D-B MS Mus. 40039 [Discantus]

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany

partbook: Late l6th-early 17th century

Archive Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany (D-B)
Shelfmark MS Mus. 40039 [Discantus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None / Unknown
Format portrait
Measurements 303 x 194 mm
Other Identifiers
  • CCM: BerlS 40039
  • olim (Former shelfmark): Preussische Staatsbibliothek, Z 39
Provenance
  • Bavaria, Germany
Contents 175 pieces from 51 composers
General Description

A Discantus partbook from a set of twelve volumes. Copied by four scribes: two main hands; one hand executed only no. 78 in the VII. and VIII. vox, another the addenda nos. 138-140. Of German origin.

The books are presumed to have been previously owned by a Johannes Schiffmann from Bautzen, as was Mus. ms. 40042. The last previous owner before the books passed to the library was Friedrich Naue (1787-1858) of Halle.

DIAMM, 2017
Extent

D: 121ff; A: 122ff; T: 121ff; B: 115ff; Q: 113ff; S: 99ff; 7: 85ff; 8: 81ff; 9: 16ff; 10: 15ff; 11; 6ff; 12: 8ff.

DIAMM, 2022
Physical Description

Most bindings damaged. All part books show strong signs of wear.

DIAMM, 2022
Binding

rebound in original covers of cardboard covered with parchment cut from chant manuscript.

DIAMM, 2017
Watermark

Many watermarks, including: Coat of arms with crancelin and inscription DRESTEN (Briquet no. 1203 - Dresden 1577-1591); coat of arms with inscription DITTERSBACH; letter C in circle with pearls, very similar to Briquet no. 8116; letter C in circle with illegible inscription, similar to Briquet no. 8118; coat of arms with inscription HERMESDORF; coat of arms with crossed swords; coat of arms with T-shaped bone oak.

DIAMM, 2022
Notation

black void mensural

DIAMM, 2017
Date

Dates 1570 and 1628 in manuscript. Cantus, Quinta & Sexta have dated 'title pages': [Sexta] Voluminum horum musicorum quae continent harmonias varias a peritissimis musicis elaboratas anno Christi 1614. Cantus also dated 1614 on f. 121v.

DIAMM, 2022
Ruling

Staff height c. 17mm

DIAMM, 2017
Foliation

New pencil foliation in 9, 10, 11, and 12 books; no foliation in other books.

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, 1-136, excludes several pieces at beginning and end.

DIAMM, 2017
Decoration

Some small red and black inked initials, mostly in plain block style; some text incipits, attributions, and piece numbers also in red ink.

DIAMM, 2017
Index

Original indices at back of B and 8 books group pieces alphabetically by first letter of text, with sub-grouping under each letter by order of appearance. Modern index on front and back flyleaves of D book lists pieces in order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

77 Masses and motets

Aichinger, Amon, Bacchius, Bassano, Beyer, Clemens non Papa, Erbach, Eremita, Erhart, A. Gabrieli, G. Gabrieli, Gesius, Geuck, Händl, Hartmann, Hassler, Hildesheim, Josquino della Sala, Klingenstein, Lagkhner, Langenoith, Lassus?, Luython, Marenzio, Massaini, Mortaro, Orologio, Palestrina, Pinello di Ghirardi, Praetorius, Reiner, Rudolphus, Scarabelli, Schnitzkius, G. Sulcius, Orazio Vecchi, Venturi, Vulpius, Walliser, anonymous

12 paper partbooks, 303 x 194. No foliation; original numbering of pieces (some in red). Covers of cardboard, covered with old chant parchment. Original index in Dl. Several scribes.

Dates 1570 and 1628 in manuscript.

Vol. 4

1 Mass, 3 Kyrie-Gloria pairs, 1 Kyrie, 8 Mass Proper sections, 107 motets (1 incomplete), 1 set of responses, 23 German sacred pieces = 144

Aichinger-1, Amon-2, Bacchius-1, G. Bassano-3, Beyer-1, (Calvisius)-1, Clemens non Papa-5, (Crappius)-1, Erbach-2, Eremita -1, Erhart-2, A. Gabrieli-2, G. Gabrieli-8, Gesius-4, Geuck-2, Gumpelzhaimer-1, (Hähnel)-3, Händl-6, Hartmann-3, Hassler-12, (Haussmann)-1, Hildesheim-1, Klingenstein-1, Lagkhner-1, (Lange)-1, Langenoith-2, Lassus-5, Luython-1, Marenzio-2, Massaini-2, (Merulo)-1, Mortaro-1, Orologio-1, Palestrina-2, (Phinot)-1, Pinello di Ghirardi [Jan: Baptista Pinellus]-1, H. Praetorius-2, M. Praetorius-1, Reiner-2, Rudolphus-1, F. Sale-1, Scarabelli-1, Schnitzkius-1, Stabile-1, G. Sulcius-1, A. Trombetti -1, Orazio Vecchi-2, Venturi-2, Vulpius-15, Walliser-2, (Weissensee)-1, anon-2 5

12 paper partbooks (D-i + 121 + i folios, A-i + 122 + i, T-ii + 119 + i, B-115 + i, Q-i + 113 + t, S-i + 99 + i, 7-1 + 85 + i, 8-i + 81 + i, 9-i + 16, 10-i + 15 + i, 11-6, 12-8), 303 x 194. New pencil foliation in 9, 10, 11, and 12 books; no foliation in other books. Original numbering of pieces, 1-136, excludes several pieces at beginning and end. Rebound in original covers of cardboard covered with parchment cut from chant manuscript. Original indices at back of B and 8 books group pieces alphabetically by first letter of text, with sub-grouping under each letter by order of appearance. Modern index on front and back flyleaves of D book lists pieces in order of appearance. Copied by several scribes. Staff height ca. 17. Some small red and black inked initials, mostly in plain block style; some text incipits, attributions, and piece numbers also in red ink.

