D-As Tonkunst Schletterer 273

Staats- und Stadtbibliothek, Augsburg, Germany

printed partbook with manuscript additions: late 16th century

Archive Staats- und Stadtbibliothek, Augsburg, Germany (D-As)
Shelfmark Tonkunst Schletterer 273
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 155 x 210 mm
Other Identifiers
  • CCM: AugsS 273-8
  • olim (Former shelfmark): SchlettKK 452-454
Notations
  • black void mensural
External Links
External Authorities
Provenance
  • Bavaria, Germany
Contents 71 pieces from 12 composers
General Description

A Discantus partbook from a set of 6, each consisting of a series of Lassus prints (including RISM L815, L816, L820, L832, L833, and several others dating from 1568-1572), with manuscript additions. Copied by one main scribe; the last three pieces are in a later hand.

DIAMM, 2023
Extent

D-64, A-69, T-49, B-59, Q-55, S-31 folios.

DIAMM, 2023
Physical Description

A number of leaves have been lost from the rear of this book, leaving 7 of the last 8 pieces incomplete. GottA's foliation shows that the pages are missing, although the catalogue makes no other reference to this.

DIAMM, 2023
Binding

Original covers of tan leather with voice designations impressed in gold; remnants of leather ties.

DIAMM, 2023
Watermark

Multiple Augsburg watermarks indicate that the paper for most of the music dates from c1571, that of the final three pieces is from c1598.

DIAMM, 2023
Notation

black void mensural

DIAMM, 2017
Foliation

Modem foliation

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

45 motets

(Clemens non Papa)-1, Erbach-3, (C. Hollander)-1, Lassus-20, (Palestrina)-1, (Utendal)-2, (Vaet)-2, Wert-1, anon-14

6 paper partbooks, each consisting of a series of Lassus prints (including RISM L815, L816, L820, L832, L833, and several others), with manuscript additions (D-64 folios, A-69, T-59, B-59, Q-59, S-31), 155 x 210. Modem foliation. Original covers of tan leather with voice designations impressed in gold; remnants of leather ties. No index. Copied by one main scribe; the last three pieces are in a later hand.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–2 In illo tempore dixit Jesus -
Appears on: 1v–2
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore dixit Jesus
2v–3 Jam non dicam - 1a pars (of 2): Jam non dicam vos servos -
Appears on: 2v–3
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Jam non dicum vos servos
3v–4 Jam non dicam - 2a pars (of 2): Accipite spiritum -
Appears on: 3v–4
Genres: Motet
4v Quam magnificata - 1a pars (of 2): Quam magnificata sunt opera tua Domine -
Appears on: 4v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quam magnificata sunt
General Note

(II. Beatus homo)

5 Quam magnificata - 2a pars (of 2): Beatus homo quem tu eruderis Domine -
Appears on: 5
Genres: Motet
5v–6 Fremuit spiritu Jesu - 1a pars (of 2): Fremuit spiritu Jesu -
Appears on: 5v–6
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Fremuit spiritus Jesu
General Note

(II. Videns dominus flentes) (Sexta vox: Lazare veni foras)

6v–7 Fremuit spiritu Jesu - 2a pars (of 2): Videns Dominus flentes -
Appears on: 6v–7
Genres: Motet
7v Da pacem Domine (6vv, LV 63) -
Appears on: 7v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem
8 Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me -
Appears on: 8
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Timor et tremor
General Note

(II. Exaudi dominus)

8v Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam -
Appears on: 8v
Genres: Motet
9–9v Postquam consumati essent -
Appears on: 9–9v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Postquam consumati essent
10–10v Puer natus est nobis - 1a pars (of 2): Puer natus est nobis -
Appears on: 10–10v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis
General Note

(II. Postquam consumati)

10v–11 Puer natus est nobis - 2a pars (of 2): Postquam consummati sunt -
Appears on: 10v–11
Genres: Motet
11–12 Tres veniunt reges parva ad praesepia -
Appears on: 11–12
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tres veniunt reges
12–13 Postquam completi sunt - 1a pars (of 2): Postquam completi sunt dies purificationis -
Appears on: 12–13
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Postquam completi sunt
General Note

(II. Nunc dimittis) (Sexta vox: Sancta Maria ora)

13–13v Postquam completi sunt - 2a pars (of 2): Nunc dimittis servum tuum Domine -
Appears on: 13–13v
Genres: Motet
13v–14v Surgens Jesus - 1a pars (of 2): Surgens Jesus Dominus noster stans in medio -
Appears on: 13v–14v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surgens Jesu dominus
General Note

