Composite of two originally separate manuscripts brought together by Jacob Salandronius c. 1885. Part I = new ff. 1-8; Part II = new ff. 9-12. Part I copied by Jacob Salandronius (KmetzH); Part II copied by a single, unidentified scribe. Second part probably originated in Basel. Both manuscripts owned by Jacob Salandronius (= Jacob Salzmann), employed at School of St. Theodore, Basel (inscription on f. 1). Delivered by Salandronius' son to Matthias Brodbeck, also of Basel (inscription on f. 1: 'Matis brotbeck in der cleinen stat').
CH-Bu F IX 55
Öffentliche Bibliothek der Universität, Basel, Switzerland
composite of unrelated mss: C. 1500-10
| Archive | Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu) |
|---|---|
| Shelfmark | F IX 55 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 312 x 219 mm |
| Other Identifiers |
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| Provenance |
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| Contents | Contains 9 compositions, 7 from 2 composers, 2 are anonymous. |
General Description
Binding
Rebound in 1983 in modern covers; 19th-century paper covers partially retained.
Watermark
Part I resembles Briquet #15163; Part II resembles Briquet #13016 (StaeMI)
Notation
not indicated
Date
Ca. 1500-10 (KmetzH).
Foliation
Other numberings: Modern pencil numbering of pieces, 1-5.
Foliation
Modern pencil foliation, 1-12.
Decoration
No initials or decoration
Surface
Paper
Census Catalogue of Music Description
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2 Masses (incomplete), 6 motets = 8
Isaac-4, anon-4
i + 12 + i paper folios, 312 x 219. New pencil foliation. New paper covers. No index. Inscription: "Venerabili magistro Jacobo Salandronio, ludi magistro scolae divi Theodori. Matis brotbeck in der cleinen stat."
Early 16th century. Manuscript is in two parts, brought together as a single volume ca. 1885; second part probably originated in Basel, in the first third of the 16th century.
Vol 4
Part I: 1 Mass (incomplete), 3 motets = 4. Part II: 1 Mass (incomplete). Total for manuscript = 5
Isaac-3, (Josquin?)-1, anon-1
i + 12 + i paper folios, 312 x 219. Composite of two originally separate manuscripts brought together by Jacob Salandronius. Part I = new ff. 1-8; Part II = new ff. 9-12. Modern pencil foliation, 1-12. Modern pencil numbering of pieces, 1-5. Rebound in 1983 in modern covers; 19th-century paper covers partially retained. No index. Part I copied by Jacob Salandronius (KmetzH; see below); Part II copied by a single, unidentified scribe. No initials or decoration. Watermark in Part I resembles Briquet #15163; watermark in Part II resembles Briquet #13016 (StaeMI).
Ca. 1500-10 (KmetzH). Copied in Basel or vicinity. Both manuscripts owned by Jacob Salandronius (= Jacob Salzmann), employed at School of St. Theodore, Basel (inscription on f. 1). Delivered by Salandronius' son to Matthias Brodbeck, also of Basel (inscription on f. 1: "Matis brotbeck in der cleinen stat").
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‡ denotes primary source study
Kmetz, John. 1988. Die Handschriften der Universitätsbibliothek Basel: Musikhandschriften des 16. Jahrhunderts. Katalog und quellenkritische Untersuchung. Basel. Notes: physical description; contents list; concordances (partial); facsimile (partial); Di.
Ward, Tom Robert. 1983. A Newly-Discovered Josquin Attribution. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 33: 29-48. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Kindermann, Jürgen. 1978. Die doppelten und mehrfachen Textierungen in den Annaberger Chorbüchern. Festschrift Georg von Dadelsen, 179-88. Neuhausen nr. Stuttgart. Pages: 187-8. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xvi, 26, 49, 79-80,83 11,65; III, 179-80. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Dunning, Albert. 1969. Die Staatsmotette 1480-1555. Utrecht. Pages: 37-9, 339. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I,29,45,66-7,157-9; II, 11, 48-9,66-7, 69-70. Notes: contents list (partial); concordances (partial); incipits (partial); texts (partial); mention of MS; discussion.
Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VIII, 143, 149ff. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, 6: . Pages: 94. Notes: mention of MS.
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,445.
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII,53-8,169. Notes: physical description; contents list; incipitsst of contents (partial); transcription (partial).
Richter, Julius. 1892. Katalog der Musik-Sammlung auf der Universitäts-Bibliothek in Basel. Supplement to Monatshefte für Musik-Geschichte, 23: . Pages: 40-2. Notes: contents list; incipits.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description