D-B MS Mus. Theor. 1175

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany

theory treatise: C. 1550

Archive	Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany (D-B)
Shelfmark	MS Mus. Theor. 1175
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	247 x 175 mm
Other Identifiers	CCM: BerlDS 1175 olim (Former shelfmark): Preussische Staatsbibliothek
Notations	black void mensural
Relationships	Poelchau, Georg (1773–1836) (owner) Forkel, Johann Nikolaus (1749–1818) (owner) Murr, of Nuremberg, C. G. (owner) Faber, Heinrich (ca. 1500–1552) (author (of treatise))
Provenance	Bavaria, Germany
Contents	64 pieces from 5 composers

General Description

Two theoretical treatises (ff. 1-97: 'Explicatio compendiosa doctrinae de signis musicalibus exemplis probatissimorum Musicorum illustrata'; treatise on ff. 98-134: 'De musica poetica' of Heinrich Faber) which employ 43 2-page examples and a number of shorter examples as illustrations of theoretical concepts. Some examples in choirbook format; others in quasi-score format. Copied by a single scribe, perhaps the 'A.S.' to whom several examples are ascribed. Of German origin. Owned in early 19th century by C. G. Murr of Nuremberg. Later owned by Johann Nikolaus Forkel (1749-1818) and Georg Poelchau (1773-1836); passed to present library in 1841.

DIAMM, 2017

Notation

black void mensural; a few polyphonic examples copied in Gothic chant

DIAMM, 2017

Ruling

10-line staves

DIAMM, 2017

Foliation

Modern foliation, 1-134, on upper right rectos.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Two theoretical treatises which employ 43 2-page examples and a number of shorter examples as illustrations of theoretical concepts.

A.S.-6, Hähnel [Galliculus]-1, Isaac-2, Josquin-3, anonymous

134 paper folios, 247 x 175. New foliation. Treatise found on ff. 1-97: "Explicatio compendiosa doctrinae de signis musicalibus examplis proba-tissimorum musicorum illustrata"; on ff. 98-134: "De musica poetica."

16th century (JosqMS).

Vol 4

BerIDS 1175

BERLIN (EAST). Deutsche Staatbibliothek. MS Mus. theor.

1175

Treatises on music (see below), with polyphonic examples:

73 pieces*

*11 are short textless cadential formulas. Excerpts from 1 Mass, 4 Mass Ordinary sections (1 copied twice, but with double note values in second version), 1 Mass Proper section, and 4 motets identified by titles in manuscript or from concordant sources. Other examples unidentified.

A.S.-6, Isaac-5, Josquin-6, (Obrecht)-1, anon-55*

'Some anonymous examples presumably composed by Heinrich Faber.

134 paper folios, 247 x 175. Modern foliation, 1-134, on upper right rectos. Treatise on ff. 1-97: "Explicatio compendiosa doctrinae de signis musicalibus exemplis probatissimorum Musicorum illustrata"; treatise on ff. 98-134: "De musica poetica" of Heinrich Faber. A few polyphonic examples copied in Gothic chant notation, but most are in white mensural notation. Some examples in choirbook format; others in quasi-score format on 10-line staves. Copied by a single scribe, perhaps the "A.S." to whom several examples are ascribed.

