E-Bbc MS 587 - DIAMM

E-Bbc MS 587

Biblioteca Nacional de Catalunya/Biblioteca Central, Barcelona, Spain

manuscript of polyphony: Late 16th century; after 1589?

Archive	Biblioteca Nacional de Catalunya/Biblioteca Central, Barcelona, Spain (E-Bbc)
Shelfmark	MS 587
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	300 x 205 mm
Other Identifiers	CCM: BarcBC 587 olim (Former shelfmark): PedC 383
Notations	black void mensural
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	Barcelona, Spain
Contents	42 pieces from 15 composers

General Description

Copied by two scribes: A up to fol. 81r, and B fol. 81v-84r. The final two pieces seem to be later additions. Of Spanish origin (from Barcelona or vicinity?).

Cristina Urchueguía; transl. Henry Hope, 2011

Physical Description

55 folios were torn from the MS. at its opening; paper remnants between folios 10 and 11 also suggest inconsistencies in the ordering of the folios, as well as further missing folios, f. 18 belonging before f. 11 but containing also the end of an otherwise missing Magnificat. Fols 21-29 contain doodling from the 18th and 19th centuries, probably made by children

Cristina Urchueguía; transl. Henry Hope, 2011

Binding

Modern parchment binding

Cristina Urchueguía; transl. Henry Hope, 2011

Watermark

Latin cross in an elongated circle; 7-pointed star

DIAMM, 2020

Notation

black void mensural

Cristina Urchueguía; transl. Henry Hope, 2011

Foliation

Modern foliation 1-84 (used here); older pencil foliation from f. 24 onwards 80-139, (showing that modern f.1 would have been f.56). f. 4v-6 blank.

Cristina Urchueguía; transl. Henry Hope, 2011

Surface

paper

Cristina Urchueguía; transl. Henry Hope, 2011

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Requiem Mass, 3 Magnificats, 3 Lamentations, 19 motets = 28

Asola-1, Coloma-2, Flecha-1, Morales-4, Palestrina-4, Terreros-1, Victoria-2, Vila-1, anon-12

84 paper folios, 300 x 205. Modern pencil foliation. Modern covers.

