E-Bbc MS 1166/1967 (Cancionero de Gandia)

Biblioteca Nacional de Catalunya/Biblioteca Central, Barcelona, Spain

manuscript of polyphony: ca. 1540 to end 16th c

Archive	Biblioteca Nacional de Catalunya/Biblioteca Central, Barcelona, Spain (E-Bbc)
Shelfmark	MS 1166/1967 (Cancionero de Gandia)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	420 x 270 mm
Other Identifiers	CCM: BarcBG 1166
Notations	black void mensural
Copyists	? Russi, Pompeyo de Text and Music
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony Images Wikipedia entry with inventory
Provenance	Collegiate Basilica of Santa Maria of Gandia , Valencia or Catalonia, Spain
Contents	88 pieces from 12 composers

General Description

Two choirbooks which were originally one.

Ms. 1166 was copied by two scribes, who copied Fol. 1-15r and 15v-18v respectively. From Valencia or Catalonia: held at the Colegiata de Gandía (Valencia) until 1941. Lost until recently.

Ms. 1967 (190 folios) was copied chiefly by the first scribe of Ms. 1166, with additions made by a later scribe.

For a reconstruction of the manuscript, see Maricarmen Gómez Muntané, Bartomeu Càrceres. Opera Omnia (Barcelona: Biblioteca de Catalunya, 1995), pp. 62-74 & NelsonCDF; inventory in DIAMM follows MS order as currently bound.

NelsonCCF identifies main scribe as probably Pompeyo de Russi.

Cristina Urchueguía; transl. Henry Hope, 2011

Physical Description

f. 6r in MS 1967 is the final side of the Lamentations which open MS 1166; the remaining folios of MS 1166 - in a later hand - probably were not originally adjacent to those opening folios.

Considerable ink-bleed and corrosion causing illegibility of words & music

DIAMM, 2019

Binding

modern binding.

Cristina Urchueguía; transl. Henry Hope, 2011

Notation

black void mensural

Cristina Urchueguía; transl. Henry Hope, 2011

Foliation

Ms. 1166 has modern foliation by Higinio Anglés. Ms. 1967: variant modern foliations; the youngest in top right-hand corner is currently the most authoritative.

Cristina Urchueguía; transl. Henry Hope, 2011

Surface

paper

Cristina Urchueguía; transl. Henry Hope, 2011

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

(MS 1166)

1 Te Deum, 1 Lamentation, 2 Spanish secular pieces = 4 Cárceres-3, anon-1

18 paper folios, 430 x 270. Modern foliation. Modern covers. No index. The pieces by Cárceres are in one hand; the Te Deum added at the end of the manuscript is in a later hand.

