce ego mitto vos Zaphelius, Matthias Appears on: 115v–116 Genres: Motet Source Attribution: Matthias Zaphellius
116v–117	Ecce ego mitto - 2a pars (of 2): Dum lucem habetis	-	Zaphelius, Matthias
Ecce ego mitto - 2a pars (of 2): Dum lucem habetis Zaphelius, Matthias Appears on: 116v–117 Genres: Motet
117v–118	Gaudete et exultate - 1a pars (of 2): Gaudete et exultate omnes	Michael des Buissons	Buissons, Michael Charles des (fl. 1560–70)
Gaudete et exultate - 1a pars (of 2): Gaudete et exultate omnes Buissons, Michael Charles des (fl. 1560–70) Appears on: 117v–118 Genres: Motet Source Attribution: Michael des Buissons
118v–119	Gaudete et exultate - 2a pars (of 2): Sancti Dei omnes	-	Buissons, Michael Charles des (fl. 1560–70)
Gaudete et exultate - 2a pars (of 2): Sancti Dei omnes Buissons, Michael Charles des (fl. 1560–70) Appears on: 118v–119 Genres: Motet
119v–120	De ore prudentis procedit mel alleluia	Orland. di Lass.	Lassus, Orlande de (ca. 1532–1594)
De ore prudentis procedit mel alleluia Lassus, Orlande de (ca. 1532–1594) Appears on: 119v–120 Genres: Motet Source Attribution: Orland. di Lass.
120v–121	Da pacem - 1a pars (of 2): Da pacem Domine in diebus nostris	Giacomo Cherle (=de Kerle)	Kerle, Jacobus de
Da pacem - 1a pars (of 2): Da pacem Domine in diebus nostris Kerle, Jacobus de Appears on: 120v–121 Genres: Motet Source Attribution: Giacomo Cherle (=de Kerle)
121v–122	Da pacem - 2a pars (of 2): Fiat pax in virtute tua	-	Kerle, Jacobus de
Da pacem - 2a pars (of 2): Fiat pax in virtute tua Kerle, Jacobus de Appears on: 121v–122 Genres: Motet
122v	Verbum caro factum est de virgine Maria	Leo Hasler	Hassler, Hans Leo (1564–1612)
Verbum caro factum est de virgine Maria Hassler, Hans Leo (1564–1612) Appears on: 122v Genres: Motet Source Attribution: Leo Hasler General Note incomplete owing to loss of f. 124