Late 16th century. Of Spanish origin (from Barcelona or vicinity?).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2	Ne timeas Maria	Victoria	Victoria, Tomas Luis de (1548–1611)
Ne timeas Maria Victoria, Tomas Luis de (1548–1611) Appears on: 1–2 Genres: Motet Source Attribution: Victoria General Note incomplete - lacks (0)v with the opening of Sup & Ten.
2v–4	Magi viderunt stellam	Victoria	Victoria, Tomas Luis de (1548–1611)
Magi viderunt stellam Victoria, Tomas Luis de (1548–1611) Appears on: 2v–4 Genres: Motet Source Attribution: Victoria
6v–8	Surrexit pastor bonus	R. Coloma	Coloma, Rafael
Surrexit pastor bonus Coloma, Rafael Appears on: 6v–8 Genres: Motet Source Attribution: R. Coloma Item Bibliography Rubio, P Samuel (editor). 1954-6. Antologia Polifònica Sacra. Madrid. Pages: I: 221-225.
8v–10	Dum sacrum misterium	R. Coloma	Coloma, Rafael
Dum sacrum misterium Coloma, Rafael Appears on: 8v–10 Genres: Motet Source Attribution: R. Coloma
10v	Salve sancta parens	"Don Marin terreros"	Terreros, Don Marin
Salve sancta parens Terreros, Don Marin Appears on: 10v Genres: Motet Source Attribution: "Don Marin terreros" General Note an ascription in the upper margin of 10v "Don Marin terreros" : possibly not a composer ascription?
18v, 11–13	Magnificat secundi toni: Et exultavit [K.915]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat secundi toni: Et exultavit [K.915] Morales, Cristóbal de (ca. 1500–1553) Appears on: 18v, 11–13 Genres: BVM, Canticle, Magnificat Source Attribution: Morales General Note the beginning of the Magnificat is on f. 18v, which should be bound before f. 11. (The other side of f.18 contains the end of another Morales magnificat.)
13v–16	Magnificat quarti toni: Et exultavit [K.917]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quarti toni: Et exultavit [K.917] Morales, Cristóbal de (ca. 1500–1553) Appears on: 13v–16 Genres: BVM, Canticle, Magnificat Source Attribution: Morales
16v–17v	Magnificat octavi toni: Anima mea [K.921]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat octavi toni: Anima mea [K.921] Morales, Cristóbal de (ca. 1500–1553) Appears on: 16v–17v Genres: BVM, Canticle, Magnificat Source Attribution: Morales General Note Incomplete, verses 1,3 5 only
18	Magnificat primi toni: Et exultavit [K.914]	-	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Et exultavit [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 18 Genres: BVM, Canticle, Magnificat General Note incomplete, only verses 10, 12 ('Sicut locutus .. Sicut erat')
19	Caro mea vere est cibus	-	Guerrero, Francisco
Caro mea vere est cibus Guerrero, Francisco Appears on: 19 Genres: Motet General Note incomplete, Altus & Bassus only.. Contains accidentals which correspond to those in Vincenti's 1589 print; this may indicate a terminus post quem for the manuscript, although it is possible a lost manuscript exemplar was used.
19v–20	Ego sum panis vivus	-	Anonymous
Ego sum panis vivus Anonymous Appears on: 19v–20 Genres: Motet
20v–21	Missa Lauda Sion: Kyrie	Joannis Prenestini	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa Lauda Sion: Kyrie Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 20v–21 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Joannis Prenestini
21v–23	Missa Lauda Sion: Gloria	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa Lauda Sion: Gloria Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 21v–23 Genres: Gloria (et in terra pax), Mass Ordinary
23v–26	Missa Lauda Sion: Credo	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa Lauda Sion: Credo Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 23v–26 Genres: Credo (patrem omnipotentem), Mass Ordinary