Mid-16th century; the addition at the end of the manuscript is from the late 16th century. Of Spanish origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[-]	MS 1967	-	Anonymous
MS 1967 Anonymous Appears on: [-]
1r–5	[Dixit Dominus] Donec ponam	-	Anonymous
[Dixit Dominus] Donec ponam Anonymous Appears on: 1r–5 Genres: Psalm General Note incomplete: lacks opening page (Cantus & Tenor) - f. 1r contains Altus & Bassus of opening verse (Donec ponam)
[-]	MS 1166	-	Anonymous
MS 1166 Anonymous Appears on: [-]
1v–9v	Lamentaciones	Bartomeu Cárceres	Carceres, Bartolome (fl. mid-16th century)
Lamentaciones Carceres, Bartolome (fl. mid-16th century) Appears on: 1v–9v Genres: Lamentations Source Attribution: Bartomeu Cárceres General Note the final page of this piece is separated, in MS 1967
[-]	MS 1967	-	Anonymous
MS 1967 Anonymous Appears on: [-]
6r	Lamentaciones	-	Carceres, Bartolome (fl. mid-16th century)
Lamentaciones Carceres, Bartolome (fl. mid-16th century) Appears on: 6r Genres: Lamentations General Note the final page of the Lamentations in MS 1166 "... ad Dominum Deum tuum" (Ct & Bs)
6v–7	Ave maris stella	-	Estiche, Johannes
Ave maris stella Estiche, Johannes Appears on: 6v–7 Genres: Ave maris stella, Hymn General Note repeated at f. 59v-60 Concordances a version of Estiche's Tarazona 'Ave maris stella'
7v–10	Missa Inviolata: Kyrie	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Missa Inviolata: Kyrie Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 7v–10 Genres: Kyrie eleison, Mass Ordinary
10v–15	Missa Inviolata: Gloria	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Missa Inviolata: Gloria Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 10v–15 Genres: Gloria (et in terra pax), Mass Ordinary
15v–26	Missa Inviolata: Credo	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Missa Inviolata: Credo Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 15v–26 Genres: Credo (patrem omnipotentem), Mass Ordinary
26v–27	Missa Inviolata: Sanctus	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Missa Inviolata: Sanctus Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 26v–27 Genres: Mass Ordinary, Sanctus [& Benedictus] General Note Sanctus lacks Pleni, Hosanna, Benedictus - omitted intentionally
27v–29	Missa Inviolata: Agnus Dei	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Missa Inviolata: Agnus Dei Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 27v–29 Genres: Agnus Dei, Mass Ordinary
29v–30	Surge amica mea - 1a pars (of 2): Surge amica mea speciosa mea et ven	-	Festa, Costanzo (ca. 1485–1545)
Surge amica mea - 1a pars (of 2): Surge amica mea speciosa mea et ven Festa, Costanzo (ca. 1485–1545) Appears on: 29v–30 Genres: Motet
30v–31	Surge amica mea - 2a pars (of 2): O pulcerima mulierum vulnerasti	-	Festa, Costanzo (ca. 1485–1545)
Surge amica mea - 2a pars (of 2): O pulcerima mulierum vulnerasti Festa, Costanzo (ca. 1485–1545) Appears on: 30v–31 Genres: Motet
31v–35	Sancta Maria virgo virginum - 1a pars (of 2): Sancta Maria virgo virginum	Noel Valdovin	Bauldeweyn, Noel (ca. 1480–1529)
Sancta Maria virgo virginum - 1a pars (of 2): Sancta Maria virgo virginum Bauldeweyn, Noel (ca. 1480–1529) Appears on: 31v–35 Genres: Motet Source Attribution: Noel Valdovin
35v–38	Sancta Maria virgo virginum - 2a pars (of 2): Sancta Dei genitrix	-	Bauldeweyn, Noel (ca. 1480–1529)
Sancta Maria virgo virginum - 2a pars (of 2): Sancta Dei genitrix Bauldeweyn, Noel (ca. 1480–1529) Appears on: 35v–38 Genres: Motet
38v	Quo...	-	Anonymous
Quo... Anonymous Appears on: 38v Genres: fragment, Psalm General Note fragment of Supranus (only)
39v–47	[Credo] Patrem omnipotentem 5vv	Carceres	Carceres, Bartolome (fl. mid-16th century)
[Credo] Patrem omnipotentem 5vv Carceres, Bartolome (fl. mid-16th century) Appears on: 39v–47 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Carceres
47v–49	Laudate Dominum omnes gentes	Juan Perez	Gines Perez, Juan (1548–1600)
Laudate Dominum omnes gentes Gines Perez, Juan (1548–1600) Appears on: 47v–49 Genres: Psalm Source Attribution: Juan Perez
49v–50	Dixit Dominus 1o tono	-	Ceballos, Rodrigo de (ca. 1525–1581) (?)
Dixit Dominus 1o tono Ceballos, Rodrigo de (ca. 1525–1581) (?) Appears on: 49v–50 Genres: Psalm
50v–51	Laudate pueri Dominum (2o tono)	-	Anonymous
Laudate pueri Dominum (2o tono) Anonymous Appears on: 50v–51 Genres: Psalm
51v–52	Dixit Dominus 3o tono	-	Anonymous