Ca. 1550 (FerandB). Of German origin. Owned in early 19th century by C. G. Murr of Nuremberg. Later owned by Johann Nikolaus Forkel (1749-1818) and Georg Poelchau (1773-1836); passed to present library in 1841.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
6v–7	Missa Quant j'ai au coeur: Kyrie	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 6v–7 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Isaac] Voice: [no designation] Languages: Latin, Greek Voice Text: [Kyrie II from Missa Quant j'ay au cueur] [= ff. 11v-12]
7v	untexted example	AS	A S
untexted example A S Appears on: 7v Genres: textless Source Attribution: AS Voice: [no designation] Languages: none Voice Text: Textless example
8v–9	untexted example	Anon.	-
untexted example Appears on: 8v–9 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
11v–12	Missa Quant j'ai au coeur: Kyrie	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 11v–12 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Isaac] Voice: [no designation] Languages: Latin, Greek Voice Text: [Kyrie II from Missa Quant j'ay au cueur] [= ff. 6v-7]
12v–13	untexted example	A.S.	A S
untexted example A S Appears on: 12v–13 Genres: textless Source Attribution: A.S. Voice: [no designation] Languages: none Voice Text: Textless example
13v–14	untexted example	A.S.	A S
untexted example A S Appears on: 13v–14 Genres: textless Source Attribution: A.S. Voice: [no designation] Languages: none Voice Text: Textless example
14v	untexted example	Anon.	-
untexted example Appears on: 14v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
16	untexted example	Anon.	-
untexted example Appears on: 16 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
16v	untexted example	Anon.	-
untexted example Appears on: 16v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
17	untexted example	Anon.	-
untexted example Appears on: 17 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
17v	untexted example	Anon.	-
untexted example Appears on: 17v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
18v	untexted example	Anon.	-
untexted example Appears on: 18v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
19v–20	untexted example	Anon.	-
untexted example Appears on: 19v–20 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
21v	untexted example	Anon.	-
untexted example Appears on: 21v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
22	untexted example	Anon.	-
untexted example Appears on: 22 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
22v–23	untexted example	Anon.	-
untexted example Appears on: 22v–23 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
32v–33	untexted example	Anon.	-
untexted example Appears on: 32v–33 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
33v–34	untexted example	Anon.	-
untexted example Appears on: 33v–34 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
36v–37	untexted example	Anon.	-
untexted example Appears on: 36v–37 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
37v–38	untexted example	Anon.	-
untexted example Appears on: 37v–38 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
38	Missa Je ne demande: Gloria. Qui tollis peccata mundi	[Obrecht]	Obrecht, Jacobus (ca. 1457–1505)
Missa Je ne demande: Gloria. Qui tollis peccata mundi Obrecht, Jacobus (ca. 1457–1505) Appears on: 38 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [Obrecht] Voice: [no designation] Languages: Latin Voice Text: [Qui tollis peccata mundi from Gloria of Missa Je ne demande]
38v–39	untexted example	Anon.	-
untexted example Appears on: 38v–39 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
39v–40	untexted example	Anon.	-
untexted example Appears on: 39v–40 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
47v	Missa Rosina 9.4 (Excerpt)	Iosquino [= Josquin]	Despres, Josquin (ca. 1450–1521)
Missa Rosina 9.4 (Excerpt) Despres, Josquin (ca. 1450–1521) Appears on: 47v Genres: Mass Ordinary Source Attribution: Iosquino [= Josquin] Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Missa Rosina] 9.4
48v–49	untexted example	Anon.	-
untexted example Appears on: 48v–49 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
49v–50	untexted example	Anon.	-
untexted example Appears on: 49v–50 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
50v–51	untexted example	Anon.	-
untexted example Appears on: 50v–51 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
51v–52	untexted example	Anon.	-
untexted example Appears on: 51v–52 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
67v–68	untexted example	A.S.	A S
untexted example A S Appears on: 67v–68 Genres: textless Source Attribution: A.S. Voice: [no designation] Languages: none Voice Text: Textless example
68v–69	untexted example	Anon.	-
untexted example Appears on: 68v–69 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
69v–70	untexted example	Anon.	-
untexted example Appears on: 69v–70 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
70v–71	untexted example	Anon.	-
untexted example Appears on: 70v–71 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
71v	untexted example	Anon.	-
untexted example Appears on: 71v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
72	Missa Pascale: Sanctus	Henricus Isaac	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 72 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Henricus Isaac Voice: [no designation] Languages: Latin Voice Text: [Sanctus from Missa Paschalis]
76v–77	untexted example	Anon.	-
untexted example Appears on: 76v–77 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
77v–78	untexted example	Anon.	-
untexted example Appears on: 77v–78 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
78v–79	untexted example	Anon.	-
untexted example Appears on: 78v–79 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
79v–80	untexted example	Anon.	-
untexted example Appears on: 79v–80 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
82v–83	untexted example	Anon.	-
untexted example Appears on: 82v–83 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
83v–84	untexted example	Anon.	-
untexted example Appears on: 83v–84 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
86v–87	Missa L'homme armé super voces musicales 6.3: Agnus Dei	Josquin de Prees	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé super voces musicales 6.3: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 86v–87 Genres: Agnus Dei, Mass Ordinary Source Attribution: Josquin de Prees Voice: [no designation] Languages: Latin Voice Text: [Agnus II from Missa L'homme armé super voces musicales] 6.3
87v–89	De radice Jesse [Proprium de Conceptione Mariae Virginis]	Henrici Isaac	Isaac, Heinrich (ca. 1450–1517)
De radice Jesse [Proprium de Conceptione Mariae Virginis] Isaac, Heinrich (ca. 1450–1517) Appears on: 87v–89 Genres: Sequence Source Attribution: Henrici Isaac Voice: [no designation] Languages: Latin Voice Text: [Excerpt from De radice Jesse]
89v–90	untexted example	A.S.	A S
untexted example A S Appears on: 89v–90 Genres: textless Source Attribution: A.S. Voice: [no designation] Languages: none Voice Text: Textless example
91v–93	untexted example	Anon.	-
untexted example Appears on: 91v–93 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
93v–97	untexted example	A.S.	A S
untexted example A S Appears on: 93v–97 Genres: textless Source Attribution: A.S. Voice: [no designation] Languages: none Voice Text: Textless example
99v	untexted example	Anon.	-
untexted example Appears on: 99v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
100	untexted example	Anon.	-
untexted example Appears on: 100 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
100v	untexted example	Anon.	-
untexted example Appears on: 100v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
100v	untexted example	Anon.	-
untexted example Appears on: 100v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
101	untexted example	Anon.	-
untexted example Appears on: 101 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
106v	Domine exaudi orationem meam auribus 16.5 (2p. Memor fui dierum antiquorum; 3p. Spiritus tuus bonus deducet me)	Josquini	Despres, Josquin (ca. 1450–1521)
Domine exaudi orationem meam auribus 16.5 (2p. Memor fui dierum antiquorum; 3p. Spiritus tuus bonus deducet me) Despres, Josquin (ca. 1450–1521) Appears on: 106v Genres: Motet Source Attribution: Josquini Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Pars III of Domine exaudi orationem meam] 16.5
107	untexted example	Henrici Isaac	Isaac, Heinrich (ca. 1450–1517)
untexted example Isaac, Heinrich (ca. 1450–1517) Appears on: 107 Genres: textless Source Attribution: Henrici Isaac Voice: [no designation] Languages: none Voice Text: Textless example
108	untexted example	Anon.	-
untexted example Appears on: 108 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
108v–109v	Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est	[Josquin]	Despres, Josquin (ca. 1450–1521)
Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est Despres, Josquin (ca. 1450–1521) Appears on: 108v–109v Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Pars II of Domine ne in furore tuo] 16.7
110	untexted example	Anon.	-
untexted example Appears on: 110 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
110v	untexted example	Anon.	-
untexted example Appears on: 110v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
111	Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus)	Josquini	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) Despres, Josquin (ca. 1450–1521) Appears on: 111 Genres: Motet Source Attribution: Josquini Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Praeter rerum seriem] 24.12
111v	untexted example	Anon.	-
untexted example Appears on: 111v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
111v–112	Domine ne in furore 16.7 (excerpt)	Josquini	Despres, Josquin (ca. 1450–1521)
Domine ne in furore 16.7 (excerpt) Despres, Josquin (ca. 1450–1521) Appears on: 111v–112 Genres: Motet Source Attribution: Josquini Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Domine ne in furore tuo] 16.7
112	untexted example	Anon.	-
untexted example Appears on: 112 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
112v	untexted example	Anon.	-
untexted example Appears on: 112v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
112v	untexted example	Anon.	-
untexted example Appears on: 112v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
113–113v	8 short cadential formulas	Anon.	Anonymous
8 short cadential formulas Anonymous Appears on: 113–113v Genres: formula Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: 8 short cadential formulas
132v	3 short cadential formulas	Anon.	Anonymous
3 short cadential formulas Anonymous Appears on: 132v Genres: formula Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: 3 short cadential formulas