Composer	Compositions
Anonymous	Christ ist erstanden – 59v–60 Come havra vita amor – 33v–34 Ecco ch'io lass' il core – 27v–28 Quae est ista quae ascendit – 83v–84 Salve regina misericordiae – 95v–96 Sanctificavit Dominus tabernaculum – 67v–68 Transeunte Domine - 1a pars (of 2): Transeunte Domine clamabat – 84v–85 Transeunte Domine - 2a pars (of 2): Et ait illi Jesus – 85v–86 [No description] – 24 [No description] – 114 [No description] – 46v–48 [No description] – iv [No description] – iii v [No description] – i–iii
Buissons, Michael Charles des (fl. 1560–70)	Gaudete et exultate - 1a pars (of 2): Gaudete et exultate omnes – 117v–118 Gaudete et exultate - 2a pars (of 2): Sancti Dei omnes – 118v–119
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	(?) Beata Dei genitrix virgo Maria cuius viscera – 104v–105 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant – 86v–87v Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius – 88–89
Crecquillon, Thomas (ca. 1505–ca. 1557)	En languissant je consume mes jours – 43v–44 Oncques amours ne fut sans grand langueur – 37v–38 Pis ne me peult venir que j'ai jusques ici – 45v–46 Si me tenes tant de rigueur madame – 48v–49
Eccard, Johannes (1553–1611)	Veni sancte spiritus reple – 97v–98
Ferrabosco, Alfonso (the elder) (1543–1588)	(?) Ultimi miei sospiri che mi lasciate – 51v–52
Ferretti, Giovanni	Ancor che col partire – 28v–29 Ego flos campi - 1a pars (of 3): Ego flos campi (= Donna crudel) – 89v Ego flos campi - 2a pars (of 3): Sub umbra illius (=Hor va canzona mia) – 90 Ego flos campi - 3a pars (of 3): Quam pulchra es et quam decora – 90v Ho inteso dir da molti – 25v–26 Mirate che m' ha fatto – 24v–25 Su su su, non piu dormir – 26v–27
Gastoldi, Giovanni Giacomo (ca. 1554–1609)	Mens super astra volans (=Nasce la gioia mia) – 34–35 Miracol' in natura – 21v–22 S'io mir' ho male – 20v–21
Gerard, Jacques	Adieu celle que j'ay servi – 42v–43
Gero, Jhan	Inclita sanctae virginis – 93–93a
Gombert, Nicolas (ca. 1495–ca. 1560)	En attendant l'espoir de ma maîtresse – 50v–51 Tous les regrets qu'oncques furent au monde – 49v–50
Hassler, Hans Leo (1564–1612)	Verbum caro factum est de virgine Maria – 122v
Kerle, Jacobus de	Da pacem - 1a pars (of 2): Da pacem Domine in diebus nostris – 120v–121 Da pacem - 2a pars (of 2): Fiat pax in virtute tua – 121v–122 Descendi in hortum - 1a pars (of 2): Decscendi in hortum meum – 93a v–94 Descendi in hortum - 2a pars (of 2): Revertere sana mitis – 94v–95
Lassus, Orlande de (ca. 1532–1594)	Am Abend spat beim Kühlen Wein – 64v–65 Ardant amour souvent me fait instance – 40v–41 Beati omnes (5vv) - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant – 69v–70 Beati omnes (5vv) - 2a pars (of 2): Ecce sic benedicetur homo qui timet – 70v–71 Bonitatem fecisti cum servo tuo Domine – 79v–80 Cantate Domino (5vv) - 1a pars (of 2): Cantate Domino canticum novum quia mirabilia – 73v–74 Cantate Domino (5vv) - 2a pars (of 2): Viderunt omnes termini terrae – 74v–75 Chi chi li chi – 22v–23v Da pacem Domine (6vv, LV 63) – 110v De ore prudentis procedit mel alleluia – 119v–120 Der wein der schmeckt mir also wol macht – 61v–62 Deus canticum novum - 1a pars (of 2): Deus canticum novum cantabo tibi in psalterio – 75v–76 Deus canticum novum - 2a pars (of 2): Quia delectasti me Domine in factura – 76v–77 Dixit Joseph - 1a pars (of 2): Dixit Joseph undecim fratribus suis – 107a v–108 Dixit Joseph - 2a pars (of 2): Nuntiaverunt Jacob dicentes Ioseph – 108v–109 Domine Dominus noster quam admirabile est (6vv) – 109v–110 Freu ich bin euch – 63v–64 Frohlich zu sein - 1a pars (of 2): Frohlich zu sein – 65v–66 Frohlich zu sein - 2a pars (of 2): Wer frisch will sein – 66v–67 Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus – 77v–78 Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes – 78v–79 Im Maien hört man die Hahnen kreien – 62v–63 In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar – 101v–102 