26v–28	Missa Lauda Sion: Sanctus	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa Lauda Sion: Sanctus Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 26v–28 Genres: Mass Ordinary, Sanctus [& Benedictus]
28v–30	Missa Lauda Sion: Agnus Dei	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa Lauda Sion: Agnus Dei Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 28v–30 Genres: Agnus Dei, Mass Ordinary
30v–42	Missa SIne nomine	-	Anonymous
Missa SIne nomine Anonymous Appears on: 30v–42 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] General Note Kyrie: ff. 30v-31; Gloria ff. 31v-33; Credo ff. 33v-38; Sanctus 38v-40; Agnus 40v-42 Concordances E-Bbc 859, ff. 123v-136
42v–43	Requiem (Missa pro defunctis): i - Requiem aeternam	Asula	Asola, Giammateo (ca. 1532–1609)
Requiem (Missa pro defunctis): i - Requiem aeternam Asola, Giammateo (ca. 1532–1609) Appears on: 42v–43 Genres: Introit, Requiem Source Attribution: Asula General Note apparently not either of the 2 Requiems in Tonkunst Schletterer 21 Concordances E-Bbc 585 (36-38) (anon in this source); MEX-MOc Leg. 189.
43v–44	Requiem (Missa pro defunctis): ii - Kyrie	-	Asola, Giammateo (ca. 1532–1609)
Requiem (Missa pro defunctis): ii - Kyrie Asola, Giammateo (ca. 1532–1609) Appears on: 43v–44 Genres: Kyrie eleison, Mass Ordinary, Requiem
44v–45	Requiem (Missa pro defunctis): iii - Requiem aeternam	-	Asola, Giammateo (ca. 1532–1609)
Requiem (Missa pro defunctis): iii - Requiem aeternam Asola, Giammateo (ca. 1532–1609) Appears on: 44v–45 Genres: Gradual, Requiem
45v–47	Requiem (Missa pro defunctis): iv - [Domine Jesu Christe] Rex gloriae	-	Asola, Giammateo (ca. 1532–1609)
Requiem (Missa pro defunctis): iv - [Domine Jesu Christe] Rex gloriae Asola, Giammateo (ca. 1532–1609) Appears on: 45v–47 Genres: Offertory, Requiem
47v–48	Requiem (Missa pro defunctis): v - Sanctus	-	Asola, Giammateo (ca. 1532–1609)
Requiem (Missa pro defunctis): v - Sanctus Asola, Giammateo (ca. 1532–1609) Appears on: 47v–48 Genres: Mass Ordinary, Requiem, Sanctus [& Benedictus]
48v–49	Requiem (Missa pro defunctis): vi - Agnus Dei	-	Asola, Giammateo (ca. 1532–1609)
Requiem (Missa pro defunctis): vi - Agnus Dei Asola, Giammateo (ca. 1532–1609) Appears on: 48v–49 Genres: Agnus Dei, Mass Ordinary, Requiem
49v–50	Requiem (Missa pro defunctis): vii - Lux aeterna	-	Asola, Giammateo (ca. 1532–1609)
Requiem (Missa pro defunctis): vii - Lux aeterna Asola, Giammateo (ca. 1532–1609) Appears on: 49v–50 Genres: Communion, Requiem
50v–60	Missa pro defunctis	-	Anonymous
Missa pro defunctis Anonymous Appears on: 50v–60 Genres: Agnus Dei, Communion, Gradual, Introit, Kyrie eleison, Offertory, Requiem, Sanctus [& Benedictus] General Note Introit ff. 50v-51; Kyrie ff. 51v-52; Gradual ff. 52v-54; Offertory ff. 54v-57; Sanctus ff. 57v-58; Agnus ff. 58v-59; Communion ff. 59v-60
60v–61	Peccantem me quotidie	-	Maillard, Jean (fl. c1538–1570)
Peccantem me quotidie Maillard, Jean (fl. c1538–1570) Appears on: 60v–61 Genres: Motet
61v–62	Domine quando veneris II. Commissa mea pavesco	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Domine quando veneris II. Commissa mea pavesco Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 61v–62 Genres: Motet
63v–65	Super flumina Babylonis	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Super flumina Babylonis Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 63v–65 Genres: Motet
64v–65	Adoramus te Christe	-	Anonymous
Adoramus te Christe Anonymous Appears on: 64v–65 Genres: Motet
65v–66	Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	-	Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 65v–66 Genres: Motet