Dixit Dominus 3o tono Anonymous Appears on: 51v–52 Genres: Psalm
52v–53	Dixit Dominus 4o tono	-	Anonymous
Dixit Dominus 4o tono Anonymous Appears on: 52v–53 Genres: Psalm
53v–54	Dixit Dominus 5o tono	-	Anonymous
Dixit Dominus 5o tono Anonymous Appears on: 53v–54 Genres: Psalm
54v–55	Laudate Dominum omnes gentes (6o tono)	-	Anonymous
Laudate Dominum omnes gentes (6o tono) Anonymous Appears on: 54v–55 Genres: Psalm
55v–56	Dixit Dominus 7o tono	-	Anonymous
Dixit Dominus 7o tono Anonymous Appears on: 55v–56 Genres: Psalm
56v–57	Sit nomen Domini (8o tono)	-	Anonymous
Sit nomen Domini (8o tono) Anonymous Appears on: 56v–57 Genres: Psalm
57v–58	Dixit Dominus 7o tono	-	Ceballos, Rodrigo de (ca. 1525–1581) (?)
Dixit Dominus 7o tono Ceballos, Rodrigo de (ca. 1525–1581) (?) Appears on: 57v–58 Genres: Psalm
58v–59	In exitu Israel (7o tono)	-	Anonymous
In exitu Israel (7o tono) Anonymous Appears on: 58v–59 Genres: Psalm
58v–59	Manus habent et non palpabunt pedes	-	Anonymous
Manus habent et non palpabunt pedes Anonymous Appears on: 58v–59 Genres: Psalm General Note written in a later hand in the empty staves between the voice-parts for 'In exitu Israel'
59v–60	Ave maris stella	-	Estiche, Johannes
Ave maris stella Estiche, Johannes Appears on: 59v–60 Genres: Ave maris stella, Hymn General Note repeated at f. 6v-7
60v–63	[Dixit Dominus] Donec ponam 1o tono	-	Anonymous
[Dixit Dominus] Donec ponam 1o tono Anonymous Appears on: 60v–63 Genres: Psalm
63v–64	[Confitebor tibi Domine] Magna opera Domini (7o tono)	-	Anonymous
[Confitebor tibi Domine] Magna opera Domini (7o tono) Anonymous Appears on: 63v–64 Genres: Psalm
64v–66	[Confitebor tibi Domine] Magna opera Domini	-	Anonymous
[Confitebor tibi Domine] Magna opera Domini Anonymous Appears on: 64v–66 Genres: Psalm
66v–68	[Credidi] Ego dixi O Domine (4o tono)	-	Anonymous
[Credidi] Ego dixi O Domine (4o tono) Anonymous Appears on: 66v–68 Genres: Psalm
68v–70	[Beati omnes] Labores manuum tuarum (8o tono)	-	Anonymous
[Beati omnes] Labores manuum tuarum (8o tono) Anonymous Appears on: 68v–70 Genres: Psalm
70v–72v	[Lauda Jerusalem] Quoniam conforatvit (6o tono)	-	Anonymous
[Lauda Jerusalem] Quoniam conforatvit (6o tono) Anonymous Appears on: 70v–72v Genres: Psalm General Note incomplete: 'Gloria Patri' lacks final side (Altus & Bassus)
73	Missa de desponsatione BMV (proper): Adducentur	-	Carceres, Bartolome (fl. mid-16th century)
Missa de desponsatione BMV (proper): Adducentur Carceres, Bartolome (fl. mid-16th century) Appears on: 73 Genres: Motet General Note incomplete - lacks first page. Altus & Bassus only
73v–74	Missa de desponsatione BMV (proper): Sicut erat	-	Carceres, Bartolome (fl. mid-16th century)
Missa de desponsatione BMV (proper): Sicut erat Carceres, Bartolome (fl. mid-16th century) Appears on: 73v–74 Genres: Motet
74v	Missa de desponsatione BMV (proper): Egredimini filie Sion	-	Anonymous
Missa de desponsatione BMV (proper): Egredimini filie Sion Anonymous Appears on: 74v Genres: Motet General Note incomplete: first verso only (bound opposite the opening recto of Carceres' motet, but not the same piece); the remainder of this piece is bound in the ms at 123r-124
75–75v	Missa de desponsatione BMV (proper): Egredimini filie Sion	-	Carceres, Bartolome (fl. mid-16th century)
Missa de desponsatione BMV (proper): Egredimini filie Sion Carceres, Bartolome (fl. mid-16th century) Appears on: 75–75v Genres: Motet General Note this piece bound in the ms in 3 separate places: they should be read in the order f. 125v, 75r-v, f. 127-128
76–78	[Laudate pueri Dominum] Sit nomen Domini	-	Anonymous
[Laudate pueri Dominum] Sit nomen Domini Anonymous Appears on: 76–78 Genres: Psalm General Note incomplete: opening verso missing (Cantus & Tenor)
78v–80	[Laetatus sum] Stantes erant pedes nostri in atriis tuis Jerusalem	-	Anonymous
[Laetatus sum] Stantes erant pedes nostri in atriis tuis Jerusalem Anonymous Appears on: 78v–80 Genres: Psalm
80v–81v	[Nisi Dominus aedificaverit] Nisi Dominus custodierit	-	Anonymous
[Nisi Dominus aedificaverit] Nisi Dominus custodierit Anonymous Appears on: 80v–81v Genres: Psalm General Note incomplete, lacks final recto
82–83	[Lauda Jerusalem] Quoniam confortavit	-	Anonymous
[Lauda Jerusalem] Quoniam confortavit Anonymous Appears on: 82–83 Genres: Psalm General Note incomplete - the final 3 sides of the psalm. Sides 2 & 3 are bound in same ms at f. 190-190v