In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium – 102v–103 Ist keiner hie der spricht zu mir – 60v–61 Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium – 112 Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos – 112v Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala – 113 Jesu nostra redemptio - 4a pars (of 4): Tu esto nostrum gaudium qui es – 113v Le departir est sans departement – 41v–42 Mon coeur se recommande a vous – 38v–39 Pater noster qui es in caelis (6vv) – 107–107a Quis est homo qui timet Dominum? – 81v–82 Surge propera - 1a pars (of 2): Surge propera amica mea columba mea – 103v Surge propera - 2a pars (of 2): Surge amica mea speciosa mea – 104 Susanna se videns rapi stuprandam fraude (5vv) – 82v–83 Susanne un jour d'amour solicitée par deux viellards – 39v–40 Tristis est anima mea usque ad mortem – 80v–81 Tu es pastor ovium – 92–92v Vater unser im Himmelreich – 56v–57
Le Cocq, Gerard	Un coeur en deuil je porte en un champ – 36v–37
Macque, Giovanni de	Amor scorse da gl' occhi – 32v–33 Bacciami vita mia – 31v–32 Di corali e di perle – 35v–36 Non vegg' ogg' il mio sole – 29v–30 S'io non t'adoro – 31 Vorrei morire per prest' uscire – 30v
Marenzio, Luca (ca. 1553–1599)	La pastorella mia - 1a pars (of 2): La pastorella mia spietata e rigida – 9v–10 La pastorella mia - 2a pars (of 2): Ecco ribomba che si dolci – 10v–11 Rose bianche e vermiglie chi vuol veder – 8v–9 Scherzando con diletto – 11v–12
Meiland, Jacob (1542–1577)	Gaudete filiae Jerusalem nam flores apparuerunt – 100v–101
Merulo, Claudio (1533–1604)	Io non potria goder – 4v–5
Monte, Philippe de	Deh Flori se pieta - 1a pars (of 2): Deh Flori se pieta – 16v–17 Deh Flori se pieta - 2a pars (of 2): Sola te cerco ogn' hor – 17v–18 Sotto quest' edra - 1a pars (of 2): Sotto quest' edra a pie – 18v–19 Sotto quest' edra - 2a pars (of 2): O quant' ho gia nel cor – 19v–20
Nanino, Giovanni Maria	Scopriro l'ardor mio - 1a pars (of 2): Scopriro l'ardor mio con dir ch'io morro – 2v–3 Scopriro l'ardor mio - 2a pars (of 2): Se voi siet' il mio sol – 3v–4
Nollet	Quant' in mill' anni il ciel dovea mostrarne – 52v
Padovano, Annibale	Domine a lingua dolosa et ab insidiis inimicorum meorum libera me – 68v–69
Palestrina, Giovanni Pierluigi da (1525–1594)	Alleluia. Tulerunt Dominum meum et nescio – 114v–115 Il tempo vola - 1a pars (of 2): Il tempo vola e se ne fuggon – 6v–7 Il tempo vola - 2a pars (of 2): Ivi vedrai la gloria – 7v–8 Io son ferito ahi lasso e chi mi diede – 15v–16 Vestiva i colli - 1a pars (of 2): Vestiva i colli e le campagn'intorno – 13v–14 Vestiva i colli - 2a pars (of 2): Cosi le chiome mie soavemente – 14v–15
Rore, Cipriano de (ca. 1515–1565)	Cantai mentre ch'i arsi del mio foco – 12v–13
Striggio, Alessandro (ca. 1536–1592)	Invidios' amor del mio bel stato – 5v–6
Vaet, Jacobus (ca. 1529–ca. 1567)	Assumens Jesus Petrum – 99v–100v
Vecchi, Orazio (1550–1605)	Gitene canzonett' al mio signore – 55 Saltavan ninfe satiri e pastori – 55v–56
Vento, Ivo de	Haec dies quam fecit Dominus exultemus – 91–91v O sacrum convivium – 98v–99
Verdelot, Philippe (ca. 1480–ca. 1532)	Ultimi miei sospiri che mi lasciate – 51v–52
Vichauser, Sigismund	Vulnerasti cor meum – 96v–97
Victoria, Tomas Luis de (1548–1611)	Nigra sum sed formosa filia Jerusalem – 105v–106v
Walter, Johann (1496–1570)	Ein kindelein so löbelich ist uns geboren – 58v–59 Joseph, lieber Joseph mein - Eia virgo Deum genuit – 57v–58
Wert, Giaches [Jaches] de (1535–1596)	Amen dico vobis - 1a pars (of 2): Amen amen dico vobis – 71v–72 Amen dico vobis - 2a pars (of 2): Mulier cum parit – 72v–73 D'un si bel foco - 1a pars (of 2): D'un si bel foco e d'un si nobil laccio – iv v–1 D'un si bel foco - 2a pars (of 2): Scorgo tant' alto il lume – 1v–2
Willaert, Adrian (ca. 1490–1562)	Jouissance vous donnerai, mon ami – 44v–45
Zaphelius, Matthias	Ecce ego mitto - 1a pars (of 2): Ecce ego mitto vos – 115v–116 Ecce ego mitto - 2a pars (of 2): Dum lucem habetis – 116v–117