Late l6th-early 17th century. Of German origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Exaudi Domine justitiam Johann Gabriel
Appears on: 1
Genres: Motet
Source Attribution: Johann Gabriel
2 Pater Abraham - 1a pars (of 2): Pater Abraham miserere mei et mitte Lazarum Orlando
Appears on: 2
Genres: Motet
Source Attribution: Orlando
2v Pater Abraham - 2a pars (of 2): Fili recordare quia recepisti bona -
Appears on: 2v
Genres: Motet
3 Responsiones ad praefationem - Anonymous
Appears on: 3
Genres: Response
3 Veni sancte spiritus reple Jacob Händl
Appears on: 3
Genres: Motet
Source Attribution: Jacob Händl
3–3v Missa Benedicam Dominum: Kyrie Mathias Erhardus
Appears on: 3–3v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Mathias Erhardus
3v–4v Missa Benedicam Dominum: Gloria -
Appears on: 3v–4v
Genres: Gloria (et in terra pax), Mass Ordinary
5–5v Resurrexi et adhuc tecum sum (2p. Domine probasti me) - Anonymous
Appears on: 5–5v
Genres: Motet
5v Alleluia. Pascha nostrum immolatus est - Anonymous
Appears on: 5v
Genres: Alleluia
5v–6v Victimae paschali laudes / Crist ist erstanden - Anonymous
Appears on: 5v–6v
Genres: Hymn
General Note

Crist ist erstanden appears as cantus firmus in lower voices

6v–7 Viri Galilei (2p. Omnes gentes plaudite) - Anonymous
Appears on: 6v–7
Genres: Introit
7–7v Missa Omnia quae fecisti: Kyrie Mathias Erhardus
Appears on: 7–7v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Mathias Erhardus
7v–9 Missa Omnia quae fecisti: Gloria -
Appears on: 7v–9
Genres: Gloria (et in terra pax), Mass Ordinary
9–9v Jam non dicam vos servos sed amicos (8vv) -
Appears on: 9–9v
Genres: Motet
9v–10v Beatus vir qui timet Dominum (8vv) -
Appears on: 9v–10v
Genres: Motet
10v Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco Joannes de Bacchi
Appears on: 10v
Genres: Motet
Source Attribution: Joannes de Bacchi
11 Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei -
Appears on: 11
11v–12 Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra -
Appears on: 11v–12
Genres: Motet
12–12v Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret -
Appears on: 12–12v
Genres: Motet
12v–13 Missa Speremus meliora: Kyrie Georgius Langenoith
Appears on: 12v–13
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Georgius Langenoith
13–14 Missa Speremus meliora: Gloria -
Appears on: 13–14
Genres: Gloria (et in terra pax), Mass Ordinary
14–16v Missa in festo nativitatis filii Dei: Kyrie Tro: Magne Deus potentiae Georgius Langenoith
Appears on: 14–16v
Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie
Source Attribution: Georgius Langenoith
14–16v Missa in festo nativitatis filii Dei: Gloria -
Appears on: 14–16v
Genres: Gloria (et in terra pax), Mass Ordinary
14–16v Missa in festo nativitatis filii Dei: Sanctus (Benedictus trope: Mariae filius) -
Appears on: 14–16v
Genres: Mass Ordinary, Sanctus [& Benedictus], Troped Sanctus
14–16v Missa in festo nativitatis filii Dei: Agnus Dei -
Appears on: 14–16v
Genres: Agnus Dei, Mass Ordinary
16v–17 Missa Non aufferetur sceptrum: Kyrie -
Appears on: 16v–17
Genres: Kyrie eleison, Mass Ordinary
17–17v Puer natus est nobis - Anonymous
Appears on: 17–17v
Genres: Introit
18–18v In principio erat verbum - 1a pars (of 3): In principio erat verbum Orlandus di Lassus
Appears on: 18–18v
Genres: Motet
Source Attribution: Orlandus di Lassus
18v–19 In principio erat verbum - 2a pars (of 3): Fuit homo missus -
Appears on: 18v–19
Genres: Motet
19–19v In principio erat verbum - 3a pars (of 3): In propria venit -
Appears on: 19–19v
Genres: Motet
19v–20 O magnum mysterium - 1a pars (of 2): O magnum mysterium et admirabile sacramentum Clemens non Papa
Appears on: 19v–20
Genres: Motet
Source Attribution: Clemens non Papa
20–20v O magnum mysterium - 2a pars (of 2): Domine audivi auditum tuum -
Appears on: 20–20v
Genres: Motet
20v–21 Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus Clemens non Papa
Appears on: 20v–21
Genres: Motet
Source Attribution: Clemens non Papa
21–21v Pastores loquebantur - 2a pars (of 2): Et venerunt festinantes et invenerunt -
Appears on: 21–21v
Genres: Motet
21v–22 Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem Orlandus
Appears on: 21v–22
Genres: Motet
Source Attribution: Orlandus
General Note

Cantus & Altus swapped - copied in each other's book

22 Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi -
Appears on: 22
Genres: Motet
General Note

