CH-Bu F IX 55

Öffentliche Bibliothek der Universität, Basel, Switzerland

manuscript of polyphony. Originally two separate manuscripts; Part I copied by Jacob Salandronius (KmetzH); Part II copied by a single, unidentified scribe.: C. 1500-10

Archive Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu)
Shelfmark F IX 55
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 312 x 219 mm
Other Identifiers
  • CCM: BasU F.IX.55
Copyists
Relationships
External Links
Provenance
  • Basel, Switzerland
Contents 9 pieces from 3 composers
General Description

Composite of two originally separate manuscripts brought together by Jacob Salandronius c. 1885. Part I = new ff. 1-8; Part II = new ff. 9-12. Part I copied by Jacob Salandronius (KmetzH); Part II copied by a single, unidentified scribe. Second part probably originated in Basel. Both manuscripts owned by Jacob Salandronius (= Jacob Salzmann), employed at School of St. Theodore, Basel (inscription on f. 1). Delivered by Salandronius' son to Matthias Brodbeck, also of Basel (inscription on f. 1: 'Matis brotbeck in der cleinen stat').

DIAMM, 2017
Binding

Rebound in 1983 in modern covers; 19th-century paper covers partially retained.

DIAMM, 2017
Watermark

Part I resembles Briquet #15163; Part II resembles Briquet #13016 (StaeMI)

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

Ca. 1500-10 (KmetzH).

DIAMM, 2017
Foliation

Other numberings: Modern pencil numbering of pieces, 1-5.

DIAMM, 2017
Foliation

Modern pencil foliation, 1-12.

DIAMM, 2017
Decoration

No initials or decoration

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses (incomplete), 6 motets = 8

Isaac-4, anon-4

i + 12 + i paper folios, 312 x 219. New pencil foliation. New paper covers. No index. Inscription: "Venerabili magistro Jacobo Salandronio, ludi magistro scolae divi Theodori. Matis brotbeck in der cleinen stat."

Early 16th century. Manuscript is in two parts, brought together as a single volume ca. 1885; second part probably originated in Basel, in the first third of the 16th century.

Vol 4

Part I: 1 Mass (incomplete), 3 motets = 4. Part II: 1 Mass (incomplete). Total for manuscript = 5

Isaac-3, (Josquin?)-1, anon-1

i + 12 + i paper folios, 312 x 219. Composite of two originally separate manuscripts brought together by Jacob Salandronius. Part I = new ff. 1-8; Part II = new ff. 9-12. Modern pencil foliation, 1-12. Modern pencil numbering of pieces, 1-5. Rebound in 1983 in modern covers; 19th-century paper covers partially retained. No index. Part I copied by Jacob Salandronius (KmetzH; see below); Part II copied by a single, unidentified scribe. No initials or decoration. Watermark in Part I resembles Briquet #15163; watermark in Part II resembles Briquet #13016 (StaeMI).

Ca. 1500-10 (KmetzH). Copied in Basel or vicinity. Both manuscripts owned by Jacob Salandronius (= Jacob Salzmann), employed at School of St. Theodore, Basel (inscription on f. 1). Delivered by Salandronius' son to Matthias Brodbeck, also of Basel (inscription on f. 1: "Matis brotbeck in der cleinen stat").

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–3v Salve regina (I) (2p. Eia ergo; 3p. O clemens) -
Isaac, Heinrich (ca. 1450–1517)

Salve regina (I) (2p. Eia ergo; 3p. O clemens)

Isaac, Heinrich (ca. 1450–1517)
Appears on: 1v–3v
Genres: Marian antiphon, Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
Layout

1a pars 1v-2; 2a pars 2v-3; 3a pars 3v
4 Missa 'Rosina': 'resoluciones' - Anonymous

Missa 'Rosina': 'resoluciones'

Anonymous
Appears on: 4
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
General Note

'resoluciones super missam rosina': excerpts from Kyrie, Gloria, Credo, Sanctus
4v–7 Sancti spiritus assit nobis gratia II: Imperii proceres Romani gloria regni III: Consulite in medio rebus succurite IV: Imperii justis cedat emulus armis -
Isaac, Heinrich (ca. 1450–1517)

Sancti spiritus assit nobis gratia II: Imperii proceres Romani gloria regni III: Consulite in medio rebus succurite IV: Imperii justis cedat emulus armis

Isaac, Heinrich (ca. 1450–1517)
Appears on: 4v–7
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sancti spiritus assit nobis gratia - Imperii proceres
7v–8 Ave virgo Katherina ave martir et regina - Anonymous

Ave virgo Katherina ave martir et regina

Anonymous
Appears on: 7v–8
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ave virgo Katherina ave martir et regina
9v Missa Salva nos Domine: Kyrie -
Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518) (?)