66v–67	Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?) Appears on: 66v–67 Genres: Motet
67v–68	O vos omnes qui transitis	-	Victoria, Tomas Luis de (1548–1611)
O vos omnes qui transitis Victoria, Tomas Luis de (1548–1611) Appears on: 67v–68 Genres: Motet
68v–69	In passione positus	-	Anonymous
In passione positus Anonymous Appears on: 68v–69 Genres: Motet
69v–71	Vere languores nostros	-	Victoria, Tomas Luis de (1548–1611)
Vere languores nostros Victoria, Tomas Luis de (1548–1611) Appears on: 69v–71 Genres: Motet
71v–72	Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe	-	Morales, Cristóbal de (ca. 1500–1553)
Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe Morales, Cristóbal de (ca. 1500–1553) Appears on: 71v–72 Genres: Motet
72v–74	Ad Dominum cum tribularer II. Sagittae potentis	-	Palestrina, Giovanni Pierluigi da (1525–1594)
Ad Dominum cum tribularer II. Sagittae potentis Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 72v–74 Genres: Motet
74v–76	Lamentations bk.1/1 - Incipit lamentatio - Aleph. Quomodo sedet - Beth. Plorans ploravit - Jerusalem convertere	Prenestini	Palestrina, Giovanni Pierluigi da (1525–1594)
Lamentations bk.1/1 - Incipit lamentatio - Aleph. Quomodo sedet - Beth. Plorans ploravit - Jerusalem convertere Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 74v–76 Genres: Lamentations Source Attribution: Prenestini
76v–78	Lamentations bk.1/4 - De lamentatione Jeremiae prophetae - Heth. Cogitavit - Teth. Defixae sunt - Jerusalem convertere	(anon)	Palestrina, Giovanni Pierluigi da (1525–1594)
Lamentations bk.1/4 - De lamentatione Jeremiae prophetae - Heth. Cogitavit - Teth. Defixae sunt - Jerusalem convertere Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 76v–78 Genres: Lamentations Source Attribution: (anon)
78v–80	Lamentations bk.1/7 - De lamentatione - Heth. Misericordiae - Teth. Bonus est - Jerusalem convertere	Ioannis prenestini	Palestrina, Giovanni Pierluigi da (1525–1594)
Lamentations bk.1/7 - De lamentatione - Heth. Misericordiae - Teth. Bonus est - Jerusalem convertere Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 78v–80 Genres: Lamentations Source Attribution: Ioannis prenestini
80v–81	Vexilla regis	[Petrus Beulot]	Beulo [Beulot], Pere
Vexilla regis Beulo [Beulot], Pere Appears on: 80v–81 Genres: Hymn Source Attribution: [Petrus Beulot] Concordances E-Boc 59, ff. 130v-131 'Petrus Beulot' Item Bibliography Mazuela-Anguita, Ascensión. 2018. The contribution of the Requesens noblewomen to the soundscape of sixteenth-century Barcelona through the Palau de la Comtessa. Hearing the city in early modern Europe, 197-218. Turnhout, Belgium: Brepols. Pages: 216-217. Notes: edition based on E-Boc 59.
81v–84	Miserere	Flecha	Flecha, Matheo
Miserere Flecha, Matheo Appears on: 81v–84 Genres: Motet Source Attribution: Flecha General Note Puentes-Blanco suggests Flecha "the younger(?)"; hispanicpolyphony "the elder". GomezMF (see bibliography) temporises, suggesting that neither is a very good fit stylistically, but leans towards the elder. Item Bibliography Gomez, Maria del Carmen. 1986. Un "Miserere" de Flecha. Edición y breve comentario. Recerca Musicologica, 29-39.
84v	Vexilla regis	Orich [and] Vila	Vila, Alberch i Ferrament Orich, Juan
Vexilla regis Vila, Alberch i Ferrament Orich, Juan Appears on: 84v Genres: Motet Source Attribution: Orich [and] Vila General Note It appears this is a 4vv piece by Vila with a 5th voice by Orich. The parts are annotated "Orich a 5 cantus", "Vila a 4" (altus),"Tenor i a 5", "tenor 2 a 5", "Vila tenor a 4".