Cantus & Altus swapped - copied in each other's book

22v–23v Ego flos campi et lilium convalium Clemens non Papa
Appears on: 22v–23v
Genres: Motet
Source Attribution: Clemens non Papa
23–23v Decantabat populus Israel alleluia (7vv) Orlandus
Appears on: 23–23v
Genres: Motet
Source Attribution: Orlandus
23v–24 Veni in hortum meum Joannes Baptista Pinellus
Appears on: 23v–24
Genres: Motet
Source Attribution: Joannes Baptista Pinellus
24–24v Ich will des Herren Zorn tragen - Anonymous
Appears on: 24–24v
Genres: Hymn
24v–25 O sacrum convivium (6vv) Jacobus Gallus
Appears on: 24v–25
Genres: Motet
Source Attribution: Jacobus Gallus
25–25v Ego sum panis - 1a pars (of 2): Ego sum panis vitae patris vestri manducaverunt Jacobus Gallus
Appears on: 25–25v
Genres: Motet
Source Attribution: Jacobus Gallus
25v–26 Ego sum panis - 2a pars (of 2): Et panis quem ego dabo -
Appears on: 25v–26
Genres: Motet
26–26v Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie Jacobus Gallus
Appears on: 26–26v
Genres: Motet
Source Attribution: Jacobus Gallus
26v–27 Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac -
Appears on: 26v–27
Genres: Motet
27–28 Wohl dem der den Herren furchtet Melchior Vulpius
Appears on: 27–28
Genres: Hymn
Source Attribution: Melchior Vulpius
28–28v Laetare de uxore Melchior Vulpius
Appears on: 28–28v
Genres: Motet
Source Attribution: Melchior Vulpius
28v–30 Wem Gott bescheret ein tugendtsam Weib Melchior Vulpius
Appears on: 28v–30
Genres: Sacred Song
Source Attribution: Melchior Vulpius
30–30v Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu Clemens non Papa
Appears on: 30–30v
Genres: Motet
Source Attribution: Clemens non Papa
30v–31 Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari -
Appears on: 30v–31
Genres: Motet
31v–32 Cor mundum crea in me Deus et spiritum -
Appears on: 31v–32
Genres: Motet
32v–33 Praceceptor per totam noctem - Anonymous
Appears on: 32v–33
Genres: Motet
33v Eile mich Gott - 1a pars (of 3): Eile mich Gott zu erretten - Anonymous
Appears on: 33v
Genres: Motet
34 Eile mich Gott - 2a pars (of 3): Sie mussen zurucke kehren - Anonymous
Appears on: 34
Genres: Motet
34v Eile mich Gott - 3a pars (of 3): Freuen und frohlich nussen sein in dir - Anonymous
Appears on: 34v
34v–35 Deus Israel coniungat vos Jacobus Reinerus
Appears on: 34v–35
Genres: Motet
Source Attribution: Jacobus Reinerus
35v–36 Beati omnes qui timent Dominum Gregorius Schnitzkius
Appears on: 35v–36
Genres: Motet
Source Attribution: Gregorius Schnitzkius
36–36v Laudate Domine omnes gentes (8vv) - Anonymous
Appears on: 36–36v
Genres: Motet, Psalm
37–37v Exsurgat Deus et dissipentur (8vv) Andreas Gabriel
Appears on: 37–37v
Genres: Motet
Source Attribution: Andreas Gabriel
37v–38 Confitemini Domino et invocate Blasius Ammon
Appears on: 37v–38
Genres: Motet
Source Attribution: Blasius Ammon
38–38v Laudate Dominum in sanctus eius (8vv) Stephanus Venturi
Appears on: 38–38v
Genres: Motet, Psalm
Source Attribution: Stephanus Venturi
38v–39v Quantas ostendisti mihi tribulationes (8vv) Antonius Mortarius
Appears on: 38v–39v
Genres: Motet
Source Attribution: Antonius Mortarius
39v–40 Deus adjutor fortis in opportunitate Julius Eremita
Appears on: 39v–40
Genres: Motet
Source Attribution: Julius Eremita
40–40v Salve magne puer Jacobus Reinerus
Appears on: 40–40v
Genres: Motet
Source Attribution: Jacobus Reinerus
41 Beatus auctor - 1a pars (of 3): Beatus auctor saeculi Melchior Vulpius
Appears on: 41
Genres: Motet
Source Attribution: Melchior Vulpius
41v Beatus auctor - 2a pars (of 3): Domus pudici pectoris -
Appears on: 41v
Genres: Motet
42 Beatus auctor - 3a pars (of 3): Summo parenti gloria -
Appears on: 42
Genres: Motet
42v Salve cara dies - 1a pars (of 2): Salve cara dies Valentinus Geuckius
Appears on: 42v
Genres: Motet
Source Attribution: Valentinus Geuckius
43 Salve cara dies - 2a pars (of 2): Quia genus humanum -
Appears on: 43
Genres: Motet
43v Immeritum Christus - 1a pars (of 2): Immeritum Christus patiens Eiusdem autoris [i.e. Valentin Geuck]
Appears on: 43v
Genres: Motet
Source Attribution: Eiusdem autoris [i.e. Valentin Geuck]
44 Immeritum Christus - 2a pars (of 2): Christus ut occludit iam saecula -
Appears on: 44
Genres: Motet
44–44v Eia age laetemur - 1a pars (of 2): Eia age laetemur - Anonymous
Appears on: 44–44v
Genres: Motet
General Note

texted in Tenor & Bassus only; 2a pars in Bassus (& fragmentary in Tenor) only

45–45v Corde natus - 1a pars (of 2): Corde natus ex parentis -
Appears on: 45–45v
Genres: Motet
45v–46 Corde natus - 2a pars (of 2): Ecce quem vates vetustis -
Appears on: 45v–46
Genres: Motet
46–46v Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum, et nescio ubi Melchior Vulpius
Appears on: 46–46v
Genres: Motet
Source Attribution: Melchior Vulpius
General Note

Cantus & Quinta voices exchanged (copied in each other's books)

46v–47 Tulerunt Dominum - 2a pars (of 2): Cum ergo fleret -
Appears on: 46v–47
Genres: Motet
General Note

Cantus & Quinta voices exchanged (copied in each other's books)