83v–86	[Lauda anima mea Dominum] Nolite confidere	-	Anonymous
[Lauda anima mea Dominum] Nolite confidere Anonymous Appears on: 83v–86 Genres: Psalm
86v–93	In exitu Israel (alternate verses)	-	Anonymous
In exitu Israel (alternate verses) Anonymous Appears on: 86v–93 Genres: Psalm
93v–100	[Te Deum laudamus] Te eternum Patrem (alternate verses)	-	Anonymous
[Te Deum laudamus] Te eternum Patrem (alternate verses) Anonymous Appears on: 93v–100 Genres: Te Deum
100v–104	Benedictus Dominus Deus	-	Anonymous
Benedictus Dominus Deus Anonymous Appears on: 100v–104 Genres: Benedictus, Canticle
105v–115	Magnificat. Anima mea	Pastrana	Pastrana, Pedro de (1490–ca. 1558)
Magnificat. Anima mea Pastrana, Pedro de (1490–ca. 1558) Appears on: 105v–115 Genres: BVM, Canticle, Magnificat Source Attribution: Pastrana
116–122	Passio Domini secundum Matthaeum	-	Anonymous
Passio Domini secundum Matthaeum Anonymous Appears on: 116–122 Genres: Passion General Note incomplete, substantial portion of all folios missing. These are probably bound in wrong order, as the usual beginning 'Non in die festo' is at 119v-120
123–124	Missa de desponsatione BMV (proper): Egredimini filie Sion	-	Anonymous
Missa de desponsatione BMV (proper): Egredimini filie Sion Anonymous Appears on: 123–124 Genres: Motet General Note incomplete: lacks first side, which is however bound in the ms at 74v f. 124r/v badly damaged
124v	Missa de desponsatione BMV (proper): Vultum tuum	-	Carceres, Bartolome (fl. mid-16th century)
Missa de desponsatione BMV (proper): Vultum tuum Carceres, Bartolome (fl. mid-16th century) Appears on: 124v Genres: Motet General Note incomplete: most of top voice lost; opposite side of opening also
125v	Missa de desponsatione BMV (proper): Egredimini filie Sion	-	Carceres, Bartolome (fl. mid-16th century)
Missa de desponsatione BMV (proper): Egredimini filie Sion Carceres, Bartolome (fl. mid-16th century) Appears on: 125v Genres: Motet General Note this piece bound in the ms in 3 separate places: they should be read in the order f. 125v, 75r-v, f. 127-128
126–126v	[chant]	-	Anonymous
[chant] Anonymous Appears on: 126–126v
127–128	Missa de desponsatione BMV (proper): Egredimini filie Sion	-	Carceres, Bartolome (fl. mid-16th century)
Missa de desponsatione BMV (proper): Egredimini filie Sion Carceres, Bartolome (fl. mid-16th century) Appears on: 127–128 Genres: Motet General Note this piece bound in the ms in 3 separate places: they should be read in the order f. 125v, 75r-v, f. 127-128 some losses to edges of folio
128v	[chant]	-	Anonymous
[chant] Anonymous Appears on: 128v
129v–134	[Salve regina] Vita dulcedo	-	Anonymous
[Salve regina] Vita dulcedo Anonymous Appears on: 129v–134 Genres: Antiphon, BVM, Salve Regina
134v–137	Vias tuas Domine	-	Carceres, Bartolome (fl. mid-16th century) (?)
Vias tuas Domine Carceres, Bartolome (fl. mid-16th century) (?) Appears on: 134v–137 Genres: Motet General Note The piece (in Cancionero de gandia) has 4 names, one on each voice-part - "Co. Antequera", "Co. Carceres", "Co. Penaranda", "Co. Garcia": probably referring to the singers ('canto') rather than identifying the composer
137v–139	Miseremini fideles	Juan Perez	Gines Perez, Juan (1548–1600)
Miseremini fideles Gines Perez, Juan (1548–1600) Appears on: 137v–139 Genres: Motet Source Attribution: Juan Perez
139v–141	Remedio de el primer padre	Carceres	Carceres, Bartolome (fl. mid-16th century)
Remedio de el primer padre Carceres, Bartolome (fl. mid-16th century) Appears on: 139v–141 Genres: Vilancico Source Attribution: Carceres
141v–144	Nunca tal cosa se vio	Carceres	Carceres, Bartolome (fl. mid-16th century)
Nunca tal cosa se vio Carceres, Bartolome (fl. mid-16th century) Appears on: 141v–144 Genres: Vilancico Source Attribution: Carceres
144v–145	Madre aquel moçuelo	-	Anonymous
Madre aquel moçuelo Anonymous Appears on: 144v–145 Genres: Vilancico
145v–146	No la devemos dormir la noche santa	-	Anonymous
No la devemos dormir la noche santa Anonymous Appears on: 145v–146 Genres: Vilancico Concordances also in "Villancicos de diversos Autores", Scotti, 1556, no. 37
146v–150	Falalalanlera de la guardarriera	Carceres	Carceres, Bartolome (fl. mid-16th century)
Falalalanlera de la guardarriera Carceres, Bartolome (fl. mid-16th century) Appears on: 146v–150 Genres: Vilancico Source Attribution: Carceres Concordances also in "Villancicos de diversos Autores", Scotti, 1556, no. 33