Composer	Compositions
A S	untexted example – 7v untexted example – 89v–90 untexted example – 13v–14 untexted example – 93v–97 untexted example – 12v–13 untexted example – 67v–68
Anonymous	3 short cadential formulas – 132v 8 short cadential formulas – 113–113v [No description] – 68v–69 [No description] – 14v [No description] – 16 [No description] – 16v [No description] – 17 [No description] – 110v [No description] – 17v [No description] – 18v [No description] – 19v–20 [No description] – 21v [No description] – 22 [No description] – 32v–33 [No description] – 33v–34 [No description] – 36v–37 [No description] – 37v–38 [No description] – 38v–39 [No description] – 39v–40 [No description] – 48v–49 [No description] – 49v–50 [No description] – 50v–51 [No description] – 69v–70 [No description] – 70v–71 [No description] – 71v [No description] – 76v–77 [No description] – 77v–78 [No description] – 78v–79 [No description] – 79v–80 [No description] – 82v–83 [No description] – 112v [No description] – 91v–93 [No description] – 99v [No description] – 100 [No description] – 100v [No description] – 100v [No description] – 101 [No description] – 112v [No description] – 108 [No description] – 112 [No description] – 111v [No description] – 22v–23 [No description] – 110 [No description] – 83v–84 [No description] – 51v–52 [No description] – 8v–9
Despres, Josquin (ca. 1450–1521)	Domine exaudi orationem meam auribus 16.5 (2p. Memor fui dierum antiquorum; 3p. Spiritus tuus bonus deducet me) – 106v Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est – 108v–109v Domine ne in furore 16.7 (excerpt) – 111v–112 Missa L'homme armé super voces musicales 6.3: Agnus Dei – 86v–87 Missa Rosina 9.4 (Excerpt) – 47v Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) – 111
Isaac, Heinrich (ca. 1450–1517)	De radice Jesse [Proprium de Conceptione Mariae Virginis] – 87v–89 Missa Pascale: Sanctus – 72 Missa Quant j'ai au coeur: Kyrie – 11v–12 Missa Quant j'ai au coeur: Kyrie – 6v–7 untexted example – 107
Obrecht, Jacobus (ca. 1457–1505)	Missa Je ne demande: Gloria. Qui tollis peccata mundi – 38