Missa Salva nos Domine: Kyrie

Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518) (?)
Appears on: 9v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie (Missa Salva nos)
General Note

1 sheet damaged, 2 pages missing
9v Missa Salva nos Domine: Gloria -
Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518)

Missa Salva nos Domine: Gloria

Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518)
Appears on: 9v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria (Missa Salva nos)
10–11 Missa Salva nos Domine: Patrem omnipotentem [Credo] -
Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518) (?)

Missa Salva nos Domine: Patrem omnipotentem [Credo]

Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518) (?)
Appears on: 10–11
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo (Missa Salva nos)
11v Missa Salva nos Domine: Sanctus -
Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518) (?)

Missa Salva nos Domine: Sanctus

Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518) (?)
Appears on: 11v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus (Missa Salva nos)
12 Missa Salva nos Domine: Agnus Dei -
Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518) (?)

Missa Salva nos Domine: Agnus Dei

Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518) (?)
Appears on: 12
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei (Missa Salva nos)
Composer Compositions
Anonymous
Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518)
Composition Composers (? Uncertain) Folios / Pages
Ave virgo Katherina ave martir et regina Anonymous 7v–8
Missa 'Rosina': 'resoluciones' Anonymous 4
Missa Salva nos Domine: Agnus Dei
Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518) (?)
12
Missa Salva nos Domine: Gloria
Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518)
9v
Missa Salva nos Domine: Kyrie
Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518) (?)
9v
Missa Salva nos Domine: Patrem omnipotentem [Credo]
Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518) (?)
10–11
Missa Salva nos Domine: Sanctus
Isaac, Heinrich (ca. 1450–1517)
Rue, Pierre de la (ca. 1452–1518) (?)
11v
Salve regina (I) (2p. Eia ergo; 3p. O clemens)
Isaac, Heinrich (ca. 1450–1517)
1v–3v
Sancti spiritus assit nobis gratia II: Imperii proceres Romani gloria regni III: Consulite in medio rebus succurite IV: Imperii justis cedat emulus armis
Isaac, Heinrich (ca. 1450–1517)
4v–7

‡ denotes primary source study

Kmetz, John. 1988. Die Handschriften der Universitätsbibliothek Basel: Musikhandschriften des 16. Jahrhunderts. Katalog und quellenkritische Untersuchung.  Basel. Notes: physical description; contents list; concordances (partial); facsimile (partial); Di.

Ward, Tom Robert. 1983. A Newly-Discovered Josquin Attribution. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 29-48. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kindermann, Jürgen. 1978. Die doppelten und mehrfachen Textierungen in den Annaberger Chorbüchern. Festschrift Georg von Dadelsen, 179-88. Neuhausen nr. Stuttgart. Pages: 187-8. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xvi, 26, 49, 79-80,83 11,65; III, 179-80. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Dunning, Albert. 1969. Die Staatsmotette 1480-1555.  Utrecht. Pages: 37-9, 339. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I,29,45,66-7,157-9; II, 11, 48-9,66-7, 69-70. Notes: contents list (partial); concordances (partial); incipits (partial); texts (partial); mention of MS; discussion.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler.  Mainz. Pages: VIII, 143, 149ff. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, . Pages: 94. Notes: mention of MS.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I,445.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XXVIII,53-8,169. Notes: physical description; contents list; incipitsst of contents (partial); transcription (partial).

Richter, Julius. 1892. Katalog der Musik-Sammlung auf der Universitäts-Bibliothek in Basel. Supplement to Monatshefte für Musik-Geschichte, . Pages: 40-2. Notes: contents list; incipits.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description