150v	Vente conmigo Miguel	-	Anonymous
Vente conmigo Miguel Anonymous Appears on: 150v Genres: Vilancico General Note the beginning of Supranus only
151v	Al jorn del judici sepagara nostra servici	Carceres	Carceres, Bartolome (fl. mid-16th century)
Al jorn del judici sepagara nostra servici Carceres, Bartolome (fl. mid-16th century) Appears on: 151v Genres: Sacred Song Source Attribution: Carceres
152	[chant]	-	Anonymous
[chant] Anonymous Appears on: 152
152v–159	Liber generationis Jesu Christi	-	Anonymous
Liber generationis Jesu Christi Anonymous Appears on: 152v–159 Genres: Motet
159v	Al jorn del judici sepagara nostra servici	Alonso	Alonso
Al jorn del judici sepagara nostra servici Alonso Appears on: 159v Genres: Sacred Song Source Attribution: Alonso
160	Sicut erat in principio	Carceres	Carceres, Bartolome (fl. mid-16th century)
Sicut erat in principio Carceres, Bartolome (fl. mid-16th century) Appears on: 160 Genres: Doxology Source Attribution: Carceres
161v–164	Kyrie eleyson ... Sancte Petre apostole [Litany of St Peter, 4vv]	-	Anonymous
Kyrie eleyson ... Sancte Petre apostole [Litany of St Peter, 4vv] Anonymous Appears on: 161v–164 Genres: Kyrie eleison, Litany
165–167v	Kyrie eleyson ... Sancte Petre apostole [Litany of St Peter, 3vv]	-	Anonymous
Kyrie eleyson ... Sancte Petre apostole [Litany of St Peter, 3vv] Anonymous Appears on: 165–167v Genres: Kyrie eleison, Litany
168v–169	Gabriel archangelus apparuit Zachariae	-	Verdelot, Philippe (ca. 1480–ca. 1532)
Gabriel archangelus apparuit Zachariae Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 168v–169 Genres: Motet
170v–171	Elegit sibi Dominus beatum Joseph in sponsum	-	Carceres, Bartolome (fl. mid-16th century)
Elegit sibi Dominus beatum Joseph in sponsum Carceres, Bartolome (fl. mid-16th century) Appears on: 170v–171 Genres: Motet
172v–174	Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis	Alonso	Alonso
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis Alonso Appears on: 172v–174 Genres: Motet Source Attribution: Alonso
173v–175	Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero	-	Alonso
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero Alonso Appears on: 173v–175 Genres: Motet
175v	Maria ergo unxit pedes	-	Anonymous
Maria ergo unxit pedes Anonymous Appears on: 175v Genres: Motet General Note incomplete - 3 voices only
176v–181	Benedicite Dominum omnes angeli [In festivitate Sancti Michaelis]	-	Anonymous
Benedicite Dominum omnes angeli [In festivitate Sancti Michaelis] Anonymous Appears on: 176v–181 Genres: Psalm General Note listed sometimes as 'Missa' but (proper) Introitus only
181v–183	[Benedicite] Dominum omnes angeli [In festivitate Sancti Michaelis]	-	Anonymous
[Benedicite] Dominum omnes angeli [In festivitate Sancti Michaelis] Anonymous Appears on: 181v–183 Genres: Psalm General Note listed sometimes as 'Missa' but (proper) Introitus only
184v–189	Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum	-	Morales, Cristóbal de (ca. 1500–1553)
Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum Morales, Cristóbal de (ca. 1500–1553) Appears on: 184v–189 Genres: Lamentations, Motet
189v	Zagala del convite	-	Anonymous
Zagala del convite Anonymous Appears on: 189v Genres: Vilancico General Note incomplete - tiple & tenor only
190–190v	[Lauda Jerusalem] Quoniam confortavit	-	Anonymous
[Lauda Jerusalem] Quoniam confortavit Anonymous Appears on: 190–190v Genres: Psalm General Note incomplete - sides 2 & 3 of the psalm, the final 3 sides are at f. 82r-83r in this ms
[-]	MS 1166	-	Anonymous
MS 1166 Anonymous Appears on: [-]
10v–11	Soleta y verge estich	Bartomeu Cárceres	Carceres, Bartolome (fl. mid-16th century)
Soleta y verge estich Carceres, Bartolome (fl. mid-16th century) Appears on: 10v–11 Genres: Vilancico Source Attribution: Bartomeu Cárceres Concordances = "Soleta so jo açi" in Scotto 'Villancicos de diuersos autores' 1566
11v–12	Soleta y verge estich	Juan Cepa	Cepa, Juan (ca. 1600–ca. 1600)
Soleta y verge estich Cepa, Juan (ca. 1600–ca. 1600) Appears on: 11v–12 Genres: Vilancico Source Attribution: Juan Cepa
13v–15	Toca, Juan, tu rabelejo	Bartomeu Cárceres	Carceres, Bartolome (fl. mid-16th century)
Toca, Juan, tu rabelejo Carceres, Bartolome (fl. mid-16th century) Appears on: 13v–15 Genres: Vilancico Source Attribution: Bartomeu Cárceres
15v–18v	Te Deum		-
Te Deum - Appears on: 15v–18v Genres: Te Deum