(II. Surrexit dominus)

14v–15 Surgens Jesus - 2a pars (of 2): Surrexit Dominus de sepulchro -
Appears on: 14v–15
Genres: Motet
15v–16 In dedicatione templi - 1a pars (of 2): In dedicatione templi decantabat populus -
Appears on: 15v–16
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In dedicatione templi
General Note

(II. Hec est domus)

16–17 In dedicatione templi - 2a pars (of 2): Haec est domus Domini firmiter -
Appears on: 16–17
Genres: Motet
17–18 Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes -
Appears on: 17–18
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies
General Note

(II. Dum ergo essent)

18–18v Dum complerentur - 2a pars (of 2): Dum ergo essent in unum -
Appears on: 18–18v
Genres: Motet
18v–19 Salve regina mater misericordiae - Anonymous
Appears on: 18v–19
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
19v–20 Regina caeli laetare - Anonymous
Appears on: 19v–20
Genres: Motet, Regina caeli laetare
Voice: [no designation]
Languages: Latin
Voice Text: Regina coeli laetare
20–20v Alma redemptoris mater - Anonymous
Appears on: 20–20v
Genres: Alma redemptoris mater, BVM, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater
21–21v Ave regina caelorum - Anonymous
Appears on: 21–21v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alma regina coelorum
21v–22v Domine Dominus noster quam admirabile est (6vv) Orlan: de Lasso
Appears on: 21v–22v
Genres: Motet
Source Attribution: Orlan: de Lasso
Voice: [no designation]
Languages: Latin
Voice Text: Domine dominus noster
22v–23 Ecce sacerdos magnus - Anonymous
Appears on: 22v–23
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce sacerdos magnus
23–23v Crucem tuam adoramus - Anonymous
Appears on: 23–23v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Crucem tuam adoramus
24–24v Curremus in odorem - 1a pars (of 2): Curremus in odorem - Anonymous
Appears on: 24–24v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Curremus in odorem
General Note

(II. Abiit Maria)

24v–25v Curremus in odorem - 2a pars (of 2): Abiit Maria cum festinatione - Anonymous
Appears on: 24v–25v
Genres: Motet
26–27v [blank staves] - -

[blank staves]

Appears on: 26–27v
28–30 [blank pages] - -

[blank pages]

Appears on: 28–30
30v–31 Si bene perpendi -
Appears on: 30v–31
Genres: Motet
Voice: [no designation]
Languages: Italian
Voice Text: Si bene perpendi
31v–32 Domine non est - 1a pars (of 2): Domine non est exaltatum -
Appears on: 31v–32
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domine non est
General Note

(II. Sicut ablactus est)

32v–33 Domine non est - 2a pars (of 2): Sicut ablactatus est -
Appears on: 32v–33
Genres: Motet
33v–34 Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus -
Appears on: 33v–34
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gustate et videte
General Note

(II. Divites eguerunt)

34v–35 Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes -
Appears on: 34v–35
Genres: Motet
35v–36 Heu mihi Domine -
Appears on: 35v–36
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Heu mihi domine
36v Quam benignus es - 1a pars (of 2): Quam benignus es O Domine Deus omnibus -
Appears on: 36v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quam benignus es
37 Quam benignus es - 2a pars (of 2): O beatum hominem cui tu protectores -
Appears on: 37
Genres: Motet
37v–38 Peccavi quid faciam tibi O custos -
Appears on: 37v–38
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccavi quid faciam
38v Contere Domine - 1a pars (of 2): Contere Domine - Anonymous
Appears on: 38v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Contere domine
General Note

(II. Cognoscant quia non) (Altus: Jesus Nazarenus)

39 Contere Domine - 2a pars (of 2): Cognoscant quia non - Anonymous
Appears on: 39
Genres: Motet
39v–40 Dixerunt discipuli - 1a pars (of 2): Dixerunt discipuli ad beatum Martinum Orlan: di Las:
Appears on: 39v–40
Genres: Motet
Source Attribution: Orlan: di Las:
Voice: [no designation]
Languages: Latin
Voice Text: Dixerunt discipuli
General Note

(II. Domine si adhuc)

40–40v Dixerunt discipuli - 2a pars (of 2): Domine si adhuc populo tuo -
Appears on: 40–40v
Genres: Motet
40v–41 Martini festum celebremus - 1a pars (of 2): Martini festum celebremus Orlan: di Las:
Appears on: 40v–41
Genres: Motet
Source Attribution: Orlan: di Las:
Voice: [no designation]
Languages: Latin
Voice Text: Martini festum
General Note