Composer	Compositions
Anonymous	Adoramus te Christe – 64v–65 Ego sum panis vivus – 19v–20 In passione positus – 68v–69 Missa SIne nomine – 30v–42 Missa pro defunctis – 50v–60
Asola, Giammateo (ca. 1532–1609)	Requiem (Missa pro defunctis): i - Requiem aeternam – 42v–43 Requiem (Missa pro defunctis): ii - Kyrie – 43v–44 Requiem (Missa pro defunctis): iii - Requiem aeternam – 44v–45 Requiem (Missa pro defunctis): iv - [Domine Jesu Christe] Rex gloriae – 45v–47 Requiem (Missa pro defunctis): v - Sanctus – 47v–48 Requiem (Missa pro defunctis): vi - Agnus Dei – 48v–49 Requiem (Missa pro defunctis): vii - Lux aeterna – 49v–50
Beulo [Beulot], Pere	Vexilla regis – 80v–81
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	(?) Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 65v–66 (?) Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 66v–67
Coloma, Rafael	Dum sacrum misterium – 8v–10 Surrexit pastor bonus – 6v–8
Flecha, Matheo	Miserere – 81v–84
Guerrero, Francisco	Caro mea vere est cibus – 19
Maillard, Jean (fl. c1538–1570)	Peccantem me quotidie – 60v–61
Manchicourt, Pierre de	(?) Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te – 65v–66 (?) Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris – 66v–67
Morales, Cristóbal de (ca. 1500–1553)	Magnificat octavi toni: Anima mea [K.921] – 16v–17v Magnificat primi toni: Et exultavit [K.914] – 18 Magnificat quarti toni: Et exultavit [K.917] – 13v–16 Magnificat secundi toni: Et exultavit [K.915] – 18v, 11–13 Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe – 71v–72
Orich, Juan	Vexilla regis – 84v
Palestrina, Giovanni Pierluigi da (1525–1594)	Ad Dominum cum tribularer II. Sagittae potentis – 72v–74 Domine quando veneris II. Commissa mea pavesco – 61v–62 Lamentations bk.1/1 - Incipit lamentatio - Aleph. Quomodo sedet - Beth. Plorans ploravit - Jerusalem convertere – 74v–76 Lamentations bk.1/4 - De lamentatione Jeremiae prophetae - Heth. Cogitavit - Teth. Defixae sunt - Jerusalem convertere – 76v–78 Lamentations bk.1/7 - De lamentatione - Heth. Misericordiae - Teth. Bonus est - Jerusalem convertere – 78v–80 Missa Lauda Sion: Agnus Dei – 28v–30 Missa Lauda Sion: Credo – 23v–26 Missa Lauda Sion: Gloria – 21v–23 Missa Lauda Sion: Kyrie – 20v–21 Missa Lauda Sion: Sanctus – 26v–28 Super flumina Babylonis – 63v–65
Terreros, Don Marin	Salve sancta parens – 10v
Victoria, Tomas Luis de (1548–1611)	Magi viderunt stellam – 2v–4 Ne timeas Maria – 1–2 O vos omnes qui transitis – 67v–68 Vere languores nostros – 69v–71
Vila, Alberch i Ferrament	Vexilla regis – 84v