Composition	Composers (? Uncertain)	Folios / Pages
Adieu celle que j'ay servi	Gerard, Jacques	42v–43
Alleluia. Tulerunt Dominum meum et nescio	Palestrina, Giovanni Pierluigi da (1525–1594)	114v–115
Am Abend spat beim Kühlen Wein	Lassus, Orlande de (ca. 1532–1594)	64v–65
Amen dico vobis - 1a pars (of 2): Amen amen dico vobis	Wert, Giaches [Jaches] de (1535–1596)	71v–72
Amen dico vobis - 2a pars (of 2): Mulier cum parit	Wert, Giaches [Jaches] de (1535–1596)	72v–73
Amor scorse da gl' occhi	Macque, Giovanni de	32v–33
Ancor che col partire	Ferretti, Giovanni	28v–29
Ardant amour souvent me fait instance	Lassus, Orlande de (ca. 1532–1594)	40v–41
Assumens Jesus Petrum	Vaet, Jacobus (ca. 1529–ca. 1567)	99v–100v
Bacciami vita mia	Macque, Giovanni de	31v–32
Beata Dei genitrix virgo Maria cuius viscera	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	104v–105
Beati omnes (5vv) - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant	Lassus, Orlande de (ca. 1532–1594)	69v–70
Beati omnes (5vv) - 2a pars (of 2): Ecce sic benedicetur homo qui timet	Lassus, Orlande de (ca. 1532–1594)	70v–71
Bonitatem fecisti cum servo tuo Domine	Lassus, Orlande de (ca. 1532–1594)	79v–80
Cantai mentre ch'i arsi del mio foco	Rore, Cipriano de (ca. 1515–1565)	12v–13
Cantate Domino (5vv) - 1a pars (of 2): Cantate Domino canticum novum quia mirabilia	Lassus, Orlande de (ca. 1532–1594)	73v–74
Cantate Domino (5vv) - 2a pars (of 2): Viderunt omnes termini terrae	Lassus, Orlande de (ca. 1532–1594)	74v–75
Chi chi li chi	Lassus, Orlande de (ca. 1532–1594)	22v–23v
Christ ist erstanden	Anonymous	59v–60
Come havra vita amor	Anonymous	33v–34
D'un si bel foco - 1a pars (of 2): D'un si bel foco e d'un si nobil laccio	Wert, Giaches [Jaches] de (1535–1596)	iv v–1
D'un si bel foco - 2a pars (of 2): Scorgo tant' alto il lume	Wert, Giaches [Jaches] de (1535–1596)	1v–2
Da pacem - 1a pars (of 2): Da pacem Domine in diebus nostris	Kerle, Jacobus de	120v–121
Da pacem - 2a pars (of 2): Fiat pax in virtute tua	Kerle, Jacobus de	121v–122
Da pacem Domine (6vv, LV 63)	Lassus, Orlande de (ca. 1532–1594)	110v
De ore prudentis procedit mel alleluia	Lassus, Orlande de (ca. 1532–1594)	119v–120
Deh Flori se pieta - 1a pars (of 2): Deh Flori se pieta	Monte, Philippe de	16v–17
Deh Flori se pieta - 2a pars (of 2): Sola te cerco ogn' hor	Monte, Philippe de	17v–18
Der wein der schmeckt mir also wol macht	Lassus, Orlande de (ca. 1532–1594)	61v–62
Descendi in hortum - 1a pars (of 2): Decscendi in hortum meum	Kerle, Jacobus de	93a v–94
Descendi in hortum - 2a pars (of 2): Revertere sana mitis	Kerle, Jacobus de	94v–95
Deus canticum novum - 1a pars (of 2): Deus canticum novum cantabo tibi in psalterio	Lassus, Orlande de (ca. 1532–1594)	75v–76
Deus canticum novum - 2a pars (of 2): Quia delectasti me Domine in factura	Lassus, Orlande de (ca. 1532–1594)	76v–77
Di corali e di perle	Macque, Giovanni de	35v–36
Dixit Joseph - 1a pars (of 2): Dixit Joseph undecim fratribus suis	Lassus, Orlande de (ca. 1532–1594)	107a v–108
Dixit Joseph - 2a pars (of 2): Nuntiaverunt Jacob dicentes Ioseph	Lassus, Orlande de (ca. 1532–1594)	108v–109
Domine a lingua dolosa et ab insidiis inimicorum meorum libera me	Padovano, Annibale	68v–69
Domine Dominus noster quam admirabile est (6vv)	Lassus, Orlande de (ca. 1532–1594)	109v–110
Ecce ego mitto - 1a pars (of 2): Ecce ego mitto vos	Zaphelius, Matthias	115v–116
Ecce ego mitto - 2a pars (of 2): Dum lucem habetis	Zaphelius, Matthias	116v–117
Ecco ch'io lass' il core	Anonymous	27v–28