Composer	Compositions
Alonso	Al jorn del judici sepagara nostra servici – 159v Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis – 172v–174 Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero – 173v–175
Anonymous	MS 1166 – [-] MS 1166 – [-] MS 1967 – [-] MS 1967 – [-] Benedicite Dominum omnes angeli [In festivitate Sancti Michaelis] – 176v–181 Benedictus Dominus Deus – 100v–104 Dixit Dominus 3o tono – 51v–52 Dixit Dominus 4o tono – 52v–53 Dixit Dominus 5o tono – 53v–54 Dixit Dominus 7o tono – 55v–56 In exitu Israel (7o tono) – 58v–59 In exitu Israel (alternate verses) – 86v–93 Kyrie eleyson ... Sancte Petre apostole [Litany of St Peter, 3vv] – 165–167v Kyrie eleyson ... Sancte Petre apostole [Litany of St Peter, 4vv] – 161v–164 Laudate Dominum omnes gentes (6o tono) – 54v–55 Laudate pueri Dominum (2o tono) – 50v–51 Liber generationis Jesu Christi – 152v–159 Madre aquel moçuelo – 144v–145 Manus habent et non palpabunt pedes – 58v–59 Maria ergo unxit pedes – 175v Missa de desponsatione BMV (proper): Egredimini filie Sion – 123–124 Missa de desponsatione BMV (proper): Egredimini filie Sion – 74v No la devemos dormir la noche santa – 145v–146 Passio Domini secundum Matthaeum – 116–122 Quo... – 38v Sit nomen Domini (8o tono) – 56v–57 Te Deum – 15v–18v Vente conmigo Miguel – 150v Zagala del convite – 189v [Beati omnes] Labores manuum tuarum (8o tono) – 68v–70 [Benedicite] Dominum omnes angeli [In festivitate Sancti Michaelis] – 181v–183 [Confitebor tibi Domine] Magna opera Domini – 64v–66 [Confitebor tibi Domine] Magna opera Domini (7o tono) – 63v–64 [Credidi] Ego dixi O Domine (4o tono) – 66v–68 [Dixit Dominus] Donec ponam – 1r–5 [Dixit Dominus] Donec ponam 1o tono – 60v–63 [Laetatus sum] Stantes erant pedes nostri in atriis tuis Jerusalem – 78v–80 [Lauda Jerusalem] Quoniam conforatvit (6o tono) – 70v–72v [Lauda Jerusalem] Quoniam confortavit – 190–190v [Lauda Jerusalem] Quoniam confortavit – 82–83 [Lauda anima mea Dominum] Nolite confidere – 83v–86 [Laudate pueri Dominum] Sit nomen Domini – 76–78 [Nisi Dominus aedificaverit] Nisi Dominus custodierit – 80v–81v [Salve regina] Vita dulcedo – 129v–134 [Te Deum laudamus] Te eternum Patrem (alternate verses) – 93v–100 [chant] – 126–126v [chant] – 152 [chant] – 128v
Bauldeweyn, Noel (ca. 1480–1529)	Sancta Maria virgo virginum - 1a pars (of 2): Sancta Maria virgo virginum – 31v–35 Sancta Maria virgo virginum - 2a pars (of 2): Sancta Dei genitrix – 35v–38
Carceres, Bartolome (fl. mid-16th century)	Al jorn del judici sepagara nostra servici – 151v Elegit sibi Dominus beatum Joseph in sponsum – 170v–171 Falalalanlera de la guardarriera – 146v–150 Lamentaciones – 1v–9v Lamentaciones – 6r Missa de desponsatione BMV (proper): Adducentur – 73 Missa de desponsatione BMV (proper): Egredimini filie Sion – 75–75v Missa de desponsatione BMV (proper): Egredimini filie Sion – 125v Missa de desponsatione BMV (proper): Egredimini filie Sion – 127–128 Missa de desponsatione BMV (proper): Sicut erat – 73v–74 Missa de desponsatione BMV (proper): Vultum tuum – 124v Nunca tal cosa se vio – 141v–144 Remedio de el primer padre – 139v–141 Sicut erat in principio – 160 Soleta y verge estich – 10v–11 Toca, Juan, tu rabelejo – 13v–15 (?) Vias tuas Domine – 134v–137 [Credo] Patrem omnipotentem 5vv – 39v–47
Ceballos, Rodrigo de (ca. 1525–1581)	(?) Dixit Dominus 1o tono – 49v–50 (?) Dixit Dominus 7o tono – 57v–58
Cepa, Juan (ca. 1600–ca. 1600)	Soleta y verge estich – 11v–12
Estiche, Johannes	Ave maris stella – 59v–60 Ave maris stella – 6v–7
Festa, Costanzo (ca. 1485–1545)	Surge amica mea - 1a pars (of 2): Surge amica mea speciosa mea et ven – 29v–30 Surge amica mea - 2a pars (of 2): O pulcerima mulierum vulnerasti – 30v–31
Gines Perez, Juan (1548–1600)	Laudate Dominum omnes gentes – 47v–49 Miseremini fideles – 137v–139
Morales, Cristóbal de (ca. 1500–1553)	Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum – 184v–189
Pastrana, Pedro de (1490–ca. 1558)	Magnificat. Anima mea – 105v–115
Verdelot, Philippe (ca. 1480–ca. 1532)	Gabriel archangelus apparuit Zachariae – 168v–169 (?) Missa Inviolata: Agnus Dei – 27v–29 (?) Missa Inviolata: Credo – 15v–26 (?) Missa Inviolata: Gloria – 10v–15 (?) Missa Inviolata: Kyrie – 7v–10 (?) Missa Inviolata: Sanctus – 26v–27