(II. Domine si adhuc)

41–41v Martini festum celebremus - 2a pars (of 2): Plebs igitur concors -
Appears on: 41–41v
Genres: Motet
42–43 Congratulamini nunc ... Maria die Zart Junckhfrau - Anonymous
Appears on: 42–43
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini nunc
General Note

(II. Maria die Zart Junckhfrau)

43v–45 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant -
Appears on: 43v–45
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena
General Note

(II. Cito euntes)

45–46 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 45–46
Genres: Motet
46–47 O sacrum convivium in quo Christus sumitur Jaches de Werdt
Appears on: 46–47
Genres: Motet
Source Attribution: Jaches de Werdt
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium
47 Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio -
Appears on: 47
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tibi laus tibi gloria
General Note

(II. Da gaudiorum)

47v Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera -
Appears on: 47v
Genres: Motet
48–48v Euge serve bone - 1a pars (of 2): Euge serve bone et fidelis quia in pauca -
Appears on: 48–48v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Euge serve bone
General Note

(II. Domine quinque)

48v–49 Euge serve bone - 2a pars (of 2): Domine quinque talenta tradidisti -
Appears on: 48v–49
Genres: Motet
49–49v Salve festa dies - 1a pars (of 2): Salve festa dies toto venerabilis aevo -
Appears on: 49–49v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Salve festa dies
General Note

(II. Quos prius Eva)

49v–50 Salve festa dies - 2a pars (of 2): Quos prius Eva nocens infecerat hos -
Appears on: 49v–50
Genres: Motet
50v–51v Salve regina mater misericordiae - Anonymous
Appears on: 50v–51v
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
52–54v [blank staves] - -

[blank staves]

Appears on: 52–54v
55–56 [blank pages] - -

[blank pages]

Appears on: 55–56
56v–57 Amen dico vobis Qui sermonem meum -
Appears on: 56v–57
Genres: Motet
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Amen dico vobis
General Note

loss of pages in Tenor has left this and the next 6 pieces incomplete

57v–58 Quasi cedrus exaltata -
Appears on: 57v–58
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Quasi cedrus exultata
58v Laetentur caeli - 1a pars (of 2): Laetentur caeli et exultet terra commoveantur -
Appears on: 58v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Laetentur coeli et exultet
General Note

(II. Tunc exultabunt

59 Laetentur caeli - 2a pars (of 2): Tunc exultabunt omnia ligna silvarum -
Appears on: 59
Genres: Motet
59v–60 Proba me Deus -
Appears on: 59v–60
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Proba me deus
60v–61 Bestia curvafia pulices -
Appears on: 60v–61
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Bestia curvafia pulices
61v–62 Salve regina mater misericordiae Christianus Erbach
Appears on: 61v–62
Genres: Motet, Salve Regina
Source Attribution: Christianus Erbach
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
62v–63 Ave regina caelorum C.E. (= Erbach)
Appears on: 62v–63
Genres: Motet
Source Attribution: C.E. (= Erbach)
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina coelorum
63v [blank staves] - -

[blank staves]

Appears on: 63v
64–inside rear cover Alma redemptoris mater C.E. (= Erbach)
Appears on: 64–inside rear cover
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: C.E. (= Erbach)
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater
General Note

continues onto the leaf pasted to the inside of the rear cover. Not copied in the Bassus, so incomplete