Ego flos campi - 1a pars (of 3): Ego flos campi (= Donna crudel)	Ferretti, Giovanni	89v
Ego flos campi - 2a pars (of 3): Sub umbra illius (=Hor va canzona mia)	Ferretti, Giovanni	90
Ego flos campi - 3a pars (of 3): Quam pulchra es et quam decora	Ferretti, Giovanni	90v
Ein kindelein so löbelich ist uns geboren	Walter, Johann (1496–1570)	58v–59
En attendant l'espoir de ma maîtresse	Gombert, Nicolas (ca. 1495–ca. 1560)	50v–51
En languissant je consume mes jours	Crecquillon, Thomas (ca. 1505–ca. 1557)	43v–44
Freu ich bin euch	Lassus, Orlande de (ca. 1532–1594)	63v–64
Frohlich zu sein - 1a pars (of 2): Frohlich zu sein	Lassus, Orlande de (ca. 1532–1594)	65v–66
Frohlich zu sein - 2a pars (of 2): Wer frisch will sein	Lassus, Orlande de (ca. 1532–1594)	66v–67
Gaudete et exultate - 1a pars (of 2): Gaudete et exultate omnes	Buissons, Michael Charles des (fl. 1560–70)	117v–118
Gaudete et exultate - 2a pars (of 2): Sancti Dei omnes	Buissons, Michael Charles des (fl. 1560–70)	118v–119
Gaudete filiae Jerusalem nam flores apparuerunt	Meiland, Jacob (1542–1577)	100v–101
Gitene canzonett' al mio signore	Vecchi, Orazio (1550–1605)	55
Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus	Lassus, Orlande de (ca. 1532–1594)	77v–78
Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes	Lassus, Orlande de (ca. 1532–1594)	78v–79
Haec dies quam fecit Dominus exultemus	Vento, Ivo de	91–91v
Ho inteso dir da molti	Ferretti, Giovanni	25v–26
Il tempo vola - 1a pars (of 2): Il tempo vola e se ne fuggon	Palestrina, Giovanni Pierluigi da (1525–1594)	6v–7
Il tempo vola - 2a pars (of 2): Ivi vedrai la gloria	Palestrina, Giovanni Pierluigi da (1525–1594)	7v–8
Im Maien hört man die Hahnen kreien	Lassus, Orlande de (ca. 1532–1594)	62v–63
In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar	Lassus, Orlande de (ca. 1532–1594)	101v–102
In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium	Lassus, Orlande de (ca. 1532–1594)	102v–103
Inclita sanctae virginis	Gero, Jhan	93–93a
Invidios' amor del mio bel stato	Striggio, Alessandro (ca. 1536–1592)	5v–6
Io non potria goder	Merulo, Claudio (1533–1604)	4v–5
Io son ferito ahi lasso e chi mi diede	Palestrina, Giovanni Pierluigi da (1525–1594)	15v–16
Ist keiner hie der spricht zu mir	Lassus, Orlande de (ca. 1532–1594)	60v–61
Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium	Lassus, Orlande de (ca. 1532–1594)	112
Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos	Lassus, Orlande de (ca. 1532–1594)	112v
Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala	Lassus, Orlande de (ca. 1532–1594)	113
Jesu nostra redemptio - 4a pars (of 4): Tu esto nostrum gaudium qui es	Lassus, Orlande de (ca. 1532–1594)	113v
Joseph, lieber Joseph mein - Eia virgo Deum genuit	Walter, Johann (1496–1570)	57v–58
Jouissance vous donnerai, mon ami	Willaert, Adrian (ca. 1490–1562)	44v–45
La pastorella mia - 1a pars (of 2): La pastorella mia spietata e rigida	Marenzio, Luca (ca. 1553–1599)	9v–10
La pastorella mia - 2a pars (of 2): Ecco ribomba che si dolci	Marenzio, Luca (ca. 1553–1599)	10v–11
Le departir est sans departement	Lassus, Orlande de (ca. 1532–1594)	41v–42
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	86v–87v
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	88–89
Mens super astra volans (=Nasce la gioia mia)	Gastoldi, Giovanni Giacomo (ca. 1554–1609)	34–35
Miracol' in natura	Gastoldi, Giovanni Giacomo (ca. 1554–1609)	21v–22
Mirate che m' ha fatto	Ferretti, Giovanni	24v–25
Mon coeur se recommande a vous	Lassus, Orlande de (ca. 1532–1594)	38v–39