Composition	Composers (? Uncertain)	Folios / Pages
Ad Dominum cum tribularer II. Sagittae potentis	Palestrina, Giovanni Pierluigi da (1525–1594)	72v–74
Adoramus te Christe	Anonymous	64v–65
Caro mea vere est cibus	Guerrero, Francisco	19
Domine quando veneris II. Commissa mea pavesco	Palestrina, Giovanni Pierluigi da (1525–1594)	61v–62
Dum sacrum misterium	Coloma, Rafael	8v–10
Ego sum panis vivus	Anonymous	19v–20
In passione positus	Anonymous	68v–69
Lamentations bk.1/1 - Incipit lamentatio - Aleph. Quomodo sedet - Beth. Plorans ploravit - Jerusalem convertere	Palestrina, Giovanni Pierluigi da (1525–1594)	74v–76
Lamentations bk.1/4 - De lamentatione Jeremiae prophetae - Heth. Cogitavit - Teth. Defixae sunt - Jerusalem convertere	Palestrina, Giovanni Pierluigi da (1525–1594)	76v–78
Lamentations bk.1/7 - De lamentatione - Heth. Misericordiae - Teth. Bonus est - Jerusalem convertere	Palestrina, Giovanni Pierluigi da (1525–1594)	78v–80
Magi viderunt stellam	Victoria, Tomas Luis de (1548–1611)	2v–4
Magnificat octavi toni: Anima mea [K.921]	Morales, Cristóbal de (ca. 1500–1553)	16v–17v
Magnificat primi toni: Et exultavit [K.914]	Morales, Cristóbal de (ca. 1500–1553)	18
Magnificat quarti toni: Et exultavit [K.917]	Morales, Cristóbal de (ca. 1500–1553)	13v–16
Magnificat secundi toni: Et exultavit [K.915]	Morales, Cristóbal de (ca. 1500–1553)	18v, 11–13
Miserere	Flecha, Matheo	81v–84
Missa Lauda Sion: Agnus Dei	Palestrina, Giovanni Pierluigi da (1525–1594)	28v–30
Missa Lauda Sion: Credo	Palestrina, Giovanni Pierluigi da (1525–1594)	23v–26
Missa Lauda Sion: Gloria	Palestrina, Giovanni Pierluigi da (1525–1594)	21v–23
Missa Lauda Sion: Kyrie	Palestrina, Giovanni Pierluigi da (1525–1594)	20v–21
Missa Lauda Sion: Sanctus	Palestrina, Giovanni Pierluigi da (1525–1594)	26v–28
Missa pro defunctis	Anonymous	50v–60
Missa SIne nomine	Anonymous	30v–42
Ne timeas Maria	Victoria, Tomas Luis de (1548–1611)	1–2
O vos omnes qui transitis	Victoria, Tomas Luis de (1548–1611)	67v–68
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te	Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	65v–66
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Manchicourt, Pierre de (?)	66v–67
Peccantem me quotidie	Maillard, Jean (fl. c1538–1570)	60v–61
Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe	Morales, Cristóbal de (ca. 1500–1553)	71v–72
Requiem (Missa pro defunctis): i - Requiem aeternam	Asola, Giammateo (ca. 1532–1609)	42v–43
Requiem (Missa pro defunctis): ii - Kyrie	Asola, Giammateo (ca. 1532–1609)	43v–44
Requiem (Missa pro defunctis): iii - Requiem aeternam	Asola, Giammateo (ca. 1532–1609)	44v–45
Requiem (Missa pro defunctis): iv - [Domine Jesu Christe] Rex gloriae	Asola, Giammateo (ca. 1532–1609)	45v–47
Requiem (Missa pro defunctis): v - Sanctus	Asola, Giammateo (ca. 1532–1609)	47v–48
Requiem (Missa pro defunctis): vi - Agnus Dei	Asola, Giammateo (ca. 1532–1609)	48v–49
Requiem (Missa pro defunctis): vii - Lux aeterna	Asola, Giammateo (ca. 1532–1609)	49v–50
Salve sancta parens	Terreros, Don Marin	10v
Super flumina Babylonis	Palestrina, Giovanni Pierluigi da (1525–1594)	63v–65
Surrexit pastor bonus	Coloma, Rafael	6v–8
Vere languores nostros	Victoria, Tomas Luis de (1548–1611)	69v–71
Vexilla regis	Beulo [Beulot], Pere	80v–81
Vexilla regis	Vila, Alberch i Ferrament Orich, Juan	84v

‡ denotes primary source study

Puentes-Blanco, Andrea. 2018. Música y devoción en Barcelona (ca. 1550-1626): estudio de libros de polifonía, contextos y prácticas musicales. Universitat de Barcelona, Ph. D. Pages: I:128-139, II:11-26. Notes: physical description; contents list; concordances.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 18.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 120-1. Notes: concordances (partial); incipits (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XVII,45. Notes: mention of MS.

Anglès, Higinio. 1941. La Música Espanola desde la Edad Media hasta Nuestros Dias. Catálogo de la Exposición Histórica, Barcelona. Pages: 33. Notes: physical description; facsimile (partial).

Anglès, Higinio (editor). 1921. Catàleg de la collecció Pedrell. Publicacions del Departament de Música Biblioteca de Catalunya. Barcelona. Pages: no. 383.

Pedrell, Filip. 1908-9. Catàlech de la Biblioteca Musical de la Diputació de Barcelona. Barcelona. Pages: I,243-4. Notes: physical description; contents list.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description