47–47v Fit porta Christi - 1a pars (of 3): Fit porta Christi pervia Melchior Vulpius
Appears on: 47–47v
Genres: Motet
Source Attribution: Melchior Vulpius
47v Fit porta Christi - 2a pars (of 3): Honor matris et gaudium -
Appears on: 47v
Genres: Motet
48 Fit porta Christi - 3a pars (of 3): Jesu tibi sit gloria -
Appears on: 48
Genres: Motet
48–48v Ardens est cor meum Damianus Scarabaeus
Appears on: 48–48v
Genres: Motet
Source Attribution: Damianus Scarabaeus
48v–49 Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum, et nescio ubi Tiburtius Massainus
Appears on: 48v–49
Genres: Motet
Source Attribution: Tiburtius Massainus
49v Tulerunt Dominum - 2a pars (of 2): Cum ergo fleret -
Appears on: 49v
Genres: Motet
50 In tribulatione - 1a pars (of 2): In tribulatione mea invocavi Annibale Stabile
Appears on: 50
Genres: Motet
Source Attribution: Annibale Stabile
50v In tribulatione - 2a pars (of 2): Propterea confitebor tibi -
Appears on: 50v
Genres: Motet
51–51v Cantate Domino canticum novum (8vv) -
Appears on: 51–51v
Genres: Motet
52–52v Laudate Dominum in sanctus eius (8vv) J. Palestr[ina]
Appears on: 52–52v
Genres: Motet, Psalm
Source Attribution: J. Palestr[ina]
53–53v Jubilate Deo omnis terra (8vv) (C16) Johann Gabriel
Appears on: 53–53v
Genres: Motet
Source Attribution: Johann Gabriel
53v–54 Exultate justi in Domino Johann Gabriel
Appears on: 53v–54
Genres: Motet
Source Attribution: Johann Gabriel
54v–55 Laudate Dominum omnes gentes -
Appears on: 54v–55
Genres: Motet, Psalm
55–56 Exaltabo te Domine -
Appears on: 55–56
Genres: Motet, Psalm
56–56v Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra -
Appears on: 56–56v
Genres: Motet
56v Jubilate Deo - 2a pars (of 2): Nos autem populus -
Appears on: 56v
Genres: Motet
57 Veni Domine et noli tardare -
Appears on: 57
Genres: Motet
57v–58 Aeterni sincera patris spes -
Appears on: 57v–58
Genres: Motet
58–58v Pater noster qui es in caelis (8vv) - Anonymous
Appears on: 58–58v
Genres: Motet, Pater noster
59–59v Fata movent hominis mea pectora Franciscus de Sala
Appears on: 59–59v
Genres: Motet
Source Attribution: Franciscus de Sala
59v–60 Quem vidistis pastores Johannes Bassanus
Appears on: 59v–60
Genres: Motet
Source Attribution: Johannes Bassanus
60–60v Gaudete filiae Jerusalem (8vv) - Anonymous
Appears on: 60–60v
Genres: Motet
61–61v Hodie Christus natus est (10vv) -
Appears on: 61–61v
Genres: Motet
61v–62 Sancte puer dilecte puer (10vv) - Anonymous
Appears on: 61v–62
Genres: Motet
62–62v Misericordias Domini in aeternum cantabo -
Appears on: 62–62v
Genres: Motet
62–63v A Domino factum est istud -
Appears on: 62–63v
Genres: Motet
63v O Domine Jesu Christe adoro te Johannes Bassanus
Appears on: 63v
Genres: Motet
Source Attribution: Johannes Bassanus
64 Junior fui etenim Georg Sulcius
Appears on: 64
Genres: Motet
Source Attribution: Georg Sulcius
64v–65 Victimae paschali laudes - Anonymous
Appears on: 64v–65
Genres: Hymn
65v–66 Deus Deus meus respice -
Appears on: 65v–66
Genres: Motet
66–66v Exultate justi in Domino Bartholomäus Gesius
Appears on: 66–66v
Genres: Motet
Source Attribution: Bartholomäus Gesius
66v–67 Paratum cor meum Deus (10vv) - Anonymous
Appears on: 66v–67
Genres: Motet
67–68 Omnes gentes plaudite manibus Hans Leo Hassler
Appears on: 67–68
Genres: Motet
Source Attribution: Hans Leo Hassler
68v–69 Veni sancte spiritus et emitte caelitus Johannes Petraloysius [da Palestrina]
Appears on: 68v–69
Genres: Motet, Veni sancte spiritus
Source Attribution: Johannes Petraloysius [da Palestrina]
Voice: [no designation]
Languages: German
Voice Text: Heiliger Geist du Troster mein
General Note

with contrafact text "Heiliger Geist du Troster mein"

69–69v [in C,A,7,8 only] Christe dich bitt ich heut (2p. Und seiner liebsten Braut) - Anonymous
Appears on: 69–69v [in C,A,7,8 only]
Genres: Motet
General Note

No. of voices (8) according to title in book 8. Incompletely copied: only complete in Cantus, 7, 8, & 1a pars in Altus - in other books space provided but music not copied.

70–70v Jerusalem gaude gaudio magno - Anonymous
Appears on: 70–70v
Genres: Motet
71 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo Melchior Vulpius
Appears on: 71
Genres: Motet
Source Attribution: Melchior Vulpius
71–71v Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus -
Appears on: 71–71v
Genres: Motet
71v–72 Quem vidistis pastores M.V. [Melchior Vulpius]
Appears on: 71v–72
Genres: Motet
Source Attribution: M.V. [Melchior Vulpius]
72–73 O admirabile commercium (10vv) Hieronymus Praetorius
Appears on: 72–73
Genres: Motet
Source Attribution: Hieronymus Praetorius
73–73v Audite reges auribus percipite - Anonymous
Appears on: 73–73v
Genres: Motet
74 Verbum caro factum est (12vv) - Anonymous
Appears on: 74
Genres: Motet
74v (Cantus only) Ein Kindlein fein ist uns geborn - Anonymous
Appears on: 74v (Cantus only)
Genres: Hymn
General Note