Composer Compositions
Anonymous
Buissons, Michael Charles des (fl. 1560–70)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Erbach, Christian (ca. 1568–1635)
Hollander, Christian
Lassus, Orlande de (ca. 1532–1594)
Palestrina, Giovanni Pierluigi da (1525–1594)
Regnart, Jacob (ca. 1540–1599)
Trehou, Gregorius
Utendal, Alexander (ca. 1530–1581)
Vaet, Jacobus (ca. 1529–ca. 1567)
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Alma redemptoris mater Anonymous 20–20v
Alma redemptoris mater 64–inside rear cover
Amen dico vobis Qui sermonem meum 56v–57
Ave regina caelorum Anonymous 21–21v
Ave regina caelorum 62v–63
Bestia curvafia pulices 60v–61
Congratulamini nunc ... Maria die Zart Junckhfrau Anonymous 42–43
Contere Domine - 1a pars (of 2): Contere Domine Anonymous 38v
Contere Domine - 2a pars (of 2): Cognoscant quia non Anonymous 39
Crucem tuam adoramus Anonymous 23–23v
Curremus in odorem - 1a pars (of 2): Curremus in odorem Anonymous 24–24v
Curremus in odorem - 2a pars (of 2): Abiit Maria cum festinatione Anonymous 24v–25v
Da pacem Domine (6vv, LV 63) 7v
Dixerunt discipuli - 1a pars (of 2): Dixerunt discipuli ad beatum Martinum 39v–40
Dixerunt discipuli - 2a pars (of 2): Domine si adhuc populo tuo 40–40v
Domine Dominus noster quam admirabile est (6vv) 21v–22v
Domine non est - 1a pars (of 2): Domine non est exaltatum 31v–32
Domine non est - 2a pars (of 2): Sicut ablactatus est 32v–33
Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes 17–18
Dum complerentur - 2a pars (of 2): Dum ergo essent in unum 18–18v
Ecce sacerdos magnus Anonymous 22v–23
Euge serve bone - 1a pars (of 2): Euge serve bone et fidelis quia in pauca 48–48v
Euge serve bone - 2a pars (of 2): Domine quinque talenta tradidisti 48v–49
Fremuit spiritu Jesu - 1a pars (of 2): Fremuit spiritu Jesu 5v–6
Fremuit spiritu Jesu - 2a pars (of 2): Videns Dominus flentes 6v–7
Gustate et videte - 1a pars (of 2): Gustate et videte quoniam suavis est Dominus 33v–34
Gustate et videte - 2a pars (of 2): Divites eguerunt et esurierunt inquirentes 34v–35
Heu mihi Domine 35v–36
In dedicatione templi - 1a pars (of 2): In dedicatione templi decantabat populus 15v–16
In dedicatione templi - 2a pars (of 2): Haec est domus Domini firmiter 16–17
In illo tempore dixit Jesus 1v–2
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos 2v–3
Jam non dicam - 2a pars (of 2): Accipite spiritum 3v–4
Laetentur caeli - 1a pars (of 2): Laetentur caeli et exultet terra commoveantur 58v
Laetentur caeli - 2a pars (of 2): Tunc exultabunt omnia ligna silvarum 59
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 43v–45
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 45–46
Martini festum celebremus - 1a pars (of 2): Martini festum celebremus 40v–41
Martini festum celebremus - 2a pars (of 2): Plebs igitur concors 41–41v
O sacrum convivium in quo Christus sumitur 46–47
Peccavi quid faciam tibi O custos 37v–38
Postquam completi sunt - 1a pars (of 2): Postquam completi sunt dies purificationis 12–13
Postquam completi sunt - 2a pars (of 2): Nunc dimittis servum tuum Domine 13–13v
Postquam consumati essent 9–9v
Proba me Deus 59v–60
Puer natus est nobis - 1a pars (of 2): Puer natus est nobis 10–10v
Puer natus est nobis - 2a pars (of 2): Postquam consummati sunt 10v–11
Quam benignus es - 1a pars (of 2): Quam benignus es O Domine Deus omnibus 36v
Quam benignus es - 2a pars (of 2): O beatum hominem cui tu protectores 37
Quam magnificata - 1a pars (of 2): Quam magnificata sunt opera tua Domine 4v
Quam magnificata - 2a pars (of 2): Beatus homo quem tu eruderis Domine 5
Quasi cedrus exaltata 57v–58
Regina caeli laetare Anonymous 19v–20
Salve festa dies - 1a pars (of 2): Salve festa dies toto venerabilis aevo 49–49v
Salve festa dies - 2a pars (of 2): Quos prius Eva nocens infecerat hos 49v–50
Salve regina mater misericordiae Anonymous 18v–19
Salve regina mater misericordiae Anonymous 50v–51v
Salve regina mater misericordiae 61v–62
Si bene perpendi 30v–31
Surgens Jesus - 1a pars (of 2): Surgens Jesus Dominus noster stans in medio 13v–14v
Surgens Jesus - 2a pars (of 2): Surrexit Dominus de sepulchro 14v–15
Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio 47
Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera 47v
Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me 8
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam 8v
Tres veniunt reges parva ad praesepia 11–12

Set: Tonkunst Schletterer 273-278

Type: Partbooks

No images available

D-As Tonkunst Schletterer 273

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D-As Tonkunst Schletterer 274

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D-As Tonkunst Schletterer 275

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D-As Tonkunst Schletterer 276

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D-As Tonkunst Schletterer 277

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D-As Tonkunst Schletterer 278

denotes primary source study

Gottwald, Clytus. 1974. Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg. Handschriftenkataloge der Staats- und Stadtbibliothek Augsburg.  Wiesbaden. Pages: 175-81. Notes: physical description; contents list; concordances.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Foliation Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description