Composition	Composers (? Uncertain)	Folios / Pages
3 short cadential formulas	Anonymous	132v
8 short cadential formulas	Anonymous	113–113v
De radice Jesse [Proprium de Conceptione Mariae Virginis]	Isaac, Heinrich (ca. 1450–1517)	87v–89
Domine exaudi orationem meam auribus 16.5 (2p. Memor fui dierum antiquorum; 3p. Spiritus tuus bonus deducet me)	Despres, Josquin (ca. 1450–1521)	106v
Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est	Despres, Josquin (ca. 1450–1521)	108v–109v
Domine ne in furore 16.7 (excerpt)	Despres, Josquin (ca. 1450–1521)	111v–112
Missa Je ne demande: Gloria. Qui tollis peccata mundi	Obrecht, Jacobus (ca. 1457–1505)	38
Missa L'homme armé super voces musicales 6.3: Agnus Dei	Despres, Josquin (ca. 1450–1521)	86v–87
Missa Pascale: Sanctus	Isaac, Heinrich (ca. 1450–1517)	72
Missa Quant j'ai au coeur: Kyrie	Isaac, Heinrich (ca. 1450–1517)	6v–7
Missa Quant j'ai au coeur: Kyrie	Isaac, Heinrich (ca. 1450–1517)	11v–12
Missa Rosina 9.4 (Excerpt)	Despres, Josquin (ca. 1450–1521)	47v
Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus)	Despres, Josquin (ca. 1450–1521)	111
untexted example	A S	7v
untexted example	A S	12v–13
untexted example	A S	13v–14
untexted example	A S	67v–68
untexted example	A S	89v–90
untexted example	A S	93v–97
untexted example	Isaac, Heinrich (ca. 1450–1517)	107

‡ denotes primary source study

Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe. München.

Ward, Tom Robert. 1983. A Newly-Discovered Josquin Attribution. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 29-48. Notes: concordances; contents list (partial); concordances (partial); mention of MS; discussion; additional bibliography.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xix,32-5,72; II,119ff,127. Notes: physical description; contents list (partial); concordances (partial).

Stroux, Christoph. 1976. Die Musica Poetica des Magisters Heinrich Faber. Albert-Ludwigs-Universität (Freiburg im Breisgau), Unpublished Ph.D. dissertation. Pages: 53,148ff, passim. Notes: physical description (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, x. Notes: contents list (partial); concordances (partial).

Miller, Clement A. 1970. Sebald Heyden's De Arte Canendi: Background and Contents. Musica Disciplina, 79-99. Pages: 92-5. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Collins, Michael Bruce. 1964. The Performance of Sesquialtera and Hemiola in the 16th Century. Journal of the American Musicological Society, 5-28. Pages: 24-8. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hermelink, Siegfried. 1960. Dispositiones Modorum: Die Tonarten in der Musik Palestrinas und seiner Zeitgenossen. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: 34. Notes: facsimile (partial).

Ferand, Ernst T. 1958. Bemerkungen zu der neuen Quelle von Heinrich Fabers 'Musica poetica'. Die Musikforschung, 340-1. Notes: physical description; mention of MS; discussion.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: I,x-xii. Notes: physical description; contents list (partial); concordances (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description