Only the Cantus is copied; space is left for copying in the other 7 parts

75–75v Vespere autem sabbati Adam Gumpelzhaimer
Appears on: 75–75v
Genres: Motet
Source Attribution: Adam Gumpelzhaimer
76–76v Jubilate Deo omnis terra cantate Ascanius Trombetti
Appears on: 76–76v
Genres: Motet, Psalm
Source Attribution: Ascanius Trombetti
76v–77v Audite haec omnes populi Michael Praetorius
Appears on: 76v–77v
Genres: Motet
Source Attribution: Michael Praetorius
77v–78 (Cantus only) Laetatus sum Hieronymus Hildesheim
Appears on: 77v–78 (Cantus only)
Genres: Motet, Psalm
Source Attribution: Hieronymus Hildesheim
General Note

Incomplete, crossed out - not copied in any of the other books

78–79 Nuptiae factae sunt in Cana Galileae Hans Leo Hassler
Appears on: 78–79
Genres: Motet
Source Attribution: Hans Leo Hassler
79–79v Multae filiae congragaverunt divitias (12vv) - Anonymous
Appears on: 79–79v
Genres: Motet
79v–80v Echo quae gelitas colens latebras Bernhard Klingenstein
Appears on: 79v–80v
Genres: Motet
Source Attribution: Bernhard Klingenstein
80v–81 Deus spes nostra - 1a pars (of 2): Deus spes nostra -
Appears on: 80v–81
Genres: Motet
81–81v Deus spes nostra - 2a pars (of 2): Venite et videte opera Domini -
Appears on: 81–81v
Genres: Motet
82–83 Tota pulchra es amica mea (12vv) Hieronymus Praetorius
Appears on: 82–83
Genres: Motet
Source Attribution: Hieronymus Praetorius
83v–84v Ecce Maria genuit nobis - Anonymous
Appears on: 83v–84v
Genres: Motet
84v–85 Haec est dies quam fecit Dominus -
Appears on: 84v–85
Genres: Motet
85–85v Angelus ad pastores ait (12vv) -
Appears on: 85–85v
Genres: Motet
85v–86 Dum rex gloriae Christus Gregor Aichinger
Appears on: 85v–86
Genres: Motet
Source Attribution: Gregor Aichinger
86–86v Quis revolvet nobis lapidem Christian Erbach
Appears on: 86–86v
Genres: Motet
Source Attribution: Christian Erbach
87–87v Hodie completi sunt dies pentecostes (C134) Johann Gabriel
Appears on: 87–87v
Genres: Motet
Source Attribution: Johann Gabriel
87v–88 Dum complerentur dies pentecostes Daniel Lackner
Appears on: 87v–88
Genres: Motet
Source Attribution: Daniel Lackner
88v–89 Repleti sunt omnes spiritu sancto Horatius Vecchi
Appears on: 88v–89
Genres: Motet
Source Attribution: Horatius Vecchi
89–89v Dum complerentur dies pentecostes Hans Leo Hassler
Appears on: 89–89v
Genres: Motet
Source Attribution: Hans Leo Hassler
90–90v Ist nicht Ephraim mein teurer Sohn Henricus Hartmann
Appears on: 90–90v
Genres: Hymn
Source Attribution: Henricus Hartmann
91–91v Lobe den Herren meine Seele Henricus Hartmann
Appears on: 91–91v
Genres: Hymn
Source Attribution: Henricus Hartmann
92–92v Domine Dominus noster quam admirabile est Christianus Erbach
Appears on: 92–92v
Genres: Motet
Source Attribution: Christianus Erbach
93 Tibi laus tibi gloria Stephanus Venturi
Appears on: 93
Genres: Motet
Source Attribution: Stephanus Venturi
93v–94 Beati omnes qui timent Dominum Johann Gabriel
Appears on: 93v–94
Genres: Motet
Source Attribution: Johann Gabriel
94v Diligam te Domine fortitudo mea (C126) Johann Gabriel
Appears on: 94v
Genres: Motet
Source Attribution: Johann Gabriel
95–95v Cantate Dominum canticum novum - Anonymous
Appears on: 95–95v
Genres: Motet
96–96v Cantate Domino canticum novum Alessandro Orologio
Appears on: 96–96v
Genres: Motet
Source Attribution: Alessandro Orologio
96v–97 Cibavit nos ex adipe frumenti Johannes Bassani
Appears on: 96v–97
Genres: Motet
Source Attribution: Johannes Bassani
97v–98 Exultat cor meum in Domino - Anonymous
Appears on: 97v–98
Genres: Motet
98v–99 Benedicam Domino in omne tempore (8vv) Andrea Gabrieli
Appears on: 98v–99
Genres: Motet
Source Attribution: Andrea Gabrieli
General Note