Composition	Composers (? Uncertain)	Folios / Pages
MS 1166	Anonymous	[-]
MS 1166	Anonymous	[-]
MS 1967	Anonymous	[-]
MS 1967	Anonymous	[-]
[Beati omnes] Labores manuum tuarum (8o tono)	Anonymous	68v–70
[Benedicite] Dominum omnes angeli [In festivitate Sancti Michaelis]	Anonymous	181v–183
[chant]	Anonymous	126–126v
[chant]	Anonymous	128v
[chant]	Anonymous	152
[Confitebor tibi Domine] Magna opera Domini	Anonymous	64v–66
[Confitebor tibi Domine] Magna opera Domini (7o tono)	Anonymous	63v–64
[Credidi] Ego dixi O Domine (4o tono)	Anonymous	66v–68
[Credo] Patrem omnipotentem 5vv	Carceres, Bartolome (fl. mid-16th century)	39v–47
[Dixit Dominus] Donec ponam	Anonymous	1r–5
[Dixit Dominus] Donec ponam 1o tono	Anonymous	60v–63
[Laetatus sum] Stantes erant pedes nostri in atriis tuis Jerusalem	Anonymous	78v–80
[Lauda anima mea Dominum] Nolite confidere	Anonymous	83v–86
[Lauda Jerusalem] Quoniam conforatvit (6o tono)	Anonymous	70v–72v
[Lauda Jerusalem] Quoniam confortavit	Anonymous	82–83
[Lauda Jerusalem] Quoniam confortavit	Anonymous	190–190v
[Laudate pueri Dominum] Sit nomen Domini	Anonymous	76–78
[Nisi Dominus aedificaverit] Nisi Dominus custodierit	Anonymous	80v–81v
[Salve regina] Vita dulcedo	Anonymous	129v–134
[Te Deum laudamus] Te eternum Patrem (alternate verses)	Anonymous	93v–100
Al jorn del judici sepagara nostra servici	Carceres, Bartolome (fl. mid-16th century)	151v
Al jorn del judici sepagara nostra servici	Alonso	159v
Ave maris stella	Estiche, Johannes	6v–7
Ave maris stella	Estiche, Johannes	59v–60
Benedicite Dominum omnes angeli [In festivitate Sancti Michaelis]	Anonymous	176v–181
Benedictus Dominus Deus	Anonymous	100v–104
Dixit Dominus 1o tono	Ceballos, Rodrigo de (ca. 1525–1581) (?)	49v–50
Dixit Dominus 3o tono	Anonymous	51v–52
Dixit Dominus 4o tono	Anonymous	52v–53
Dixit Dominus 5o tono	Anonymous	53v–54
Dixit Dominus 7o tono	Anonymous	55v–56
Dixit Dominus 7o tono	Ceballos, Rodrigo de (ca. 1525–1581) (?)	57v–58
Elegit sibi Dominus beatum Joseph in sponsum	Carceres, Bartolome (fl. mid-16th century)	170v–171
Falalalanlera de la guardarriera	Carceres, Bartolome (fl. mid-16th century)	146v–150
Gabriel archangelus apparuit Zachariae	Verdelot, Philippe (ca. 1480–ca. 1532)	168v–169
In exitu Israel (7o tono)	Anonymous	58v–59
In exitu Israel (alternate verses)	Anonymous	86v–93
Kyrie eleyson ... Sancte Petre apostole [Litany of St Peter, 3vv]	Anonymous	165–167v
Kyrie eleyson ... Sancte Petre apostole [Litany of St Peter, 4vv]	Anonymous	161v–164
Lamentaciones	Carceres, Bartolome (fl. mid-16th century)	1v–9v
Lamentaciones	Carceres, Bartolome (fl. mid-16th century)	6r
Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum	Morales, Cristóbal de (ca. 1500–1553)	184v–189
Laudate Dominum omnes gentes	Gines Perez, Juan (1548–1600)	47v–49
Laudate Dominum omnes gentes (6o tono)	Anonymous	54v–55
Laudate pueri Dominum (2o tono)	Anonymous	50v–51
Liber generationis Jesu Christi	Anonymous	152v–159
Madre aquel moçuelo	Anonymous	144v–145
Magnificat. Anima mea	Pastrana, Pedro de (1490–ca. 1558)	105v–115
Manus habent et non palpabunt pedes	Anonymous	58v–59
Maria ergo unxit pedes	Anonymous	175v
Miseremini fideles	Gines Perez, Juan (1548–1600)	137v–139
Missa de desponsatione BMV (proper): Adducentur	Carceres, Bartolome (fl. mid-16th century)	73
Missa de desponsatione BMV (proper): Egredimini filie Sion	Anonymous	74v
Missa de desponsatione BMV (proper): Egredimini filie Sion	Carceres, Bartolome (fl. mid-16th century)	75–75v
Missa de desponsatione BMV (proper): Egredimini filie Sion	Anonymous	123–124
Missa de desponsatione BMV (proper): Egredimini filie Sion	Carceres, Bartolome (fl. mid-16th century)	125v
Missa de desponsatione BMV (proper): Egredimini filie Sion	Carceres, Bartolome (fl. mid-16th century)	127–128
Missa de desponsatione BMV (proper): Sicut erat	Carceres, Bartolome (fl. mid-16th century)	73v–74
Missa de desponsatione BMV (proper): Vultum tuum	Carceres, Bartolome (fl. mid-16th century)	124v
Missa Inviolata: Agnus Dei	Verdelot, Philippe (ca. 1480–ca. 1532) (?)	27v–29
Missa Inviolata: Credo	Verdelot, Philippe (ca. 1480–ca. 1532) (?)	15v–26
Missa Inviolata: Gloria	Verdelot, Philippe (ca. 1480–ca. 1532) (?)	10v–15
Missa Inviolata: Kyrie	Verdelot, Philippe (ca. 1480–ca. 1532) (?)	7v–10
Missa Inviolata: Sanctus	Verdelot, Philippe (ca. 1480–ca. 1532) (?)	26v–27
No la devemos dormir la noche santa	Anonymous	145v–146
Nunca tal cosa se vio	Carceres, Bartolome (fl. mid-16th century)	141v–144
Passio Domini secundum Matthaeum	Anonymous	116–122
Quo...	Anonymous	38v
Remedio de el primer padre	Carceres, Bartolome (fl. mid-16th century)	139v–141
Sancta Maria virgo virginum - 1a pars (of 2): Sancta Maria virgo virginum	Bauldeweyn, Noel (ca. 1480–1529)	31v–35
Sancta Maria virgo virginum - 2a pars (of 2): Sancta Dei genitrix	Bauldeweyn, Noel (ca. 1480–1529)	35v–38
Sicut erat in principio	Carceres, Bartolome (fl. mid-16th century)	160
Sit nomen Domini (8o tono)	Anonymous	56v–57
Soleta y verge estich	Carceres, Bartolome (fl. mid-16th century)	10v–11
Soleta y verge estich	Cepa, Juan (ca. 1600–ca. 1600)	11v–12
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis	Alonso	172v–174
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero	Alonso	173v–175
Surge amica mea - 1a pars (of 2): Surge amica mea speciosa mea et ven	Festa, Costanzo (ca. 1485–1545)	29v–30
Surge amica mea - 2a pars (of 2): O pulcerima mulierum vulnerasti	Festa, Costanzo (ca. 1485–1545)	30v–31
Te Deum	-	15v–18v
Toca, Juan, tu rabelejo	Carceres, Bartolome (fl. mid-16th century)	13v–15
Vente conmigo Miguel	Anonymous	150v
Vias tuas Domine	Carceres, Bartolome (fl. mid-16th century) (?)	134v–137
Zagala del convite	Anonymous	189v

