Copied by two scribes: A up to fol. 81r, and B fol. 81v-84r. The final two pieces seem to be later additions. Of Spanish origin (from Barcelona or vicinity?).
E-Bbc MS 587
Biblioteca Nacional de Catalunya/Biblioteca Central, Barcelona, Spain
manuscript of polyphony: Late 16th century; after 1589?
| Archive | Biblioteca Nacional de Catalunya/Biblioteca Central, Barcelona, Spain (E-Bbc) |
|---|---|
| Shelfmark | MS 587 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 300 x 205 mm |
| Other Identifiers |
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| Notations |
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| External Links | |
| Provenance |
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| Contents | Contains 42 compositions, 37 from 14 composers, 5 are anonymous. |
General Description
Physical Description
55 folios were torn from the MS. at its opening; paper remnants between folios 10 and 11 also suggest inconsistencies in the ordering of the folios, as well as further missing folios, f. 18 belonging before f. 11 but containing also the end of an otherwise missing Magnificat. Fols 21-29 contain doodling from the 18th and 19th centuries, probably made by children
Binding
Modern parchment binding
Watermark
Latin cross in an elongated circle; 7-pointed star
Notation
black void mensural
Foliation
Modern foliation 1-84 (used here); older pencil foliation from f. 24 onwards 80-139, (showing that modern f.1 would have been f.56). f. 4v-6 blank.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
2 Masses, 1 Requiem Mass, 3 Magnificats, 3 Lamentations, 19 motets = 28
Asola-1, Coloma-2, Flecha-1, Morales-4, Palestrina-4, Terreros-1, Victoria-2, Vila-1, anon-12
84 paper folios, 300 x 205. Modern pencil foliation. Modern covers.
Late 16th century. Of Spanish origin (from Barcelona or vicinity?).
The inventory could not be loaded.
‡ denotes primary source study
Puentes-Blanco, Andrea. 2018. Música y devoción en Barcelona (ca. 1550-1626): estudio de libros de polifonía, contextos y prácticas musicales. Universitat de Barcelona, Ph. D. Pages: I:128-139, II:11-26. Notes: physical description; contents list; concordances.
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 18.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 120-1. Notes: concordances (partial); incipits (partial).
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XVII,45. Notes: mention of MS.
Anglès, Higinio. 1941. La Música Espanola desde la Edad Media hasta Nuestros Dias. Catálogo de la Exposición Histórica, Barcelona. Pages: 33. Notes: physical description; facsimile (partial).
Anglès, Higinio (editor). 1921. Catàleg de la collecció Pedrell. Publicacions del Departament de Música Biblioteca de Catalunya, vol. 2. Barcelona. Pages: no. 383.
Pedrell, Filip. 1908-9. Catàlech de la Biblioteca Musical de la Diputació de Barcelona. Barcelona. Pages: I,243-4. Notes: physical description; contents list.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description