Adaptation by A Gabrieli of his own 12vv motet, transposed up a fifth

99v–100 Beati immaculati Johann Gabriel
Appears on: 99v–100
Genres: Motet
Source Attribution: Johann Gabriel
100–100v Man wird zur Zion sagen -
Appears on: 100–100v
Genres: Hymn
101–101v Ego dormio et cor meum vigilat Carolus Luyton
Appears on: 101–101v
Genres: Motet
Source Attribution: Carolus Luyton
102–102v Decantabat populus Israel Horatius Vecchi
Appears on: 102–102v
Genres: Motet
Source Attribution: Horatius Vecchi
103–103v Gaudent in caelis animae sanctorum Christoph Thomas Walliserus
Appears on: 103–103v
Genres: Motet
Source Attribution: Christoph Thomas Walliserus
104–105 Exsurgat Deus et dissipentur (2p. Audite narrabo quanta bona fecit) (= L'aura serena) Lucas Marentius
Appears on: 104–105
Genres: Motet
Source Attribution: Lucas Marentius
105–106 Deus venerunt gentes in hereditatem tuam Lucas Marentius
Appears on: 105–106
Genres: Motet
Source Attribution: Lucas Marentius
106–106v Dixit Dominus Domino meo Sede a dextris meis (8vv) Orl. [Lassus]
Appears on: 106–106v
Genres: Motet
Source Attribution: Orl. [Lassus]
107–107v Veni sponsa Christi Hieronymus Hildesheimus
Appears on: 107–107v
Genres: Motet
Source Attribution: Hieronymus Hildesheimus
108–109 Factum est dum iret Jesus (10vv) -
Appears on: 108–109
Genres: Motet
109–109v Sancta Maria succurre miseris Johann Gabriel
Appears on: 109–109v
Genres: Motet
Source Attribution: Johann Gabriel
Voice: [no designation]
Languages: Latin
Voice Text: O fili Dei succurre miseris
General Note

Modifications to the text: e.g. beginning "O fili Dei succurre miseris"

110 Non turbetur - 1a pars (of 2): Non turbetur cor vestrum ego vado ad patrem Tiburtius Massaini
Appears on: 110
Genres: Motet
Source Attribution: Tiburtius Massaini
110v Non turbetur - 2a pars (of 2): Ego rogabo patrem et alium paracletum -
Appears on: 110v
Genres: Motet
111–112 Gross ist der Herr und hoch berumbt - Anonymous
Appears on: 111–112
Genres: Hymn
112v Herr wie lang - 1a pars (of 3): Herr wie lang wiltu mein Melchior Vulpius
Appears on: 112v
Genres: Motet
Source Attribution: Melchior Vulpius
113 Herr wie lang - 2a pars (of 3): Wie lang soll sich mein Feind -
Appears on: 113
Genres: Motet
113v Herr wie lang - 3a pars (of 3): Ich hoffe aber darauf -
Appears on: 113v
Genres: Motet
114–114v Lobet den Herren in seinem Heiligtum (8vv) - Anonymous
Appears on: 114–114v
Genres: Hymn
115–115v Mein Kind verwirff die Zucht (8vv) - Anonymous
Appears on: 115–115v
Genres: Hymn
115v–116v Zion spricht der Herr hatt mich verlassen Bartholomaeus Gesius [or Sethus Calvisius]
Appears on: 115v–116v
Genres: Hymn
Source Attribution: Bartholomaeus Gesius [or Sethus Calvisius]
Concordances