‡ denotes primary source study

Nelson, Bernadette. 2004. The court of don Fernando de Aragon, Duke of Calabria in Valencia, c.1526 - c.1550: music, letters and the meeting of cultures. Early Music, 194-222. Pages: 208-212 inventory. Notes: contents list, discussion of ms.

Nelson, Bernadette. 2002. A 'Parody' on Josquin's Inviolata in Barcelona 1967: An Unknown Mass by Philippe Verdelot? Journal of the Royal Musical Association, 153-190.

Nelson, Bernadette. 2001. A Choirbook for the Chapel of Fernando de Arágon, Duke of Calabria: The Sacred Repertories in Barcelona 1166/1967. Fuentes musicales de la peninsula ibérica (ca. 1250–ca. 1550), 219-252. Lleida.

‡ Barber, José Climent. 1996. El Cançoner de Gandia. Estudi, versió i transcripció. Generalitat Valenciana. Consellería de Cultura, Educació i Ciencia, Valencia.

Barber, José Climent (editor). 1995. Cançoner de Gandia. Valencia.

Gómez Muntané, Maria del Carmen. 1995. Bartomeu Càrceres. Opera omnia. Unitat Bibliogràfica. Seccío de Música. Barcelona. Pages: 33–74.

‡ Cisteró, José María Llorens. 1981. El Cançoner de Gandia. Recerca Musicològica, 79-84.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 20.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Notes: contents list (partial); transcription (partial); facsimile (partial).

Anglès, Higinio. 1941. La Música Espanola desde la Edad Media hasta Nuestros Dias. Catálogo de la Exposición Histórica, Barcelona. Pages: 32.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description