Nigra sum sed formosa filia Jerusalem	Victoria, Tomas Luis de (1548–1611)	105v–106v
Non vegg' ogg' il mio sole	Macque, Giovanni de	29v–30
O sacrum convivium	Vento, Ivo de	98v–99
Oncques amours ne fut sans grand langueur	Crecquillon, Thomas (ca. 1505–ca. 1557)	37v–38
Pater noster qui es in caelis (6vv)	Lassus, Orlande de (ca. 1532–1594)	107–107a
Pis ne me peult venir que j'ai jusques ici	Crecquillon, Thomas (ca. 1505–ca. 1557)	45v–46
Quae est ista quae ascendit	Anonymous	83v–84
Quant' in mill' anni il ciel dovea mostrarne	Nollet	52v
Quis est homo qui timet Dominum?	Lassus, Orlande de (ca. 1532–1594)	81v–82
Rose bianche e vermiglie chi vuol veder	Marenzio, Luca (ca. 1553–1599)	8v–9
S'io mir' ho male	Gastoldi, Giovanni Giacomo (ca. 1554–1609)	20v–21
S'io non t'adoro	Macque, Giovanni de	31
Saltavan ninfe satiri e pastori	Vecchi, Orazio (1550–1605)	55v–56
Salve regina misericordiae	Anonymous	95v–96
Sanctificavit Dominus tabernaculum	Anonymous	67v–68
Scherzando con diletto	Marenzio, Luca (ca. 1553–1599)	11v–12
Scopriro l'ardor mio - 1a pars (of 2): Scopriro l'ardor mio con dir ch'io morro	Nanino, Giovanni Maria	2v–3
Scopriro l'ardor mio - 2a pars (of 2): Se voi siet' il mio sol	Nanino, Giovanni Maria	3v–4
Si me tenes tant de rigueur madame	Crecquillon, Thomas (ca. 1505–ca. 1557)	48v–49
Sotto quest' edra - 1a pars (of 2): Sotto quest' edra a pie	Monte, Philippe de	18v–19
Sotto quest' edra - 2a pars (of 2): O quant' ho gia nel cor	Monte, Philippe de	19v–20
Su su su, non piu dormir	Ferretti, Giovanni	26v–27
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea	Lassus, Orlande de (ca. 1532–1594)	103v
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea	Lassus, Orlande de (ca. 1532–1594)	104
Susanna se videns rapi stuprandam fraude (5vv)	Lassus, Orlande de (ca. 1532–1594)	82v–83
Susanne un jour d'amour solicitée par deux viellards	Lassus, Orlande de (ca. 1532–1594)	39v–40
Tous les regrets qu'oncques furent au monde	Gombert, Nicolas (ca. 1495–ca. 1560)	49v–50
Transeunte Domine - 1a pars (of 2): Transeunte Domine clamabat	Anonymous	84v–85
Transeunte Domine - 2a pars (of 2): Et ait illi Jesus	Anonymous	85v–86
Tristis est anima mea usque ad mortem	Lassus, Orlande de (ca. 1532–1594)	80v–81
Tu es pastor ovium	Lassus, Orlande de (ca. 1532–1594)	92–92v
Ultimi miei sospiri che mi lasciate	Verdelot, Philippe (ca. 1480–ca. 1532) Ferrabosco, Alfonso (the elder) (1543–1588) (?)	51v–52
Un coeur en deuil je porte en un champ	Le Cocq, Gerard	36v–37
Vater unser im Himmelreich	Lassus, Orlande de (ca. 1532–1594)	56v–57
Veni sancte spiritus reple	Eccard, Johannes (1553–1611)	97v–98
Verbum caro factum est de virgine Maria	Hassler, Hans Leo (1564–1612)	122v
Vestiva i colli - 1a pars (of 2): Vestiva i colli e le campagn'intorno	Palestrina, Giovanni Pierluigi da (1525–1594)	13v–14
Vestiva i colli - 2a pars (of 2): Cosi le chiome mie soavemente	Palestrina, Giovanni Pierluigi da (1525–1594)	14v–15
Vorrei morire per prest' uscire	Macque, Giovanni de	30v
Vulnerasti cor meum	Vichauser, Sigismund	96v–97

Set: MS Mus. 40212

Type: Partbooks

No images available

D-B MS Mus. 40212 [Discantus]

No images available

D-B MS Mus. 40212 [Quintus]

‡ denotes primary source study

Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe. München. Pages: 325-334.

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance. Kassel and Basel. Pages: 821. Notes: physical description (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: CIII/CIV,207. Notes: mention of MS.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description