attributed to Calvisius in RISM 1618/1

116v–117 Herr Gorr der du den Heiligen (9vv) - Anonymous
Appears on: 116v–117
Genres: Hymn
117v–118 Lobet den Herren ihr seine Engel Bartholomaeus Gesius
Appears on: 117v–118
Genres: Hymn
Source Attribution: Bartholomaeus Gesius
118–118v Ehre sei Gott dem Vater Valentin Beyerus
Appears on: 118–118v
Genres: Hymn
Source Attribution: Valentin Beyerus
119–119v Das alte Jahr vergangen ist Gregorius Rudolphus
Appears on: 119–119v
Genres: Hymn
Source Attribution: Gregorius Rudolphus
119v–120 Quaerite primum regnum Dei -
Appears on: 119v–120
Genres: Motet
120v–121 Wie der HIrsch schreiet Henricus Hartmannus
Appears on: 120v–121
Genres: Hymn
Source Attribution: Henricus Hartmannus
Composer Compositions
Aichinger, Gregor (ca. 1564–1628)
Ammon, Blasius (fl. c1440)
Anonymous
Bacchius, Johannes de (–ca. 1557)
Bassano, Giovanni (ca. 1560–1617)
Beyer, Valentin
Calvisius, Sethus
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Conradi (alias Küster), Petrus
Crecquillon, Thomas (ca. 1505–ca. 1557)
Erbach, Christian (ca. 1568–1635)
Eremita, Giulio
Erhart, Mathias
Gabrieli, Andrea (ca. 1532–1585)
Gabrieli, Giovanni (ca. 1554–1612)
Gesius, Bartholomäus (ca. 1555–1613)
Geuck, Valentin
Gumpelzhaimer, Adam (1559–1625)
Handl (Gallus), Jacobus (1550–1591)
Hartmann, Heinrich
Hassler, Hans Leo (1564–1612)
Hausmann, Valentin
Hildesheim, Hieronymus
Klingenstein, Bernhard
Lagkhner, Daniel
Langenoith, Georgius
Lassus, Orlande de (ca. 1532–1594)
Luython, Carl (ca. 1557–1620)
Marenzio, Luca (ca. 1553–1599)
Massaino, Tiburzio
Merulo, Claudio (1533–1604)
Mortaro, Antonio
Orologio, Alessandro
Palestrina, Giovanni Pierluigi da (1525–1594)
Pevernage, Andreas
Phinot, Dominique
Pinello di Ghirardi, Giovanni Battista
Praetorius, Hieronymus (1560–1629)
Praetorius, Michael
Reiner, Jacob
Rudolph, Gregorius
Sale, Franciscus de
Scarabelli, Damiano
Schnitzkius, Gregor
Stabile, Annibale (ca. 1535–1595)
Sulcius, Georgius
Trombetti, Ascanio
Vecchi, Orazio (1550–1605)
Venturi (del Nibbio), Stephanus
Vulpius, Melchior (ca. 1570–1615)
Walliser, Christoph Thomas (1568–1648)
Composition Composers (? Uncertain) Folios / Pages
A Domino factum est istud 62–63v
Aeterni sincera patris spes 57v–58
Alleluia. Pascha nostrum immolatus est Anonymous 5v
Angelus ad pastores ait (12vv) 85–85v
Ardens est cor meum 48–48v
Audite haec omnes populi 76v–77v
Audite reges auribus percipite Anonymous 73–73v
Beati immaculati 99v–100
Beati omnes qui timent Dominum 35v–36
Beati omnes qui timent Dominum 93v–94
Beatus auctor - 1a pars (of 3): Beatus auctor saeculi 41
Beatus auctor - 2a pars (of 3): Domus pudici pectoris 41v
Beatus auctor - 3a pars (of 3): Summo parenti gloria 42
Beatus vir qui timet Dominum (8vv) 9v–10v
Benedicam Domino in omne tempore (8vv) 98v–99
Cantate Domino canticum novum 96–96v
Cantate Domino canticum novum (8vv) 51–51v
Cantate Dominum canticum novum Anonymous 95–95v
Christe dich bitt ich heut (2p. Und seiner liebsten Braut) Anonymous 69–69v [in C,A,7,8 only]
Cibavit nos ex adipe frumenti 96v–97
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra 11v–12
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret 12–12v
Confitemini Domino et invocate 37v–38
Cor mundum crea in me Deus et spiritum 31v–32
Corde natus - 1a pars (of 2): Corde natus ex parentis 45–45v
Corde natus - 2a pars (of 2): Ecce quem vates vetustis 45v–46
Das alte Jahr vergangen ist 119–119v
Decantabat populus Israel 102–102v
Decantabat populus Israel alleluia (7vv) 23–23v
Deus adjutor fortis in opportunitate 39v–40
Deus Deus meus respice 65v–66
Deus Israel coniungat vos 34v–35
Deus spes nostra - 1a pars (of 2): Deus spes nostra 80v–81
Deus spes nostra - 2a pars (of 2): Venite et videte opera Domini 81–81v
Deus venerunt gentes in hereditatem tuam 105–106
Diligam te Domine fortitudo mea (C126) 94v
Dixit Dominus Domino meo Sede a dextris meis (8vv) 106–106v
Domine Dominus noster quam admirabile est 92–92v
Dum complerentur dies pentecostes 87v–88
Dum complerentur dies pentecostes 89–89v
Dum rex gloriae Christus 85v–86
Ecce Maria genuit - 1a pars (of 2): Ecce Maria genuit nobis salvatorem 21v–22
Ecce Maria genuit - 2a pars (of 2): Ecce agnus Dei qui tollit peccata mundi 22
Ecce Maria genuit nobis Anonymous 83v–84v
Echo quae gelitas colens latebras 79v–80v
Ego dormio et cor meum vigilat 101–101v
Ego flos campi et lilium convalium 22v–23v
Ego sum panis - 1a pars (of 2): Ego sum panis vitae patris vestri manducaverunt 25–25v
Ego sum panis - 2a pars (of 2): Et panis quem ego dabo 25v–26
Ehre sei Gott dem Vater 118–118v
Eia age laetemur - 1a pars (of 2): Eia age laetemur Anonymous 44–44v
Eile mich Gott - 1a pars (of 3): Eile mich Gott zu erretten Anonymous 33v
Eile mich Gott - 2a pars (of 3): Sie mussen zurucke kehren Anonymous 34
Eile mich Gott - 3a pars (of 3): Freuen und frohlich nussen sein in dir Anonymous 34v
Ein Kindlein fein ist uns geborn Anonymous 74v (Cantus only)
Exaltabo te Domine 55–56
Exaudi Domine justitiam 1
Exsurgat Deus et dissipentur (2p. Audite narrabo quanta bona fecit) (= L'aura serena) 104–105
Exsurgat Deus et dissipentur (8vv) 37–37v
Exultat cor meum in Domino Anonymous 97v–98
Exultate justi in Domino 53v–54
Exultate justi in Domino 66–66v
Factum est dum iret Jesus (10vv) 108–109
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco 10v
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei 11
Fata movent hominis mea pectora 59–59v
Fit porta Christi - 1a pars (of 3): Fit porta Christi pervia 47–47v
Fit porta Christi - 2a pars (of 3): Honor matris et gaudium 47v
Fit porta Christi - 3a pars (of 3): Jesu tibi sit gloria 48
Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu 30–30v
Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari 30v–31
Gaudent in caelis animae sanctorum 103–103v
Gaudete filiae Jerusalem (8vv) Anonymous 60–60v
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino deo 71
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus 71–71v
Gross ist der Herr und hoch berumbt Anonymous 111–112
Haec est dies quam fecit Dominus 84v–85
Herr Gorr der du den Heiligen (9vv) Anonymous 116v–117
Herr wie lang - 1a pars (of 3): Herr wie lang wiltu mein 112v
Herr wie lang - 2a pars (of 3): Wie lang soll sich mein Feind 113
Herr wie lang - 3a pars (of 3): Ich hoffe aber darauf 113v
Hodie Christus natus est (10vv) 61–61v
Hodie completi sunt dies pentecostes (C134) 87–87v
Ich will des Herren Zorn tragen Anonymous 24–24v
Immeritum Christus - 1a pars (of 2): Immeritum Christus patiens 43v
Immeritum Christus - 2a pars (of 2): Christus ut occludit iam saecula 44
In principio erat verbum - 1a pars (of 3): In principio erat verbum 18–18v
In principio erat verbum - 2a pars (of 3): Fuit homo missus 18v–19
In principio erat verbum - 3a pars (of 3): In propria venit 19–19v
In tribulatione - 1a pars (of 2): In tribulatione mea invocavi 50
In tribulatione - 2a pars (of 2): Propterea confitebor tibi 50v
Ist nicht Ephraim mein teurer Sohn 90–90v
Jam non dicam vos servos sed amicos (8vv) 9–9v
Jerusalem gaude gaudio magno Anonymous 70–70v
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra 56–56v
Jubilate Deo - 2a pars (of 2): Nos autem populus 56v
Jubilate Deo omnis terra (8vv) (C16) 53–53v
Jubilate Deo omnis terra cantate 76–76v
Junior fui etenim 64
Laetare de uxore 28–28v
Laetatus sum 77v–78 (Cantus only)
Laudate Domine omnes gentes (8vv) Anonymous 36–36v
Laudate Dominum in sanctus eius (8vv) 38–38v
Laudate Dominum in sanctus eius (8vv) 52–52v
Laudate Dominum omnes gentes 54v–55
Lobe den Herren meine Seele 91–91v
Lobet den Herren ihr seine Engel 117v–118
Lobet den Herren in seinem Heiligtum (8vv) Anonymous 114–114v
Man wird zur Zion sagen 100–100v
Mein Kind verwirff die Zucht (8vv) Anonymous 115–115v
Misericordias Domini in aeternum cantabo 62–62v
Missa Benedicam Dominum: Gloria 3v–4v
Missa Benedicam Dominum: Kyrie 3–3v
Missa in festo nativitatis filii Dei: Agnus Dei 14–16v
Missa in festo nativitatis filii Dei: Gloria 14–16v
Missa in festo nativitatis filii Dei: Kyrie Tro: Magne Deus potentiae 14–16v
Missa in festo nativitatis filii Dei: Sanctus (Benedictus trope: Mariae filius) 14–16v
Missa Non aufferetur sceptrum: Kyrie 16v–17
Missa Omnia quae fecisti: Gloria 7v–9
Missa Omnia quae fecisti: Kyrie 7–7v
Missa Speremus meliora: Gloria 13–14
Missa Speremus meliora: Kyrie 12v–13
Multae filiae congragaverunt divitias (12vv) Anonymous 79–79v
Non turbetur - 1a pars (of 2): Non turbetur cor vestrum ego vado ad patrem 110
Non turbetur - 2a pars (of 2): Ego rogabo patrem et alium paracletum 110v
Nuptiae factae sunt in Cana Galileae 78–79
O admirabile commercium (10vv) 72–73
O Domine Jesu Christe adoro te 63v
O magnum mysterium - 1a pars (of 2): O magnum mysterium et admirabile sacramentum 19v–20
O magnum mysterium - 2a pars (of 2): Domine audivi auditum tuum 20–20v
O sacrum convivium (6vv) 24v–25
Omnes gentes plaudite manibus 67–68
Paratum cor meum Deus (10vv) Anonymous 66v–67
Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus 20v–21
Pastores loquebantur - 2a pars (of 2): Et venerunt festinantes et invenerunt 21–21v
Pater Abraham - 1a pars (of 2): Pater Abraham miserere mei et mitte Lazarum 2
Pater Abraham - 2a pars (of 2): Fili recordare quia recepisti bona 2v
Pater noster qui es in caelis (8vv) Anonymous 58–58v
Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie 26–26v
Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac 26v–27
Praceceptor per totam noctem Anonymous 32v–33
Puer natus est nobis Anonymous 17–17v
Quaerite primum regnum Dei 119v–120
Quantas ostendisti mihi tribulationes (8vv) 38v–39v
Quem vidistis pastores 59v–60
Quem vidistis pastores 71v–72
Quis revolvet nobis lapidem 86–86v
Repleti sunt omnes spiritu sancto 88v–89
Responsiones ad praefationem Anonymous 3
Resurrexi et adhuc tecum sum (2p. Domine probasti me) Anonymous 5–5v
Salve cara dies - 1a pars (of 2): Salve cara dies 42v
Salve cara dies - 2a pars (of 2): Quia genus humanum 43
Salve magne puer 40–40v
Sancta Maria succurre miseris 109–109v
Sancte puer dilecte puer (10vv) Anonymous 61v–62
Tibi laus tibi gloria 93
Tota pulchra es amica mea (12vv) 82–83
Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum, et nescio ubi 46–46v
Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum, et nescio ubi 48v–49
Tulerunt Dominum - 2a pars (of 2): Cum ergo fleret 46v–47
Tulerunt Dominum - 2a pars (of 2): Cum ergo fleret 49v
Veni Domine et noli tardare 57
Veni in hortum meum 23v–24
Veni sancte spiritus et emitte caelitus 68v–69
Veni sancte spiritus reple 3
Veni sponsa Christi 107–107v
Verbum caro factum est (12vv) Anonymous 74
Vespere autem sabbati 75–75v
Victimae paschali laudes Anonymous 64v–65
Victimae paschali laudes / Crist ist erstanden Anonymous 5v–6v
Viri Galilei (2p. Omnes gentes plaudite) Anonymous 6v–7
Wem Gott bescheret ein tugendtsam Weib 28v–30
Wie der HIrsch schreiet 120v–121
Wohl dem der den Herren furchtet 27–28
Zion spricht der Herr hatt mich verlassen 115v–116v

Set: MS Mus. 40039

Type: Partbooks

No images available

D-B MS Mus. 40039 [7]

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D-B MS Mus. 40039 [8]

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D-B MS Mus. 40039 [9]

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D-B MS Mus. 40039 [10]

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D-B MS Mus. 40039 [11]

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D-B MS Mus. 40039 [12]

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D-B MS Mus. 40039 [Altus]

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D-B MS Mus. 40039 [Bassus]

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D-B MS Mus. 40039 [Discantus]

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D-B MS Mus. 40039 [Quintus]

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D-B MS Mus. 40039 [Sextus]

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D-B MS Mus. 40039 [Tenor]

denotes primary source study

Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe.  München. Pages: 95-104.

Jackson, Roland, and Bernhard Meier (editors). 1978-. Luca Marenzio: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I.xv III, ix. Notes: contents list (partial); concordances (partial); concordances.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description